[Write On Wednesday] The One Thing They’d Notice

Today’s prompt was inspired by an exercise in Donald Maass’s latest book The Emotional Craft of Fiction. You can find the whole exercise on p.22 of that book.

The Prompt

Write a story featuring two characters in the same location. Pick a detail that only your protagonist would notice and weave it into the story. 

Tips

Continue reading “[Write On Wednesday] The One Thing They’d Notice”

SWAGr – Accountability for August 2017

Every month we gather here to discuss what we’ve achieved and commit to making more progress in our creative lives in the coming month. We call it our   Serious Writer’s Accountability Group or SWAGr, for short! (We’re serious, not sombre!)

What people are saying about StoryADayMay 2014

Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.

(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)

Did you live up to your commitment from last month? Don’t remember what you promised to do? Check out the comments from last month. Continue reading “SWAGr – Accountability for August 2017”

084 – Write About A Writer – the last prompt of StoryADay May 2017

in today’s prompt, you get a chance to write about a writer. This is not something I suggest often, but I think you’ve earned it.

Also: news about StoryFest 2017 (http://storyaday.org/storyfest-2017)

 

Find more about this prompt: http://storyaday.org/20170531-writer/

Another new episode of Write Every Day, Not “Some Day”

WritersBloxx – A Box Of Story Prompts Disguised As A Game

An Interview with Gary Zenker

WritersBloxx box contents
WritersBloxx on Kickstarter

One of the best things about plugging into the writing community — online and off—is that you find yourself surrounded by people with creative and innovative ideas that spark your creativity as well as their own.

One such person is Gary Zenker who is, among other things, a writer and a game designer.

Gary’s new storytelling game, WritersBloxx is the perfect tool for StoryADay writers, who already enjoy writing prompts and want to be more productive. Continue reading “WritersBloxx – A Box Of Story Prompts Disguised As A Game”

SWAGr – Accountability for July 2017

Every month we gather here to discuss what we’ve achieved and commit to making more progress in our creative lives in the coming month. We call it our   Serious Writer’s Accountability Group or SWAGr, for short! (We’re serious, not sombre!)

What people are saying about StoryADayMay 2014

Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.

(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)

Did you live up to your commitment from last month? Don’t remember what you promised to do? Check out the comments from last month. Continue reading “SWAGr – Accountability for July 2017”

Write on Wednesday – Quick Story Formula

This is an awesome way to quickly launch (and finish) a new story, any time you have time to write but are short on inspiration. Try it!

green chalkboard with mathematical formulae

Use this story formula to to create an interesting character, give them a desire, kick off some intriguing action and plan the kind of resolution you want.

Once you have that skeleton, you can start filling in colorful details…and soon your creative brain will be demanding you start to write!

The Prompt

A _______ (adjective) ________(noun), who _________(verb) ___________(subject), then _________(related verb) __________(resolution)

TIPS

  • Using these kinds of limits short-circuits your inner editor and makes ‘writing a story’ seem much more manageable. Just take it step by step.
  • Make sure you give your character an adjective that implies some desire (e.g. ‘ambitious’ not ‘young’; or ‘contented’ – which implies that their desire is for the status quo to remain unchanged)
  • Use the middle set of blanks to kick off the action (use a verb that implies change: “discovers”, “uncovers”, “decides”, “is forced to”, “commits to”, “resists”, “invents”, “journeys”)
  • Use the final set of blanks to define what kind of ending you want. Will it be a happy ending? Will it be bittersweet? Will your character achieve their desire or lose it? Will they learn something or not?
  • Paint the big picture first (e.g. A “dissatisfied woman”, who “uncovers something about a rival”, then “uses that knowledge to get what she wants”, or “discovers she has everything she needs, all ready”)
  • Now add some details and desires. Think about what would be fun/exciting/engaging for you to write about (e.g. “An ambitious mommy-blogger”, who “finds out her biggest rival has been lying on her blog”, then “uses that knowledge to ruin her rival and make her own blog successful”, or “realizes how shallow her ambitions had been and decides to refocus”)
  • Next, add even more detail, with desires, needs, colorful details. You don’t have to fill in any details of *how* the resolution comes about, just the overall thrust of it.
  • Don’t worry that your story will be formulaic. The originality comes in the details you choose, the characters you create and the situations you dream up for them. You and I could both use my mommy-blogger idea and I guarantee you our stories would be wildly different.
  • Try writing different options for each of the sets of blanks. If you don’t love your first ending option, try something different. If your character’s adjective makes her unappealing to you, try a different one.
  • Going through this exercise helps keep your story on track. If you know, at the start, how you want the story to end (even if you don’t know the details of how you’ll make that happen), it limits your choices, and lets you choose between three or four sets of action for your character. Knowing whether you want it to be a happy ending or a bitter one, makes it much easier to decide on the types of choices you make (N. B. Neither is inherently better. It all depends on what you enjoy reading/writing and what kind of audience you want to attract).
  • Don’t be afraid of this, if you’re a ‘pantser’. This is not a restrictive outline that will constrain your creativity. Rather, it is a set of guideposts that will get you where you want to be (i.e. at the end of a satisfying story).

