Write 12 Stories This Year – A Challenge From Alexis A. Hunter

Alexis A. Hunter Twitter ProfileI’ve always been impressed with how much fiction StoryADay friend and participant Alexis A. Hunter pushes out into the world: over 50 short stories in publications like Apex, Shimmer and Cricket.

In 2017, she has committed to writing a new short story every month.

That sounded like my kind of challenge, so I asked her more about it. Continue reading “Write 12 Stories This Year – A Challenge From Alexis A. Hunter”

Finish Your Book In Three Drafts — An Interview With Stuart Horwitz

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Finish Your Novel In Three Drafts: How To Write A Book, Revise A Book, and Complete A Book While You Still Love It

Every word of that title is important, so go back and read it again.

Doesn’t that sound appealing?

The first time I came across Stuart Horwitz, I was struck by the way his writing instruction bridges the gap between Pantsers and Plotters, and how he provides actual processes and methods for getting from ‘wannabe writer’ to ‘someone who can polish and finish their work’.

His latest book comes out today and provides a powerful, user-friendly guide to getting work done, while LOVING what you do.

It takes you through the process of writing a book in three drafts and includes extras like PDFs and stop-motion animated videos that illustrate the lessons in the book. It’s really delightful and powerful stuff.

I had a chance to interview Stuart Horwitz about his books, his editing work and his own writing this week, and he had some great advice for us, as we work on short stories and perhaps move on to our longer, book-length projects.

Finish Your Novel In Three Drafts. Really?

JD: Why did you want to write this particular book? What problem are you trying to help writers solve?

Stuart Horwitz HeadshotSH: We only have a limited number of books in us — mostly because our time here is limited — and so it becomes a matter of figuring out what are the best books for us to work on, and how we can bring the most excitement to that work and then, how we can get through it, while we still have that energy and affection for it. (Like I say in the subtitle “while you still love it”.) And then move on to the next thing.

Time’s ticking.

And I know this very well because, little-known fact: I trained as a mortician. I walked out of there knowing for a fact that I was going to die. We all are.

Before that time comes, how about we accomplish some shit, you know? That’s all I’m saying.

JD: So how do we do that?

SH: Having a ritual while you write is crucial. There are times when it’s not possible [to fit in everything from your ritual]. We have to recognize that its value doesn’t lie within the ritual itself, it lies in its ability to bring you to a joyful state. It helps us penetrate beyond appearances and figure out why we’re doing this…what we’re doing.

And every writer has to have a process. It doesn’t have to be my process. You can get some from me, four from this other person, and make up 2 of your own and there’s your process. But if you stick to it, it will help you on the less-excited days.

PANTSER OR PLOTTER?

JD: You take a very moderate approach to the whole ‘Write by the seat of your pants’ vs ‘Outline everything’ debate. You sound terribly reasonable.

SH: We like to call it The Middle Way in Buddhism.

There’s always a reason to bend the rule and there’s always a reason to practice discipline.

KNOW WHAT DRAFT YOU’RE IN

JD: The thing that helped me immensely, every time I read your books, is the concept of “Knowing What Draft You’re In”. Can you explain that a bit?

SH: The first draft is just getting it down – The Messy Draft. The second draft is the Method Draft which is about making it make sense. The Third Draft is the Polish Draft which is about making it good.

So, when you sit down to start, it’s all First Draft.

And when you do action steps to figure out what you’re actually working with and then take the best parts up a level, it becomes the Second Draft.

And then you go through your beta-reading process, bring in outside input, and use that to get to your third draft, which is your polish draft.

And I’m talking about a real draft. I’m not talking about tweaking. Like: these five scenes are all going in trash. And: I need scenes that aren’t here yet. Adding three commas? That’s not a draft. That’s just ornamentation. That’s chasing perfection.

The secret to the three drafts is that when, during the second draft, you uncover holes and start writing that scene, remember that new scene is in its first draft. If you stare at that new piece and say, “Why aren’t you as good as everything else already?” it’s going to be madness.

Keep in mind, every time you encounter new material it’s first draft.

JD: How do you know what to work on next, in revisions?

SH: There are action steps [in his books – JD] that you can take between drafts which will reveal to you what you are working on, more clearly.

Mapping the journey we’re on at the same time that we’re on it, gets kind of dizzying/confusing.

We need a separation between the viewer and the subject matter.
I’m a big fan of grids [Here, I refer you to Stuart’s books and his website because this is a big, meaty and really useful subject – JD]

AVOIDING OVERWHELM

JD: How can a short story writer avoid overwhelm at the thought of writing a novel?

SH: I like to break it down in to writing sessions. The question is “how many writing sessions does it take”? From my own experience: I have a short story that is probably one session away from nailed and that is Number 5.

So it’s the same concept. My second book, Book Architecture Method, took 60 writing sessions.

You show up to one of those 60 sessions, you necessarily have to reduce the scope of your expectations. What am I doing today? I’m not writing a novel today. I’m writing a part of a chapter in a draft today.

I’m going to take the rest of that junk out of my mind and I’m going to sit down and write, and I’m gonna write what I was thought I was writing, and I’m going to discover new stuff, and I’m going t write stuff that isn’t good, and I’m going write stuff that is good, and I’m going to keep going, and I’m going to get to the end of this session.

When I get to the end of the session, if I’ve made progress, that’s a win.

ON WRITING WITH CONFIDENCE

JD: It’s easy as writers to judge ourselves as having failed. You idea of grids and process and ritual take the emotion out of the revision process.

SH: Self judgement is a very complex phenomenon and has many many faces. There may be a reason why that never really goes away: a tension exists where our need to constantly slay that dragon helps us bring forth our best work, or brings us to our edge. But the nagging, griping voices in our heads are, for the most part, not contributing to the forward motion.

You have to believe in yourself first. That is probably the hardest thing about writing. It’s probably one of the harder things about living, so practice in one helps with the other.

ON FINISHING

JD: I stress finishing stories during StoryADay. Your books are all about helping writers finish books. Why do you think so many writers never finish their projects?

SH: There are a lot of reasons why people don’t finish. [Sometimes] there’s some pretty deep psychological stuff going on. Somewhere there was a message that was encoded that ‘you are not good enough’.

Then the people who didn’t get that message, and who actually suck a lot worse with you, are filling up the airwaves with what they did. And now we’re having to read ten books by them before we get one book by you.

The fact is if you have 10 people who are reading what you have to say you can write something great. you can even write something great if one person is listening to you.

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Finish Your Novel In Three Drafts: How To Write A Book, Revise A Book, and Complete A Book While You Still Love It

This book is a fabulous introduction to Stuart Horwitz’s method for writing and revising works of any length, and I can’t recommend it enough. Pick up a copy today.

