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Sick of starting and never finishing writing projects, in April 2010 I announced that I was challenging myself to write a story a day in May.
“Write a story a day. Finish them.” Those were the only rules.
Word spread around the writing blogs and the Twitter hash tag #storyaday was born. Within 3 days about 80 people had signed up to join in, and many more joined throughout the month. At last count (not counting spam bots) the active membership was in the hundreds.
Some people decided to write on weekdays only, some declared they would sketch a story idea every day, some weren’t sure what they could manage anything, but just the idea of committing to this hare-brained scheme with a bunch of other writers had got them so excited they couldn’t resist.
The enthusiasm for the project amazed me. It spoke of a hunger to write, no, a hunger for permission to write that I never dreamed was so widespread.
We gathered our story ideas and fragments and waited for the “off”.
The writers came from all walks of life and all over the world:
While several of the writers did write 31 stories in as many days, many others declared victory on their own terms.
Some were simply thrilled to be writing actual stories again after years of putting it off.
Some were active novelists who found that writing stories every day jumpstarted their creativity and allowed them to try new voices and approaches, freshening up their prose.
Some have already had external success with their Story A Day stories: Matt Zandstra’s Story A Day idea turned into a radio play that was chosen as a runner-up in a contest at the BBC’s Writer’s Room — judged by a working BBC drama writer.
Me? I got to write (almost) every day, finish most of the stories and, in the process remember how to make a short story hang together.
But most of all, I got a huge creative boost from writing, reading and sharing stories with a bunch of other writers who understand the urge to write in a way that ‘normals’ in our lives, no matter how loving, really can. I found friends. I found my tribe.
Please come back to the site between June 11-14, when we’ll be highlighting some of the best stories to come out of this, the first StoryFest.
Then, sign up for the mailing list, so we can send you details about next year’s challenge.
Whether as a writer or a reader, we’d love to have you as part of the family.
When I said I was going to write a Story A Day in May, plenty of people looked at me with *that look* in their eyes, or said thinks like,
‘Well, good luck…”.[1. I expect if you’ve ever taken on any kind of creative assignment (not directly related to a paycheck) you know what I mean by *that look*.]
“Why?” was the most common question. Good question. If we’re not writing for money, then why do we write?
“How ?” was the second most common question.
I wasn’t 100% sure about the answer to either. After a month of attempting to write a story a day I do have some answers.
I’m not going to lie and say it was easy to find time for writing this month. In fact, I almost never ‘found’ time. I ‘made’ time.
Making time means something else had to give. Sometimes it was housework, but more often it was the relatively random consuming of information that I do. The BBC news website might have been minus a few thousand hits this month, my personal blog was updated less. The grocery shopping got more, er, targeted.
But the biggest lesson I learned about the “How” was this:
It is one of those annoying pieces of advice that mean almost nothing until you try it.
Sitting down to write can be paralyzing. It is so much easier to get up and walk away — tell yourself you don’t have time — than it is to start writing.
I had to, so I used story prompts, memories, jokes, other people’s stories, to get me started. I put my pen on the page (quite literally) and told myself to write a sentence. Anything. One day I started by simply describing where I was sitting. It turned into a story about a homicide detective!
So, the answer to ‘how to write’ becomes quite simply:
Commit to doing it. Make time. Start writing.
(I did learn a bunch of other trick for helping with that, which I’ll be writing about soon.)
Once I had started figuring out the ‘how’ I was amazed to discover a n amazing set of benefits in the ‘why’ column – some that I had not expected.
I found that, if I sat down and got a story started in the morning,
So the sort answer to ‘why do you write?’ is just this:
It makes me a better, happier person.
As an added bonus, posting some of my stories, made some readers happy. Granted,a lot oft hem were related to me, but some were complete strangers.
Meanwhile, why not subscribe to the StoryADay.org mailing list, so that you’ll be among the first to know when we’re gearing up to do this all again next May?
We have all worked so hard, don’t you think it’s fair that we get to show off a little; celebrate?
From June 11-13 the front page of this site will change to the StoryFest Page.
The StoryFest page will contain blurbs about and links to each author’s favorite story (or collection of stories if you’re writing super-short stories)
Readers can come by on their coffee breaks, browse the best of our work, leave comments, tell their friends.
I’m planning on creating a StoryADay StoryFest graphic that you can hang on your StoryFest stories, no matter where you posted them (here or your personal blog)
Readers can stop by any time between June 11 and June 14.
They will find the front page all decked out for StoryFest and featuring links to your favorite stories.
They can read, comment and, I hope, recommend stories to their reading friends.
It’s a celebration! Writing a story a day was hard, wasn’t it?
This is our chance to show off. This is our recital. (Tutus strictly optional).
It’s also a chance for readers and writers to connect. Readers are always looking to find great new writers and interesting stories. Writers want to be found.
I’ve been thrilled by the quality and diversity of the stories I’ve read here, and I want to share that with other readers.
Making the StoryFest an event with a limited timeline gives readers a good reason to come NOW, not just think ‘that’s cool, I’ll stop by later maybe’ and then forget about us. Instead, we’re creating scarcity and a deadline. It’s basic sales psychology, and it works!
None of the Story A Day blogs will disappear (unless you delete them), so readers can still find your stuff for as long as you want them to.
The StoryFest is just a big promotional/celebratory party, and we all know that at some point, every party has to wrap up and someone has to turn out the lights.
Luckily there won’t be any dishes to wash after this one.
So remember, please SIGN UP FOR THE MAILING LIST so that I can contact you with more details about StoryFest and, after that, the plans for the Second Annual Story A Day May!
