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Nov 2014 – Best Of The Web For Short Story Writers

Need a little inspiration? Here are the Top Ten articles and blogs posts I’ve found over the past month, to help you power through writing problems, get more creative and hone your craft.

Jungle Red Writers: Literary Agent Paula Munier on PLOT PERFECT – How NOT to get sunk by plot problems.
The 12 Best Hashtags for Writers – Marcy Kennedy – Don’t let social media overwhelm you. Bookmark this useful article today.
My First Author/Illustrator Skype Visit: What I Learned, What I’d Do Differently Next Time – Inkygirl: Guide For Kidlit/YA Writers & Artists – via @inkyelbows – Great insight for whenever you are doing outreach/marketing (esp if you write for kids).
Rewriting: The Middle Way – Charlotte Rains Dixon – A quick and liberating second look at rewriting.
Character Driven-Flash Fiction « Flash Fiction Chronicles – Especially for short story writers: Yes, you CAN have great characters in short fiction, and here’s how!
4 Ways to Improve Plot/Climax in Your Writing | WritersDigest.com – Superb, though-provoking article. Aimed at novelists but useful for short story writers, too. Just miniaturize everything he says 😉
Writer as Coder: The Iterative Way to Write a Book : zenhabits – An interesting take on writing as a collaborative process: you and the readers, in it together.
Writer Unboxed » Losing One’s Marbles – No More Excuses!
Where my freelance writing clients come from – Want to make a little money writing? It’s not easy but with determination and focus you can do it. The Urban Muse shares a look behind the curtain.
When Your Plate is Too Full : zenhabits – No simple answers here, but effective ones.

Have you read any good posts recently? Share them in the comments.

Scaling Mount Motivation – The Kiva Way

Everest & Lhotse by James C Farmer, on Flickr

Do you ever struggle with motivation? Lord knows, I do. [1. Let’s face facts: I’m the kind of person who needed to launch an annual month-long, world-wide challenge to get me back to writing short stories!]

It’s October. The mornings are dark. The novelty of the kids being back at school has turned into the grind of early breakfasts and fights over homework. I’m having trouble writing new words, or sticking to a healthy eating plan. Frankly, even the breakfast dishes are looking like a bit like Mount Everest right now…and I feel just as likely to conquer either.

(OK, this is the strangest opening I’ve ever written to a pep talk. Let’s hope things pick up from here, eh?)

How To Move Forward?

So: bad week.

But this morning I got an email that changed my perspective.

A few years ago, a friend sent me a $25 gift certificate for Kiva.org. (Bear with me.)

If you don’t know: Kiva is a micro-lending program that works with people all over the world, to help fund their businesses and entrepreneurial ideas. You choose and person and project and contribute towards their goal. They pay you back gradually.

This morning I got an email about my two most recent loans. Chin, in Cambodia, is a 61 year old mother of five. She’s using her loan to build a latrine for her family because her house has none [2. If that’s not enough to make me stop and count my blessings, I really AM a lost cause!]. Her first repayment came in this morning.

Do you see what I got?

$1.04

All she paid to me was a measly $1.04.

But she’ll keep paying my $1.04 regularly until she has paid off the entire $25 that was my portion of the loan.

Her total loan amount is $750. That must seem like a Mount Everest of a number (or at least Phnom Aural). But she’s paying just under $32 every month for 26 months to pay all her funders. By paying that small amount ($1.04 of which comes to me) she will pay off all her debts. Dollar by dollar, she’ll get there.

Are You Paying Your Creative Debts?

Think of all the ways we borrow from our creative lives. We put off writing to do laundry, to do our day jobs, to be nice to our family and friends, to give to charity, to do anything but invest in our art.

Sometimes it doesn’t seem worth coming back to the desk if we can’t give ourselves a big payday. It doesn’t seem worth it when we’re only adding a couple of hundred words at a time, or writing our Morning Pages.

But if we just follow Chin’s example and keep chipping away, day after day, month after month, we will achieve the impossible. Chin will pay off her $750 loan. We will create a life that includes our art. We may even create some art that touches other people.

What could you do today if you didn’t have to finish $750’s worth of writing all at once?

What if you only had to write $1.04’s worth of it?
Could you manage that much?
And could you come back and write $1.04’s worth tomorrow? And the day after that? And do the same next week?
Even on your worst day you could manage that, couldn’t you?

Incidentally, my loans? Look at the default & delinquency rates:

Women living hard lives in Peru, Cambodia, Mexico and US have all committed to investing in bettering their lives. And they have not quit. They have never even shown up late.

Take a tiny bite out of your creative debt today

Write a Drabble (100 word story)
Write a haiku
Read a short story (check out the Tuesday Reading Room series for some suggestions)
Sketch out the ending to a story you’ve left hanging
Write a sensuous description of something in the world of one of your unfinished stories (how does it smell, taste, feel, make your character feel?)
Write three pages of stream-of-consciousness blah-blah, to warm up your writing muscles (rip up the pages when you’re finished)
Take the plunge and submit that finished story to a contest or publication (who cares if it doesn’t win? All judgement is subjective, but you gain something valuable simply by putting it out there!)

Let me know what you did — or plan to do — in the comments. Heaven knows I’ll need the inspiration next time I hit a slump!

Short Story Reading Challenge

How to make the most of your reading time to boost your writing: create a short story reading log!

You know I love a challenge.

It’s going to be harder to write during the summer months, with boys underfoot and trips to here there and everywhere (bonjour, Bretagne!), so I’m going to spend my summer months feeding the creative monster.

I’ve been finding it hard to write recently, partly because my brain is begin pulled in fifteen different directions. I’m feeding it with information — about education, about fitness, about nutrition, about cognitive behavioural therapies, about music, about all kinds of practical stuff — but I’m not feeding it with the kinds of stories it needs to lift itself out of the everyday world and into the world of stories.

So I’m going back to the Bradbury Method of creativity-boosting. I did this last summer and it worked like a charm: I read a new story every day (and an essay and a poem as often as I could manage that) and found myself drowning in ideas. I had a burning urge to write; I sketched out ideas for stories; I wrote some of them over the next six months and released them as Kindle ebooks that have sold actual copies and generated actual profits. I have others that are still in various stages of drafting. But more than all that I was happy.

Follow Along?

So that’s what I’m going to do: Read and log as many short stories as I can this summer. I’m logging my activity at my personal reading log and you can do the same.

Your Own Reading Log

I’m using Google Docs to log my reading.

Here’s a copy of the form that you can use yourself if you want to join in and you like Google Docs. Save a copy of this form to your own Google Drive and rename it.

If you click on “Tools/Create New Form you can create a Google form, which i find to be a nice, clean interface for entering info. It’ll update the spreadsheet automatically (no silly little cells to click on).

Here’s a screenshot of my form, for reference.

…and here’s how my ugly-but-useful spreadsheet looks:

Bonus Tip: Create A Handy Shortcut

If you’re an iPhone user, you can follow these steps to get an app-like link on your phone, to make logging your reading easier (I’m a big fan of ‘easy’)
Step 1:

Go to your form on in your browser (drive.google.com/)

Then:

Then

Then

How it looks on your phone:

Voilà!

Just make sure you save a copy of this document to your own Google Drive and don’t send me an email requesting permission to edit this copy, OK?

SWAGr – Monthly Writing Goals & Check In

Welcome to the first meeting of our monthly Serious Writers Accountability Group (Acronym: SWAGr, because every insecure writer needs a little swagger, don’t you think?)

Writing is a lonely business and, as StoryADay May proves year after year, there’s nothing quite like peer pressure for helping you meet your goals.

Every month I encourage you to come here, leave a comment and tell us what your goals are for this month. Then, next month, check in, tell us how you did and what you’re going to do in the following four weeks. (It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)

Examples of Goals

“I’m going to write every morning from 6-7 AM.”
“I’ll write 250 words a day, minimum.”
“I’ll write 10,000 (fiction) words this month.”
“I’ll write one full story and revise another.”
“I’ll write four stories and submit one story to a publication.”
“I’ll outline that presentation I’ve been putting off working on, and create half of the slides.”
“I’ll track my time and see what’s getting in the way of my writing.”
“I’ll keep a journal to track my resistance to getting the work done.”

So, what will you do this month? Leave your comment below:

(Next check-in, Wednesday, July 9, 2014. Tell your friends. )

Celebrate StoryADay May 2014!!!

StoryFest June 13-15, 2014 logo

Coming to this site, June 14-15, 2014 (nominate your stories here!)

Today is the last day of StoryADay May 2014!!

Even if you haven’t written a single story yet this month why not write and finish a story today? Writing and finishing one story in a single day is quite an achievement. You’ll be proud, I promise.

To those who have been writing every day: wow! You are awesome and every other writer on the planet envies you. Well done!

Things You Have Done This Month

Overcome your fears
Gathered story sparks
Made Time To Write
Written to prompts
Worked on different plot archetypes
Tried out different points Of view
Focused on character
Worked on dialogue
Read stories by, and boosted the confidence of, your fellow writers.
Learned how to host a writing sprint
Saved your StoryADay
Learned the importance of a writing routine
Studied valuable revision techniques
Remembered that even a bad day writing beats almost any other kind of day

Q: Can you improve as a writer by writing a lot? CLUE: There’s a reason this challenge is in a month named “May”…

STORYFEST REMINDER

Don’t forget to submit or nominate stories for StoryFest by June 10 (and yes, there will be more details, a link to a form and another reminder, in the next few days). Then start planning to tell the world to visit StoryADay.org on June 1-15 for StoryFest!

(Seriously. This is your party. I don’t have email addresses for all the people you’d like to invite. You’ll have to do it!)

WHAT NEXT?

I’ll still be writing away, bring you interviews with writers, the Tuesday Reading Room, the Write On Wednesday writing prompt and regular Kick-In-The-Pants articles on Thursdays, with the newsletter serving as a regular digest of articles.

Take a moment today (or maybe tomorrow) to recap. Write an End of StoryADay report for yourself detailing any or all of the following:

how you felt at the start,
what you did,
what you failed to do,
how you kept going,
what you learned,
what you’re proud of
how you plan to use the lessons learned this month to keep moving on your journey to literary superstardom (no wait, fulfillment. I meant to say ‘fulfillment’).

If you do write a recap and would like to share it, please post a link to it in the comments or simply send me a link in an email. I’d love to read about your experience.

Then get back to writing, polishing and submitting your short stories.

COME BACK EACH WEEK AND WRITE ON WEDNESDAY

Every Wednesday throughout the year I post a Write On Wednesday prompt. (If you are subscribed to the Daily Prompt email list you’ll receive these Wednesday prompts in your inbox).

The ‘rules’ for the Write on Wednesday prompt are: write a rough and ready story to the prompt within 24 hours, post it IN THE COMMENTS and comment on someone else’s. You don’t have to write it on Wednesday, but you’ll probably get the most feedback if you do.

Don’t miss out. Subscribe now!

