Tuesday Reading Room – The Standard Of Living by Dorothy Parker

from Fifty Great Short Stories(Milton Crane, Ed. Bantam Classics reissued 2005)

I’m working my way through this short story collection which was first published in 1952 and starts with a lot of what would have been quite ‘modern’ writers’ stories: Dorothy Parker, Katherine Mansfield, Ernest Hemingway, V. S. Pritchett.

Only one story so far has featured a moment that seems as if it might change the main character for life. The rest are moments in time, even missed opportunities, made fascinating by the writer’s attention to the tiny details of their worlds. It strikes me that this is something you can do with a short story that you couldn’t do with a novel – at least not without annoying most of your readers. Novel readers expect something transformative to happen. Short story readers? Well, maybe they’re more forgiving because they haven’t invested quite so much time in the thing. But I still get annoyed with a lot of modern ‘literary’ stories where nothing happens and there is no sense of an ending. These stories all seem to pre-date that trend, thank goodness.

The Standard of Living by Dorothy Parker

I’m not usually a fan of descriptive writing, but in these short stories I’m finding it is making all the difference.

The Standard of Living by Dorothy Parker is a fabulous example of how a writer can flesh out a story whose plot is basically a build up to a simple punchline and turn it into something that stays with the reader. Parker creates two ordinary, shallow young women (girls, really), who are creatures of their time and trends and who think they are oh, so very sophisticated. They walk together on Saturday afternoons and play a sort of ‘imagine if you won the lottery’ game. Close to the end, something happens that reveals how far from sophisticated they are. That is the punchline, but the way they handle it is…well, I’ll leave it to you to discover.

What make the story, is the luscious, descriptive writing. It starts with a literal feast of words:

They lunched, as was their wont, on sugar, starches, oils, and butter-fats. Usually they ate sandwiches of spongy new white bread greased with butter and mayonnaise; they ate thick wedges of cake lying wet beneath ice cream and whipped cream and melted chocolate, gritty with nuts. As alternates, they ate patties, sweating beats of inferior oil, containing bits of bland meat bogged in pale stiffening sauce…”

And it goes on. Are you starting to get a feel for who ‘they’ are yet, from this description? Who might they be? Parker gives us another big clue.

They ate no other kind of food, nor did they consider it. And their skin was like the petals of wood anemones, and their bellies were as flat and their flanks as lean as those of young Indian braves.

Ah yes, they are those despicable creatures: young women! (Can you guess I’m staring aghast at the rapidly approaching 4-0?)

Only now, half a page in, does Parker give our characters, names, station, a bit of backstory. In one paragraph she tells a lifetime. She says a lot with few words ending with:

Each girl lived at home with her family and paid half her salary to its support.

Aha! These are not high-society misses at all. These are working girls affecting a life of leisure.

(I’ll freely admit I loved that sentence in part because it captures the lives my grandmothers lived before they were married, but how many young women – or men – would do that today?)

Every description of the girls is full and sensual and tactile and fixes them in time and space.

They wore thin, bright dresses, tight over their breasts and high on their legs, and tilted slippers, fancifully strapped.

Even their state of mind is shown viscerally from:

they held their heads higher and set their feet with exquisite precision, as if they stepped over the necks of peasants.

to later, when things are not going so well. Parker never says, “they felt bad”. Instead she writes:

Their shoulders dropped and they dragged their feet; they bumped against each other, without notice of apology, and caromed away again. They were silent and their eyes were cloudy.

It’s not how I write. It’s not my style. But I loved this story and definitely want to try out a story where I try out something more phsyical and real, like this one.


Do you write in a very descriptive way? Is your style similar in most stories? Do you like to read stories in the same style as yours, or do you also enjoy stories in a radically different style? Tell me how you read.

I’ll Write Any Damned Thing I Want, Thank You Very Much

This tweet and the article it links to got me all riled up on Sunday[1. With all due respect to Colleen Lindsay who is an extremely generous tweeter and knowledgeable publishing person who you should totally be following.And I do sympathise with her points, from her perspective.]