If you’re intrigued by this, sign up to find out when I release a new mini-course that will take you through this exact process — with examples and resources to help. (Get the StoryADay Creativity Bundle for free, as soon as you sign up.)

 

Write On Wednesday – After The Happily Ever After

How many times have you made a change in your life, only to backslide? Do you ever wonder will happen to a story’s character after the credits have rolled?
Happily Ever After show at Magic Kingdom

The story is over when the character has mastered the challenge. But the story, for your character, is not really over. They live their life, in the shadow of everything that came before.

The Prompt

Write the story of a character’s NEXT struggle, after the ‘happily ever after’

Tips

  • You could take a character from someone else’s stories, or from a folk tale (write a sequel to Cinderella or Gone Girl)
  • You could write the sequel to a story you’ve written in the past
  • Questions to ask yourself: what did the character have to overcome to succeed in the original story? What did they desire? How did they suddenly become sure they could win? What has changed, since then? Are they struggling with the same thing, in a new setting? Are they struggling with new issues, as a results of the original win?
  • For example: Cinderella was struggling against her step-family, who wanted her to fail. What will life be like for her in the castle? Her new husband presumably wants her to succeed at being Queen. Does she have what it takes? Does everyone in the castle want her to succeed? Is there a big event coming up that she must host? What lessons can she take from her first challenge into this new one? Is she battling feelings of insecurity as well as outside forces?
  • In my story The Girl Who Circumnavigated The Globe In An Act Of Her Own Making, my main character’s desire is to communicate; to present herself to the world on her own terms. Within the scope of that one story, she does it. She feels good at the end of the story. She has a plan. But what about when she next goes back to Earth? Will she see her ‘victory’ as something fanciful and worthless? How will she deal with the frustration of being prejudged by everyone all the time, again? I could write that story today.

Go!

Settings – A Writing Prompt from Josh Barkan

Writing exercise: (20 minutes)

Choose a place that you know well, which you have strong feelings about. Describe that place, first when you are in a happy mood. (10 minutes) Then describe the place when you are in a sad mood. (10 minutes)

What difference did you note?

Writing exercise: (30 minutes)

What is described in a particular setting often depends upon the point of view of the story. Describe a real park you have visited, first in the first person point of view through the eyes of a young man or young woman in love (15 minutes), and then through the eyes of an old widow or widower (15 minutes).

What differences in setting did you notice, even though it was the same park?

 

Tips:

The purpose of these exercises is to realize that setting is never neutral. Setting descriptions are subjective. So your setting should always evoke a mood. Think of your setting as another character. The setting should help us feel the mood of the scene you are describing. If there is conflict in the scene, then the setting should be described harshly, in a way that evokes the harshness of the moment. If the scene is a warm scene, with love, then the setting should reveal that warmth.