AND FINALLY

Thank you, thank you, thank you to everyone who has talked about StoryADay, taken part, read stories, left comments, sent me an email, or written in secret. It is an absolute honor to have been your ringmaster again this year and I will be bereft … until we do it all again next time!!

Help! I Missed A Day. What Do I Do?

OK, so this is Day 5 of the challenge and if you haven’t missed a day yet, the chances are strong that you will. Soon.

So here’s my advice, based on five years of May challenges, a couple of StoryADay September challenges and the writing courses I run.

Let It Go
[1. Cue the sound of my two elementary school aged boys screaming “No! Enough with the Frozen!”]

Let the unwritten stories go and write again tomorrow.

Seriously. This is not so much about turning out 31 complete stories as leaning to turn up every day, even when you feel like a failure. I encourage people never to try to catch up with days they’ve missed. That creates far too much baggage. (You can always keep writing into June if you want your 31 stories!)

Watch And Learn

The other point of a challenge like this is to try to do more than you think you can do, and to watch where it is hardest and where/when it was most fluid. Then, when you go back to your normal writing schedule you will have all these experiences in your tool kit. You’ll know that Saturday is maybe not a day to expect to get much writing done. And you’ll know that 11-midnight is prime time. Or you’ll know that it’s easier to write when you have a plan (or not).

Don’t worry too much. Just keep turning up, keep breathing and keep watching all the ways your inner demon tries to sabotage your writing life. Say ‘Huh, that’s interesting, demon. Nice try, but I’m still turning up again tomorrow”.

If we are going to write for the rest of our lives (and lets face it, we are), all we can do is keep learning!

Adjust Your Rules

Back in 2012 (my third year) I decided I was no longer going to commit to writing on Sundays. I COULD, I just didn’t HAVE to.
Between running the site and having two small children and a husband that I quite like to spend time with, something had to give. Sundays were it, for me.

This is fine. If you decide not to write EVERY day in May that’s cool.

BUT do try to assess your progress on a week to week basis rather than waking up each day and thinking “I wonder if I should write today”. (You should).

Stop now and see how your first five days (which include a weekend) have gone. Decide what you’ll commit to for the next seven days.

Of course, I thoroughly encourage you to write an actual StoryADay unless the thought of it is making you truly miserable. If you’re miserable, change the rules. But keep writing.

So, how’s it going? What are you learning? What tips do you have?

Ready, Set…StoryADay May Is Almost Here!

It’s Almost Here! The 5th Annual StoryADay May starts tomorrow, with a writing prompt from award-winning novelist Neil Gaiman.

In the the last few hours before the challenge lots of people hear about it, lots of people sign up, and lots of people start giggling nervously and thinking “what have I done?”. Here are some reassuring words before we get started:

You can do this.

Nobody dies if you don’t write 31 fabulous stories next month.

(But really, you can do this.)

Now for some practical words on Writing During The Challenge and Planning Ahead (yes, even after May starts, you’ll still have planning to do).

Writing During The Challenge

Here’s some news and some answers to the most frequently asked questions by new recruits (welcome!):

Writing Prompts – I provide optional writing prompts every day. You can use them or ignore them, whatever suits your style. If you want to get emails every morning with that day’s writing prompt, make sure you are on this list.
Guest Prompts – On days when a celebrity guest provides a writing prompt, you’ll still see a prompt from me, too. You can write to either prompt (or none).
Who are the Guest Prompters? Guest writing prompt providers this year include: Neil Gaiman; Heidi Durrow; Therese Walsh; Mary Robinette Kowal; Debbie Ridpath Ohi; Angela Ackerman; Elizabeth S. Craig; Becca Puglisi (and possibly more as I check my inbox. These professional writer types, it turns out, are generous and supportive! We like them! Sadly, there’s no guarantee that any of them will have time to come and hang out and read our stories. They have their own writing to work on!)
Where do my stories go? If you want to post them on your own blog or Tumblr or whatever, you can share a link in the community (maybe in The Victory Dance) BEWARE: if you post a story online some people consider that ‘first publication’ and that piece may not be eligible for submission to certain markets or publications, even if you revise it substantially. If you think you’re going to want to use your StoryADay pieces for contests or other publications, you probably shouldn’t post them online. You can, however, post excerpts and invite fellow StoryADay folks to come and comment on them.

Have more questions? Check out the FAQ and resource sections.

Planning For The Month

Here are some tips from a veteran (me!) on how to get through this month of extreme creativity:

Pledge to collect Story Sparks every day, wherever you are (Story Sparks are not outlines, but rather things that pique your interest as you go through your day; things that make you go “Oo, I might be able to use that in a story!”)
Even if you’re using my prompts, most of them are intentionally vague, allowing you to customize them to your own interests. Why not sit down today and write some lists: people who annoy you, things that scare you, places you wish you’d been, things you wish you were brave enough to try; memories that stick with you… Mine these for ideas.
Plan ahead — Use the Creative Challenge Workbook to work through where how and what you’re going to write this month. If you’re having trouble making time to write, consider picking up the Time To Write workshop.
I strongly recommend that you spend some time thinking about what kinds of characters, settings or themes you might look at for the first few days. Having a list of ‘possible things to write about’ makes it much easier to get to work each day, than simply sitting down and waiting for inspiration to strike. Make an appointment with yourself (put it on your calendar!) to sit down each week of the challenge and brainstorm 7-10 Story Sparks that you might use.
Watch The New ‘How To’ Videos on how to navigate (and get the most out of) the StoryADay online community. There are some very lovely volunteers hanging out in the community who will help make you feel at home. I’ll be introducing them soon!
Spread The Word – The more people who take part, and the more people you tell about StoryADay, the more effective the peer pressure! Take some time today to post this image on your social media network of choice, and tell people you’re taking part in StoryADay. If you know anyone who’s always saying they wished they wrote more, challenge them to join you. Spread the word. Use #StoryADay. (And no, I don’t get rich if you do, it’s just that this is one of those times when the adage “the more the merrier” really does apply!)
Set Your Own Rules – you may know right now that you’re only going to be able write six days out of every seven…and that’s fine. Set your own rules now — just make sure they seem on the challenging side of ‘manageable’.
Eat well and get as much sleep and exercise as you can. It’s amazing what sleep, exercise and eating-your-veggies can do for the creative brain. (Your grandmother was right!)
Do a little warm-up writing today. Check out today’s writing prompt: Fear!

I’m SO glad you’re coming along on this crazy adventure. You’re going to be amazed at how much you write next month and how creatively free you become. Sure there will be bad days, but you’ll be immensely proud of yourself if you just keep turning up. And you will definitely write some stories that we can all be proud of!

Onward!

Big News and New Things

I have BIG NEWS.

Celebrity Guest Prompters

Firstly — and I have to put this first because otherwise my head will explode — our first Guest Prompter for the month of May is none other than rock star author NEIL GAIMAN!!!

He’s providing the writing prompt for May 1, so don’t be late! (You can sign up to getPrompts By Email, if you haven’t already).

There are lots of other published authors and writing teachers lined up to share writing prompts during this Fifth Anniversary StoryADay May, so don’t miss out.

A Month Of Prompts…Today!

New this year, I’m offering you the chance to plan ahead, with the brand new Month Of Writing Prompts ebook for 2014!

The idea of sitting down to write a new story everyday, cold, is pretty terrifying. But it’s less terrifying with a bit of forward planning.

For the past few StoryADay challenges, participants have told me that it’s really useful to be able to peek ahead at the upcoming writing prompts. Last May and September I supplied a week’s worth of prompts at a time to people on thePrompt By Email list.

This time, however, you can get the whole month worth of prompts today. Use them this coming May, or at any time in future.

(If you don’t have a Kindle, you can get a free reading app for your favorite gadget, here. Also, the ebook will not have the celebrity guest prompts, only the 31 written by yours truly. You’ll have to come to the site for the guest prompts.)

To celebrate the launch of this new ebook, it’s going on sale today at $0.99. The price will slowly creep back up to its list price of $6.99 by April 30, (this is an Amazon Countdown Deal, if you’re interested in that kind of thing), so get your copy sooner rather than later.

Are You Ready?

Now, before you let your nerves get the better of you, remember that YOU SET THE RULES for yourself. If you think five days a week, or one story a week is what you can manage, that’s fine. Come along for the ride anyway. Take advantage of the community (I’ll open up the site for new registrations on April 25. Mark your calendars!) and tell your friends, because peer pressure is a wonderful thing!

Don’t forget to grab your graphics to let people know you’re taking part and browse the resource section for inspiration.

Need to Warm Up?

If you’ve bought the Warm Up Course Home Study version before, now’s the time to dust off your copy. Or if you’d like your own copy, there is a 10-day accelerated version too, perfect for warming up before May 2014. I’ve opened a new group in the community for anyone who wants to go through the course now. Let me know if you need access and don’t have a username yet (julie@storyaday.org).

Here’s what the course does for you:

Start writing in small, manageable chunks that will boost your confidence,
Generate 45 Story Sparks that you can turn into short stories,
Learn to carve out time for your writing, and break through your fear and block, by writing straight away,

When the course is over you will have:

10 completed stories,
More story ideas than you can use during the StoryADay challenge, so you never sit down to a blank page,
The confidence to know you can make writing an on-going part of your life,
Practice and discovery of your best working habits.

Get access now

In the mean time, I apologize for the extreme fan-girling at the start of this email (but I’d do it again) and:
Keep writing,

Julie

Julie Duffy
P.S. Remember that all these tools (including the daily prompts) are optional. Access to the site and the community remain free, forever. StoryADay May exists to encourage you to give yourself permission to tell your stories!

Best Of The Web for Short Story Writers April 2014

Writing by Night by bluelectric, Creative Commons License

Every month or so I bring you my favorite links from around the web, that touch on creativity, productivity and writing (from the perspective of a short story writer. I tend to stay away from articles on novel structure, ‘getting an agent’ and other publishing-related questions. We’re here to write, right?)

Here are my favorites from my past month of studying this craft: Continue reading “Best Of The Web for Short Story Writers April 2014”

Best Of The Web For Short Story Writers March 2014

Before and After: Do a Little Work, Every Single Day. « The Happiness Project
http://gretchenrubin.com/happiness_project/2014/01/before-and-after-do-a-little-work-every-single-day/

Guest blogger Caroline McGraw talks to Gretchen about how working a little every day can make big scary tasks (writing a completed work) less scary and less hard.

Tips for Young Writers | Elizabeth Spann Craig
http://elizabethspanncraig.com/1627/tips-young-writers/

This guest post by Aidyl Ewoh could just as easily be called “Tips For Writers”. Great stuff here from “Surround yourself with positive people” to “Consistency trumps quantity” to “Read a lot” and “Find a writing community”… This blogger is singing my song!

Tales from the Den of Chaos: Belief and Possibility
http://www.denofchaos.com/2014/01/belief-and-possibility.html

A rumination on the magic of the “New Year”, which we writers can apply at any point in the calendar:
“…human belief is an incredibly powerful thing. When we believe something is possible, no matter how enormous a task it may be, if we really believe we can do it…we will. As long as we do not succumb to doubt, as long as we are willing to keep getting up after we’ve taken a fall, as long as we see these failures not as hard-stops but rather as learning how not to do that totally possible thing – we will do it.”

