Why Write?

Seriously? Why tell stories?

No-one’s beating down your door to pay you money for your stories.

There are billions of people in this world. Why are your stories any better than theirs? Who’s going to listen?

You’re Asking The Wrong Questions

Humans are storytelling animals.

Laughter And Photos

Imagination and emotion are what keep us from skating through life, forever on the surface, never going deeper and finding out what matters. Stories are all about imagination and emotion.

Why not write?

Isn’t that a better question?

The Storytelling Imperative

We tell stories every day.

All of us.

Even the people you wish wouldn’t.

You know the one, right? The one who starts to tell you about her journey in to wherever you are right now, but has to back up to tell you about what her husband asked her to cook before she left and how the car used to have heated seats but the mechanic messed it up and she’s still trying to get some satisfaction for that but she bets she never will…and you know there is something she is trying to tell you but now you’re standing there with your coffee gone cold and your boss’s increasingly frantic phone calls rerouting to voicemail, and still she doesn’t seem to be able to bring herself to the point of her story. And you can’t walk away because you know she’s building up to a point and you’re too well-bred to lean in and scream into her face, spittle flying, “Get to the freaking point, woman!”, so you stand there, following her down seemingly endless diversions and side roads hoping against hope that one of them will put her back on the road towards the point of her story.

And how do you know there is a point to her story? Because it’s how we communicate. You have a lifetime of experience in this stuff. You know that once someone has set a scene and introduced some characters (“Me, in my car, driving here”) they have entered into a contract with us to provide not just information but a story: something happens, some conclusion is reached, maybe there’s a moral, maybe not, but you both walk away having learned something.

The Contract

That’s the deal: I’m telling you a story. It will take you somewhere and give you something to take home with you at the end.

If you break the contract you are either a really bad storyteller and a bore, or you’re a comedian. (Think of why Steven Wright and Henny Youngman are so funny: they set up the expectation of a story and then subvert it. They aren’t wasting our time. They are entertaining us, so we forgive them.)

But back to your narratively-challenged office-mate. She didn’t just say, “Wow, it took me a long time to get here today.” She set the scene. She reeled you in. She has declared that she has a story to tell and you can’t help but stay to find out what happens in the end. (Unless, of course, you’ve heard her stories before.)

Why Write Stories?

If nothing else, to practice. To get better at it. To avoid being the person at a party or in the office corridors that everyone is scrambling to get away from.

By telling stories over and over again, in the safety of your notebook, you begin to see how story structure works: the set up, the missed opportunity, the payoff, the conclusion. You begin to learn how to make characters compelling (whether they are real or fictional). You learn how to pare back on the extraneous detail to keep your reader (or listener) interested.

By telling a lot of stories in a short amount of time, you learn these lessons quickly.

Don’t Wait

Dig in to the writing prompts and commit to writing a handful of stories this month. Then come back here and let us know you got on.

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Paper or Plastic? How do you write?

I’m often asked how I write—how, physically, do I write? Pen and paper? Computer? Portable device? Onto my blog?

This is a question you, too,  should consider for yourself before you set yourself any kind of writing challenge (like, for example, writing a story a day for a month!)

gadgets

How will you:

* Write whenever and wherever you get the chance?
* Keep track of everything you’ve written?
* Find a way to work that is comfortable for you?

So should you commit to writing in a notebook? ON a netbook? At your trusty (or flaky) computer?

Honestly, the answer for you (as it is for me) is probably a mixture of all of them. So here are my tips and tricks for:

* Using all the writing technology at your disposal for maximum productivity (without losing your mind)
* Keeping and retrieving your masterpieces for later editing.

Paper and Pen(cil)

The pros and cons to this are pretty straightforward.

Pro:

* You can get a paper and writing implement pretty much anywhere.
You don’t need batteries, a network.
* Nothing pops up on your page to distract you.
* Editing as you write is difficult. You’re pretty much limited to crossing things out and writing in the margins. Getting to the end of a first draft before editing, should be easier than on a computer.
* You can do it pretty much anywhere (except, perhaps, in the dark.)
* Handwriting fires up areas of your brain that are associated with deep understanding and memory. It is a very different experience from typing.

Cons:

* You need to have a paper and pen(cil) handy. What if you can’t find your favorite pen? Will you spend so long looking for it that you don’t write?
* Editing after the story is finished is going to require you (probably) to transcribe the story into a computer or write it all out longhand again. Not necessarily a con though, as that can help with the editing process. Definitely a con if your time is severely limited.
* Scraps of paper are easy to lose and hard to find once they’re lost. This is less the case with computer files.

Tips for Working With Pencil And Paper

* Set up a system now for retrieving your work later. Some options include:
** only using one notebook (or series of notebooks) for each project. Don’t write a little bit here and a little bit there.
** Designate a StoryADay notebook and carry it everywhere. Only use that blue-covered copybook from Staples that you like, for your novel.
** Using looseleaf paper can be helpful if you write in different places or like to edit on paper. You can get hold of binder-sized paper pretty much anywhere. When you get home, file your stories in one binder, and you should be able to keep track of things. This requires some discipline in promising you’ll always file the stories away but it’ll be worth it three months from now when you try to find them again!
* Find paper that is a joy to write on, if you’re that way inclined. Have a cramped notebook with lines that are too dark or too light or too far apart, and a spine that doesn’t crack open far enough, or pages that are so small that you have to turn them every couple of sentences? This is just one more way to make it easy to skip today’s writing. Make writing a physical pleasure as well as a mental one, by treating yourself to some paper that you love and will want to spend time everyday caressing.

