You’ve made it! You’ve written stories all month long — whether you’ve written every day, or on and off throughout the month — I congratulate you!
Make sure to come back tomorrow for three things
- The June Serious Writers’ Accountability Group — make your commitment to your writing for next month
- Details about StoryFest — your chance to get your favorite story featured on the front page of StoryADay.org
- The mini-critique group I’m running next week, to help you whip your stories into shape in time for StoryFest.
But before all that: one more story to go:
Write A Story About A Writer
- Feel free to take out your aggressions on me! Feature a writer who turns on their teacher/mentor/professor!
- Channel Stephen King’s “Misery” and feature a stalker.
- Take the reader through all the goys and perils of the writing journey
- Or use the conceit of a writer character to do something that couldn’t really happen in real life.
And after you’re done, write a blog post or a journal entry capturing all you’ve learned about yourself as a writer this month. Resolve to build on your strengths. Keep what you write somewhere safe, so that next time you have a big writing push coming up, you can benefit from all these lessons!
If you share your post online, be sure to send me a link (in the comments below or by email) or tag me on social media!
And don’t forget, StoryFest is coming, June 10-11!
Thank you all for playing along this month. Without you, I wouldn’t be doing any of this.
Today I wrap up the story structure series with a bang.
Write a Hansel & Gretel Structured Story
- The Life-Changing Moment in this story structure, comes at the start.
- The Life-Changing Moment may have happened ‘off-stage’ before the story starts (imagine the story of Hansel and Gretel where the kids are already alone in the woods. That would work, right?)
- Remember to focus on what your character would never, ever choose to do, and how the circumstances are forcing them to face that (for example, Hansel and Gretel would never disobey/mistrust the adults in their life, but life is giving them a pretty clear directive to do just that).
- This story starts with a big moment, and then throw complications at your character. Once you’ve told us enough about the character for us to figure out how they’re going to survive, you can end the story.
- If you’d like to read more about this story structure, check out this post.
Don’t forget to post in the community or leave a comment to tell us how you got on today.
Today we continue looking at story structure: this time, with what I call the Ugly Duckling Structure.
Watch the video and write an Ugly Duckling story
The ‘life-changing moment’ comes in the middle of this story
Balance out every challenge from before that moment, with a similar, but different moment afterwards. Show us how the character (or their circumstances) have changed now.
This story might have to be longer than a Cinderella-type story. Sketch it out, if you don’t have time to do it justice today.
Read this post, which talks more about the Ugly Duckling structure.
Don’t forget to leave a comment or post in the community and tell us how you’re getting on. What have you learned this month, so far?
Today’s prompt is part of a workshop that I give on story structure. (If you’d like me to talk to your group, ask!)
On the go? Listen to this as a podcast.
Write A Story With A Cinderella Story
A Cinderella Story Structure
In the story of Cinderella our heroine wants to find happiness. She tries and fails and tries and fails. A lot.
- She tries to find it by being nice to her sisters and stepmother, but they just treat her terribly.
- She tries to find it by going to the ball, but she’s not allowed to go.
- She tries to find it from her fairy godmother. This one almost works, but there are time limits and she fails. When the love-struck prince can’t find her, all is lost.
Eventually, the life-changing moment comes at the end of the story when the prince finds her and Cinderella gets to choose her happy ending.
(In most versions she says yes and marries the prince; in every version, this choice is the first time Cinders has had any power. This is when her life changes.
So, this is where the story ends because the character’s story arc is over: She has her chance to reach her goal, at long last.
(If you want more information, check out this post.)
Write A Non-Traditional Love Story
- You could use non-traditional partners for your love story (it doesn’t have to be romantic love; and if it is, it doesn’t have to be between straight, white people).
- The way you tell the story could be non-traditional (it could be told in a non-narrative form).
- Here’s my review of The Sentry Branch Predictor Spec by John Chu (with links to the story).