How Reading Short Stories Made Jacob Tomsky A Better Writer

Screen Shot 2015-04-28 at 7.31.05 PMAre you familiar with the Short Story Thursdays emails?

Every week for almost five years, Jacob Tomsky has been researching and sending a short story to an email list of rabid readers. He doesn’t write the stories (he’s a best-selling memoir writer and budding novelist), but he does curate them.

Driven by his mood, he plucks a story that speaks to him from the vast slush pile of Public Domain works, and sends it to thousands of his Internet friends.  Not only that, but Tomsky writes a passionate (and often expletive-laden) exhortation to readers as to why they should read this week’s story. If Tomsky’s ‘dispatches’ are the amuse-bouche of Short Story Thursdays, the stories are the meat.

Since he’s been doing this for four years, he must always really loved short stories, right?

“I actually hated short stories for a really, really long time. Maybe I still kind of do,” he laughs.  “I don’t buy short story books, I never did. I was never a fan. I love novels. That’s what I like to read and that’s what I like to write.”

How It All Started

So here’s how it all started: Tomsky had a full time job he hated, in a hotel.

Bored, he began printing out short stories from the web – using company paper and company toner– because it “would look like I was working, like I was just reviewing documents or something.”

When a similarly-bored bellman asked him what he was reading, Tomsky stumbled onto something that has kept him sending out his dispatches weekly, years after breaking free of the job he hated.

“This was not a man that you would consider being a lover of literature at all and he read it and said ‘what’s next?’” Tomksy said. “I really got joy not only out of the minor escape it gives you from work, but also the fact that I was exposing people to short stories that had never even considered it before.

“People were talking about literature and that was very exciting for me as a long time lover and a writer of literature. I was able to get people to read these short stories, [people] that had never read before.”

Why short stories? Well, apart from their utility as a good cover at work, Tomsky points out,

“Everything’s shortening, our attention spans are dropping. I don’t think it’s even a bad thing. Twitter’s 140 characters, Vine videos are 6 seconds. Everything is so short and people’s attention spans are rapid fire.”

Short stories seem like the perfect way to get people reading, “…and I pick really short ones. Really short. So it’s just something people can read on the train and not feel like they’re having to trudge through it.”

The Beauty of the Short Story

Because he’s posting stories mostly from public domain, Tomsky is rediscovering some older writers, some who have been largely forgotten.

“This week’s story,” he says, about a recent Dispatch, “is making people cry. I’ve had six people email me already and say this story made them cry… I couldn’t even find out any information abou this author. The fact that I get to breathe life into these forgotten authors is wonderful.”

Another advantage of reading older works is, “some of this langauge is just amazing. It’s not even antiquated, we just don’t speak like this. Some of these words have fallen out of favor. Phrases and just the tone of language has changed so much. To get to read something …that’s so different from any other sentence you’ll read in the rest of the week, has been wonderful.”

Of course, the short story form has evolved a lot since its invention, and many of the stories Tomsky finds irritate readers because they aren’t subtle or don’t  have the emotional impact of modern stories. And, a frustration for Tomsky is that the public domain collection is ‘a sea of white males’.

Still, Tomsky sees a a benefit to reading these stories week after week. “There’s been some great writing…and it’s kind of great to see what we expected from short stories in the past. Those were pure entertainment in the past. It wasn’t entertainment that was vying for attention with any other form of entertainment, you were just happy to be reading anything.”

He adds, “There have been some stories I’ve read on public domain that I think are better than anything I’ve read publishing now.”

Benefits As A Writer

Although the New York Times called Tomsky’s whose memoir is titled “Heads In Beds: A Reckless Memoir of Hotels, Hustles and So-Called Hospitality” ‘an effervescent writer’, he wasn’t writing humor before SST.

“I had three novels pior to that and none of them had a joke in it,” he says. “It wasn’t until I started ShortStoryThursdays that I started with the humor.  I think that really primed me for when I had to write a funny book about the hotel world.  I was totally ready because I had been practising.”

Another, unexpected benefit of writing to a group of strangers every week was a surge of confidence in himself as a writer, that came simply from turning up week after week.

“It took out the whole ‘bullshit inspiration’ crap. You just have to sit down and write no matter what. You kind of trust that…there’ll be quality in there.”

Even In The Middle of An Ocean

No-one’s better at coming up with excuses than writers (it stands to reason: we’re creative!). But Tomsky even kept up his weekly dispatches during a four-month stay in South Africa AND during a ten-day crossing of the Atlantic on a freighter from Liverpool to Philadelphia.

“So I told [everyone] I’d be missing a week,” but in reality he queued up a post and had a friend hit ‘send’. “Then, when I was in the middle of the ocean, it just dropped on them,” he laughs.

Track Your Progress

Another tip for boosting your confidence as a writer is to keep track of how much work you’re doing.

While working that hotel job that he hated, Tomsky started tracking his progress.

“I was like, I’m putting 50 hours a week into a job that I hate, that’s going nowhere. How much time am I putting into my art? So I used to clock myself and tape the papers up on my wall. That was very helpful.”

“It’s such a weird, ‘spooky art’. Any way that you can normalize it and bring it into some kind of standard reality, it’s helpful. And if that’s clocking it—like you would yoru time at work—that at least gives you a feeling of progress. Feelings of progress are extremely rare in this art.”

Just Write

So is he cured of the writer’s enemy: doubt? Tomsky gives a qualified ‘no’.

“It still happens every week. Every Thursday I’m like, f*ck I don’t know if I can write anything good, but I do it consistently, and somewhere in my head that helps me …Looking back on a rather successful string of SST dispatches really does give me the courage just to sit down.

“Definitely more writers should do that,” he says, equating writing practise with the benefits of going to the gym. “I always tell people tha—and not just to bring up the fact that I’m going to the gym! The more you do it, the easier it becomes and the better you get at it. It’s not even magic it’s just straight up practice.”

 

Two of Jacob Tomsky’s favorite short stories in the public domain:

Arabesque The Mouse by A. E. Coppard

The Inconsiderate Waiter by J.M. Barrie

 

Thanks, Jacob!

 

To sign up for a new short story in your inbox every week email: shutyourlazymouthandread@shortstorythursdays.com

And check back here during May 2015 for Jacob Tomsk’s Guest Writing Prompt!

 

 

 

 

 

 

Conquering A Creative Slump – An Interview with Author Sarah Cain

Today we’re taking tips from Sarah Cain, a repeat-StoryADay-participant, whose debut novel The Eighth Circle will be published by Crooked Lane Books in January 2016.

StADa: When did you first participate in StoryADay?

SC: My first StoryADay was in May 2013.  I wasn’t really much of a short fiction writer, but I thought it seemed like a great creative challenge.