Flash Fiction Chronicles’ Favorite Short Fiction list 2013
http://www.everydayfiction.com/flashfictionblog/an-ffc-list-in-honor-of-short-story-month-2013/

Yup, I’m late discovering this post, but if you’re looking for something to read (or for places to send your own fiction) this is a great starting point.

3 Writing Tips You Can Steal From Animators
http://thewritepractice.com/animator-tips/

Three great tips here. Not the usual rehashing of story structure tips or character tips or how to make your dialogue sound real. Instead, this article talks about three great ways to actually make the writing happen.

flax-golden tales: simple steps « erin’s emporium of discount dreams & well-worn wonders
http://erinmorgenstern.com/2014/01/flax-golden-tales-simple-steps/

This is both a short story and an admonition to other artists, from Erin Morgenstern, author of the wildly successful novel The Night Circus. Read it slowly, then follow her advice!

When You’re Feeling Self-Doubt & a Lack of Motivation : zenhabits
http://zenhabits.net/down/

Not writing advice but great living advice that will help you get back to your writing on a day when you’re not sure you’re really a writer. (Hint: you are. Use the steps in this article to get yourself back to a place where you can be)

Action Reveals Character – Books & Such Literary Management : Books & Such Literary Management
http://www.booksandsuch.com/blog/action-reveals-character/

“In real life, it’s not what a person says that shows us who they are, it’s what they do…” Lovely short article on how to make your characters reveal themselves with subtlety.

It Takes The Time It Takes « terribleminds: chuck wendig
http://terribleminds.com/ramble/2014/01/20/it-takes-the-time-it-takes/

Chuck Wendig talks about his 20-year-long overnight success, and gives hope to the most impatient among us.

Ten things you can write in ten minutes or less – Time to Write
http://timetowrite.blogs.com/weblog/2014/01/ten-things-you-can-write-in-ten-minutes-or-less.html

What to write when you don’t have time to write 😉

Strategy of Loophole-Spotting #3: the Tomorrow Loophole. « The Happiness Project
http://www.gretchenrubin.com/happiness_project/2014/01/strategy-of-loophole-spotting-3-the-tomorrow-loophole/

Do you put off until tomorrow what could be done today?

Write Until You Die
http://killzoneauthors.blogspot.com/2014/01/write-until-you-die.html

James Scott Bell advocates never giving up on creativity, and offers some suggestions on how to do that! (Includes an adorable picture of Herman Wouk)

What Does 2 Billion Book Sales Look Like?: InfoGraphic | Lovereading UK
http://visual.ly/what-does-2-billion-book-sales-look

This is just awesome. Go and look.

Where Do You Write?

“…I only have to turn up at my coworking space 10 times a month to make it cheaper than a coffeeshop…and here I don’t have to ask a stranger to guard my gadgets while I run to the loo… “and other, cheaper ways to carve out a writing space

Over at my personal blog today I wrote about my love for the coworking space I rent in my town. I jokingly call the old industrial building my ‘writer’s garret’ and my post was called “Everybody Needs A Garret”.

Which got me thinking. While it’s important to be able to write everywhere and any time and in long or short increments, it is incredibly powerful to have a space or a routine that helps you focus on your writing.

Where Do You Do Your Best Writing?

Some people, like me, have the luxury of time, a hip hometown and a little extra moolah, and can rent cheap, shared office space as a writing garrett.

Other people carve out space in a disused closet or the space under the stairs, jam headphones on their ears and pound away at the keys there.

Some people write in bed, on buses, in libraries and coffee shops.

If you haven’t set up your own writing space yet, experiment with some of these ideas until you find out what works for you.

Your Own Writing Space – Some Tips

If you want to try out having a writing space here are some tips:

Search your local area for a coworking space or a writers’ collective with desk space for rent. You might be surprised at how much flexibility you can find for relatively little cost (I worked it out. If I spend a morning working at a coffee shop I’ll buy a fancy coffee and probably a breakfast sandwich or something for lunch, to assuage my guilt at hogging one of their tables all morning. I might buy a bottle of water or a second coffee too. That’s probably $10-14 per trip. I only have to turn up at my coworking space 10 times a month to match that…and here I don’t have to ask a stranger to guard my gadgets while I run to the loo.)
Carve out a space in your home. It can be as little as an under-used corner of the kitchen, under the stairs, below an awkwardly sloped ceiling, in the space between two doorways. Pick up a cheap desk or, if you want a standing desk, pop this lap desk on top of a sideboard/buffet and call it your ‘desk’. (This really cuts down on the amount of space you need, as there is no chair to worry about). Maybe order an lightweight room divider screen that you can set up around yourself while you work and fold up when you’re finished. Get a desk lamp to illuminate (and focus) your little corner. Let everyone know that, when you’re in your writing space, this is Writing Time and tell them how long they have to leave you alone before they are allowed to have their next emergency. [2. It will probably take a long time and some persistence before this lesson kicks in at all, even with other adults.]
Carve out an Aural Writing Room by picking up a decent pair of big, obvious over-the-ear headphones [3. Make them big and obvious to signal to the world that you are Not Available] and a White Noise or ambient sounds generator (White Noise is ok, but I really like the Study app for iOS, which has soothing spa-like music and birdsong that is supposed to make you smarter).
Remember, a Writing Garrett isn’t an office. You don’t have to have filing cabinets and lots of shelves [4. You already have books all over your house, don’t you?]. I keep my essential writing supplies for the major current projects together in a backpack. I grab that, and go – whether my writing space for the day is the Garrett or ‘back under the covers’.

Do you have a space where you write? Post a comment (or share a picture) below.

Making Time To Write – Success Stories

I find it useful to read case studies from people who have actually WRITTEN books (and possibly had them published and worked on a sequel). Theory is all very well, but hearing from someone who has actually done it? Much more inspiring. They also tend to be more passionate, less forgiving and much, much more practical.

clock face image — Photo by noor Younis on Unsplash

Here are a bunch of articles from working writers who answer the second-most-asked question they hear. [1. The first, of course, being “where do you get your ideas?”]

Jon Scalzi is a speculative fiction writer, Hugo award winner and creative consultant on the SyFy Network’s Stargate: Universe. He wrote an energetic answer to the time question which includes this choice paragraph,

There are lots of things I think I’d like to do, and yet if I don’t actually make the time and effort to do them, they don’t get done. This is why I don’t have an acting career, or am a musician — because as much as I’d like those, I somehow stubbornly don’t actually do the things I need to do in order to achieve them. So I guess in really fundamental way I don’t want them, otherwise I’d make the time. C’est la vie.

Jackie Kessler has written 12 novels (not all of them published, but hey, that’s a lot of writing time) and refuses to apologize for taking time to write [link no longer valid].

Screenwriter John August shares his work-a-day experience of becoming a professional writer. (“my general point is that you need to actively clear time in your day to write, which means giving up something.”) It’s not sexy, but it worked.

Jane Friedman talks about what it takes to make time to write.

Chip Scanlan talks about writing in small chunks, lowering your standards, rejecting the Soup Nazi.

And to finish things off for today:

Joanna Penn, The Creative Penn (@creativepenn on Twitter) shares this personal story, which debunks the ‘if I only had time’ myth a bit:

I once decided that I needed time to write my book. I had some money from the sale of my house, took 3 months off and tried to write every day. It didn’t work. I didn’t have anything to show for it, and went back to work disheartened at my inability to write. It was 4 years until I actually decided to try again.

Then I wrote “How to Enjoy Your Job” in 9 months of evenings, weekends and days off while working fulltime.”.

You can find the time – you just need to re-prioritise!

[updated 3/3/2020 with corrected and new links]

Writing Through The Holidays

You’re busy. Or you’re sad. Or you’re conflicted. Or over scheduled. Or delirious with excitement.

Whatever the holidays mean to you, this time of year can be a killer for your writing productivity.

Depending on what you’re working on, that can be OK. Or perhaps you will need to continue to carve out some serious work time even though the 12 Tribes of HisFamilyAndYours are descending on you, daily.

Here are some encouraging words from me to you, on how to keep your inner writer and your outer productive-member-of-society happy together at the year’s end.

What Do You Need?

We’re used to asking what our characters need, but for once, let’s look at what YOU need, as a writer.

If You’re In The Middle Of A Project

If you have an ongoing project like a long short story, a story you’ve just started or a novel, you really will have to make time every day to write. The good news is you don’t have to do much. Even 250 words a day will keep your head in the project and your characters in your head. The even better news is that getting back to your imaginary world for even this little time every day, will be an incredible mood booster. Sneak off to a spare room for 30 minutes, come out smiling (and get the extended family talking about what on earth you keep in there!).

If You’re Between Projects

If you don’t have an ongoing project, my best advice for you is: don’t worry.

Don’t worry about trying to craft stories when you’re temporarily overwhelmed with commitments.
Don’t worry about writing stories when you have people you enjoy hanging out with.
Do keep a notebook or your smartphone nearby and make notes. Capture moments, turns of phrase, jaw-droppingly inappropriate comments by in-laws (note: you may have to excuse yourself and run to the bathroom so people don’t know you’re writing about them). Use this time of enforced activity and sociability to capture all these things and call them Story Sparks.
Don’t worry about what these Story Sparks might or might not turn into, just yet. Write them down. Keep them safe.

Keep Yourself Sane By Journalling

We write because we need to get the voices out of our heads, or because we need to know how we feel about things.

Just because you don’t have time to craft short stories over the holidays, don’t let that drive you insane.

Take a pretty notebook with you (keep it safe) and your favorite pen, and just write. At the start or end of the day, or in any stolen moment, write about your day.

Write about what pisses you off.
Write about what delights you.
Write about what scares you.
Let your handwriting reflect your mood. Write tiny letters or huge scrawls or in jagged, stabby motions.
Try to write at least one sentence in there that uses some of your writerly skills, but mostly, just let the voices out.

You don’t need ever look at this journal again (though it might be useful to drag it out in July when you are both thinking of writing holiday stories for submission to winter holiday markets and making your own Christmas plans for next year!)

Here’s wishing you a peaceful and fruitful holiday season. I hope you get some rest, and manage to keep your inner writer healthy, wealthy and raring to go in the New Year.

Best Of The Web for Short Story Writers – November 2013 Edition

Every so often I post lists like this (like a real, old-fashioned ‘weblog’) of recommended reading from around the web, especially curated for short story writers. Here’s the latest. You can read more like this here.

Write Every Day

http://www.salon.com/2013/11/25/nicholson_bakers_best_advice_writers_must_write_every_day/

Nicholson Baker says you should write every day
(And provides a few ways you can cheat and still succeed!)