Today I throw you one of my favorite prompts, because I love reading these kinds of stories.
Write a story in the form of a series of letters
- The ‘letters’ can be anything really: letters, journal entries, found documents, Tweets, Facebook updates…
- The letters can come from only one person — in which case we hear only one side of the story.
- The letters might come from various sources and in various time periods.
- You might mix letters with documentary evidence (school report cards, obituaries clipped from a newspaper, a termination document from an employer).
- Your writing might be in the form of a ‘gospel’ for a new religious or political cult.
- This might grow to be a bigger project than you can handle in one day…
Today’s prompt sticks with this week’s theme of pushing the form of the short story away from the idea of it as a ‘mini novel’.
Short stories are incredibly versatile and short story readers are willing to work for their thrills. Let’s get to it:
Write a prose sonnet: a story 14 sentences long
- Of course, our prose sonnets aren’t going to rhyme or be in any particular rhythm (although you can shoot for that if you like).
- You can draw inspiration from traditional sonnet forms. For example, it could follow the structure of a Petrarchan sonnet which presents an argument or observation in the first 8 lines (sentences, in this case), then a turn in the next line. Then you can spend the rest of the story ‘answering’ the question/observation/argument of the start.
- You could model your story on a Shakespearean sonnet: three groups of four related sentences, and a final two-sentence ending that perhaps turns the story upside down OR reinforces its message.
- You could go from the specific to the general and end with a universal truth, or set the story up the other way around.
- One powerful image might be all you need in a story this length: a grandparent with their grandchild, feeding the ducks, for example. Placed at either end of your story (or in the middle), this image might allow you to illustrate a theme on relatable, specific and still universal levels.
- You could also write a sonnet ‘sequence’, if your story demands more room. That would mean you write groups of ‘scenes’ in 14 sentences each until your story is finished.
- For more on the form, read this.
Today’s prompt was, er, prompted by a brief literary feud that flared up recently.
A TV critic took issue with the latest episodes of the BBC’s Sherlock, complaining that our hero was more James Bond than Conan Doyle’s Holmes. The episode’s writer wrote a response in verse, then the critic wrote back with his own poem. BUT, in the last couple of lines of the poem, he pointed out that he had embedded a hidden message in his words (the second letter of the first word of every line spelled it out).
I was so tickled that I’m stealing the idea (which he stole from Conan Doyle, so I don’t feel bad).
Write a story with a hidden message
- You could make the first letter of every sentence spell out a message.
- You could make the first/second/third/last word of every sentence add up to a secret message.
- You should probably start by writing out your secret message and then figuring out the rest of the words in your story, so it fits!
- This will force you to break all the normal rules of your process of storytelling. Don’t be afraid. Be bold. At the very least you’ll learn something about your process!
Write a story in the form of a list
- You could write
- a ‘to do’ list,
- a list of grievances addressed to your character’s boss/children/spouse;
- a shopping list;
- a McSweeney’s style list;
- a list of steps you are advising someone to take,
- any other type of list you like.
- The title is hugely important. You might need to write it last. It should perhaps have a double meaning: it might mean one thing to the reader before they read the story and yet peel away a layer once the story is in their brains.
- Don’t be afraid to let the reader work. Leave things out. Imply much, explain little.
- Don’t feel the need to wrap this up neatly. Jennifer Egan doesn’t.
- The twist in this kind of tale, comes because the form betrays the meaning: a list is a utilitarian, ephemeral thing. The more important/dramatic the issue your character takes on in the list, the more impact the story will have (this can be dramatic, funny, ridiculous, dark, or anything else!)
Continuing our week of prompts aimed at creating rich backstory for novelists and short story writers alike, today we create an alternate story for your protagonist.
There is a moment in every story where a protagonist has to make a choice: to take up the challenge of the story or to turn away. Everything else flows from that.
Today, write a story in which your protagonist makes the other choice.
- This will, of course, result in a shorter story than otherwise.