StADa: How did StoryADay affect your writing?

SC: I had written a novel and had queried agents to a chorus of rejections and was feeling in a real creative slump. I was working on another novel, but wasn’t happy with the progress. So when the StoryADay challenge came up I thought I could manage to write short pieces for a month, and it would be a change. Give me a chance to get some creative energy flowing, which it did. I had great fun with it, and now write quite a lot of flash fiction.

StADa: What advice do you have for writers thinking about jumping in to StoryADay May?

SC: I think writers should just approach it with the spirit of adventure. It’s a challenge, but great fun. Plus you always have wonderful prompts which writers can follow or not. There’s something very satisfying about finishing a piece of fiction and saying, “Ta da! I did it.” And once you get through the month, you’ll have thirty-one (or however many) stories that you can polish up and submit. Or just put them out on your blog. That’s amazing.

StADa: How’s your writing going now?

SC: Happily, I did find an agent and my novel, The Eighth Circle, a noir thriller, did find a home. It will be published in January 2016 by Crooked Lane Books. Sometimes you just need a spark to get everything moving. I’m now working on a sequel to that novel, and I will be doing StoryADay May this year.

Sarah Cain wrote her first story as a precocious five-year old. She graduated from Smith College with a degree in English and went on to write speeches, ad copy, and videos. Her short fiction has appeared in Unclaimed Baggage, Voices of the Main Line Writers and FlashDogs, An Anthology, and she’s a regular at Flash!Friday where she’s won two first place awards, and her debut novel, The Eighth Circle, will be published by Crooked Lane Books in January 2016. You can find her on Twitter @SarahCain78 and in the StoryADay community @sarahc.

Thanks, Sarah! Looking forward to seeing The Eighth Circle  on bookstore shelves next year!!

A Springboard for Short Story Success – Interview with Alexis A. Hunter

StoryADay regular Alexis A. Hunter stopped by the blog to chat about her writing journey over the past few years, and how she’s used StoryADay to help push her beyond her fears. Over the past few years more than 50 of her stories have been published!

StADa: When did you first participate in StoryADay May?

AAH: 2011 was the first year I participated in StoryADay May.  I heard about this awesome challenge about three or four days into the month and so wrote extra stories to catch up.  I have since then participated in the challenge for a total of four years.  It’s been so eye-opening and rewarding!

StADa: Tell us a little about your successes in the past few years.

AAH: The writing journey works differently for different people; my journey has been a bit slow, but always steady.  I’ve made some good headway, breaking into markets I’ve always wanted to be published in.  This year I’ve had stories published in Shimmer, Flash Fiction Online, and Fantastic Stories of the Imagination.  I’ll have a story out in Apex this fall.  It’s really exciting and I don’t think I’d be here (or at least it would have taken me longer to get here) if it weren’t for the StoryADay challenge.

StADa: How have you used StoryADay to help fuel your writing?

AAH: StoryADay taught me things I might not have learned otherwise.  When I first sat down to start writing seriously about five years ago, I was perpetually full of dread about writer’s block.  I had suffered extreme bouts of it before.  Every time I finished a story, I questioned and worried and fretted over whether or not I’d be able to finish another one.

StoryADay taught me that I could do so and that I could do so consistently if I only tried hard enough.  It showed me that if I thought long enough on any given prompt, my mind would rise to the challenge.  It was so…liberating!

I’ve since then used the challenge to fuel my writing by providing a large stock of stories to edit and submit throughout the year. Of course, there are a lot of duds throughout the month of May, but there are also a handful of pretty good stories that I wouldn’t have come up with otherwise.

StADa: What advice do you have for someone thinking about embarking on the challenge or longing to boost their creativity?

AAH: To those thinking about embarking on the StoryADay challenge, I recommend a bit of prep before May 1st hits.  I like to do two things in particular to get ready: 1.) Gather prompts.

I love using the prompts provided by storyaday.org, but I also love combining them with picture prompts.  I keep a Pinterest board of photo prompts, which I add to all year long.  2.) Pick some specific target markets.

Last year, I collected a list of (mostly) themed deadlines for magazines I wanted to get into.  Stuff like an anthology about pirates or magical cats.  The themed nature of those deadlines helped spark stories and having a set market to send the stories to, in turn, kept me on the ball in June and July–editing the stories and getting them sent out instead of letting them languish in an abandoned file.

To those longing to boost their creativity–get into writing prompts! Especially photo prompts, if your mind works well with them.  There is so much amazing art out there that I find especially inspiring.  Prompts are a good way to push you out of your comfort zone.  Try writing a genre you’ve never written before–even if it’s scary.

The result might not be so good, but it will stretch you in a way that writing in your normal groove won’t.  Oh, and try StoryADay if you can!

StADa: What’s next for you?

AAH: Well, May is nearing, so I’m staring down the barrel of another StoryADay challenge.  I hope to participate again this year, even if I don’t hit the 31 story goal like I normally do.  I’m also knee-deep in editing a YA Science-Fantasy novel, which I hope to one day do something with.  But in the meantime, I just keep focusing on writing better and better short stories.  That’s where my heart is really at.

Thanks, Alexis and all the best for your future success!

 

Alexis A. Hunter revels in the endless possibilities of speculative fiction.  Over fifty of her short stories have appeared recently in Shimmer, Cricket Magazine, Flash Fiction Online, and more.  To learn more, visit www.alexisahunter.com.

Turning Off That Pesky Editor – An Interview with Marian Allen

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Marian Allen

Today we’re taking tips from Marian Allen, author, publisher and repeat-StoryADay-participant.

StADa: When did you first participate in StoryADay May?

MA: I heard about StoryADayMay in 2013. I did 2013 and 2014 and I’m looking forward to 2015. ~cracks knuckles~

StADa: Tell us a little about your successes in the past few years.

MA: The first year, I posted this:

People sometimes ask where writers get their ideas. Listen: Getting the ideas is the easy part. Ideas fall like the gentle rain from heav’n upon the place beneath. It’s hooking an idea up with plot, theme, characters, setting, dialog, point of view, language, length, tone, and all the other things that turn an idea into a story that writing is all about.

So I have a big fat folder filled with false starts, snippets remembered from dreams, overheard conversations, random thoughts, and all sorts of “bits”. I plan to reach into that folder and grab a handful of “seeds” and make stories out of them.

That worked. The next year, I went around the house and took pictures of random things, like a globe, a box with a scene on the top, a bowl of rocks, a statue of two giraffes – really random. Those were my prompts.

I always do posts about cats on Caturday – I mean Saturday, or my cats post for me, so my Saturday stories always featured cats. On Sample Sunday, my stories were always about Holly Jahangiri because. Just because. Holly is a real person [A Matter of Perspective ], but twice she won contests I ran to have her name in a story, so now I write stories about her all the time.