Four Reasons To Write The Hell Out of What’s Left Of 2013

http://blog.pshares.org/index.php/four-reasons-to-write-the-hell-out-of-whats-left-of-2013/

by Ploughshares Literary Magazine

A funny-serious look at productivity in December (and why not to wait for Jan 1)

It’s Alive! When Your Hibernating Story Wakes Up

http://www.everydayfiction.com/flashfictionblog/its-alive-when-your-hibernating-story-wakes-up/

by Sarah Crysl Akhtar …because flash stories don’t prey on your mind the way a novel would, writing them is refreshing rather than exhausting…

Finding Focus

http://zenhabits.net/finding-focus/

By Leo Babauta Do you ever have one of those days when you just can’t seem to find focus? When you fritter away your time on nothingnesses, distractions, wandering without really doing something important? Or one of those weeks?

Shared Storytelling Challenge

http://isawlightningfall.blogspot.co.uk/2013/11/shared-storytelling-advent-ghosts-2013.html

by Loren Eaten

Advent Ghosts seeks to recreate the classic British tradition of swapping spooky stories at Yuletide. However, instead of penning longer pieces, we post bite-sized pieces of flash fiction for everyone to enjoy. It’s an open call for anyone interested, so why not join us? December 20 is Ghost Day!

From Novels to Shorts and back again

http://womagwriter.blogspot.com/2013/11/guest-post-sam-tonge-from-novels-to.html

by Sam Tonge. How writing short stories after writing novels helped her become a better (more marketable) writer.

The Rule of Three

http://thewritepractice.com/the-rule-of-three/

Part of storytelling is creating something memorable… One of the most effective ways to enforce memory is through repetition, and so one of the most common storytelling techniques was born: the Rule of Three.

What Every Writer Must Know About “Hero Fact”

http://storyfix.com/what-every-writer-must-know-about-hero-fact

A guest post by Jennifer Blanchard In my work as a writing coach, I come across a lot of stories where the hero isn’t being heroic. Either the hero is being saved by someone else or there’s not enough conflict to force the hero to actually step up and earn the title.

Secrets of The Phantom Tollbooth: Norton Juster and Jules Feiffer on Creativity, Anxiety, and Failure

http://www.brainpickings.org/index.php/2013/10/04/the-phantom-tollbooth-documentary/

“Failure is a process … you have to fail over and over and over again to get anything that’s worthwhile.”

A Little Bit of Me In All My Stories

http://womagwriter.blogspot.com/2013/09/guest-post-lynne-hackles.html

by Lynne Hackles – When someone asked Lynn for her secret ingredient, she told them…

Peruvian Writers Face Off in Lucha Libro

http://www.mediabistro.com/galleycat/peruvian-writers-face-off-in-lucha-libro_b78563

Could you write a story in five minutes? In front of a live audience? While wearing a mask?

The Big List Counts 1,500+ Literary Magazines

http://www.mediabistro.com/galleycat/the-big-list-counts-1500-literary-magazines_b78692

Looking for the ideal place to publish your writing? Check out The Big List, a collection of 1,500+ links to literary journals around the world.

Don’t Apologize For Wanting To Be Paid, Flannery O’Connor Didn’t

http://thebillfold.com/2013/09/how-flannery-oconnor-did-money/

(But that doesn’t necessarily mean expecting to be paid while you’re still learning your craft)

For writers having a hard time

http://timetowrite.blogs.com/weblog/2013/10/for-writers-and-other-creative-people-having-a-hard-time.html

“Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what…

The One Thing You Must Do Before Taking Writing Advice

The problem with writing advice is that it all weighs the same.

You read four articles on character development and start to worry because vibrant characters don’t come easy to you.
Your favorite writing-blogger is having trouble with dialogue in her own fiction so she does a series on the importance of natural dialogue. Now you start to think worry that your high-fantasy characters’ dialogue isn’t naturalistic enough.
It’s coming up to NaNoWriMo, and everyone’s talking about outlining and sharing their own Type-A version of it, which makes you start to doubt that you could ever write a novel because…damn!

There is an abundance of wonderful advice about writing online. If you are ever having a problem in your writing it is easy to find five different polemics on that topic in as many seconds.

But if you’re not writing regularly, how do you know what advice YOU need hear?

Find Your Strengths, Work On Your Weaknesses

I had the pleasure recently of being able to ask the talented and prolific Chuck Wendig about his characters and how he makes them pop off the page.

His answer took me completely by surprise.

“I feel like voice is my strong suit,” he said, simply.

He went on to talk about other areas that he struggles with more — areas that need work in the rewrites — but this? It was the easy stuff for him.

A small, controlled explosion went off in my brain:

He’s just good at this stuff.

I don’t have to be as brilliant at characterization as him. Maybe I can’t be.

If I’m really, really good in some other area, maybe it’s OK if I focus on that.

This Is Not An Excuse

This is not at excuse to avoid learning about the craft. You do need to be proficient in all areas of writing.

But if your first draft is weak in one area (or several), don’t let it slow you down. Instead, play to your strengths. If you’re witty, play that up. If your wordplay makes people smile, go to town on it. If you are all about the dialogue, get that down first.

Write a lot to discover your strong suit.
Play to those strengths.
Fix the rest in the rewrite.

Need help with the ‘write a lot’ part? Try these articles:

How To Become An Insanely Productive Writer

Delegate Your Way To Writing Success

Five Irresistible Writing Prompts

Need more help? Take a look at the Time To Write Workshop, The StoryADay Guide to Breaking Writers’ Block and the Warm Up Your Writing Home Study Course in The StoryADay Shop.

Writing Parent’s Interruption Flowchart

Please print this out and pin it to whatever door or wall space you use as a buffer between you and those loved ones whose sole purpose in life seems to be to keep you from your writing.

Updated! Feb 2016:

(Right-click to save a copy. Pin it! Share it!)

Or you can have the original, hand-drawn version:

And here are some articles to help you with productivity:

Help! I’m Drowning In Ideas!

Help! I’m suffering an explosion of creativity and I can’t seem to stop myself finding time and ideas for writing!

How It All Began

One recent evening I tucked myself into my armchair, put my feet up, pulled my knitting on to my lap and settled down in the flickering black and white light coming from my television as we fired up a couple of episodes of The Twilight Zone — our nightly non-guilty pleasure.

I love The Twilight Zone. The stories are so imaginative, they’re not afraid to take a dark turn (!); they’re stylish, well-crafted and intellectually stimulating.

I’ve been telling myself that they’re great research for my own story telling efforts.

And in a way they are. They’re all about a character (often a man, aged 36, oddly enough) who needs something, lacks something, wants something. Great stuff for storytellers.

But at the end of every Season 1 episode, I keep seeing this little line of text that makes me uneasy.

The line?

“Based on the short story…”

Short Stories Are Not Screenplays

I follow a lot of working writers’ blogs, but people who are getting paid to write the equivalent of short stories now are often working in TV. The influences they cite are other TV shows and writers. I follow those links and spend hours reading about how those other writers write and find success.

But I’m not writing screenplays. I need to remind myself how to show a scene in words, not images.

So I’ve embarked on another challenge (you know how I love a challenge, right?) and I invite you to come along with me.

Following Ray Bradbury’s prescription for writers (watch it here. It’s worth the time) I’m trying to read a short story every day, especially those from the late 19th and early 20th centuries — stories with some staying-power. I’m also trying to read one essay a day (though accessible, classic essays are proving harder to find than good short stories) and one poem a day (oddly enough, though poems are shorter, I’m finding it harder to rouse myself to do this part of the program).

The Results Are In

I’ve been doing this for just over a week and, as I said, I’ve been ‘suffering’ under an explosion of creativity. I’ve written one, long-for-me, 6,000 word short story and sketched out ideas for more than 50 more (yes, 5-0!) in a few different themes/genres, started my second story and written four blog posts.

And my kids are on vacation!

But I can’t seem to stop myself finding time to read and write.

I’ve rediscovered the joy of both reading and writing. I’m sneaking off, staying up late, ignoring people I love, to read — and little of it is on Facebook or Feedly or Twitter. I’m reading well-crafted fiction and non-fiction that has stood the test of time. And I’m bursting with ideas, references and imagery — I’m so full of ideas that I can’t hold them back. I simply have to write. (This is not always the case with me. I always feel better when I’m writing but I’m quite good at being lazy and grumpy instead).

Want to join me in being more creative, more productive, and more joyful? Start reading and writing today!

Here are some of the books I’m using to find short stories, poetry, essays and other inspiring non-fiction to read.

What Are The Last Three Books You Opened?

I don’t know about you, but I find it hard to write in the summer. My kids are off school, my friends are calling, people come to visit…

I still write, but I scale back my ambitions. And I use the snatches of time I do have, to read.

But not just anything. I’m cutting back on reading ABOUT writing, and focussing more on readiung some great writing by the masters.

So, what are the last three books I opened?

Poems by Robert Frost

I’m trying to read a poem a day, so I picked up this volume of Frost poems and it fell open to After Apple Picking. I didn’t love it at first but I read it (slowly) a couple of times more and wrote it out once. I still didn’t love it, but I did find it a useful exercise and got much more out of it that way.

The Great English Short-Story Writers, Volume 1
I read Dr. Heidegger’s Experiement, which left me with a strong sense of the history of the short story and what a robust form it really is.

Cooked by Michael Pollan
I’ve always enjoyed Michael Pollan’s writing style. It really proves that anything can be interesting if the writer has a passion for it and that all good writing is storytelling.

Bonus Fourth Book:

The Battle of the Labyrinth (Percy Jackson and the Olympians) by Rick Riordan
My eight year old and I are reading it together at bedtime. Mostly I read it but sometimes he reads it. We love reading out loud. Do/did you still read to children once they can read for themselves?

How about you? Leave a comment telling us what were the last three books you opened.

Why We Write

Today I have two things for you: 1, A quick rave about a great book for writers; 2, An fun announcement.

Why We Write

After we’ve been writing for a while — after you’ve succeeded in making writing a habit, even for just a month — it can lose its dreamlike appeal. It can become, well, work.

How do you reignite your DESIRE to write?

For me, it helps to read great writing by people whose style I adore.

But it also helps to read about the habits of working writers (yes, ‘working’ writers, meaning the ones who get paid for it. I ADORE my writing groups, online and off, but modeling my behavior on that of people a little further up the professional road, seems like a smart move).

I just finished my first read-through of Why We Write: 20 Acclaimed Authors on How And Why They Do What They Do by Meredith Maran (I say ‘first’ because I know I’ll be going back to this one a lot).

The writers include Jennifer Egan, Isabelle Allende, Rick Moody, Sebastian Junger, Armistead Maupin, Terry McMillan, Sara Gruen and David Baldacci, among others, so it’s a wide spread of subjects and audiences they’re writing for. There is, quite literally something for everyone in this book: from authors who simply must write in one place all the time, with one set of music playing, to authors who hate routine, can’t write with music on; writers who write every day, and writers who ‘binge-write’ and then take months off.

Some common threads from the book:

Music

It was amazing how often the word ‘musical’ came up. An astounding number of the authors profiled talked about how important it was to ‘get the rhythm right’ or ‘make it sing’ or about how the language, when writing was going well ‘feels like music’. That sounded like a good way of talking about that moment when you just know the writing is working.