Now the thread goes on to make some valid points, from the point of view of a publishing insider. The article she links to however, gets my hackles right up and I call for a rallying cry of:

“Yah boo sucks to you! I’ll write any damned thing I want”

And so should you!

The Problem With New York[2. Not the whole city, obviously. Just the centralized publishing industry part of it]

The publishing machine exists for a reason (to help authors distribute their work to the masses). For some authors that still works just fine.

For the vast majority of writers, however, the publishing machine is broken. They don’t have a big audience, so they don’t fit the economic model.

The problem comes when publishing insiders forget that the limitations of their system are exactly that: economic.

If something is deemed ‘unpublishable’ it does not mean that,

  • That people aren’t interested in it,
  • That it’s bad,
  • That you shouldn’t write it

It might mean that,

  • Not enough people are interested in it to justify a huge print run, distribution deals and a massive marketing campaign.
  • You won’t sell very many copies. (Although you may. You never know.)
  • It will be intensely interesting to a tiny number of people, who are easily identifiable because they a, live in the place you’re writing about or b, join associations of other-people-who-do-similar-pastimes, etc.

The Soul-Eaters

My problem with “Oo, the peons shouldn’t write their stories” articles [3. Apart from the short-sightedness, a lack of awareness of subaltern studies school of historical research and the insufferably smug arrogance, obviously]  is that they are destructive to the very soul of humanity.

I’m not exaggerating here.

We are a story-telling people. It’s how we make sense of our lives and our world. It’s what separates us from the brute beasts. It is an essential part of our nature.

  • Think about the friend who makes you laugh the most. What is she doing? Telling stories — stories with pacing and suspense and great twists.
  • Think about the most boring person you know. What does she do? Tell stories — terrible, unending, pointless, rambling stories.

Sometimes we make up stories about our origins and pass them on to our progeny. Sometimes we write beautiful epics that explain the human condition. Sometimes we unwittingly preserve a way of life that is destined to die out and be forgotten, except for our stories about it.

What does it do when some arbitrary gatekeeper says, “No, the story of your life growing up in Hicksville with a quirky family isn’t important enough to be published. Don’t even waste your time writing it down.”?

What arrogance! What utter idiocy!

Take Back Your Stories

We’ve been trained by a couple of generations of TV, music labels, and yes, publishers, to believe that we little people aren’t qualified to tell stories, make music or entertain our friends.

  • Homer [4. or the composite historical phenomenon that has come to us in the stories handed down] kept people spell-bound around the fire with tales of Ulysses and his epic journey.
  • Jane Austen catalogued a lifestyle long since extinct but nonetheless fascinating to us all these years later.
  • My grandparents hosted get-togethers where my grandmother played the piano for sing-a-longs, my grandfather told uproarious lies and everyone had a great time.

What do we do? We watch pre-packaged, fake ‘reality’; we listen only to homogenous music on stations that only play one style of music, and we read only the stories that an intellectual elite has chosen for the universality of their appeal.

There’s Room For Everyone At The Digital Inn

There is nothing wrong with best-sellers, nothing at all. I love me some pulpy paperback mystery and sci-fi, and I read the big ‘literary’ hits whenever I can stomach them.

The problem I have with the top-down model of publishing (whether books or music or art) is that it stifles the creative lives of ordinary, gloriously creative people. Because that’s what we are, us humans. Endlessly creative and passionate and social animals.

Luckily, we live in a great age for do-it-yourself distribution of creative products, whether stories, music or video.

No, not everything that people put out into the world is my cup of tea.

Yes, there is a lot more dross to sort through these days.

But it’s also a lot more likely than ever before that I’m going to find something fascinating to read, on a topic of my choosing, by asking around online and getting recommendations from people with similar tastes.

And One Final, Not-Insignificant Point

This flowering of creativity and distribution is going to be an absolute gold mine for anthropologists in the future.