Desktop Computer

Again, the pros and cons are fairly straightforward:

Pros

* You know where it is and how to use it (you do, don’t you?)
* You probably have a decent word processor built right in and, chances are you are very comfortable typing at a decent speed.
* Even if you can’t remember how you decided to organize your file folders last week, you can easily search your computer for errant stories.
* You can easily edit and save multiple versions.

 Cons

* It is all to easy to get distracted by the Internet
* It is very easy to edit, leading to you fussing with bits you have already written and never moving forwards.
* It is tempting to play around with formatting when you’ve got a nice powerful word processor that you can use to show you exactly how your story will look when set in the format used by Glimmer Train or The New Yorker (not that I’ve ever…oh shut up!).

Tips for using a computer

* Designate a folder for all your fiction writing, another for non-fiction, another for semi-thought-out blog posts. File your work.
* Save often. Seriously I cannot stress this enough. And still you’re going to need to experience the pain of losing a masterpiece before you put this into practice. But Save OFTEN. Train your fingers to mash the ‘ctrl’ and ‘s’ buttons together every paragraph or two. You’ll be glad you did.
* Use the simplest program you can. I use IAWriter when composing (I’m using it now). Use the full-screen mode in your word processor-of-choice.
* Turn off the Internet (Unplug the LAN cable, turn the sound down, turn off wi-fi, whatever you have to do). Do nothing but write when you are writing. No checking email, Facebook or Twitter. Ever.
* Name your files sensibly. You can call them all “StADASept12 The One About The Woman And Her Garden”, “StADaSept12 The Dog In The Ditch” if you think that’s likely to help you remember which is which, and where you put them. If you are writing a series of stories about the same characters always name the file with the same character’s name “Sarah stories – fishing in the creek with Grandma” “Sarah stories – Going to the corner shop”

 Using A Laptop/Netbook/iPad/Tablet

If you move around a lot and are comfortable with a mobile device (and don’t want to hand write) it probably makes a lot of sense for you to use one of these devices.

Pros

* They are with you all the time or easy to move to wherever you are.
* You don’t need good lighting.
* Spellcheck.

Cons

* Battery life.
* If they are connected to the Internet you risk getting distracted.
* Comfort. Smaller keyboards and screens can make for a frustrating experience. Though I find them great for writing, less so for editing.
* Version control. If you’re using a mobile device and a desktop you run the risk of having (and working on) different versions of your story at the same time.

Tips for Using Mobile Devices

* Decide on how you are going to handle version control. If you work both on an mobile device and a desktop, consider saving all your work to Dropbox, Google Drive, iCloud or some other remote location (not your computer’s hard drive). This way, you’ll open the same file on either machine. By all means periodically copy all the files to an archive folder on your machine but call it something like ‘archive’ so you don’t get confused about which file is the latest version.
* Pick programs that play well together. I tried using Scrivener on my desktop and iaWriter on my iPad and ended up spending a ridiculous amount of time trying to learn/figure out how to sync the two. (My fault, not theirs, but not something I was willing to spend the time to learn properly during a challenge!). If you have Word or Pages or Scrivener or a simple text program on both your machines, use it. You can always export them to something else when it’s time to edit and submit.
* Get a bluetooth keyboard for your tablet. Yeah, yeah, they have onscreen keyboards and hand-writing recognition and speech-recognition, but a neat little keyboard still trumps all that for most of us.
* If it works for you, consider downloading something like Dragon Dictate which will transcribe your stories. (Way back, the desktop version of this was quite good because I could train it to understand my Scottish-American mongrel accent. The iPhone app version doesn’t seem as versatile, so this doesn’t work for me).

On A Blog

Some people post their stories every day to a blog. They may even write them write in the blog-software window. There are some fairly big (and non-obvious) pros and cons for this one.

Pros

* You get to share your work immediately – especially good if you have a writers’ group or a bunch of dedicated readers.
* You can easily find your stories again. Even if your hard drive dies.
* There is a off-the-cuff, relatively uncrafted esthetic to blogging that might help you write with abandon every day.

Cons

* Publishing your work on a blog may cause some editors to consider the work ‘previously published’ and render it invalid for inclusion in magazines and competitions.
* Writing in the blog window leaves you at the mercy of your internet connection and the host’s servers. One blip and your whole story can be lost otherwise.

Tips For Writing On Your Blog

* Consider writing offline and then pasting the content directly into the blog window. Write in a plain text program and then pretty it up once you’re in the blog window.
* Save drafts obsessively as you work on them.
* Use your blog software to set up categories and tags for your stories. That way it’ll be really easy to find all the stories you wrote during StADa Sept ’12, or all the stories your wrote that were autobiographical, or all the fairy stories…
* Consider password-protecting or marking as ‘private’ any entries you think you might rework for submission to magazines or contests. If no-one else can see them, no-one can consider them ‘published’.