Fear

I don’t think there was one (highly-successful) author in the bunch who didn’t talk about how much fear they have: before, during and after they write. They are all insecure about every project, and that doesn’t go away after they get published. In some ways it gets worse. This is (I say, with some schadenfreude) immensely reassuring.

Persistence

Most of these authors said something along the lines of “I write because I can’t do anything else/I’m unemployable/I must”. And they talk a lot about the necessity of getting your butt in your chair, your fingers on a keyboard, a pen in your hand and WORKING at it. Just keep writing (whether you have a writing routine or you’re a ‘binge-writer’) until you are finished. When it’s hard. When it’s going well. When you don’t want to. When you’re scared. When you’re despondent. When you’re flying on the wings of inspiration. When you’re starting to wonder if maybe a soul-sucking corporate job might not be a better idea after all…Keep writing.

And they ALL said ‘it’s worth it’. Whether they were billionaire best-sellers or acclaimed literary types scratching out a living by teaching while they write. They all said: it’s worth it.

And now I have a little gift for you. Two gifts actually: an assignment (with a deadline) and a free webinar to guide you through it.

As you’ve probably noticed I’ve been working on a little side project called The 7Day Story(write, revise and release a short story in 7 days).

It’s like a graduation gift for people who have been through StoryADay: a little more time to work on a single story; a little more help with the ‘what now?’ after you’re finished your first draft.

I’m working with Gabriela Pereira of DIYMFA.com and we recently ran a challenge where we guided people through the process of writing, revision and releasing a story in 7 days. The feedback was phenomenal, so we’re running the challenge again, starting on July 1. You can sign up here.

But this time we’re previewing the whole thing in a free webinar, next Wednesday. Join us, live online, for the webinar, and we’ll take you through our week-long inspiration, drafting, and tiered revision process — a process that you can use over and over again to turn out polished short stories in next-to-no-time. We’ll take questions during the webinar, so do sign up if you have any questions to ask us about the process, or tips for first-timers. We’ll also be making a big announcement during the webinar that I think you’re really going to like (we’re putting the final touches to that right now. Shhhh!).

A little bit about my co-conspirator: Gabriela Pereira (who actually has a fancy, traditional MFA) has made it her mission to show the rest of us how to get all the good parts of a University-based MFA, without the time-wasting and crippling tuition bills. She has loads of enlightening things to say about the revision process, which really complement what I try to do here at StoryADay.org (which is mostly about inspiring you and empowering you to get those first drafts done). I’ve learned a lot from her already and, in The 7DayStory, we’ve put together a set of tools which take you that next mile along the writing road.

Join us for the 7DayStory webinar, on Wednesday, June 26, 2013, at 1PM (EST, GMT -5).

(If you can’t make it to the webinar, make sure you’re on the mailing list so you hear about our Big Announcement, when it’s ready!)

Adjust Your Expectations

I’m all for big dreams and Big Hairy Audacious Goals (A term coined by Jim Collins in “Built To Last”: ) After all, I’m the one who set herself the goal of completing a short story every day in May!) but not all goals are appropriate at every stage in our development.

What Is Success?

Maybe you will get published in Granta or Ellery Queen or McSweeneys one day. But if you’re still grappling with so-so feedback from your writers’ group perhaps today is not that day. That doesn’t mean you can’t shoot for a closer target. Perhaps you can submit to a smaller-circulation market, a newer publication that hasn’t attracted as much attention yet, a regional contest or anthology.

Or maybe you don’t need to ‘be published’ at all right now.

Reasons Not To Publish

Perhaps your version of success is ‘good feedback from my friends’. Perhaps you want to put together a collection of your stories and have it bound by a print on-demand publishing service to leave to your heirs.

Perhaps you can dedicate the next year to writing and revising rather than submitting stories, freeing yourself from the pressure of thinking about ‘success’ in terms of ‘acceptances’. File your stories chronologically and, at the end of the year, look back and see how far they have come. Then—and this is crucial—review your progress and decide what your next set of goals should be. Base your decision on where-my-writing-is-now rather than where-I-wish-it-was.

Reaching and Stretching

Whatever you decide to focus on, try to set your expectations at a level just a little beyond your current abilities. Give yourself something to strive for, but don’t set yourself you up for failure.

Having Said All That…

– Don’t let your inner critic obscure all that is good about your writing.
– Don’t let fear hold you back from finding out if your writing really IS ready for the big leagues.
– Don’t be timid in the face of challenge.
– Do set yourself ‘stretch’ goals that push you to improve.
– Do allow yourself to dream about your perfect reader, curled up in a comfy chair somewhere, transfixed by your stories, feeling the same joy you feel when you read a really great story.
– Do work hard towards your goal of being the best writer you can be.
– Do keep writing.

This post is part of the Becoming A Better Writer series. Find the other parts here or buy the ebook and help support StoryADay May:

Becoming A Better Writer Pt. I: One Skill You Must Master To Become A Great Writer
Becoming A Better Writer Pt. II: How To Ask For — And Deal With — Feedback
Becoming A Better Writer Pt. III: Learn From Your Writing Heroes
Becoming A Better Writer Pt. IV: Practice Makes Perfect (Or: Write More!)
Becoming A Better Writer Pt. V: Adjust Your Expectations

Write More

The only way to learn how to write is to write.

Write, finish, write some more.

After that you can start worrying about critiques and editors and agents and publishing and publicity.

But all of that is secondary to the writing. To become better at writing you must sit down and spin tales, craft stories, put words on the page.

The world is awash in articles, books and courses on how to manage the business of a writer’s life. You can find all the advice you will ever need and more on how to make time to write, how to write when you don’t have time, how to write better, and on how to find critique partners, find agents, find your audience.

The more important question is:
Can you find the will to sit down and put words on the page day after day after day?

This post is part of the Becoming A Better Writer series. Find the other parts here or buy the ebook and help support StoryADay May:

Learning From Your Writing Heroes

So you’ve decided you can be a better writer, you’ve listened to feedback and now you have resolved to act to strengthen your skills.

Now, how do you do that?

Seek Out Knowledge

If you’re a self-starter, consider the feedback you’ve had and plug those terms (“realistic dialogue”, “character deveopment”) into a search engine. Seek out insightful blogs and articles to help you improve those areas in which you are weak.

Read blogs by successful writers who are further along the path to you. Many published writers are extremely generous (if sporadic) in their blog posts. Check out the blogs (and their archives) by Neil Gaiman, Jane Espensen, and more.

Read/Listen to interviews with writers and podcasts about writing. You can find some of my favorite podcasts for writers, here.

Commit to reading about writing over the long term, and dismiss the urge it raises in you to whine “I’ll never be able to…” or “I’ll never be as good as…”. If you do keep reading and listening for months and years, you’ll find that you’ll learn more and despair less.

Classes

If you like classroom learning there is no shortage of writing classes, workshops and ebooks to help guide your way.

Don’t be afraid to specialize. Don’t take a generalized ‘short story writing’ class if you’ve come to realize that what you need help with is dialogue.

Likewise don’t be afraid to reach outside your specialty. If you see an interesting drama workshop or screenwriting class about “action and suspense”, give it a second look. If you are interested, you’ll get much more out of the class than if you are taking it because you just feel you ought to.

If you like the classroom feel, but can’t get to an online or real-world class, look out for ‘home-study’ workbooks and e-books that are structured on a class format, with weekly (or daily) assignments and lessons. Set yourself a deadline and, better yet, see if you can get a writing friend to go through the course with you, to simulate that in-class experience.

CopyCat Writing

This is one of the most popular segments of the I, WRITER Course that I run each year before StoryADay May.

During the Renaissance — the great flowering of European art and culture during the 16th and 17th centuries — great artists and artisans enrolled apprentices to train with them. The apprentices learned the principles of their craft not by creating their own unique works but by painstakingly copying the works and style of their masters.

We can do this in writing too (just as long as we don’t attempt to get any of our trainee copycat work published. That’s a plagiarism scandal just waiting to erupt!).

Take a story by a writer you really, really admire — preferably a short short story that won’t take for ever to reproduce. Analyze it in minute detail: from word choice to sentence length. Now, choose a different setting and different characters with different dreams from that of the originals, and write a copycat story, following the exact structure and tone of the original.

(If you want more details about this, and examples to follow, consider signing up for the I, WRITER Course I run several times a year.

Keep Learning

Nowt hat you have some great sources for how to learn from the greats, there is one final thing to realize:

You are never going to be finished.

You will grow and change as a writer as long as you keep doing…and every stage is going to require more learning, more inspiration and new heroes.

Commit to learning about your craft for as long as you are doing it, and you’ll be firmly on the path taken by all your writing heroes.

This post is part of the Becoming A Better Writer series. Find the other parts here or buy the ebook and help support StoryADay May:

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How To Ask For — And Act Upon — Writing Feedback

If you want your writing to improve, it’s always a good idea to set a piece aside for a while and come back to it later.

But sometime, not even a month’s Time Out in the dusty recesses of your hard-drive is enough to separate your story from your hopes for it, and the only way to get some perspective is to show it to someone else.

The real benefit is not just in plucking up the courage to show your writing to another soul (though that’s powerful). It’s in knowing how to listen to and act upon their feedback.

How Not To Take Feedback

Recently, at my Real-World Writers’ Group’s critique session, I listened as a high-energy, opinionated novelist read out a sample of her novel, which was similarly high-energy and opinionated. It was also funny and well-crafted and she was clearly at the stage where she needed feedback only on errors, omissions and clarity. So we waded in: “You said she was standing on the other side of the minivan so how did he see her?”, “Oh, I do that hobby and there’s a detail you missed.”

It was good stuff and just what she needed. But every time someone offered a critique or asked a question, the writer cut them off with a defense of why she had written it that way and prefaced most of her comebacks with, “Well, what you don’t understand is…”.

I started to wonder a, why she had come to the group, and b, how she ever hoped to get this promising manuscript published if she was unwilling to take feedback. (I had a sudden vision of her trying to follow all her readers home from the bookstore, calling out “Now, don’t forget, when I say that Marianne is biting her lip, that means she’s happy, not that she’s nervous. And the dog is symbolic. Symbolic!!”)

If It’s Not On The Page, It’s Not In The Story

If readers ask you for clarity about a story detail, a character or an event, it means something is missing. Listen to them, make notes and then go away and figure out a way to include more information or clues right there on the page.

If your story has too little (or just as likely: too much) of something, remember that this is not the end of the world. It doesn’t mean you stink as a writer. It doesn’t mean you’ll never be any good. It just means you have some more (re)writing to do. And that now you know what you have to do.

Rejecting Feedback

Just as important as listening to and acting on feedback, is the ability to decide you’re not going to act on it.