 

About Josh Barkan

Josh Barkan is the author of MEXICO. Josh Barkan has won the Lightship International Short Story Prize and been a finalist for the Grace Paley Prize for Short Fiction, the Paterson Fiction Prize, and the Juniper Prize for Fiction. He is the recipient of a fellowship from the National Endowment for the Arts, and his writing has appeared in Esquire. He earned his MFA from the Iowa Writers’ Workshop and has taught writing at Harvard, Boston University, and New York University. With his wife, a painter from Mexico, he divides his time between Mexico City and Roanoke, Virginia. For writing advice from Barkan and other top-notch short story writers, download Signature’s Compact Guide to Short Story Writing.

 

SWAGr – Accountability for June 2017

Every month we gather here to discuss what we’ve achieved and commit to making more progress in our creative lives in the coming month. We call it our   Serious Writer’s Accountability Group or SWAGr, for short! (We’re serious, not sombre!)

What people are saying about StoryADayMay 2014

Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.

(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)

Did you live up to your commitment from last month? Don’t remember what you promised to do? Check out the comments from last month.

And don’t forget to celebrate with/encourage your fellow SWAGr-ers on their progress!

Download your SWAGr Tracking Sheet now, to keep track of your commitments this month

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Examples of Goals Set By SWAGr-ers in previous months

  • Revise a story for StoryFest – Julie
  • Revise at least 10 short stories – Iraide
  • Write two short stories. – Jami
  • Attend one writers’ conference – Julie
  • Write fable for WordFactory competition – Sonya
  • Re-read the backstory pieces I wrote in May and see if I can use them within my novel – Monique
  • Research the market – Jami
  • Focus on my serial – Maureen

 So, what will you accomplish this month? Leave your comment below (use the drop-down option to subscribe to the comments and receive lovely, encouraging notifications from fellow StADa SWAGr-ers!)

(Next check-in, 1st of the month. Tell your friends. )



Don’t forget, if you need inspiration for a story you can still get ALL THE PROMPTS from StoryADay May 2016 and support the running of the StoryADay challenge at the same time. (I’m really proud of last year’s collection!) Give a little, get a little :) Click here. Now only $2.99

Write About A Writer – a writing prompt for 31 May, 2017

You’ve made it! You’ve written stories all month long — whether you’ve written every day, or on and off throughout the month — I congratulate you!

Make sure to come back tomorrow for three things

  • The June Serious Writers’ Accountability Group — make your commitment to your writing for next month
  • Details about StoryFest — your chance to get your favorite story featured on the front page of StoryADay.org
  • The mini-critique group I’m running next week, to help you whip your stories into shape in time for StoryFest.

But before all that: one more story to go:

The Prompt

Write A Story About A Writer

Tips

  • Feel free to take out your aggressions on me! Feature a writer who turns on their teacher/mentor/professor!
  • Channel Stephen King’s “Misery” and feature a stalker.
  • Take the reader through all the goys and perils of the writing journey
  • Or use the conceit of a writer character to do something that couldn’t really happen in real life.

And after you’re done, write a blog post or a journal entry capturing all you’ve learned about yourself as a writer this month. Resolve to build on your strengths. Keep what you write somewhere safe, so that next time you have a big writing push coming up, you can benefit from all these lessons!

If you share your post online, be sure to send me a link (in the comments below or by email) or tag me on social media!

And don’t forget, StoryFest is coming, June 10-11!

Thank you all for playing along this month. Without you, I wouldn’t be doing any of this.

Keep writing!

Hansel & Gretel – A Writing Prompt for May 30, 2017

Today I wrap up the story structure series with a bang.

The Prompt

Write a Hansel & Gretel Structured Story

Tips

  • The Life-Changing Moment in this story structure, comes at the start.
  • The Life-Changing Moment may have happened ‘off-stage’ before the story starts (imagine the story of Hansel and Gretel where the kids are already alone in the woods. That would work, right?)
  • Remember to focus on what your character would never, ever choose to do, and how the circumstances are forcing them to face that (for example, Hansel and Gretel would never disobey/mistrust the adults in their life, but life is giving them a pretty clear directive to do just that).
  • This story starts with a big moment, and then throw complications at your character. Once you’ve told us enough about the character for us to figure out how they’re going to survive, you can end the story.
  • If you’d like to read more about this story structure, check out this post.

Don’t forget to post in the community or leave a comment to tell us how you got on today.