 

So how do YOU write? Have any tips for keeping your writing flowing?

Don’t Write! How ‘Not Writing’ Could Save Your Story

It can be a struggle to find time to write, and yet here I am, bringing you a post on fitness? What’s up with that?

Well, the facts speak for themselves: making time for fitness is like an investment in ourselves that pays us back in increased concentration, productivity and creativity.

Today I’ve asked Lisa Johnson from LisaJohnsonFitness to give us some pointers about how to integrate exercise and creativity without derailing our writing schedules.

I particularly like her 10-minute burst idea – check it out below.

Also, Lisa has offered to answer any questions you might have about integrating fitness into your routine. (Normally she charges people handsomely for the privilege!) Just post your questions below.

Thanks Lisa!

How ‘Not Writing’ Could Be The Best Thing You Ever Did For Your Writing Career

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Joy In Motion!

Hunched over our laptops, tapping away on the keyboard, writers feel like we have to be writing to be productive.

But, to get those creative juices flowing, maybe what we really need is to push away from the desk, slap on those sneakers and head outside.

Taking a break to get your body moving will:

  • Decrease stress
  • Increase productivity
  • Improve time management
  • Improve mental sharpness
  • Boost creativity

The 30 minutes that you spend in motion will be more than made up for through increased creativity and output. I promise. )

So pick an activity that you enjoy. It doesn’t have to be a prescribed fitness routine with weights, reps, and sets at the gym. It doesn’t have to be the “Om” of a yoga class, but it can be if that’s what you like to do. Some options to consider:

  • Just go for a walk; nature helps us calm down and declutter our brains.
  • If you’ve got the cardio endurance, go for a run.
  • Take a yoga or Pilates class for weight-bearing strength work and a little Zen.
  • If you like group exercise classes or watching TV while you do cardio, go get a gym membership.
  • Buy some free weights for your home (cuts out all travel time).
  • Watch fitness DVDs; stream them on your computer or use your local cable company for free routines.

Also, if the idea of being away from your writing for an hour just seems completely unfathomable, you can always break workouts down into 10-minute bursts. I tell this to clients regularly. When you’re transitioning from one task to another, do a quick 10-minute burst of cardio. This can be as simple as running in place or skipping rope or throwing on some tunes and dancing around your living room. The brain break will give you a clean slate as you start your next task. It’s amazing how well this works.

If you’re looking for overall guidelines, you want to do a minimum of 150 minutes of cardio per week; anything above that is gravy. Your heart will thank you, your doctor will thank you, and your readers will thank you!

If you have any questions, just ask below, and I’ll answer them.

Cheers,

Lisa


Lisa Johnson has been a certified personal trainer and Pilates instructor since 1997. She owns Modern Pilates in Brookline, MA and has been a fitness blogger for three years at Lisa Johnson Fitness.com. She also blogs for FitStudio.com (a Sears company.)

http://lisajohnsonfitness.com
http://modernpilatesboston.com

An Accountability Buddy: The Productive Writer’s Secret Weapon

Today’s guest post from Melissa Dinwiddie is a wonderful primer on how to use the StoryADay community to help you become more productive than you ever dreamed. Thanks, Melissa!

Farewell to Polina!

Do you know one of the most effective things you can do to get your writing done?

Make yourself accountable.

I don’t know the statistics, but it’s a well known fact that if you want to reach a goal, speaking your commitment — including your deadline — to someone you know will hold you to it makes you dramatically more likely to actually do it.

Accountability is a powerful tool, and there are a number of ways you can integrate it into your writing practice. One of my own secret weapons is an accountability buddy.

Here’s what I’ve learned about maintaining an effective accountability partnership.

At the start of the year I was in a mastermind group (another great accountability tool), assembled with the express purpose of helping each other accomplish one specific goal in the month of January. When that group dissolved, a couple of us decided to keep checking in with each other.

At first our monthly calls started to get a little chatty — understandable enough, since we liked each other and had come to think of each other as friends.

This is an inherent danger in any accountability relationship. The problem, of course, is that chatting does not make for finished projects and completed goals.

Accountability partners have to be vigilant, and must keep coming back to the purpose for their partnership. If you want to chat, set up another date specifically for that. During your accountability check-ins, stick with the agenda: keeping each other on track.

This is exactly what I did at the end of a particularly chatty call. “Before we hang up,” I asked, “what’s your next step?”

My buddy confessed that she had a novel that had been sitting in a drawer for way too long, and what she really wanted was to get it edited and up for sale as a download on her site.

“Aha,” I responded, kicking into coaching mode, “so what’s stopping you?”

I asked her realistically how long she thought the editing would take, and when she said “about four hours,” I suggested (okay, I practically insisted) that she do it this week. In other words, I held out an expectation that I thought was achievable.

With my kick in the butt, she was ready to take on this project that she’d been putting off, so the next step was to set up a check-in schedule that worked for her. She committed to emailing me a progress report every night before going to bed, and set a goal of a 2-3 chapters per day.