I like to write stories with twists at the end. I like science fiction. I like humor. So I took along a funny (I hoped), twisty, vaguely-sci-fi story to my writers’ group’s critique night recently. I was pleased to get a few laughs and some smiles, but I also noticed that one of the women in the group was smiling extremely politely and blinking a lot. I gave her an encouraging look and took a deep breath. When she prefaced her remarks with,

“I’ve never read any science fiction and I really prefer slice-of-life stories…” I knew what was coming next. She didn’t get it and had no clue what had happened at the end of my story.

Of course I was disappointed. And of course I wondered if I should make the twist in the tail more obvious. But I also happened to have another person in the group who knew exactly the kind of story this was supposed to be and who enjoyed those kinds of stories. That feedback was, naturally, very different.

I was interested in the feedback of the more ‘general fiction’ reader, but I gave more weight to the critique of the group’s lone sci-fi fan with the great sense of humor who thinks the ending was skating on just the right side of ‘predictable’.

Listen. Take notes. Consider the source. Go with your gut.

How To Find Critique Partners

If you’ve read this far and are thinking “well, that’s all very well, but how do I find these thoughtful, insightful critique partners?” here are a few idea.

Connect With Other Writers

Readers are wonderful people (I’m one of them), but if you pass a story to the most avid reader who doesn’t write, you’ll likely end up with a fairly unhelpful critique: I liked it/Hmm, it didn’t really work for me.

Avid readers know when something works, but they don’t tend to spend a lot of time thinking about the technique behind good writing: character arcs, if/then cycles, opposing characteristics. And why should they?

Finding Writers To Connect With

Writer Unboxed – This blog has spawned a friendly and passionate writers’ group at their Facebook site. Most of the writers are novelists but many write short stories too. Join the conversation, make some writer friends and see where it takes you.

Meetup.com – I found a fabulous writers’ group in my area through Meetup. Check the listings and see what other people say about the group. In my experience a great facilitator makes all the difference, so see if you can send a private message to some members to see what they think of the group’s leadership and make-up. Also, try to find a group where at least some writers are fans of the genres you write in.

Backspace – A serious writing organization for serious writers. There’s a subscription fee to join the group, which tends to weed out the dilettantes. I’m not a member but several people I respect have raved to me about the forums.

StoryADay.org — leave a comment here on this article saying what you write and that you’d like to form a critique group. If there’s enough interest I’ll set something up in our very own forums and get things rolling.

This post is part of the Becoming A Better Writer series. Find the other parts here or buy the ebook and help support StoryADay May:

If you want to read more like this, let me send future articles straight to your inbox:

One Skill You Must Master To Become A Great Writer

Supreme Court Justice and life-long overachiever, Sonia Sotomayor was a C-student until she decided she wanted to do better. Disregarding questions of talent and opportunity and what was expected of her, she simply went to the top kid in her fifth grade class how she got all those gold stars. And then Sotomayor listened as the girl taught her how she took notes, studied and used tricks to trigger her memory. From then on, Sotomayor was a straight-A student.

Until she reached Princeton and a professor gave her a C.

Once again, she asked for help, listened to the answer and then (and this is crucial) took action to correct her defects. She spent her summer at a bookstore, teaching herself remedial grammar. Each year she faced a different challenge and worked with her professors to overcome them[1. This story comes from a couple of interview with Justice Sotomayor by NPR’s Nina Totenburg. You can find them here and here].

And now she’s a justice in the highest court in the US, where telling a compelling story and choosing the right words are perhaps more important than in any other job but that of a writer.

Believe That You Can Improve

Don’t fall into the trap of thinking writing can’t be taught. Of course it can.

Every time you read a great book you’re learning how to write. Every time some great author talks about writing, you pick up a thing or two.

True, Sonia Sotomayor was not striving to write great literature, but she was willing to learn from people who knew more than she did. We must be willing to do the same.

Examining Your Writing Will Not Scare Away Your Muse

We’ve all experienced that magical moment when everything is flowing and it seems like the words are coming to us from some mystical well. We can start to believe that if we look too closely at what’s going on we’ll blow the whole thing.

But if you’re to make any progress, you must discover and internalize a simple truth that makes all the difference between the ‘wannabe’ writer and the seriously satisfied writer:

You must be willing to believe that writing can be taught.

And when I say ‘taught’ I simply mean that more experienced writers than yourself can share tips and techniques that help you find the fastest path from ‘beginner’ to ‘accomplished’.

Even more importantly, you must believe that you can absorb these lessons and put them into practice.

Sonia Sotomayor (no matter what you think of her judicial views on any subject) demonstrated an attitude and a pattern of behavior we should be racing to copy. If you’re not writing brilliantly now, figure out what you’re doing wrong and what you need to do to change it. Then work on making those changes.

This post is part of the Becoming A Better Writer series. Find the other parts here or buy the ebook and help support StoryADay May:

What To Do When Your Writing Just Isn’t Good Enough

Every writer with any measure of skill will, at some point, worry that their writing isn’t good enough

Happily, you can find any number of articles and books telling us why you shouldn’t worry about it, how to break through the blocks it causes, how to ignore other people’s subjective opinions, and how to deal with rejection.

But what if your writing really isn’t good enough?

What if your stories are always being rejected?
What if your critique partners always have tons of notes for you, or worse, nothing but a blank stare?

It may mean your writing really isn’t good enough and you need to do two things:

– Work on your skills and become a better writer
– Adjust your expectations[1. You’ll notice I don’t offer ‘give up’ as a choice. You can’t. You’re a writer. You might as well accept that and drop the fantasy that you can quit whenever you want to. You can’t, so instead, work at it and set your expectations appropriately]

Stay tuned for the next few days for a StoryADay.org series on What To Do If Your Writing Just Isn’t Good Enough. In this series I’ll show you how to harness the same tools that took a poor girl from Brooklyn to the highest court in the US, how to learn like a Renaissance master, and how to feel great about your writing again.

This post is part of the Becoming A Better Writer series. Find the other parts here:

If you want to read more like this, let me send future articles straight to your inbox:

Photo Credit: Sean MacEntee

How Do You Invest In Your Writing?

Consider the poor golfer. A cheap set of clubs costs $250, and he quickly finds himself tweaking his collection of clubs (a nice new 3-wood for $179, anyone?). Country club dues are rarely less than a couple of thousand a year. Writing, by comparison, is a cheap gig, but that doesn’t mean you should invest nothing! Let’s talk about how you’ll invest time in your writing this year…

Writing is cheap.

All it takes is your brain and some way of recording your creations.

Writing’s low-cost-of-entry makes it the perfect low-risk creative activity …and therein lies the danger.

If you are investing nothing in your writing, what’s to stop you giving up when it gets hard?

I’m here today to make a case that you should consider investing more in your writing this year than you have before.

How To Invest In Your Writing

It might mean you buy more books on the craft of writing.

It might mean hiring a babysitter or a cleaning service from time to time, or negotiating chore-swaps with family members to buy yourself more time to write.

It might simply mean that you spend your time more wisely: actually writing instead of watching TV or browsing writing blogs (a-hem).

It might mean you join a writer’s group, or take an online course, or attend a writer’s conference.

My Writing Investments 2012 – A Case Study

Writing is my hobby, my avocation and my job. And even I don’t spend that much on it.

I consider last year a big year for writing expenditures:

25+ books related to writing, StoryADay (plus well-written books I wanted to read for the joy of it) ($250+ and yes, I could have used the library!)
Writer’s Digest Writers’ Conference in NYC – to develop craft and network ($600+ with travel and accommodation)
Attended BookExpoAmerica to network ($200+ with travel)
Joined ML Writer’s Group (and paid my dues) to hang out with other writers, learn from them, share with them. ($25/year plus cost of dinner at monthly meeting.)
Bought notebooks that I enjoy writing in and quadrille paper that I can plan things out on. ($50?)
Bought apps to help with note-keeping and planning ($10-20)
Hosting for StoryADay.org (I consider StoryADay and the people who hang out there, part of my writing development. So thanks for being part of it!) ($100)
Business cards for StoryADay.org ($25)
Entry fees for three or four writing competitions ($5-20 each)
Used WorldCat to find local college libraries with books I needed for research (free).
Participated more in an online writers’ community I find fruitful (free).

My outlays were less than $2000 for the year.

My biggest-ticket items were the two trips to NYC for conferences (particularly the Writers’ Digest one.). I could have replicated some of that with a cheaper conference, closer to home, but for me at that particular time this was the right choice and I was fortunate to be able to afford it.

Happily, the return on my investments was HUGE. In the past year I’ve made massive strides in terms of craft, professional development, networking with fellow writers, in output and in simply *seeing myself as a writer* (which is not to be underestimated). I made good connections and set up some new opportunities. I expect at least some of those investments to pay off in really interesting ways this year.

The Cost Of Other Activities – Comparative Case Studies

Now consider the poor golfer. A cheap set of clubs costs $250, and he quickly finds himself tweaking his collection of clubs (a nice new 3-wood for $179, anyone?). Country club dues are rarely less than a couple of thousand a year. Hiring a golf cart for every round might be $40 and some clubs have monthly restaurant minimums (use it or lose it). Even if he plays as a guest he’s looking at $50-$100 per round (or more), plus cart fee and dining costs. And what about lessons? And the cost of hitting the driving range in the winter when the course is snowed out?

My spendy year is starting to look kind of frugal, now!

And what about the ardent football fan? The cheapest tickets to see my local football team are $60 a game (if you can get them). If you’re a Green Bay Packers fan and are lucky enough to have a blood relative who’s willing to sign over their season tickets to you, it’ll set you back $1400 per seat just for the transfer after which you are obliged to buy ten tickets a year (at an average price of $260 per seat per game).

It Isn’t All Or Nothing, Is It?

Of course not.

There are plenty of people who tell you going to games is over-rated. They’re happy to party at home and watch the game on their big-screen TV with a few friends, but even that ain’t free (TV: $800-2000, DirecTV Sunday Ticket subscription $199-300/year, nachos and beer, $200+/year).

Or you could watch the game for the price of a couple of Bud Lights (and maybe a babysitter) at your local bar. But I’m willing to be that the most ardent fan in the bar has, at some point, wondered if they might be happier with a season ticket in their back pocket.

And every writer with a pencil and paper has wondered if things might be easier with a word-processor. Every mystery writer has wondered if there might be tricks they could learn from more experienced writers. Every professional in every field needs instruction if they are to progress.

You Don’t Need Season Tickets (But Going To A Game Or Two Might Be Nice)

You don’t have to spend $4000 a year on tickets to call yourself a Packers fan.

You don’t have to spend thousands on courses and books and conferences to develop your writing.

But at some point you’re probably going to feel the pull to subscribe to a writers’ magazine. Or join a group. Or take a course. Or go to a conference.

Deciding What’s Right For You

When my friend told me she’d been offered the chance of taking over some family season tickets to the Green Bay Packers, she told me about the transfer fees and the ticket prices and the hours-in-the-car-with-kids-there-and-back. Oh and the windchill. My jaw dropped lower and lower and my eyes clearly read “You must be crazy!”.