StADa: How have you used StoryADay to help fuel your writing?

MA: I tend to write slllllllowwwwwwwwlllllyyyyyyyy, hammering out each word and sentence of a scene. StoryADay is even better than NaNoWriMo at making me turn off that pesky editor. I have to grab an idea and run with it. Knowing that I can do that keeps me from getting too bogged down in polishing when I ought to be knocking together a rough framework. Besides, it’s invigorating to just haul off and write a little story. Telling stories is fun!

StADa: What advice do you have for someone thinking about embarking on the challenge or longing to boost their creativity?

MA: Don’t pre-write. Don’t overthink. Don’t feel bad if it doesn’t work for you. Nothing is for everyone. Give it a try, though; turn off the editor and just let those inventive juices flow. Have fun with it. Think of the StoryADay stories as word doodles.

StADa: What’s next for you?

MA: I have a couple of novels I need to revise for reissue and many novels roughed out or unfinished. I’m putting together a couple more short story collections (including some from past Mays). I’m one of three partners in Per Bastet Publications, so there’s that to keep up with. Book signings. Family. Cats. Much to do!

But first – fun with StoryADay May!

Marian Allen writes science fiction, fantasy, mystery, humor, horror, mainstream, and anything else she can wrestle into fixed form. Her latest books are the SAGE fantasy trilogy, her science fiction comedy of bad manners SIDESHOW IN THE CENTER RING, and her YA/NA paranormal suspense A DEAD GUY AT THE SUMMERHOUSE, all from Per Bastet Publications. She blogs daily at Marian Allen, Author Lady. Every. Single. Day.

Finding Fuel And Focus – An Interview with Cecilia Clark

StADa: When did you first participate in StoryADay?
I don’t remember exactly when I joined a Story A Day but it was likely close to the start of 2014. In 2013 I had begun exploring what was available in the wide world to support and encourage my new career direction as a writer and when I gave notice at my day job in December 2013 StoryADay was one of the important tools I used to keep me focussed as I took the scary, exciting, long overdue and challenging path.

StADa:  Tell us a little about your success.
I had put aside my youthful dreams of being a published writer and paid artist when my first child came along and then life kind of got in the way and my dreams slipped way back into the dust covered depths of the internal storage of my mind.

When a life changing pivotal moment arose I finally embraced my inner creative and launched myself whole heartedly into becoming my dream.

I completed my first NaNoWriMo in November 2013, working a full time job, raising teens and participating in three other challenges as well, I managed to produce 104000 words, 36 pieces of art (SkaSaMo) and 41 picture book ideas (PiBoIsMo).

Then I joined social media groups for writing and art, paid subscriptions to organisations dedicated to supporting writers and artists and I looked for opportunities to challenge myself to write stories and then find homes for my stories.

Since my first camp Nano in April 2013 I have written and had published more than fifty pieces of fiction ranging from 500 word competition pieces and ezine contributions to 30k short stories and novellas. I have completed two novels 60k and 80k+ and begun five more novels. I have produced several hundred pieces of art and actually have a growing body of dedicated followers to my blog.

StADa:  How have you used StoryADay to help fuel your writing?
At first I was lucky if I wrote 200 words a day so I needed fuel for story ideas and some form of prod to keep me focussed. StoryADay provided me with a lot of good ideas for generating flash fiction. StoryADay has a great deal to offer in terms of prompts and advice and I found this to be terrific for churning up the creative juices, especially when I have been stuck.

StADa:  What advice do you have for someone thinking about embarking on the challenge or longing to boost their creativity?

There are so many opportunities and I have found the creative community is a generous and supportive one world wide.

Use what you find out there and make it fit in your life. Whatever time you can dedicate to your dream there is bound to be someone out there with just the right bit of advice for you at a price you can afford. There is a lot of free information- find it and share it.

Set aside fifteen minutes a day and write.

Thinking about your story counts as writing but at some point you need to transfer the words from your head to the page or you will lose them.

Keep a note book handy and jot down ideas, snippets of conversations you overhear, interesting thoughts.

Don’t give yourself a hard time if you don’t write. When you decide the time is right to write you will dedicate the time and effort to it that you give your other day job (that includes parenting). Remember that some of the best writers in the world did not start their writing careers until they had raised their kids and filled their memories with incredible experiences to draw on.

It takes a long time to become an overnight success and the money doesn’t roll in quickly but don’t give up because your story could change the world or even just one persons life so write it. Oh and writing 104000 words in a month while doing all those other things is stupid crazy and caused me to strain my eyes to the point of needing reading glasses, plus swollen ankles, a sore back and no housework done for a month.

It was worth it and I learned to be a little less obsessed and a bit more level headed. The most I have written in a month since then is 56k.

StADa:  What’s next for you?
I have been working on prioritising my online time and increasing my actual writing time. It is way too easy to spend too much time in social media groups to the detriment of the word count. I joined a class to learn how to plan my novels more efficiently. I am attending conferences this year for Romance writers, SCBWI(kids books) and finding writers festivals to attend.

After having 30 anthology pieces published I am no longer submitting to small press as most small press pay nothing and I want to be paid for my work. I intend finishing at least two novels this year.

I have had a brief break from my art due to moving house and intend making art daily once we settle in again. My goal is to have my first full length novel under contract this year.

Cecilia A. Clark is a writer and an artist. She has been a chef, disability carer, teacher, farm worker, foster parent and props master plus so much more. She has volunteered for dozens of organisations, had children, coached public speaking and lived. She is curious. Shecan be found online at her blog, Goodreads, Pinterest, Facebook and Twitter.

I’m exhausted just reading all that. Good luck, Cecilia! I expect to see your novel under contract soon! – Julie

You’re A Writer, It’s What You Do – An Interview With Author James Scott Bell

This week we have an exclusive interview at StoryADay.org with James Scott Bell, the #1 bestselling author of the writing book Plot & Structure, and thrillers like Deceived, Try Dying, Watch Your Back, One More Lie and many more.

He stopped by StoryADay.org to talk about the importance of writing routines and practice — a topic dear to our hearts, and the subject of his book Writing Fiction for All You’re Worth: Strategies and Techniques for Taking Your Fiction to the Next Level.

StADa: Do you consider it important for aspiring writers to have a regular writing routine?

JSB: Boy, do I. In fact, that is the single most important piece of advice I ever got, and I’m glad I got it at the beginning. I do a weekly quota of words and break that down into 6 days (I usually take Sunday off from writing, to recharge my batteries). I keep track of all the new words I write and usually work on two projects or more during any given day. If I happen to miss my daily count I know I can make it up on other days.

The really nice thing is that, at some point, you look up and you have a completed book. It’s done. You did it. It’s a tremendous feeling. Then you have something to edit. And you just keep doing that, over and over again.