Although it turned out four hours was an underestimation, I’m pleased to report that in less than two weeks my buddy had finished editing her entire manuscript and was ready to tackle the production side of getting her novel made into a downloadable ebook format. She swears she never would have gotten there without my help.

Do you think this kind of partnership might work for you? Give it a try! To keep you on track, I recommend sticking with the same structure every time you meet. The following questions are a good jumping off place:

  • What did you achieve since we last checked in? Did you accomplish your goal?
  • What didn’t work? What are you going to do differently next time?
  • What goal do you commit to between now and the next check-in?
  • What can you use help with?

Remember to reserve your chatting for another time, and let me know how it goes!

Artist, Writer and Inspirationalist Melissa Dinwiddie helps creatives (and “wannabe” creatives) to get unstuck, get unpoor, and just plain play bigger. Find her at her blogs, Living A Creative Life and 365 Days of Genius.



Win! Win! Win!

Leave a comment with your best tips for boosting productivity and/or working with other people and win a copy of Rory’s Story Cubes, a wonderful dice game that doubles as a story-telling tool. Roll the dice and make a story from the extremely cute images on the dice.

 

Today’s winner will be a random draw, so you get extra entries if you post about StoryADay on your blog, Twitter, Facebook or anywhere else (yes, I’ll give credit for blog posts from yesterday). Just leave me a comment saying where you posted.

Special thanks to Rory O’Connor and the lovely folks at Gamewright Games for donating this prize.

The Sloth’s Secret to Writing Success

Sloth

Recently, naturalists announced that the sloth — the animal whose name has become a synonym for laziness — is actually a lot more active than previously thought. It turns out that when we cage them and observe them, we don’t see what’s really going on in the sloth’s world.

Today I have a great guest post for you from Susan Daffron, a writer and publishing consultant. She shows us how, as writers, the times when our minds are  most fertile and active, might — to an observer — look like the times when we are being, well, slothful. She shows us that productivity for writers makes its own demands, and how to succeed by embracing that.

(You can read more about Susan’s upcoming publishing conference at the end of the article).

Then, leave your comments about how you will jump-start your creativity at the end of the article and you’ll be entered to win a copy of Rory’s Story Cubes – a great creativity booster in a box!


 

 

As a writer, I’ve gone through periods of extreme productivity and extreme sloth. Although I have written 12 books, last year in 2010, I released exactly zero.

For a variety of personal and business-related reasons, I went through a creative burnout like nothing I’d ever experienced before. Writing, which had always been fairly easy for me in the past, was suddenly extremely difficult.

Climbing Out Of A Slump

I also discovered that the less I wrote, the less I wanted to write. Talk about a lack of productivity!

I spent some time looking back at what happened during my creative slump. I realized my lack of writing productivity stemmed from three issues:

1. Lack of ideas. The stressful events I experienced caused my creativity to simply shut down. To jumpstart my mind, I surfed to online writing sites (like StoryaDay.org!),  used random-word and writing-prompt generators, and started talking to my husband about my various writing thoughts for outside feedback and support.

2. Lack of motivation. As noted, a bunch of things that happened last year brought me down. Creativity does not flow when you’re depressed. I decided to make a commitment to exercising and started reading more inspirational materials on creativity, writing, and life balance. (The library is full of wonderful FREE books just waiting to be read!)

3. Lack of time. You’ve read it before, but I’ll say it again: you have time to write if you make time to write. During my slump, I wasn’t working smart. Part of me already knew it, but I had to forcibly reacquaint myself with the methods I’d used in the past to carve out real productive writing time. I opted to make a commitment to write every morning and also started thinking up ideas for articles and posts the night before. “Sleeping on” a writing idea really works!

And The Winner Is…

I’m happy to report that the old adage “writers write” is true. Since I got my writing mojo back again, I have been writing regularly. I have my next book completely outlined and 19 case studies/interviews input so far. I’ll be speaking at a conference this summer and plan to release the book in time for it. (Deadlines help motivation too!)

If you’re a writer who wants to publish, you can get inspiration and learn more about the book publishing process at the Self-Publishers Online Conference. The third annual event is May 10-12, 2011 (http://www.SelfPublishersOnlineConference.com) Use the code SusanSentMe and get 10% off your registration!


Susan Daffron, aka The Book Consultant (http://www.TheBookConsultant.com) owns a book and software publishing company. She spends most of her time writing, laying out books in InDesign, or taking her five dogs out for romps in the forest. She also teaches people how to write and publish profitable client-attracting books and puts on the Self-Publishers Online conference (http://www.SelfPublishersOnlineConference.com) every May.


Win! Win! Win!

Leave a comment with your best tips for jump-starting creativity and win a copy of Rory’s Story Cubes, a wonderful dice game that doubles as a story-telling tool. Roll the dice and make a story from the extremely cute images on the dice. Brilliant for days when you’re stalled and need to regain your mojo.

Special thanks to Rory O’Connor and the lovely folks at Gamewright Games for donating this prize.

How To Fail At Story-Telling

“What if my stories are no good? What if I fail?”

This is possibly the most powerful thing holding us back.

FAIL stamp

We can find or make time if we really want to. Even if the power lines went down and the world ran out of paper, we could tell our stories out loud, around campfires as of old.