As someone with an MA in History, I am incredibly excited about the breadth of primary sources we are leaving to future historians[5. Part of my Masters’ research was on the travel journals of explorers to the New World in the 1500s. Some of my other research invoved the shopping lists of Ventian guilds and what they could tell us about what was going on in the city and the world at the time. I’m betting the people who wrote those documents never imagined they’d be considered important by scholars 400 years into the future] Imagine if everyone in the Bronze Age had had a handy, dry cave wall where they could have documented their daily deeds. How much more would we know about our ancestors than we do now from a few scratchings in Lascaux and the occasional stomach-pumping of a frozen ice-mummy?

So go. Write your memoirs. Make them as detailed as you like. Make them as vivid as you can. And don’t listen to anyone who tells you it’s all been said before. Because it hasn’t.

Not by  you.

And your story deserves to be written.

How It Feels To Be Published

StoryADay alumnus Mart Pelrine-Bacon shares her submission success story: how she worked on the story, how she found the market and how it feels to be published.

StoryADay May alumnus Marta Pelrine-Bacon shared some fabulous news yesterday: one of her StoryADay stories has been accepted for the May 2011 issue of Cabinet Des Fees, a journal of Fairy Tales (and a paying market, at that).

I got in touch to ask Marta to tell us about how she worked on the story, how she found the market and how it feels to have a submission accepted — hint: there was a lot of ‘all-caps’ on Twitter yesterday 😉

Cabinet Des Fees banner

What is the story & when did you write it?

The story is titled The Fear of Apples and I wrote it fairly early during Story-A-Day May.

Have you written others like it?

I thought writing a story a day would be easier if I had a overall idea–in this case, fairy tales. Every story that month was a modern fairy tale.

Did you do much revision after StoryaDay?

That particular story I went over about three times–though I did not make any major changes. Most of my edits were attempts to fix an awkward sentence or add (or delete!) a detail for the plot.

Hw did you find the market?

I found the market when I friend told me about Duotrope. I’ve always been intimidated by figuring out the marketplace, and duotrope made the process seem manageable.

How did you feel when you heard?

Shocked–because I’d gotten so many rejections for other stories. And I almost cried I was so happy, and then I danced into work and told everybody. I am not a cool character.

Are you submitting more stories now?

I will be. This has certainly spurred me to realize publication can happen and not to give up.

Thanks for sharing Marta!

Have you had success submitting any stories the past year? Drop me a line: julie at storyaday dot org or leave a link to your ‘bragging page’ in the comments. Everybody loves to hear how other writers ‘just like us’ are making things happen!


If this has inspired you to write more, or maybe sign up for Story A Day May, take a look at my free, downloadable workbook The Creative Writing Challenge Handbook – 31 Days to A Writer’s Life. It’ll help prepare you for this year’s challenge.


One Simple Rule For Writing Success

Photo on 2011-01-11 at 10.36

Ever have one of those lessons that you know, but you need life to kick you in the face with again and again, because you can’t make yourself learn it otherwise?

I’m currently letting life kick me in the face with this one:

Write First. Then Let Life Happen.

It’s hard to make time for writing. It’s harder when you’re worrying about all the other things you have to do as well.

  • Do you peek at your email before you sit down to work on your current writing project?
  • Do you do a survey of all the projects you want to work on?
  • Do you check Twitter, because, c’mon each tweet is only 140 characters long?

And do you end up finding it harder and harder to start work on your actual writing?

Join me in my new pledge: Write First.

As much as I possibly can, I pledge to Write First.

The rest of life will catch up with me as soon as it possibly can, whether or not I invite it in. So when I sit down to write, I will write first, email later.

To help me with this pledge, here are some things I’m going to do

  • Plan what I’m going to work on before my next writing session begins – I don’t want to sit down and think ‘hmm, what will I work on today?’. I want to sit down, knowing that I’m working on that scene where my main character is doing this thing. Or that I’m going to take this story idea and turn it into a first draft. If I have to plan this the night before, fine. If I have to plan it while I’m driving home from a day of Real Life, that’s OK too. But I need to be ready to go as soon as I sit down.
  • I will not have any social media windows open until after I have reached my goal for the day.
  • I will not give up until I have reached my word count or project goal for the day. Even if I’m feeling stabby.