StADa:  One look online tells you that there is a lot of competition out there. How can a writer keep his/her motivation up, without becoming discouraged by or envious of other writers who seem to be doing ‘better’?

JSB: There are lots of ways for writers to make themselves miserable. Comparison is one surefire method. Because there is ALWAYS someone else doing better than you are. Always. You don’t even realize that there are lots of people not doing as well as you, either. But either view is wrong. It doesn’t help you to compare with someone selling more, and it doesn’t help you to feel superior to someone who isn’t.

Enough writers, like Ann Lamott and Elizabeth Berg, have written about envy and the like to know that it can sneak up on a writer. If it does you should immediately get lost in your own project. Get to the keyboard. Write your heart out. Soon enough you’ll be into that and the other stuff fades away.

Also, remember this is just one aspect of life. There is a lot more to living well than selling books. First, figure out how to live well. Then write.

StADa: It’s easy to ‘publish’ a work quickly today. What advice would you give the StoryADay community about what to do with the 31 first drafts they’re going to end up with on June 1?

JSB: Congratulations! A first draft is wonderful thing to have. It means a completed work, and that’s always a good thing. Robert A. Heinlein, the famous science fiction writer, once said there are two rules for writing:

  1. 1. You must write
  2. 2. You must finish what you write

Also, don’t think that a finished draft is ready to go out without a strong revision strategy. I wrote a whole book, Revision & Self-Editing, to help writers think that through in a systematic way. It’s important to know what you’re doing at every stage.

I’d also add, be working on your next book. And thinking up ideas for the one after that. And keep this up as long as you live.

You’re a writer, after all. It’s what you do.

 

000OOOooo


Thanks, Jim!

James Scott Bell has been called a writer of “heart-whamming” fiction (Publisher’s Weekly) “a master of suspense” (Library Journal) and a fresh voice in the “territory of Hammett and Chandler.” (Booklist).A former trial lawyer, Jim now writes and speaks full time. He lives in Los Angeles. He blogs every Sunday at The Kill Zone.

[Interview] – Writing A Story A Day with Vanessa Matthews

if you want to stretch yourself and grow as a writer then go for it! It has been one of the most valuable learning experiences I could have had to develop my writing …it’s really infectious, once you start immersing yourself in writing, the words just keep flowing and flowing.

 

Today I’m interviewing Vanessa Matthews who has just wrapped up her own Story A Day challenge. Vanessa went one better and not only wrote a story a day but submitted one to a contest every day!

If you’ve ever wondered what you might get out of attempting to write a story a day read on!

 

WHAT’S THE MOST SURPRISING THING YOU LEARNED THROUGH THIS CHALLENGE?

Oh, to pick just one!  There have been so many learnings!!  One of the biggest lessons I have learnt is not to write about anything you don’t feel passionate about.  It might sound obvious but during my marketing career I have written with ease about things I liked, and things I didn’t like so much, so I hadn’t anticipated any problem with tackling whatever was thrown at me.  However writing for business and writing for pleasure are very different things!  If you don’t feel compelled to reach the end of your story, drop it and move on to something else.

As for surprises, I have uncovered a passion for writing poetry that I never knew I had, and based on the feedback i’ve been getting from some very talented published poets, i’m even more surprised to find that I might be quite good at it.

 

WHAT MADE YOU START THIS CHALLENGE?

I had heard about a local writing competition taking place for the Daphne du Maurier Festival, which happens in Cornwall every year, and I decided to give it a go. On further research I realised that there were an enormous number of writing competitions going on and the thought just sparked from there.  I had been plugging away at the beginnings of a novel and had found myself lacking in motivation to keep going with it.  As a busy mom of four I just couldn’t seem to find a way to prioritise my writing so this also seemed to be a good way to try and make a habit of writing a little every day.  Although ‘a little’ has so far turned out to be more than 60 pieces of writing… and that excludes my blog posts!

 

HAVE YOU WRITTEN AND SUBMITTED TO A CONTEST EVERY DAY?

Yes, with one very tiny exception… my sci-fi story competition!  sci-fi became my nemesis and despite sitting at my computer for hours trying to build a plot, I found that I just didn’t care about it enough to see it through.  I did write about 500 words and had a basic story map but I just found myself detaching from it the more I tried to write it.  I realised at that point that I was not only wasting my own time, but I was also wasting the time of the competition judges if I submitted a thoughtless piece.  I didn’t want my challenge to end up making a mockery of the art of writing by throwing together any old rubbish just so I could tick the box to say I had done it.  That would have felt disrespectful to me and all of the other writers who had entered with heart.  I plan to post a list of the competitions I have entered on my blog when the challenge is complete. Once the competition deadlines and judging periods have passed I will also post each of my entries so that you can see what I have been up to.

 

DO YOU RECOMMEND SUBMITTING STORIES QUICKLY?

In this instance I do yes.  by submitting things quickly I have forced myself to focus, choose my words carefully and get straight to the heart of what my gut instinct tells me to write.  Once finished it is very easy to overanalyse and become too self-critical but there just hasn’t been the time.  I can already look back and see how I could have done better on some of the entries, but it doesn’t matter.  I did my best on the day, and win or lose, each entry has taught me something new.  However, I would recommend taking more time if I were submitting a novel to a publisher, as you only get one chance to impress and if your story is riddled with repetition, disjointed content and grammatical errors then you won’t stand a chance.  When you are so close to your story, often its only by reading it through several times over several days that those kind of errors emerge.

 

WHAT ADVICE WOULD YOU HAVE FOR SOMEONE WHO WANTS TO FOLLOW YOUR LEAD?

That depends on your motivation.  If you only want to be in it to win it, then forget it, but if you want to stretch yourself and grow as a writer then go for it!  It has been one of the most valuable learning experiences I could have had to develop my writing and I have felt so creative and inspired by it.  it’s really infectious, once you start immersing yourself in writing, the words just keep flowing and flowing.  I have actually turned into a bit of an insomniac at times because I haven’t been able to quiet my imagination long enough to go to sleep.

 

DID YOU HAVE MUCH SUPPORT? DID IT MATTER?

I have been very lucky to have the support of my husband and family and made sure I had their buy-in before I started. Having a large family with young children, their support did matter, as I knew there would be times when the housework would get neglected, or I would be unavailable because I was at the computer.  But I was only asking for 30 days, and I needed to do something for myself.  Whatever your family circumstances, a challenge like this inevitably takes you through lots of highs and lows so I think it helps to at least have a cheerleader who can keep you motivated on the bad days and maybe even critique your work if you trust them to be fair and honest.   The feedback I get on my blog has also been an incredible boost, people have been so kind and have made really encouraging comments on my work which has kept me going, particularly on the days when writers block and creative insecurities crept in!