The most insightful of us understand that success brings its own stresses and that worries us.(Imagine if your first novel was a best-seller. Where would you go from there?!)

But the thing that really stops us?

Fear of failure.

Good News! Failure is Good For You!

Continue reading “How To Fail At Story-Telling”

6 Reasons You Will Never Be A Writer

Wondering when you’ll reap the fame and fortune that come with your dream of being a writer? Well, probably never. If you’re making any of these six classic mistakes…

Wondering when you’ll reap the fame and fortune that come with your dream of being a writer? Well, probably never. If:

1. You don’t read

The Writers' Museum
The Writer's Museum, Edinburgh by Peter Nijenhuis

At least, not the right things. You read all the books on writing and polishing and publishing, and all the books that literary critics are praising, but nothing of any real value. You don’t read books that light a fire under you, you don’t read in your genre, you don’t read non-fiction for fun and inspiration.  You don’t have an Audible membership or a library card and you couldn’t name a book that has meant anything to you since you turned 20.

If you were learning to be an accountant you’d study accounting law. If you were studying to be a doctor you would read medical books. Stephen King, in On Writing calls it the Great Commandment: Reada lot, write a lot.

“Read, read, read, Read everything — trash, classics, good and bad, and see how they do it.”

-William Faulkner.

2. You’re too busy to write

You’re not independently wealthy: you’ve got a job, a family, commitments, a social life, a pressing engagement with the cast of Glee! You can’t possibly squeeze any time out of your day to write.

Jon Scalzi, current president of the Science Fiction Writers of America puts it bluntly and truthfully:

So: Do you want to write or don’t you? If your answer is “yes, but,” then here’s a small editing tip: what you’re doing is using six letters and two words to say “no.” And that’s fine. Just don’t kid yourself as to what “yes, but” means.

You can make time to write, but something else is probably going to have to give. It might be sleep, it might be ‘watching Ellen in the afternoon’, it might be having lunch with the same people every day in the dreary work cafeteria. It might be ‘feeling bad about yourself because you’re not getting any writing done and eating ice cream instead’.

But, chances are, you can make time to write.

3. You have no original ideas

Every time you sit down to write you are paralyzed by the overwhelming feeling that everything has been said before. Well, you know what? You’re right. But it hasn’t been said by you, in this time and place, at your age, and in your circumstances. Agent Donald Maas talks a lot in The Breakout Novelist about the difference between ‘original’ and ‘unique’. You don’t have to be original, but you do have to be ‘unique’.

I once interviewed Daniel Pinkwater and he said the same thing: only you can speak in your voice, and if you write for a while you’ll discover what that voice is.

I love that what my readers need, they can only get from me. It’s riskier, but much more ego-gratifying
-Daniel Pinkwater, 2003 interview

He also said,

Ideas are everywhere. I have 60 ideas a day. So do you. So does everybody.
-Daniel Pinkwater, 2003 interview

The trick is paying attention, taking those ideas and developing them into the story only you can tell.

4. You have no qualifications for this. You don’t know what you’re doing

No writer does. Every artist is engaged in creating something unique and new. Experienced writers say this all the time: I don’t know what I’m doing until I’ve done it. Here’s a little evidence:

The only way to write is to write… Stupid b*****d job.
-Russell T. Davies, Doctor Who: The Writer’s Tale

Very few writers know what they are doing until they have done it.
-Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

You can’t completely understand what good writers do until you try it yourself…Write from the very beginning, then, and keep on writing…The next story will be better, and the next one after that still better, and eventually—
-Isaac Asimov, Gold

5. Your Writing Sucks

When you do make the time to write, it’s hard. The words do not come dripping off your pen easily; all the elements in your story don’t come out in the right order; your characters are flat and uninteresting and they speak in cliches; you want to give up.

And that is what Anne Lammot calls your ‘shitty first draft’. It has to be got through in order to get to the second draft, the third, and the polished end result. If you are too scared to suck, too scared to fail then you will never be a writer, because all writing involves putting some truly terrible prose on the page — and excising it later or, like William Faulkner, throw it out entirely and start again,

Write. If it’s good, you’ll find out. If it’s not, throw it out the window.
-William Faulkner

Sure, it’s scary but even the great and prolific Isaac Asimov says, of the writer’s daily task:

We sit there alone, pounding out words, with out hearts pounding in time. Each sentence brings with it the sickening sensation of not being right.
-Isaac Asimov, Gold

Can you allow your first drafts to be less than perfect?

6. You’re Too Nice

In real life it’s nice to be nice: people like you, you offend nobody and your mother is proud of you.

In literature, being nice doesn’t pay. It’s boring if nothing happens, if no-one gets upset, if no-one is threatened, insulted, shamed, murdered, even. Your writing can be your playground. Be nice in real life if you must but, in your writing,

Embrace your inner sadist.
-Donald Maass, The Breakout Novelist


I’d love to hear which of these touched a nerve with you. Let me know in the comments which part of your writing life you’re struggling with the most at the moment? Has it changed over time?

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If you’re feeling inspired to write now, why not check out some of the StoryADay Writing Prompts? You might want to start with some Flash Fiction, to warm up.