How about you? Will you join me? What will your ‘rules’ be?

Write1Sub1 – A New Short Story Writing Challenge for 2011

This week I’m bringing you news of a great new short story writing challenge from StoryADay member, Simon Kewin.

Next year Simon and his friends Milo James Fowler and Stephen V. Ramey have pledged to Write1Sub1 – that’s Write One Story and Submit One Story every week of the year (actually, Simon’s taking Christmas off, but still…). You can submit to magazines, websites, or short story contests – anywhere that takes writing seriously.

And they’re not keeping this challenge to themselves: they’re inviting everyone to kick their writing career up a notch by joining in. At the end of this year of intensive writing, you certainly should have figured out how to write a short story, don’t you think?

Here’s an interview with Simon to tell you more. Links to more short story writer’s information are at the end.

What were your inspiration and your personal motivation for this challenge?

Ray Bradbury was our original inspiration. He is supposed to have completed and submitted a short story every week for a year while establishing himself.

The idea for Write1Sub1 materialised during a comment discussion on Milo’s blog and it took off from there. The point is obviously to help our own writing : to provide a focus and an incentive, a sense of community. We’re all keen short story writers and this seemed like a great way to motivate us to write more.

What are the ‘rules’?

The idea is to write a story and submit a story every week for 2011. It doesn’t have to be the same story as obviously it can take more than a week to polish a piece! Those taking part can define “story” as they like : it could be as short as a flash or nano piece for example. It could even be a poem. Whatever works for you.

Some people like the idea but have decided to Write1Sub1 on a monthly rather than a weekly basis, which is fine. Hopefully the challenge will still be a help to them.

How do people join in?

There’s the Write1Sub1 blog to follow and there’s also a Linky there to “sign up”. We plan to do a weekly check in post on a Sunday for everyone to share their experiences of the week. We’ll do a monthly one too for those doing it that way. There is also a Twitter hashtag people can follow #Write1Sub1 and there are banners on the blog folks can download.

Where will you submit?

Good question! The people who’ve signed up write a wide variety of different things, so I suppose we’ll all have our own target markets. But we’re putting together a page of useful resources on the blog for tracking down markets, and obviously, sharing our experiences on the blog should be a great help.

How will you stay motivated (esp when the inevitable rejections come in) ?

Hopefully being part of the Write1Sub1 community will be a big help here. It’s definitely a help to know others are going through the same experiences! And of course, the thought of receiving the end-of-year “winner” banner will be a huge incentive!


Thanks, Simon!

There are so many articles in the world already about ‘how to write a short story’,  but I’m a firm member of the ‘learn to write by writing’ school or thought. (And reading, of course!). This is one project I’m not going to be able to resist, although I’ll be signing up for the monthly version (there are banners for that too, at theWrite1Sub1 site).

It should ensure that I don’t get lazy and forget how to write a short story between now and May, when StoryADay starts up again!

Useful Links and Writers’ Markets

Write1Sub1 Rules

About the guys behind Write1Sub1

Market Listings from Write1Sub1

2010 Novel & Short Story Writer’s Market from Writer’s Digest (aff)

Writer’s Market listings from Writer’s Digest (subscription required. Free email newsletter)

Writers Weekly Market Listings (mostly non-fiction, but occasional fiction listings)

Make Time To Write — Because You’ll Never “Find” It.

Time
Time by Robbert van der Steeg

Acres of Internet space have already been devoted to this topic, because it’s a tough one. There are as many solutions as there are people who want to write, so there is always room for one more blog post on the topic.

In this 3-post  series, I’m going to give you some thoughts, some links and some tools, to help inspire you to find time for your writing.


TIME FOUND UNDER SOFA CUSHIONS!

There is a reason you never see that headline. Time is never found. Time is made, cadged, scrimped, stolen, begged, borrowed, spent.

There is always something else you could be doing. Always. The trick is, finding ways to make time for the things that really matter to you.

Make Tough Sacrifices

I’m saying this first, to get it over with because it sounds awful, but you will have to make sacrifices if you want to make writing a priority. Some of these sacrifices will be hard.