But that’s because I know nothing about football culture. I’m not from Wisconsin. (I’m not even from the US!). I didn’t know that people sign their babies up to the Packers’ waiting list before they even sign the birth certificate. People deed their place on the waiting list to their heirs in their wills! Season-ticket holders sell unused tickets to other people, and there’s never a shortage of buyers. Oh, and she and her husband are huge fans, who go to games whenever they can.

$1400 a seat for a transfer fee? In that context? She’d be crazy NOT to take on the tickets. I hope my ignorant reaction didn’t color her decision.

Likewise, be careful who you ask for advice when you’re considering traveling thousands of miles and spending hundreds of dollars to attend a conference about writing (which, after all, we all learned to do by the time we were seven, right?).

Another writer may see the value in that. Your golf-playing buddy may not.

Even another writer, at a different stage in their development, may not see the value of the investment you want to make in your writing.

Don’t let anyone derail you.

Likewise, don’t assume that because a conference, or a course, or a book is popular and/or expensive, that it is a ‘must’ for you. My Cheesehead friends had to consider whether, with three small children, the tickets were a sensible investment for them in their real lives not as an abstract idea.

Take some time to think about your goals. Interrogate every opportunity to spend time or money on your craft as it comes along.

Ask yourself:

Does this get me closer to my goal of being a fiction writer? And what kind of fiction?
Does this conference focus too much on trying to ‘be published’ and less on developing my writing?
Have I taken all the classes I can stomach on “better dialogue” and should I be moving on to figuring out how to submit to magazines?
Do you have a good writing friend you can correspond with (like Emily Dickinson) or do you need to join a writers’ group (think: Shelly, Byron, Mary Wollestonecraft Shelley, Leigh Hunt, Keats!)

How Will You Invest In Your Writing This Year?

What have you been doing to develop your writing and what will you do to step it up this year?

Been writing a few stories here and there? How about committing to a story every month (or even, dare I suggest, a story a day in May?)
Reading only fiction? Why not add some non-fiction, to expand the knowledge you bring to your fiction?
Are you writing and reviewing your work alone? Perhaps its time to join a critique group or sign up for a writers’ conference.
Read enough inspirational blogs and books about writing? Perhaps its time to try something that has a curriculum (a workbook, a group or a course.)

Parting Points

You are allowed to spend time and money on writing. It’s as important to you as football is to people who claim to ‘bleed green’ (or ‘blue’ or ‘orange’ or whatever). And probably cheaper.

You must make your own decisions about what you need in your writing life right now, and pursue those things.

You — and your stories — are important. Do whatever you can to stalk those stories, capture them, and share them with us. We need them.

Keep writing!

Committing To Your Writing

After four rounds of StoryADay, three NaNoWriMos and several decades of being in various stages of writerly success, avoidance, denial and productivity, I think I’m finally getting the hang of treating my writing as a job…

Pursuing The Craft

I’ve developed a three-pronged approach to this ‘course’ I’m taking in writing. I’m sharing it because if you aren’t doing all of these things, you will want to add them to your writing life. And because if I’ve missed something, I’d love you to share it in the comments.

Commitment

If you vow to write a certain amount every day, or at the same time every day, or to finishing a thing by a certain date, that’s commitment. You’re not just messing around. You’re practising your craft. Whether or not you start off each writing session in the mood, you write when you said you would. You’re taking it seriously.

That in itself is a big step.

But better than that, if you really writing, committing, finishing, you will be learning and improving and progressing towards a point where you can be proud of what you write.

Study

Learn from other writers.

This is a lesson I resisted for a long time. Let’s face it I don’t like to be told what to do. And in a way, it is dangerous to read about what other writers do, unless you read voraciously. Read, listen to podcasts and interviews, take it all in.

At first you’re going to get depressed because all the writers you love are doing it differently from how you do it. You’re going to try to write 2000 words a day, every day, like Stephen King or you’re going to think you can’t finish a book without a writer’s retreat in Taos, New Mexico. And then maybe you’ll find that your writing method is frighteningly close to that of that jackass writer whose books you wouldn’t read if they were the last words on earth.

But the more you listen, the more you’ll realize it doesn’t matter. You’ll find your own way and you can try out tips from other writers. Discard them if they don’t work. Hoard them if they do. And you’ll start to realize that all writers have slumps, all writers find the middle difficult, all writers think they’re writing garbage at some point in the first draft. And all the successful writers keep going anyway. They finish. They send their work out there. They move on and write the next thing.

Read, listen, learn.

Get Out There

Showing your work to your mother or your spouse is all very well (and a necessary stage to give you the courage to move on to the next bit). But a biased reader-review is nothing to the power of a review from another writer.

Get out into the world and find yourself some other writers. (Try Meetup.com for real-world writers groups in your area — I found an awesome group this way. Hang out in the Writer Unboxed community on Facebook, or at one of the billion other online communities (including this one!)

There is nothing like hanging out with other writers to help boost your confidence in your writing and in your decision to embrace this writing thing that pulls at you. Suddenly, you are not alone, and that feels great.

Even better, their feedback will come at you from a different angle. They won’t say your writing is ‘nice’ or ‘fine’. They’ll talk about character arcs and shading and plot archetypes, and you will learn from all the things they’ve read and learned as they study their craft.

—

How about you? Are you writing if and when the muse strikes or are you laying traps for her by writing every day, studying up on the craft and hanging out with other writers? What else are you doing to develop your writing career?

How Was Your Writing Year?

Worksheet Alert! I have a new, free worksheet for you! Take a few minutes to look back at what you’ve done this year. Spend a little time patting yourself on the back on this new worksheet for those of us who like lists but aren’t linear thinkers…[read more]

Worksheet Alert! I have a new, free worksheet for you!

We all love the New Year: the retrospectives, the ‘where are they now’s, the ghoul pools, the feeling of starting afresh and of possibilities.

Well, the end of the year is nigh and it’s time to take a look at your writing life. And I have a printable worksheet to help you do just that.

Introducing The StoryADay.org “My Writing Year” Quick Planner

It’s a one-page, 8.5″x11″ printable form without any straight lines — perfect for those of us who like lists but aren’t linear.

(If you’re not using a US printer and paper, you’ll need to check the ‘resize to fit page’ box in your printer options, but it should work out OK.)

Take a few minutes to look back at what you’ve done this year. Spend a little time patting yourself on the back as well as taking note of opportunities missed, or where you could do better next year. Capture where you were and how far you’ve come. Scribble down a few plans for next year.

Get your free copy now!

If you discover any surprising truths or want to share anything you put down, leave a comment here.

Why Write?

Seriously? Why tell stories?

No-one’s beating down your door to pay you money for your stories.

There are billions of people in this world. Why are your stories any better than theirs? Who’s going to listen?

You’re Asking The Wrong Questions

Humans are storytelling animals.

Imagination and emotion are what keep us from skating through life, forever on the surface, never going deeper and finding out what matters. Stories are all about imagination and emotion.

Why not write?

Isn’t that a better question?

The Storytelling Imperative

We tell stories every day.

All of us.

Even the people you wish wouldn’t.

You know the one, right? The one who starts to tell you about her journey in to wherever you are right now, but has to back up to tell you about what her husband asked her to cook before she left and how the car used to have heated seats but the mechanic messed it up and she’s still trying to get some satisfaction for that but she bets she never will…and you know there is something she is trying to tell you but now you’re standing there with your coffee gone cold and your boss’s increasingly frantic phone calls rerouting to voicemail, and still she doesn’t seem to be able to bring herself to the point of her story. And you can’t walk away because you know she’s building up to a point and you’re too well-bred to lean in and scream into her face, spittle flying, “Get to the freaking point, woman!”, so you stand there, following her down seemingly endless diversions and side roads hoping against hope that one of them will put her back on the road towards the point of her story.

And how do you know there is a point to her story? Because it’s how we communicate. You have a lifetime of experience in this stuff. You know that once someone has set a scene and introduced some characters (“Me, in my car, driving here”) they have entered into a contract with us to provide not just information but a story: something happens, some conclusion is reached, maybe there’s a moral, maybe not, but you both walk away having learned something.

The Contract

That’s the deal: I’m telling you a story. It will take you somewhere and give you something to take home with you at the end.

If you break the contract you are either a really bad storyteller and a bore, or you’re a comedian. (Think of why Steven Wright and Henny Youngman are so funny: they set up the expectation of a story and then subvert it. They aren’t wasting our time. They are entertaining us, so we forgive them.)

But back to your narratively-challenged office-mate. She didn’t just say, “Wow, it took me a long time to get here today.” She set the scene. She reeled you in. She has declared that she has a story to tell and you can’t help but stay to find out what happens in the end. (Unless, of course, you’ve heard her stories before.)

Why Write Stories?

If nothing else, to practice. To get better at it. To avoid being the person at a party or in the office corridors that everyone is scrambling to get away from.

By telling stories over and over again, in the safety of your notebook, you begin to see how story structure works: the set up, the missed opportunity, the payoff, the conclusion. You begin to learn how to make characters compelling (whether they are real or fictional). You learn how to pare back on the extraneous detail to keep your reader (or listener) interested.

By telling a lot of stories in a short amount of time, you learn these lessons quickly.

Don’t Wait

Dig in to the writing prompts and commit to writing a handful of stories this month. Then come back here and let us know you got on.

Paper or Plastic? How do you write?

I’m often asked how I write—how, physically, do I write? Pen and paper? Computer? Portable device? Onto my blog?

This is a question you, too, should consider for yourself before you set yourself any kind of writing challenge (like, for example, writing a story a day for a month!)

How will you:

* Write whenever and wherever you get the chance?
* Keep track of everything you’ve written?
* Find a way to work that is comfortable for you?

So should you commit to writing in a notebook? ON a netbook? At your trusty (or flaky) computer?

Honestly, the answer for you (as it is for me) is probably a mixture of all of them. So here are my tips and tricks for:

* Using all the writing technology at your disposal for maximum productivity (without losing your mind)
* Keeping and retrieving your masterpieces for later editing.

Paper and Pen(cil)

The pros and cons to this are pretty straightforward.

Pro:

* You can get a paper and writing implement pretty much anywhere.
You don’t need batteries, a network.
* Nothing pops up on your page to distract you.
* Editing as you write is difficult. You’re pretty much limited to crossing things out and writing in the margins. Getting to the end of a first draft before editing, should be easier than on a computer.
* You can do it pretty much anywhere (except, perhaps, in the dark.)
* Handwriting fires up areas of your brain that are associated with deep understanding and memory. It is a very different experience from typing.

Cons:

* You need to have a paper and pen(cil) handy. What if you can’t find your favorite pen? Will you spend so long looking for it that you don’t write?
* Editing after the story is finished is going to require you (probably) to transcribe the story into a computer or write it all out longhand again. Not necessarily a con though, as that can help with the editing process. Definitely a con if your time is severely limited.
* Scraps of paper are easy to lose and hard to find once they’re lost. This is less the case with computer files.