I’m sitting here enjoying a raging thunderstorm. The sun is sinking pinkly under the edge of the storm and the ragged flashes and sheets of lightning are so much more thrilling than any season finale on TV. The thunder sounds like kettledrums.
And so, to the prompt:
It can be figurative or literal, but it must be stormy!
We’re drawing to the end, and I know everyone is racing to complete their stories and write their “What I Learned During Story A Day May” (I kid), but I wanted to get your thoughts on what come next.
I have some thoughts (not least of which is getting you all to sign up to a mailing list so I can email you in April next year and do this all over again), but I’d really love to hear what you would like to happen next.
Thanks a million for making my hare-brained scheme such a success and soooo much fun. I couldn’t have done it alone!
Write A Story That Features A Hobby/Activity You Have Tried
The only rule in today’s prompt is that the hobby may not be “writing”.
I have my own special reasons for this — namely: that, as an adult, I cringe every time I see a book where the main character is any type of writer. It seems to betray a lack of imagination. (Of course I’ll make an exception when re-reading books by LM Alcott or LM Montgomery or some other beloved writers whose initials are not “LM”, but for today the rule stands).
The hobby does not have to be anything you have done recently or frequently. It could be basket-weaving or finger-painting. But it should be something of which you have real-world experience and so can describe in minute detail if you need to.
OK, so ten days to go and we’re all at various stages of “success” and we’re all still turning up.
It’s getting harder though, isn’t it? …
(Wow, it seems like no time at all I was posting that headline in my promo efforts for the yet-to-born Story A Day challenge!)
OK, so ten days to go and we’re all at various stages of “success” and we’re all still turning up.
It’s getting harder though, isn’t it? Finding a whole new story every day drains the well pretty quickly. We need to work on staying encouraged, finding new ideas, new angles, and remembering what inspires us to write.
Don’t forget these posts from the Story A Day Blog archives:
and the Resources page which includes links to sources of Inspiration, Prompts, Productivity Tools and Tips from Great Writers.
If it helps, why not take a few minutes to read other people’s stories right here at Story A Day. OK, you might get intimidated, but on the other hand, you might just get inspired.
Today, rewrite a story you have written before, but this time as a dramatic monologue.
Taking a look at the story from another angle is a challenge in itself. Then add the challenge of making the dialogue seem real and you can really have fun with this…
This is the thirdin a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.
Taking a look at the story from another angle is a challenge in itself. Then add the challenge of making the dialogue seem real and you can really have fun with this.
(NB, the character who is ‘monologuing’, to borrow a phrase, doesn’t have to be the original story’s hero. It could be someone who was walking by and saw the action; a minor character in the action; anyone really).
(PS Did I mention? Day TWENTY! And you’re still here? Awesome, dude!)
Write (or Rewrite) A Story In The Style Of Your Favorite Dead Writer
This is the second in a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.
I’m tempted to suggest Dickens, but maybe you’re more of an Austin or Bronte fan. Or maybe one of those Russians. Or further back? Chaucer, anyone? Shakespeare? Douglas Adams? (Nope, still too soon. Sob!)
Write (or Rewrite) A Story In The Style Of A TV Show You Know And Love
This is the first of a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.
I’m not going to limit you, because I know I wouldn’t have a clue what to do if you told me to write in the style of a CSI show, but a more gentle mystery might work for me. Or maybe it’ll be sci-fi, daytime soap, or rip-roaring Melrose Place evening soap. Reality show? Sitcom? Adult cartoon? What do you watch and love?
Write About A Lie
Is it a tiny one? A whopper? Does no-one find out about it? Does that mean your character really ‘gets away with it’? Does it spiral out of control and become a Fawlty Towers episode?
In honour of today being the middle of the month of May, the middle of our challenge, today’s prompt is:
I’m spending the day at an amusement park with the kiddies.
I love watching all the different people and types, from the loud, dramatic teens, to the young parents, the kid-free couples, the grandparents, the happy ones, the cranky ones…it’s great fodder .
It’s a setting ripe for drama, mystery, horror, poetry, action, joy and sorrow.
Write a story using space or sci-fi elements
Write A Story With Space/Science Fiction Elements
Even if you’re not a big fan of science fiction, this doesn’t have to be a difficult assignment. Sci-Fi isn’t all about techno-babble or rockets.
Two of my favourite episodes of Star Trek: The Next Generation are:
1, Captain Picard is left on a planet, by a malevolent force, with the captain of a ship from a culture that communicates so strangely not even Star Trek’s wonderful translators can handle it. They are in peril and must work together. Gradually Picard figures out that the alien captain’s language is based on metaphors, but he doesn’t share the same culture so how can he find metaphors with which to communicate? It’s basically a stranded-on-an-island, must-work-together-to-escape-peril story, all about linguistics. In space.
2, Someone from Starfleet wants to take the sentient andriod Data back to HQ and take him apart to figure out how he works, for the greater good of the service (a fleet of Datas? We’d be unstoppable, Great!). Picard demands a tribunal at which he attempts to prove that Data is an individual not merely a piece of equipment. A wrinkle? Picard’s second in command and Data’s buddy, Riker, must act as prosector, and try to prove that his friend is merely a machine. This one is called “Measure of a Man” and is a long, fascinating philosophical argument about what it means to be human. Set on a spaceship.
Another example: the movie Moon, which came out last year. It is a psychological thriller set on the moon. It uses a sci-fi setting to create an isolation you couldn’t realistically create in a story set on our planet these days. And it uses some sci-fi tricks to mess with the hero’s mind and throw obstacles in his path, and none of it is extraneous.
What kind of story could you write, that uses as space or futuristic setting? A mystery? A romance? A morality play?