Today I turned down a walk with a friend, which I know would have been lovely. Sometimes a walk with a friend is the perfect thing to boost your creativity. But for me, this week, it would eat into the only clear time I have to Get Stuff Done. Some of that stuff is mundane, household stuff, but part of that Stuff is Writing & Writing Prep.

No matter how nice that walk would have been,  I had to say ‘no’.  Next week, I’ll budget my time differently to make sure I can say ‘yes’.

Make Easy Sacrifices

Some things will be easy to give up, or at least good for you.

Me? I overeat. When I’m stressed or bored I head for the pantry and strap on the nosebag. It uses up time and leaves me comfortably numb. But if I’m serious about my writing, I resist the nosebag, make light, healthy meals and get back to my notebook. Good for productivity and good for my heart.

An ‘hour long’  TV show is actually 42 minutes of content. The rest is commercials. Why not record your favourite shows or download them from iTunes? Even if you still watch two shows in an evening, you could carve out 36 minutes for writing just by watching it commercial-free and still get to bed at the same time.

What changes could you make, even if occasionally, to create more time for the thing you really love to do?

Accept That You Can Write In Bursts

You don’t need long swathes of time in which to write. In fact, that can be bad for productivity. As someone who has suffered prolonged bouts of enforced inactivity (lack of a work visa, looking after small children) I can tell you that more free time does not make writing easier. You just get more creative with your excuses.

Jamming in 250 words here and there on your commute — a 1000 if you’re lucky on a lunch break — keeps your writing feeling like a treat, not a chore.

Plus, it’s how most full-time writers started. Stephen King wrote after shifts at the laundromat. Scott Turow wrote bits and pieces while working as for the US Attorney’s office. Most ‘literary fiction’ writers have quite demanding schedules teaching at colleges and conferences. Even if they do get to take a semester off to finish a novel, they can hardly wait for inspiration to strike during that one precious semester.

Accept That You Can Write In Big Long Jags

If you do get the chance to write in a big binge on the weekends, go for it. Don’t feel guilty. Some people spend hours watching sports every Sunday. Do what you enjoy; what makes you a better person. Negotiate with family/friends for writing time if you have to, and write as fast as you can for as long as you can, whenever you get the chance.

Separate Your Thinking Time and Your Writing Time

On that note, don’t put off thinking about your story even if you don’t have time to sit down and write. When do get some writing time, you want the ideas to be flowing. You can think about the next plot development while you are doing any menial task (of which we all have plenty).

But do try to focus. It’s hard to stop your mind wandering off to the sequel or what you’ll do with your wealth when people are using your name where they used to use Stephen King’s. Rein it in. Focus on the next scene, the next bit of dialogue, the next plot twist. Make notes if you have to.  Better yet, commit the ideas to memory, then you’ll be turning them over and over until it’s time to write.

Then, when you do carve your 36 minutes out of the evening’s schedule, your fingers will be twitching. You’ll be ready to jump right in.

Scare Yourself Straight

If you find yourself frittering your time away on Facebook or Twitter or in front of the TV when you know you could be writing, take an excellent piece of advice from Jon Scalzi:

“Think of yourself on your deathbed saying, “well, at least I watched a lot of TV.”

Take a moment now. Picture it. Use that fertile imagination of yours.

If you aren’t already sweating, then maybe there is a whole other reason why you can’t and won’t find time to write.

And that’s OK, too. Maybe you’re really a reader, a critic, an enthusiastic conneseur of the narrative form. Join a book group or a film society and have fun with your life. Just stop beating yourself up about not finding time to write.

But if you’re a writer, make time. You’ll never “Find” It.


Am I being glib? Smug? Wrong? Have you found things that work for you? Tell me in the comments.

My favourite comment earns the writer an advance copy of the Time Test Tool I’m working on, to be launched to the Creativity Lab mailing list in two weeks.

Writing In The Fast Lane – Interview With AdorablyAlice

As writers we’re curious. About everything. About people, technology, history, our neighbours, everything.