 

WHAT’S NEXT?

I didn’t think about that at all when I started, and some of that will depend if anything comes from the competitions I have entered.  Regardless of results though, I do now have a plan that I could never have anticipated.  I am writing a collection of poetry!  I have written about 20 pieces so far with another 50 or so sketched out as titles – and yes, they are all brand new poems that I have written in addition to my competition entries! I hope to submit the collection to publishers over the next few months.

 

Thanks, Vanessa! Inspiring stuff! I’m ready for May now!!

 

Vanessa has worked as a freelance copy writer, food writer, and marketing consultant for approximately 15 years.  If you want to read along through the highs and lows of one author writing a story a day, check out the blog posts as they happened. You can read more about her writing journey at her blog: http://ordinarylifelessordinary.wordpress.com/

Reading A Story A Day…For A Year – An Interview

…Reading these short stories has made me realize that it’s a place I can go, a place I should go in my own fiction. …

Today I’m posting an interview with Jami, who blogs about her adventures reading a story a day in 2012 at Worth The Effort.

 

You’ll be seeing some of her posts here over the next few months, in the regular Tuesday Reading Room series. I highly recommend you visit/bookmark/subscribe to her blog. It’s a great resource and a fascinating look at the benefits of immersing yourself in the literature while continuing to write.

 

1. Why did you decide to read a story a day?

I wanted a goal, a realistic goal. Last year I committed myself to reading a novel a week but by year’s end I’d only read 41 novels [“only”?! – Ed.]. So, I wanted to do something different and my brother, who is a fantastic writer of short stories actually, encouraged me to read more short stories. Then it occurred to me that I really hadn’t balanced my reading and that shorter fiction would be a good change for me. That’s how it happened. I decided to set a goal, a short story a day for the entire year, blogging short reviews along the way.

2. How many have you read so far?

I’ve read 102 stories at this point as I’ve managed to keep up with my goal. I’ve read a short story a day for the entire year thus far.

3. Are you discovering a style you love?

Not really, or at least not as it relates to style. I do find that stories rich in tiny and interesting details keep my attention and make me want to read more. Other than that, I’m reading almost exclusively what might be categorized as literary fiction. Though I have a science fiction week planned for the month of June so we’ll see how my answer might change after that.

4. Are you trying to read outside that style anyway?

Yes, I’m always looking for new styles. Sometimes, the story I’m reading is heavy in dialogue. Other times, there is little to no dialogue but plenty of voice in the first person narrative. I like them all so long as the story itself is worth the read.

5. What patterns are emerging, as you read?

I’ve come across a lot of stories that deal with family and I find that interesting, particularly because in my own writing I’ve always shied away from those types of stories. Reading these short stories has made me realize that it’s a place I can go, a place I should go in my own fiction. And, it helps that the authors I’m reading do this very well. Judy Troy is a good example of this type of writer. I could read her stories as long as she writes them. She doesn’t bore me and I never find her writing flat. There are some though in this first 100 days that I was disappointed in and those stories consistently failed to draw me in from the start. A beginning is crucial.

6. Would you recommend other people try this? Why?

Absolutely. Reading a short story by a particular author is like getting to taste test a dish at a fine dining restaurant. Why spend the money on a pricey entree if the appetizer isn’t worth the cash you drop on it. A short story is a good foray into any writer’s longer fiction. Besides, short stories are easy to digest in quick bursts. A reader can make decisions for future reading based on these short stories. For me, that is a huge bonus.

7. What are your plans for the future?

I plan on continuing with reading a short story a day for the year 2012. I also plan to continue writing fiction daily, focusing my attention on developing and staying true to my own voice even if I am reading a different one every day. There’s also novel length fiction and I’m still reading my fair share of that as well. That won’t stop. I still plan on hitting around 25 novels this year. That’s the plan at least.

 

Thanks, Jami!

Check back in next Tuesday to read her first guest-post in the Reading Room.

Are you reading enough? Do you read short stories? Are you  reading them more as you prepare for StoryADay May?

The Do-It-Yourself MFA – An Interview With Gabriela Pereira

Gabriela Pereira is a former StoryADay participant and has spent the past month launching her DIY MFA 2.0, an intensive writing program, all online.

She took some time to tell me about the course and give some great advice for writers about to embark on a big writing jag (know anyone like that?)

She is also hosting a write-in on Sunday May 1. I highly recommend checking out her DIY-MFA site and Facebook page and following her on Twitter.

 

Tell me about DIY MFA 2.0
The idea behind DIY MFA is to simulate the experience of a Master of Fine Arts degree in Creative Writing without actually going to school.  DIY MFA has 4 main components: Reading, Writing, Workshops and Community.  The original DIY MFA (which took place in September 2010) covered these four topics at length.

DIY MFA 2.0 takes a different approach, focusing mostly on the “writing” part of the equation.  The idea in DIY MFA 2.0 is to spark new ideas and create a stash of ideas that writers can go to when they hit the wall or feel a creative drought coming on.  There are 4 ways that DIY MFA can help generate new ideas and those are through: character, story, mood and words.  Each week in April we focused on one of these areas and explored different writing exercises and techniques with that theme.  Ultimately, the goal is to develop methods and tools for generating ideas so that when you need lots of new ideas in a short period of time (like when you’re writing a Story A Day) you have a bunch of concepts already ready and waiting.

How do you make time for writing?
I don’t make time for writing.  I steal it.  I’m always on the lookout for hidden pockets of time when I can read or write because if I sit around waiting for a huge block of time to land in my lap, I know it will never happen.  I live in a city, so for me subways and buses are great places to sneak in some writing.  I love my Kindle because I can put a copy of my WIP on it and can edit on the go.  I also carry small notebook with me everywhere so that if I’m stuck waiting for an elevator or waiting on a subway platform, I can break out my notebook and jot down a few sentences.

Even with all this time-theft going on, I also try to carve out a few small chunks of time when I do writing “sprints.”  In DIY MFA, I’ve asked participants to do at least one sprint per week on Saturdays, but for me these sprints happen whenever I manage to steal a chunk of time long enough that I can call it honest-to-goodness solid writing time.  During these precious moments, I’ll practice some stealth writing, where I run to a coffee shop and hide out while I write.  Not only am I more efficient if I know I only have a short span of time to write, but the stealth aspect also makes it more exciting (like I’m doing something I shouldn’t… something naughty).

And don’t underestimate the power of the Pomodoro.  That adorable little tomato timer app that sits on my desktop has worked wonders for me.  If I know I only have 25 minutes to write, I won’t stop to check email or twitter or anything else, I’ll just write.  After I’ve finished a couple of rounds of Pomodoro, I’ll treat myself to a short spurt of internet fiddling.