Delegate Your Way To Writing Success

Part of the Time To Write Series. Interested? Subscribe to the blog


Inside the Box 2289
Do try to make sure the tasks you delegate are age-appropriate!

When my children were tiny I didn’t do a lot of writing. But there would come a day when I simply HAD to write. With a toddler in two, however, it became almost impossible to get through a full sentence without hearing that darling little voice yap,

“Mama? Mama! MAMA!!!”

I got to the stage where it was quite a relief when my boy unexpectedly ditched “Mum” and started calling me by my given name. At least it took a while for that to start to grate on my nerves!

The Delegation Revalation

One fateful afternoon, when my son — previously happily playing with toy cars at my feet — suddenly popped up and asked for a drink. For the third time that hour. I groaned and tore myself away from my half-finished sentence to fetch him a drink.

Then it hit me. My job as a parent was not to raise him to be helpless. My job as a parent was to teach him self-sufficiency. So what if he was only 3?

I started delegating.

That day I moved some plastic tumblers onto a low shelf in an under-the-counter cabinet and made a big deal of at last unlocking the water dispenser on the fridge. Sure, I had to clean up a few spills, but it was a price I was willing to pay to get a few uninterrupted minutes.

We quickly moved on to solo hand-washing, using a stool to get the toothbrush and toothpaste (creating a few precious extra minutes before bedtime). Then I packed away any trousers that didn’t have an elasticated waist and presto! I was freed from having to accompany him to the bathroom!

How Much Can You Give Away?

As the kids have grown, so has my hunger for writing time.

I now delegate all kinds of things.

  • Where I used to be in charge of bath-time and bedtime, my husband and I now share bedtime duty.
  • When I was deep in the crunch of StoryADay last May my seven year old, a-hem, learned how to make peanut-butter and jelly sandwiches.
  • While I toiled on my novel last November, my husband taught the boys how to fold their school clothes and put them away neatly.

I could feel guilty about deserting my family when I feel the need to write. Or I can celebrate my awesomeness as a mother who cares enough about them to teach them the life skills they will need when I eventually kick them out of my house. (Ten more years, Eldest. I’m counting.)

Delegation can be fun!

It’s not always, easy of course. Things go wrong. There is often a learning curve for the people you’re delegating tasks to. There might be occasional tears.

But stick with it. You CAN find ways to nudge the people around you become more independent, while also clawing back some of your precious writing time.

What about you? What one task will you try to offload this week? What poor helpless soul will you set on the road to independence?


Part of the Time To Write Series. Interested? Subscribe to the blog


I’ll Write Any Damned Thing I Want, Thank You Very Much

This tweet and the article it links to got me all riled up on Sunday[1. With all due respect to Colleen Lindsay who is an extremely generous tweeter and knowledgeable publishing person who you should totally be following.And I do sympathise with her points, from her perspective.]

Now the thread goes on to make some valid points, from the point of view of a publishing insider. The article she links to however, gets my hackles right up and I call for a rallying cry of:

“Yah boo sucks to you! I’ll write any damned thing I want”

And so should you!

The Problem With New York[2. Not the whole city, obviously. Just the centralized publishing industry part of it]

The publishing machine exists for a reason (to help authors distribute their work to the masses). For some authors that still works just fine.

For the vast majority of writers, however, the publishing machine is broken. They don’t have a big audience, so they don’t fit the economic model.

The problem comes when publishing insiders forget that the limitations of their system are exactly that: economic.

If something is deemed ‘unpublishable’ it does not mean that,

  • That people aren’t interested in it,
  • That it’s bad,
  • That you shouldn’t write it

It might mean that,

  • Not enough people are interested in it to justify a huge print run, distribution deals and a massive marketing campaign.
  • You won’t sell very many copies. (Although you may. You never know.)
  • It will be intensely interesting to a tiny number of people, who are easily identifiable because they a, live in the place you’re writing about or b, join associations of other-people-who-do-similar-pastimes, etc.

The Soul-Eaters

My problem with “Oo, the peons shouldn’t write their stories” articles [3. Apart from the short-sightedness, a lack of awareness of subaltern studies school of historical research and the insufferably smug arrogance, obviously]  is that they are destructive to the very soul of humanity.

I’m not exaggerating here.

We are a story-telling people. It’s how we make sense of our lives and our world. It’s what separates us from the brute beasts. It is an essential part of our nature.

  • Think about the friend who makes you laugh the most. What is she doing? Telling stories — stories with pacing and suspense and great twists.
  • Think about the most boring person you know. What does she do? Tell stories — terrible, unending, pointless, rambling stories.

Sometimes we make up stories about our origins and pass them on to our progeny. Sometimes we write beautiful epics that explain the human condition. Sometimes we unwittingly preserve a way of life that is destined to die out and be forgotten, except for our stories about it.

What does it do when some arbitrary gatekeeper says, “No, the story of your life growing up in Hicksville with a quirky family isn’t important enough to be published. Don’t even waste your time writing it down.”?

What arrogance! What utter idiocy!

Take Back Your Stories

We’ve been trained by a couple of generations of TV, music labels, and yes, publishers, to believe that we little people aren’t qualified to tell stories, make music or entertain our friends.