I’m particularly curious about other writers and how they work, what keeps them going, why they do it.

So here’s the first in a series of interviews with writers, starting with writers who took part in the StoryADay challenge last May.

AdorablyAlice was one of our most active writers during the first challenge. In this interview she gives a lot of credit for her writing success to her secret weapon: her friend and mentor: Cid (also a StoryADay veteran). I’d love it if you’d leave a comment below, picking out one thing from this interview that stood out for you: something that sounded sooooo familiar it made you smile, or something you’d like to try in your own writing life.


Before you started StoryADay how would you have described your writing life?

I used to write a lot when I was younger. Sometime after high school, I stopped. It wasn’t until NaNoWriMo 2009 that I began writing again. So between NaNo and StADa, I was still trying to find a balance between work, school, life and writing.

What made you decide to do StoryADay?

Cid. I found out about StADa through her, and because short story is my weakest point, I thought it would be a good challenge. Plus, I thought it would help me get into the habit of writing daily.

What did you expect to achieve? What did you actually achieve? What did you learn during the challenge?

I wanted to write something every day, and I wanted to get stronger at writing short stories. I did write everyday, but I think I’m still weak in writing short stories. I learned about Twitter fiction, which intrigued me, and I actually wrote a few TwitFic pieces.

How do you make time for writing?

This is a good question. And when I have an answer that doesn’t involve neglecting chores/cooking, I’ll let you know.

Why do you write? What keeps you motivated?

I am most productive on #writersdatenight (yes, I have to include the Twitter hashtag). Once a week a group of five writers (including myself) meet at McAllister’s to eat, socialize a little and write. Because the other four ladies have been writing longer than I have, I feel motivated to write a lot when I’m around them. The sound every one typing is motivating. I’ve tried other writing groups, but they’ve been more socializing than writing, so I don’t enjoy them as much. Lately, Cid has been setting goals for me. Write 5K and get a book. Write 5K and have a Glee marathon. It works. She’s awesome.

What are your aspirations?

Well, I’d love to be published and that’ s definitely a long term goal, but more short term…I’d like to finish a story. Well, I’ve finished a few, but I don’t revise. So a good aspiration would be to go back and revise…lol

Do you have a project or website you’d like to tell people about?

Well, there’s Book-Addicts. There are four of us (Cid’s one of them) and we basically review books across all genres, interview authors, have guest blog spots and book giveaways. It’s a pretty awesome place for people who are as addicted to reading as we are. www.book-addicts.com – get your fix!

I also have my personal website, www.adorablyalice.com, I keep up with how I’m doing as a writer, offering the lessons I learn as I delve into the mysterious ways of The Writer.

Thanks, Alice! (And you can read more about Alice’s experiences with her writers’ groups and productivity in this blog post – which features a fun cartoon from my own writing friend and secret mentor, Debbie Ohi.)

[And one more thing: I’d love to interview you about your writing, no matter what stage you’re at or whether or not you’ve done one of these creative challenges, so leave me a comment below if you’d be willing to chat.]

What Every Writer Ought To Know About The Writing Life

I’ve been reading Doctor Who: The Writer’s Tale by Russell T. Davies and Benjamin Cook, which is a rollocking, inspiring come-along-with-me look over the shoulder of one of the busiest writers in British TV…Here are some excellent insights for less-experienced writers, pulled from the book:


I’ve been reading Doctor Who: The Writer’s Tale, , which is a rollocking, inspiring come-along-with-me look over the shoulder of the busiest writer in British TV. The book contains correspondence (mostly email) between Davies, the show-runner of the modern Doctor Who series and Cook, a journalist. The emails are written while Davies is in the midst of dreaming up, writing and producing not just one but three concurrent TV shows. It has a breathlessness and reality that you wouldn’t get if you just sat a writer down and said,

“So, how do you write?”

I came away from the book with a sense that successful, highly-paid writers have it no easier than the rest of us, even though we daydream that they do. They still get blocked, they still have to sit down and do the work, and in fact, it might be harder for them because the stakes are higher.

Here are some of my favorite excerpts about writing so far.