- It will still have fallout. (Think: It’s A Wonderful Life, Sliding Doors etc.)
- Examine that fallout in a story.
Don’t forget to leave a comment, or do your Victory Dance in the community.
This week I’m focusing on prompts that novelists can use. If you’re novelist, I don’t want you to feel like you’re wasting your time here at StoryADay May. While short story writers can easily use these prompts, too, you novelists will find much in them that enriches your work-in-progress.
Let’s dive in:
Write a story that investigates a turning point in your protagonist’s past.
- Every interesting character has an internal struggle fighting with (or complementing) the external struggle of the plot. It usually stems from a character flaw/defect/protection mechanism they’ve been building for years. Use this prompt to write a story that captures the beginning of that character development.
- If you don’t have a novel or work in progress, investigate a character from an earlier story you’ve written (or one you hope to write).
Lisa Cron’s Story Genius (referenced in the video) can be found here or requested through your local indie bookstore.
Today I encourage you to take a second look at a story you’ve written before.
Take a story you’ve written before and write it again from a different point of view.
You can rewrite the events of the story, as viewed by someone else.
You could choose to use the original story as a jumping-off point, that simply informs your knowledge of this formerly-secondary character.
Feel free to write the story in a completely different form (if the first one was a series of letters, you could write this one in a more narrative form.
Today, Bea from The Busy Muse gives us a scenario and encourages us to stretch our genre expectations…
Don’t forget, you can listen to the audio-only by subscribing to the podcast
Your company sends you to meet a costumer at their house. It’s a standard, nice neighborhood.
You ring and ring but nobody answers. The door is ajar, and you enter, calling aloud.
All is in order in the living room apart from an overturned potted plant on the expensive-looking rug…
- You choose the atmosphere. Did the costumer run out to get milk or got kidnapped?
- The setting is quite anonymous: can you create a fantasy story out of this? What about a science fiction piece?
- Have fun thinking outside the box!
About Bea from The Busy Muse
Bea is a bilingual writer and freelancer currently living near Venice, in Italy. She blogs and helps writers with their writing and creativity at . The Busy Muse. She brainstorms new ideas with her cat, who is very good at listening but not at providing solutions.
Today, Charlotte Rains Dixon indulges in some whimsy, and I can’t wait to see what you come up with for this!
Write a story about what happens when a nun in a wimple, a man in cowboy hat and boots, and a bartender with a handlebar moustache wearing a red and white polka-dot bow tie meet in a tavern on a rainy night.
About Charlotte Rains Dixon
Charlotte Rains Dixon mentors creative writers from passionate to published. Charlotte is a free-lance journalist, ghostwriter, and author.
She is Director Emeritus and a current mentor at the Writer’s Loft, a certificate-writing program at Middle Tennessee State University. She earned her MFA in creative writing from Spalding University and is the author of a dozen books, including The Complete Guide to Writing Successful Fundraising Letters, and Beautiful America’s Oregon Coast. Her fiction has appeared in The Trunk, Santa Fe Writer’s Project, Nameless Grace, and Somerset Studios and her articles have been published in Vogue Knitting, the Oregonian, and Pology, to name a few. Her novel, Emma Jean’s Bad Behavior, was published in 2013, and she is represented by Erin Niumata at Folio Literary.
Her prompt book, Just Prompt Me, was released in 2016, and is the first in a series.
Learn about her annual writing workshops in Europe at letsgowrite.com, and visit her blog at www.charlotterainsdixon.com, where you can find all kinds of tips and techniques on writing and creativity.
Today, Marta Pelrine-Bacon encourages us to get a bit mysterious.
She waited a week before revealing the secret.
About Marta Pelrine-Bacon
Marta Pelrine-Bacon is an artist, a writer, and a long-time StoryADay participant. Her debut novel The Blue Jar has recently been re-released, with a new cover, featuring Marta’s artwork.