What’s your best advice for someone who’s trying to make writing a priority (again)?
I’m a huge believer in baby steps and I’m not a fan of huge, unmanageable goals because they set writers up to fail.  Missing a goal can lead to feelings of “I can’t do this” or “I’m not good enough” which only leads to paralysis, writer’s block and loss of motivation.  Of course, lower motivation means the next set of goals becomes even more unmanageable so the cycle just continues.  The trick is to break the cycle of negativity and find ways of sparking the motivation when it starts slipping away.

For me, writing isn’t  about success vs. failure; it’s about doing.  If a writing challenge helps a writer motivate themselves and stay on track, fantastic!  But the important thing in my mind is that writers do the work, whether it means meeting a goal within a certain time frame or not.  That’s where I think Story-A-Day gets it right: because it’s not just about writing a story every day, it’s about bouncing back on the days when you can’t actually get a story done.  It’s about getting ideas down quickly, without judging.  It’s about writing it and moving on, leaving the tweaks and edits for some later point.

Ultimately, I think StADa and DIY MFA have similar goals: to help writers rekindle their love of writing and help them develop a sustainable, enriching writing life.

Thanks, Gabriela!

How It Feels To Be Published

StoryADay alumnus Mart Pelrine-Bacon shares her submission success story: how she worked on the story, how she found the market and how it feels to be published.

StoryADay May alumnus Marta Pelrine-Bacon shared some fabulous news yesterday: one of her StoryADay stories has been accepted for the May 2011 issue of Cabinet Des Fees, a journal of Fairy Tales (and a paying market, at that).

I got in touch to ask Marta to tell us about how she worked on the story, how she found the market and how it feels to have a submission accepted — hint: there was a lot of ‘all-caps’ on Twitter yesterday 😉

Cabinet Des Fees banner

What is the story & when did you write it?

The story is titled The Fear of Apples and I wrote it fairly early during Story-A-Day May.

Have you written others like it?

I thought writing a story a day would be easier if I had a overall idea–in this case, fairy tales. Every story that month was a modern fairy tale.

Did you do much revision after StoryaDay?

That particular story I went over about three times–though I did not make any major changes. Most of my edits were attempts to fix an awkward sentence or add (or delete!) a detail for the plot.

Hw did you find the market?

I found the market when I friend told me about Duotrope. I’ve always been intimidated by figuring out the marketplace, and duotrope made the process seem manageable.

How did you feel when you heard?

Shocked–because I’d gotten so many rejections for other stories. And I almost cried I was so happy, and then I danced into work and told everybody. I am not a cool character.

Are you submitting more stories now?

I will be. This has certainly spurred me to realize publication can happen and not to give up.

Thanks for sharing Marta!

Have you had success submitting any stories the past year? Drop me a line: julie at storyaday dot org or leave a link to your ‘bragging page’ in the comments. Everybody loves to hear how other writers ‘just like us’ are making things happen!


If this has inspired you to write more, or maybe sign up for Story A Day May, take a look at my free, downloadable workbook The Creative Writing Challenge Handbook – 31 Days to A Writer’s Life. It’ll help prepare you for this year’s challenge.


Write1Sub1 – A New Short Story Writing Challenge for 2011

This week I’m bringing you news of a great new short story writing challenge from StoryADay member, Simon Kewin.

Next year Simon and his friends Milo James Fowler and Stephen V. Ramey have pledged to Write1Sub1 – that’s Write One Story and Submit One Story every week of the year (actually, Simon’s taking Christmas off, but still…). You can submit to magazines, websites, or short story contests – anywhere that takes writing seriously.

And they’re not keeping this challenge to themselves: they’re inviting everyone to kick their writing career up a notch by joining in. At the end of this year of intensive writing, you certainly should have figured out how to write a short story, don’t you think?

Here’s an interview with Simon to tell you more. Links to more short story writer’s information are at the end.

What were your inspiration and your personal motivation for this challenge?

Ray Bradbury was our original inspiration. He is supposed to have completed and submitted a short story every week for a year while establishing himself.

The idea for Write1Sub1 materialised during a comment discussion on Milo’s blog and it took off from there. The point is obviously to help our own writing : to provide a focus and an incentive, a sense of community. We’re all keen short story writers and this seemed like a great way to motivate us to write more.

What are the ‘rules’?

The idea is to write a story and submit a story every week for 2011. It doesn’t have to be the same story as obviously it can take more than a week to polish a piece! Those taking part can define “story” as they like : it could be as short as a flash or nano piece for example. It could even be a poem. Whatever works for you.

Some people like the idea but have decided to Write1Sub1 on a monthly rather than a weekly basis, which is fine. Hopefully the challenge will still be a help to them.

How do people join in?

There’s the Write1Sub1 blog to follow and there’s also a Linky there to “sign up”. We plan to do a weekly check in post on a Sunday for everyone to share their experiences of the week. We’ll do a monthly one too for those doing it that way. There is also a Twitter hashtag people can follow #Write1Sub1 and there are banners on the blog folks can download.

Where will you submit?

Good question! The people who’ve signed up write a wide variety of different things, so I suppose we’ll all have our own target markets. But we’re putting together a page of useful resources on the blog for tracking down markets, and obviously, sharing our experiences on the blog should be a great help.

How will you stay motivated (esp when the inevitable rejections come in) ?

Hopefully being part of the Write1Sub1 community will be a big help here. It’s definitely a help to know others are going through the same experiences! And of course, the thought of receiving the end-of-year “winner” banner will be a huge incentive!


Thanks, Simon!

There are so many articles in the world already about ‘how to write a short story’,  but I’m a firm member of the ‘learn to write by writing’ school or thought. (And reading, of course!). This is one project I’m not going to be able to resist, although I’ll be signing up for the monthly version (there are banners for that too, at theWrite1Sub1 site).

It should ensure that I don’t get lazy and forget how to write a short story between now and May, when StoryADay starts up again!

Useful Links and Writers’ Markets

Write1Sub1 Rules

About the guys behind Write1Sub1

Market Listings from Write1Sub1

2010 Novel & Short Story Writer’s Market from Writer’s Digest (aff)

Writer’s Market listings from Writer’s Digest (subscription required. Free email newsletter)

Writers Weekly Market Listings (mostly non-fiction, but occasional fiction listings)

Writing In The Real World – Interview with Gabi

IggiandGabiStoryADay participant Gabi (and her alter ego Iggi), also known as Gabriela Pereira is a writer/teacher/entrepreneur living in New York City.  She has just graduated from an MFA Program in Creative Writing with a special focus on Writing for Children.  She writes middle grade and teen fiction, with the occasional short story for grown-ups thrown in for good measure.  She has several post-graduation schemes up her sleeve, many of which include a Do-It-Yourself MFA program.