On Procrastination and Blocks

I spent all day stuck, not writing, because I couldn’t work out a way for the Doctor to meet Miss Hartigan… I couldn’t work out how to do it, where to do it, when. All day, gone. Pissed off. Then I sat down to write, with no solution and… thought of it! Immediately. Obvious. Simple. If I’d started sooner…Ah, the only way to write is to write. For all my banging on about what to do if you’re really stuck on something, there’s nothing dumber than sitting there writing nothing at all. Stupid bastard job.

(My emphasis.)

Doesn’t it make you feel better to know that someone as apparently prolific and actually successful as Davies still forgets this? I know I do.

Finding The Confidence To Write

I was astounded to run across the following line from this seemingly-somewhat-arrogant writer, written the night before a meeting to lay out a new series’ story ideas with other writers and production staff.

Oh god. I am dreading it. I feel out of my depth.

(Now bear in mind that Davies has been working in TV, very successfully, since the 1980s. He has created and written around 10 original TV productions,before he even got to the mammoth 5-series of Doctor Who and its two spin-offs. )

Most of the correspondence in this book is florid, energetic, conversational. This staccato yelp really leapt out at me. It seemed both true and familiar. Only Davies has a contract and a budget and a huge staff of people relying on him for their employment so he can’t scurry away from his fears and just stop writing.

On why we write (and why it is so hard):

…truth, in writing, is the only important thing. That’s what it’s for. The whole time, every day, all these pages, all my life, means sitting here looking for something – some line, some insight, some microsecond – that makes me think: yes. Yes, that’s true. That’s real. I recognize that. I know it. That’s all I’m after! It might be a truth discovered ten million times before by other people, but that doesn’t matter. If you discover it for yourself, then that makes everything worthwhile. No wonder writing is such hard work! You’re strip mining your own head, every day, searching for this stuff – and then those moments of revelation are like a godsend.

The discovery of a truth like that doesn’t come along often, though every other moment is spent working towards it.

It’s so worth it, when it happens. Oh my word. Gold dust. It feels like vindication.

I think I’m going to tape this one up above my desk.


 

Writers: Daydream Your Way To Success

On Writing

You want to write, and yet you find yourself reading other people’s writing, putting off writing, talking about writing, reading about writing… even writing about writing, but not actually writing.

Why Aren’t You Writing?

Writers have vivid imaginations, but we’re not always good at pointing them in the right direction. Instead of imagining what our characters eat for breakfast (or who they eat it with), we fritter away our creative energy on ourselves, our imaginary future careers and our disproportionate fears:

  • Fear of failure (“What if my writing is no good?”),
  • Fear of other people’s opinions (“What if my non-writer friends think I’m stuck-up? Pretentious? Ridiculous? Selfish?”)
  • Fear of success (“What if I am successful once and people expect me to do it again? What if I can’t? What if I can but it feels too much like work?”)

Daydreaming is what we do, though (Einstein called it ‘thought experiements’. Doesn’t that sound nice?)

So let’s take that skill and use it to propel you into a state where you can’t wait to do some actual, honest-to-goodness writing!

Think about your current project. The one that gives you butterflies in your stomach when you think about it. The ambitious one you really want to start but are stalling over.

What Are Your Goals?

  • Are you writing to prove to yourself that you can finish a piece in this style (a novel, a poem, a play, a short story?).
  • Are you trying to develop your style?
  • Are you trying to make one little girl in her bedroom feel the way you felt the first time you read “A Wrinkle In Time”?
  • Are you trying to win the Newberry Award?

(Hint the latter one is an outcome, not a goal. Shelve it and focus on finding what you love).

What Will Happen If You Succeed?

What will happen? How will you feel? Will you be more or less confident? What will you be able to do next?

Take a moment and be honest with yourself. Grab a pen and write down the answer to those questions. Now look at what you wrote and think about what you didn’t dare write.

For those results, isn’t it worth taking the risk?

Now go! Get writing!

If you’d like some free tools to help you explore these ideas more fully, sign up for the Story A Day Creativity Lab: a low-frequency mailing list containing workbooks and practical exercises to get you closer to your writing goals.