  • Homer [4. or the composite historical phenomenon that has come to us in the stories handed down] kept people spell-bound around the fire with tales of Ulysses and his epic journey.
  • Jane Austen catalogued a lifestyle long since extinct but nonetheless fascinating to us all these years later.
  • My grandparents hosted get-togethers where my grandmother played the piano for sing-a-longs, my grandfather told uproarious lies and everyone had a great time.

What do we do? We watch pre-packaged, fake ‘reality’; we listen only to homogenous music on stations that only play one style of music, and we read only the stories that an intellectual elite has chosen for the universality of their appeal.

There’s Room For Everyone At The Digital Inn

There is nothing wrong with best-sellers, nothing at all. I love me some pulpy paperback mystery and sci-fi, and I read the big ‘literary’ hits whenever I can stomach them.

The problem I have with the top-down model of publishing (whether books or music or art) is that it stifles the creative lives of ordinary, gloriously creative people. Because that’s what we are, us humans. Endlessly creative and passionate and social animals.

Luckily, we live in a great age for do-it-yourself distribution of creative products, whether stories, music or video.

No, not everything that people put out into the world is my cup of tea.

Yes, there is a lot more dross to sort through these days.

But it’s also a lot more likely than ever before that I’m going to find something fascinating to read, on a topic of my choosing, by asking around online and getting recommendations from people with similar tastes.

And One Final, Not-Insignificant Point

This flowering of creativity and distribution is going to be an absolute gold mine for anthropologists in the future.

As someone with an MA in History, I am incredibly excited about the breadth of primary sources we are leaving to future historians[5. Part of my Masters’ research was on the travel journals of explorers to the New World in the 1500s. Some of my other research invoved the shopping lists of Ventian guilds and what they could tell us about what was going on in the city and the world at the time. I’m betting the people who wrote those documents never imagined they’d be considered important by scholars 400 years into the future] Imagine if everyone in the Bronze Age had had a handy, dry cave wall where they could have documented their daily deeds. How much more would we know about our ancestors than we do now from a few scratchings in Lascaux and the occasional stomach-pumping of a frozen ice-mummy?

So go. Write your memoirs. Make them as detailed as you like. Make them as vivid as you can. And don’t listen to anyone who tells you it’s all been said before. Because it hasn’t.

Not by  you.

And your story deserves to be written.

The Difference Between You and a Published Writer

What IS the difference between you and a published author?

Time.

In one sense, linear time: they were discovered before you were. Bad luck for you, good luck for them.

But in another, more useful sense: they made time to write. Have you?

Who Do You Think Does Stephen King’s Laundry?

Well OK, maybe HE can afford a housekeeper. But it’s just as likely that he still has to schlep down to the basement himself with a load of unmentionables whenever he runs short.

And you can bet your boots that your favourite midlist author doesn’t have a housekeeper. Or a nanny. But they still keep churning out the books year after year.

Things only get worse for your favorite author if they happen to be writing Literary Fiction. They are almost guaranteed to be a commercial failure and have to subsidize their income teaching rich kids at private universities to appreciate the rebellious soul of art. If they’re lucky they might negotiate a semester’s sabbatical in which to write their next book, but only if  they agree to eat nothing but oatmeal, turn off the heating and bust out the fingerless gloves.

And even if your favorite commercially-successful author can afford an assistant to make sure the cat gets fed, they  can’t pay her to write the book, do the revisions, talk to the agents and editors, catch the planes and go on the book tour for them.

When Do Authors Find Time To Write?

Just like us: in the gaps between Real Life’s obligations.

If you’re commercially successful one day (or have no life) you might be able to wedge those gaps open a little wider.

But life is happening to everyone. And somehow, thousands of people finish books every year.

When Will You Make Time To Write?


Part of the Time To Write Series.


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Make Time To Write — Because You’ll Never “Find” It.

Time
Time by Robbert van der Steeg

Acres of Internet space have already been devoted to this topic, because it’s a tough one. There are as many solutions as there are people who want to write, so there is always room for one more blog post on the topic.

In this 3-post  series, I’m going to give you some thoughts, some links and some tools, to help inspire you to find time for your writing.


TIME FOUND UNDER SOFA CUSHIONS!

There is a reason you never see that headline. Time is never found. Time is made, cadged, scrimped, stolen, begged, borrowed, spent.

There is always something else you could be doing. Always. The trick is, finding ways to make time for the things that really matter to you.

Make Tough Sacrifices

I’m saying this first, to get it over with because it sounds awful, but you will have to make sacrifices if you want to make writing a priority. Some of these sacrifices will be hard.

Today I turned down a walk with a friend, which I know would have been lovely. Sometimes a walk with a friend is the perfect thing to boost your creativity. But for me, this week, it would eat into the only clear time I have to Get Stuff Done. Some of that stuff is mundane, household stuff, but part of that Stuff is Writing & Writing Prep.

No matter how nice that walk would have been,  I had to say ‘no’.  Next week, I’ll budget my time differently to make sure I can say ‘yes’.

Make Easy Sacrifices

Some things will be easy to give up, or at least good for you.