Tips for Working With Pencil And Paper

* Set up a system now for retrieving your work later. Some options include:
** only using one notebook (or series of notebooks) for each project. Don’t write a little bit here and a little bit there.
** Designate a StoryADay notebook and carry it everywhere. Only use that blue-covered copybook from Staples that you like, for your novel.
** Using looseleaf paper can be helpful if you write in different places or like to edit on paper. You can get hold of binder-sized paper pretty much anywhere. When you get home, file your stories in one binder, and you should be able to keep track of things. This requires some discipline in promising you’ll always file the stories away but it’ll be worth it three months from now when you try to find them again!
* Find paper that is a joy to write on, if you’re that way inclined. Have a cramped notebook with lines that are too dark or too light or too far apart, and a spine that doesn’t crack open far enough, or pages that are so small that you have to turn them every couple of sentences? This is just one more way to make it easy to skip today’s writing. Make writing a physical pleasure as well as a mental one, by treating yourself to some paper that you love and will want to spend time everyday caressing.

Desktop Computer

Again, the pros and cons are fairly straightforward:

Pros

* You know where it is and how to use it (you do, don’t you?)
* You probably have a decent word processor built right in and, chances are you are very comfortable typing at a decent speed.
* Even if you can’t remember how you decided to organize your file folders last week, you can easily search your computer for errant stories.
* You can easily edit and save multiple versions.

Cons

* It is all to easy to get distracted by the Internet
* It is very easy to edit, leading to you fussing with bits you have already written and never moving forwards.
* It is tempting to play around with formatting when you’ve got a nice powerful word processor that you can use to show you exactly how your story will look when set in the format used by Glimmer Train or The New Yorker (not that I’ve ever…oh shut up!).

Tips for using a computer

* Designate a folder for all your fiction writing, another for non-fiction, another for semi-thought-out blog posts. File your work.
* Save often. Seriously I cannot stress this enough. And still you’re going to need to experience the pain of losing a masterpiece before you put this into practice. But Save OFTEN. Train your fingers to mash the ‘ctrl’ and ‘s’ buttons together every paragraph or two. You’ll be glad you did.
* Use the simplest program you can. I use IAWriter when composing (I’m using it now). Use the full-screen mode in your word processor-of-choice.
* Turn off the Internet (Unplug the LAN cable, turn the sound down, turn off wi-fi, whatever you have to do). Do nothing but write when you are writing. No checking email, Facebook or Twitter. Ever.
* Name your files sensibly. You can call them all “StADASept12 The One About The Woman And Her Garden”, “StADaSept12 The Dog In The Ditch” if you think that’s likely to help you remember which is which, and where you put them. If you are writing a series of stories about the same characters always name the file with the same character’s name “Sarah stories – fishing in the creek with Grandma” “Sarah stories – Going to the corner shop”

Using A Laptop/Netbook/iPad/Tablet

If you move around a lot and are comfortable with a mobile device (and don’t want to hand write) it probably makes a lot of sense for you to use one of these devices.

Pros

* They are with you all the time or easy to move to wherever you are.
* You don’t need good lighting.
* Spellcheck.

Cons

* Battery life.
* If they are connected to the Internet you risk getting distracted.
* Comfort. Smaller keyboards and screens can make for a frustrating experience. Though I find them great for writing, less so for editing.
* Version control. If you’re using a mobile device and a desktop you run the risk of having (and working on) different versions of your story at the same time.

Tips for Using Mobile Devices

* Decide on how you are going to handle version control. If you work both on an mobile device and a desktop, consider saving all your work to Dropbox, Google Drive, iCloud or some other remote location (not your computer’s hard drive). This way, you’ll open the same file on either machine. By all means periodically copy all the files to an archive folder on your machine but call it something like ‘archive’ so you don’t get confused about which file is the latest version.
* Pick programs that play well together. I tried using Scrivener on my desktop and iaWriter on my iPad and ended up spending a ridiculous amount of time trying to learn/figure out how to sync the two. (My fault, not theirs, but not something I was willing to spend the time to learn properly during a challenge!). If you have Word or Pages or Scrivener or a simple text program on both your machines, use it. You can always export them to something else when it’s time to edit and submit.
* Get a bluetooth keyboard for your tablet. Yeah, yeah, they have onscreen keyboards and hand-writing recognition and speech-recognition, but a neat little keyboard still trumps all that for most of us.
* If it works for you, consider downloading something like Dragon Dictate which will transcribe your stories. (Way back, the desktop version of this was quite good because I could train it to understand my Scottish-American mongrel accent. The iPhone app version doesn’t seem as versatile, so this doesn’t work for me).

On A Blog

Some people post their stories every day to a blog. They may even write them write in the blog-software window. There are some fairly big (and non-obvious) pros and cons for this one.

Pros

* You get to share your work immediately – especially good if you have a writers’ group or a bunch of dedicated readers.
* You can easily find your stories again. Even if your hard drive dies.
* There is a off-the-cuff, relatively uncrafted esthetic to blogging that might help you write with abandon every day.

Cons

* Publishing your work on a blog may cause some editors to consider the work ‘previously published’ and render it invalid for inclusion in magazines and competitions.
* Writing in the blog window leaves you at the mercy of your internet connection and the host’s servers. One blip and your whole story can be lost otherwise.

Tips For Writing On Your Blog

* Consider writing offline and then pasting the content directly into the blog window. Write in a plain text program and then pretty it up once you’re in the blog window.
* Save drafts obsessively as you work on them.
* Use your blog software to set up categories and tags for your stories. That way it’ll be really easy to find all the stories you wrote during StADa Sept ’12, or all the stories your wrote that were autobiographical, or all the fairy stories…
* Consider password-protecting or marking as ‘private’ any entries you think you might rework for submission to magazines or contests. If no-one else can see them, no-one can consider them ‘published’.

So how do YOU write? Have any tips for keeping your writing flowing?

Don’t Write! How ‘Not Writing’ Could Save Your Story

It can be a struggle to find time to write, and yet here I am, bringing you a post on fitness? What’s up with that?

Well, the facts speak for themselves: making time for fitness is like an investment in ourselves that pays us back in increased concentration, productivity and creativity.

Today I’ve asked Lisa Johnson from LisaJohnsonFitness to give us some pointers about how to integrate exercise and creativity without derailing our writing schedules.

I particularly like her 10-minute burst idea – check it out below.

Also, Lisa has offered to answer any questions you might have about integrating fitness into your routine. (Normally she charges people handsomely for the privilege!) Just post your questions below.

Thanks Lisa!

How ‘Not Writing’ Could Be The Best Thing You Ever Did For Your Writing Career

Hunched over our laptops, tapping away on the keyboard, writers feel like we have to be writing to be productive.

But, to get those creative juices flowing, maybe what we really need is to push away from the desk, slap on those sneakers and head outside.

Taking a break to get your body moving will:

Decrease stress
Increase productivity
Improve time management
Improve mental sharpness
Boost creativity

The 30 minutes that you spend in motion will be more than made up for through increased creativity and output. I promise. )

So pick an activity that you enjoy. It doesn’t have to be a prescribed fitness routine with weights, reps, and sets at the gym. It doesn’t have to be the “Om” of a yoga class, but it can be if that’s what you like to do. Some options to consider:

Just go for a walk; nature helps us calm down and declutter our brains.
If you’ve got the cardio endurance, go for a run.
Take a yoga or Pilates class for weight-bearing strength work and a little Zen.
If you like group exercise classes or watching TV while you do cardio, go get a gym membership.
Buy some free weights for your home (cuts out all travel time).
Watch fitness DVDs; stream them on your computer or use your local cable company for free routines.

Also, if the idea of being away from your writing for an hour just seems completely unfathomable, you can always break workouts down into 10-minute bursts. I tell this to clients regularly. When you’re transitioning from one task to another, do a quick 10-minute burst of cardio. This can be as simple as running in place or skipping rope or throwing on some tunes and dancing around your living room. The brain break will give you a clean slate as you start your next task. It’s amazing how well this works.

If you’re looking for overall guidelines, you want to do a minimum of 150 minutes of cardio per week; anything above that is gravy. Your heart will thank you, your doctor will thank you, and your readers will thank you!

If you have any questions, just ask below, and I’ll answer them.

Cheers,

Lisa

Lisa Johnson has been a certified personal trainer and Pilates instructor since 1997. She owns Modern Pilates in Brookline, MA and has been a fitness blogger for three years at Lisa Johnson Fitness.com. She also blogs for FitStudio.com (a Sears company.)

http://lisajohnsonfitness.com
http://modernpilatesboston.com

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How To Move Forward?

Are You Paying Your Creative Debts?

Take a tiny bite out of your creative debt today

Follow Along?

Your Own Reading Log

Bonus Tip: Create A Handy Shortcut

Then:

Things You Have Done This Month

STORYFEST REMINDER

WHAT NEXT?

Further Reading

COME BACK EACH WEEK AND WRITE ON WEDNESDAY

AND FINALLY

Let It Go [1. Cue the sound of my two elementary school aged boys screaming “No! Enough with the Frozen!”]

Watch And Learn

Adjust Your Rules

So, how’s it going? What are you learning? What tips do you have?

Writing During The Challenge

Planning For The Month

Celebrity Guest Prompters

A Month Of Prompts…Today!

Are You Ready?

Need to Warm Up?

Where Do You Do Your Best Writing?

Your Own Writing Space – Some Tips

What Do You Need?

If You’re In The Middle Of A Project

If You’re Between Projects

Keep Yourself Sane By Journalling

Find Your Strengths, Work On Your Weaknesses

This Is Not An Excuse

Updated! Feb 2016:

How It All Began

Short Stories Are Not Screenplays

The Results Are In

Why We Write

How do you reignite your DESIRE to write?

Music

Fear

Persistence

What Is Success?

Reasons Not To Publish

Reaching and Stretching

Having Said All That…

Seek Out Knowledge

Classes

CopyCat Writing

Keep Learning

How Not To Take Feedback

If It’s Not On The Page, It’s Not In The Story

Rejecting Feedback

How To Find Critique Partners

Connect With Other Writers

Finding Writers To Connect With

Believe That You Can Improve

Examining Your Writing Will Not Scare Away Your Muse

But what if your writing really isn’t good enough?

How To Invest In Your Writing

My Writing Investments 2012 – A Case Study

The Cost Of Other Activities – Comparative Case Studies

It Isn’t All Or Nothing, Is It?

You Don’t Need Season Tickets (But Going To A Game Or Two Might Be Nice)

Deciding What’s Right For You

How Will You Invest In Your Writing This Year?

Parting Points

Pursuing The Craft

Commitment

Study

Get Out There

Worksheet Alert! I have a new, free worksheet for you!

Introducing The StoryADay.org “My Writing Year” Quick Planner

You’re Asking The Wrong Questions

The Storytelling Imperative

The Contract

Why Write Stories?

Don’t Wait

Paper and Pen(cil)

Pro:

Cons:

Tips for Working With Pencil And Paper

Let It Go
[1. Cue the sound of my two elementary school aged boys screaming “No! Enough with the Frozen!”]