Before you started StoryADay how would you have described your writing life?

I would say my writing life was pretty busy. I was in a full-time MFA program and my writing life was very school-centric. I was looking for something to break me out of the MFA mindset. Don’t get me wrong, the MFA was a great experience, but I saw graduation looming at the end of May and I knew I needed to shake things up or I was going to have major separation anxiety come summer.

What made you decide to do StoryADay?

I was in the middle of rewriting my thesis for the third time and I needed a break. I also needed something to propel me into life-post-MFA and StoryADay came at just the right time. I wanted to do a project that was outside of school and outside my thesis, to force me to write for myself and not for school (because that’s what post-MFA writing is all about, right?)

What did you expect to achieve? What did you actually achieve? What did you learn during the challenge?

I expected to write a whole story every day. It lasted only a week and then my thesis deadline reared its ugly head and I had to reorganize my priorities. But the great thing I realized in StoryADay is that I didn’t need school deadlines to make me write–I could motivate myself. And that lesson was probably the most valuable thing StoryADay could have taught me. This is why, even though I didn’t come close to winning the challenge, I still see this past May as a success.

How do you make time for writing?

I try not to think about it. If I think too much about writing before I actually start doing it, I tend to psych myself out. Instead I just start writing and before I know it, I’ve got a bunch of words on the page and it’s time to call it a day. Also, I find that writing “out” is much more productive. My little paper notebook doesn’t have all those pesky distractions like email and twitter and blogs. Ooh, and a little trick I’ve learned: I try to end each writing session at a cliff-hanger or in the middle of a sentence so that when I sit down the next time, I can jump right in and keep writing.

Why do you write? What keeps you motivated?

I write because if I don’t, I start missing my characters. Also, I write because I want to know what will happen next. I live for those surprise moments when the characters do something I wasn’t expecting, or those a-ha moments when some pieces of the puzzle finally come together. It’s that constant feeling of discovery that keeps me motivated.

What are your aspirations?

The realist in me has dreams of writing and teaching and being able to make a reasonable living.
The dreamer in me hopes that DIY MFA might someday take the writing world by storm.

Tell us about your DIY MFA project. It sounds fascinating.

DIY MFA stands for Do-It-Yourself MFA. The premise is that while MFAs are great for some writers, they aren’t necessarily feasible for many writers out there. Either because of logistics, or finances, or family/work responsibilities, many writers who want to do an MFA end up not doing one. The idea here is that since I did an MFA, I wanted to share what I learned and help interested writers put together their own individual writing plan. The DIY MFA method consists of 4 branches: Reading, Writing, Community and Critique, which I divided into “classes.” I posted weekly articles on my blog through the month of September, each day of the week representing a different DIY MFA class. Now in October, though the September extrabloganza is done, DIY MFA will continue in a more organic fashion. But never fear, all the DIY MFA posts and classes will still be there so writers who missed the September fun can catch up. For more information on DIY MFA, visit iggi U. We also have a DIY MFA twitter hash tag (#diymfa) and an online community: http://diymfa.spruz.com/

For more information about me and my many projects, check out my blog at: iggiandgabi.blogspot.com

You can also follow me on twitter: @iggiandgabi

Thanks, Gabi!


Becoming A “Real” Writer – Interview With Heather Muir

Heather MuirAnother inspiring interview, this time with Heather Muir, a StoryADay alumnus who made it to 31 stories and then went off to Writer’s Camp and is working on her YA novel now.

Heather says she used StoryADay to help her “make the transition from student writer to ‘Real’ writer”. Yay!

Before you started StoryADay how would you have described your writing life?

Very sporadic. Just before StoryADay started, I had graduated with a B.A. in English with a creative writing emphasis. I only wrote for deadlines in class and I occasionally wrote something on my pet project, a fantasy novel I started when I was 16 that has been reincarnated so many times I don’t know what it is anymore. I needed a challenge.

What made you decide to do StoryADay?

A few weeks before StoryADay started, I had been accepted into Orson Scott Card’s Literary Bootcamp that would start at the end of June. I knew I needed to pump up my writing muscles as much as I could before the camp and StoryADay seemed like the answer.

What did you expect to achieve? What did you actually achieve? What did you learn during the challenge?

By the time I had heard about StoryADay, May was only two days away. My goal was to write a story every day as well as come up with the story idea every day. I wanted to test my ability to come up with stories quickly and from anything and everything.

I did write a story every day. I wrote a total of 10,987 words. On a few days my stories were only a few sentences long. Some I look back on and say “What was I thinking?” Only a handful of the stories are worth keeping and working on. One of them has spawned into an idea for a middlegrade book that I am in love with. Another is going to be incorporated into the motivations of the evil queen in a retelling of a fairy tale I want to work on.

What I learned from the challenge was that I could write everyday. It was hard certainly. But it really helped me make the transition from student writer to “real” writer. I no longer had school to fall back on, giving me deadlines. StoryADay was a great way to get that deadline and prove to myself that I was a serious writer.

How do you make time for writing?

Making time for writing is easy when you don’t have a social life and you are a bit of an insomniac. 🙂 I work at a 24-hour pharmacy so I never have a consistent time to write. Usually I try to write in the time before or after work. It’s never more than an hour or two but it is enough to stay consistent.

Why do you write? What keeps you motivated?

I write because I love stories. I was the kid who loved read-a-thons and going to the library. I write because I have to. I have tried to stop. I tried to start pharmacy school, to upgrade from technician to pharmacist but I could not get the story ideas out of my head. They haunt me until I write them down. And I also learned I could never be a pharmacist because I would hate my job. I don’t even want to hate my job. I want to live the dream and create for a living.

As far as motivation, I keep in contact with other writers. I have a writing group. I attend local conferences. I listen to a great podcast, Writing Excuses. I read a lot of books and remember how much those stories mean to me, how they have changed who I am. Now it’s almost unthinkable to not write.

The desire to create is too strong to ignore.

What’s Next?

As I said, I attended OSC’s Literary Bootcamp and returned triumphant. I’m now working on a YA novel about ghosts that I started at the camp. I hope to have a full draft finished in the next 6-8 months (judging by my pace so far). I have two other novel ideas on the back burner (one of them that came from story a day) as my next projects when the current novel is being submitted.

I hope StoryADay continues to be a success. It was very helpful to me though I don’t think I’ll participate again, now that I’m working on larger projects. It is perfect for the writer who lacks the courage to write and needs that support. StoryADay helped me. I hope it helps others.

Thanks Heather!

[And one more thing: I’d love to interview you about your writing, no matter what stage you’re at or whether or not you’ve done one of these creative challenges, so leave me a comment below if you’d be willing to chat.]