Me? I overeat. When I’m stressed or bored I head for the pantry and strap on the nosebag. It uses up time and leaves me comfortably numb. But if I’m serious about my writing, I resist the nosebag, make light, healthy meals and get back to my notebook. Good for productivity and good for my heart.

An ‘hour long’  TV show is actually 42 minutes of content. The rest is commercials. Why not record your favourite shows or download them from iTunes? Even if you still watch two shows in an evening, you could carve out 36 minutes for writing just by watching it commercial-free and still get to bed at the same time.

What changes could you make, even if occasionally, to create more time for the thing you really love to do?

Accept That You Can Write In Bursts

You don’t need long swathes of time in which to write. In fact, that can be bad for productivity. As someone who has suffered prolonged bouts of enforced inactivity (lack of a work visa, looking after small children) I can tell you that more free time does not make writing easier. You just get more creative with your excuses.

Jamming in 250 words here and there on your commute — a 1000 if you’re lucky on a lunch break — keeps your writing feeling like a treat, not a chore.

Plus, it’s how most full-time writers started. Stephen King wrote after shifts at the laundromat. Scott Turow wrote bits and pieces while working as for the US Attorney’s office. Most ‘literary fiction’ writers have quite demanding schedules teaching at colleges and conferences. Even if they do get to take a semester off to finish a novel, they can hardly wait for inspiration to strike during that one precious semester.

Accept That You Can Write In Big Long Jags

If you do get the chance to write in a big binge on the weekends, go for it. Don’t feel guilty. Some people spend hours watching sports every Sunday. Do what you enjoy; what makes you a better person. Negotiate with family/friends for writing time if you have to, and write as fast as you can for as long as you can, whenever you get the chance.

Separate Your Thinking Time and Your Writing Time

On that note, don’t put off thinking about your story even if you don’t have time to sit down and write. When do get some writing time, you want the ideas to be flowing. You can think about the next plot development while you are doing any menial task (of which we all have plenty).

But do try to focus. It’s hard to stop your mind wandering off to the sequel or what you’ll do with your wealth when people are using your name where they used to use Stephen King’s. Rein it in. Focus on the next scene, the next bit of dialogue, the next plot twist. Make notes if you have to.  Better yet, commit the ideas to memory, then you’ll be turning them over and over until it’s time to write.

Then, when you do carve your 36 minutes out of the evening’s schedule, your fingers will be twitching. You’ll be ready to jump right in.

Scare Yourself Straight

If you find yourself frittering your time away on Facebook or Twitter or in front of the TV when you know you could be writing, take an excellent piece of advice from Jon Scalzi:

“Think of yourself on your deathbed saying, “well, at least I watched a lot of TV.”

Take a moment now. Picture it. Use that fertile imagination of yours.

If you aren’t already sweating, then maybe there is a whole other reason why you can’t and won’t find time to write.

And that’s OK, too. Maybe you’re really a reader, a critic, an enthusiastic conneseur of the narrative form. Join a book group or a film society and have fun with your life. Just stop beating yourself up about not finding time to write.

But if you’re a writer, make time. You’ll never “Find” It.


Am I being glib? Smug? Wrong? Have you found things that work for you? Tell me in the comments.

My favourite comment earns the writer an advance copy of the Time Test Tool I’m working on, to be launched to the Creativity Lab mailing list in two weeks.

How To Write A Story A Day

I’m not sure yet (because I haven’t done it), but I think it’s going to be possible to write a story a day.

Here are some of the ways I’m planning to make time every day to tell stories:

Tell Stories To My Children

One of the main reasons I have little time to write is that I have children. It’s tough to sit down and writing a story when someone is likely to burst in and tell you that they *neeeeed* something right now, and another one trails behind him saying that he *neeeeeds* the same thing, or more likely something completely different.

But I have found that one of the best ways to ‘write’ stories is to tell them to my children. Whether at bedtime or during potty-training, or in the car, there’s nothing quite like having a live audience for keeping you going. If their attention starts to wander, you know you have to step up the action. If you pause for a moment, they demand to know what happened next.

Maybe if I can carry my phone around with me and record the stories I tell to the kids, that’ll help me out a few times.

In The Car

Again with the motherhood thing, I spend quite a lot of time driving around. Sometimes I’m alone, and sometimes they’re wa-ay in the back playing with toys. Again, with my trusty phone nearby, I can tell at least part of a story on every journey. I think recording stories is going to be really helpful, even though I love to write (with a fountain pen and everything).

Word Count Challenges

I like limitations. I like to know I only have 1000 or 200 or 55 words into which I have to shoehorn a story. Some days I’m planning to set myself a short word count limit and trying to craft a short story within it.

timer

Time Limits

I always found that seat-of-the-pants writing during exams worked really well for me. With a time limit, I can’t afford to listen to the inner critic. So some days will be Time Limit days. Write a story within an hour, half an hour, by 3pm, whatever seems to work that day.

Genres & Styles

Some days I’ll assign myself a genre to work in. Write a film noir story, write in the style of Virginia Woolfe, write a monologue, write in the third person.

Rewrites

Like the genre/styles assignments I’m planning to write the same story several different ways. I”ve got another blog post coming with more details about that)

So, those are some of my ideas. How about you?