Daily Prompt – May 22: Hobbies

Write A Story That Features A Hobby/Activity You Have Tried

Daily Prompt LogoWrite A Story That Features A Hobby/Activity You Have Tried

The only rule in today’s prompt is that the hobby may not be “writing”.

I have my own special reasons for this — namely: that, as an adult, I cringe every time I see a book where the main character is any type of writer. It seems to betray a lack of imagination. (Of course I’ll make an exception when re-reading books by LM Alcott or LM Montgomery or some other beloved writers whose initials are not “LM”, but for today the rule stands).

The hobby does not have to be anything you have done recently or frequently. It could be basket-weaving or finger-painting. But it should be something of which you have real-world experience and so can describe in minute detail if you need to.

Go!

10 Days To Go

OK, so ten days to go and we’re all at various stages of “success” and we’re all still turning up.

It’s getting harder though, isn’t it? …

(Wow, it seems like no time at all I was posting that headline in my promo efforts for the yet-to-born Story A Day challenge!)

OK, so ten days to go and we’re all at various stages of “success” and we’re all still turning up.

It’s getting harder though, isn’t it? Finding a whole new story every day drains the well pretty quickly. We need to work on staying encouraged, finding new ideas, new angles, and remembering what inspires us to write.

@CidWrites wrote this really helpful self-pep-talk that I certainly benefitted from reading (so thanks, Cid)
(and then she went on to write a really fun and intriguing story that day)

@AdorablyAlice wrote a great blog post on writing during slumps, that I’m sure you’ll find something of use in.

@dorlamoorehouse has an upbeat, celebratory post here that makes me grin and think: I want some of that!

Don’t forget these posts from the Story A Day Blog archives:

Finding Ideas For Stories

Finding Time (and Ways) To Write

StADa participants’ Feedback After Week 1

and the Resources page which includes links to sources of Inspiration, Prompts, Productivity Tools and Tips from Great Writers.

If it helps, why not take a few minutes to read other people’s stories right here at Story A Day. OK, you might get intimidated, but on the other hand, you might just get inspired.

Onward!

Daily Prompt – May 20: Rewrite In The Style Of…Pt III

Today, rewrite a story you have written before, but this time as a dramatic monologue.
Taking a look at the story from another angle is a challenge in itself. Then add the challenge of making the dialogue seem real and you can really have fun with this…

Daily Prompt LogoThis is the thirdin a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.

Today, rewrite a story you have written before, but this time as a dramatic monologue.

Taking a look at the story from another angle is a challenge in itself. Then add the challenge of making the dialogue seem real and you can really have fun with this.

(NB, the character who is ‘monologuing’, to borrow a phrase, doesn’t have to be the original story’s hero. It could be someone who was walking by and saw the action; a minor character in the action; anyone really).
Go!

(PS Did I mention? Day TWENTY! And you’re still here? Awesome, dude!)

Daily Prompt – May 20: Write In The Style of…Pt.II

Write (or Rewrite) A Story In The Style Of Your Favorite Dead Writer

Daily Prompt LogoThis is the second in a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.

Write (or Rewrite) A Story In The Style Of Your Favorite Dead Writer

I’m tempted to suggest Dickens, but maybe you’re more of an Austin or Bronte fan. Or maybe one of those Russians. Or further back? Chaucer, anyone? Shakespeare? Douglas Adams? (Nope, still too soon. Sob!)

Go!

Daily Prompt – May 19: Write In The Style of…Pt. I

Write (or Rewrite) A Story In The Style Of A TV Show You Know And Love

Daily Prompt LogoThis is the first of a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.

Write (or Rewrite) A Story In The Style Of A TV Show You Know And Love

I’m not going to limit you, because I know I wouldn’t have a clue what to do if you told me to write in the style of a CSI show, but a more gentle mystery might work for me. Or maybe it’ll be sci-fi, daytime soap, or rip-roaring Melrose Place evening soap. Reality show? Sitcom? Adult cartoon? What do you watch and love?

Go!