Go Big (And) Go Home

This is it! You’ve made it!

This is the moment you’ve been waiting for. Today you’re going to take everything you’ve learned this month and write the story you’ve been waiting to write—the story you could not have written before today.

The prompt

Go big or go home

Tips

  • If you have written at all this month, you’;; have shaken loose some writing muscles, learned ways of creating time, making your writing a priority, and silencing your inner critic sot hat you can get that first draft written. Now, take all the lessons you learned about what you do best, stuff your inner critic and your inner editor into the sack, shove it under the bed, close the bedroom door, lock it, put on some earmuffs and write the story you want to write, today.
  • Go big. If you light dark stories, but think you’re too nice a person to really be writing dark…forget it. Go really dark.
  • If you discovered this month that you’ve a talent for being funny, go big today, be hilarious. Be outrageous. Write something so silly, so funny that you make yourself laugh.
  • If you’ve discovered a talent for romance, go gushy today. Target their heartstrings, make yourself cry, make yourself swoon. Don’t worry what anyone else will think. You never have to show the stories to anyone!
  • Maybe you discovered you’r good at writing things a little bit sexy. Go wild today. Say the things you never thought you could say. If you’re worried, handwrite it and then have a ceremonial burning. If you’re really shy, tell the story to yourself by whispering it, in the shower.
  • Go further than you ever thought you would. You can always dial it back and rewrite or use this memory as a yardstick for future writing when you know you’ve gone too far. But try to go too far today.
  • Today is all about joy. Make sure you are feeling the joy, and whatever you decide to write. It can be short, it can be long, it can be brilliant, it can be a mess. Just have fun.

Thank you so much for playing along this month

. I hope you learned a few things. I hope you’ve got the creative kick in the pants you were looking for. **Leave a comment and let us know what you wrote today, what you learned this month just how glad you are to be finished 🙂

And remember, keep writing!!

Haven’t joined the mailing list yet? today’s a perfect day to do it. We’ll be back here tomorrow with the SWAGr accountability group to declare our writing goals for the next month. Come back each following month to tell everybody how you got on. The accountability group is the most powerful way I’ve discovered to stay true to my writing. I hope you’ll join us.

I Hereby Grant You Permission To Write

In the middle of the 20th Century “Art” because professionalized, to the point where we felt we didn’t deserve to tell stories unless a New York publishing house was slapping it between hardcovers, or an overpriced university program anointed us “Writer, MFA”.

This was an aberration; a moment in history that did not exist before and does not exist now.

Humans have always sat around and told each other stories, without the benefit of editors or tutors or anyone giving us permission. We told stories to audiences, and we gauged their reaction in order to make our stories better next time.

The success of the “amateurs doing things on TV” genre (American Idol, The Voice, Dancing With The Stars) along with the boom in indie publishing, indie movie making, indie everything making, are signs that the artificial workshop of creative professionals is over. Humans are taking back control of our own creativity.

Are you?

Tell your stories. Show them to people. Make them better. Write new stories.
That’s all there is to it.

You have every right to write. In fact, print out this certificate and write your name on it.

Permission To Write Certificate Thumbnail

There. You have my permission to write.

Can you give yourself permission to write?

Want To Learn To Write More? Give Yourself Permission To Write

We all imagine a perfect time when the obstacles will fall away and Writing Will Happen. And We’re All Wrong…

Pencils

We all have reasons why we’re not writing.

  • We’re too busy.
  • We’re too tired.
  • We don’t have anything to say.
  • We’ve tried before and failed to finish.
  • We have to get these pencils lined up just right…

We all have reasons why we’re not writing right now:

  • We’ll do it after you’ve settled in to this new job.
  • We’ll do it at the weekend.
  • We’ll do it when the kids go to sleep.
  • We’ll do it when the sun comes out.
  • We’ll do it on a rainy day
  • We’ll do it when we retire.

We all imagine a perfect time when the obstacles will fall away and Writing Will Happen.

Except We’re All Wrong

In all of it.

Too Tired?

Maybe, but remember how invigorated you felt last time you got into that flow state while writing, and the time just flew away? Continue reading “Want To Learn To Write More? Give Yourself Permission To Write”

How To Become A Highly Successful Writer

Dancing

There’s a scene towards the end of the movie WALL-E when the captain of the only remaining human ark-in-space realizes it’s time to go home to Earth. They’ve been away for generations. By any reasonable measure, he’s been successful. His ship is still flying. His people are still alive and procreating. Everything is running smoothly.

But, in his research, the captain falls down  a hyperlinked-rabbit-hole of cultural practices that humanity has simply forgotten.

“Computer,” he says, prompted by the previous entry. “Define: dancing.”

Imagine an existence where we’ve forgotten about dancing! Would you consider that kind of existence ‘successful’?

DEFINE: SUCCESS

Continue reading “How To Become A Highly Successful Writer”

I’ll Write Any Damned Thing I Want, Thank You Very Much

This tweet and the article it links to got me all riled up on Sunday[1. With all due respect to Colleen Lindsay who is an extremely generous tweeter and knowledgeable publishing person who you should totally be following.And I do sympathise with her points, from her perspective.]

Now the thread goes on to make some valid points, from the point of view of a publishing insider. The article she links to however, gets my hackles right up and I call for a rallying cry of:

“Yah boo sucks to you! I’ll write any damned thing I want”

And so should you!

The Problem With New York[2. Not the whole city, obviously. Just the centralized publishing industry part of it]

The publishing machine exists for a reason (to help authors distribute their work to the masses). For some authors that still works just fine.

For the vast majority of writers, however, the publishing machine is broken. They don’t have a big audience, so they don’t fit the economic model.

The problem comes when publishing insiders forget that the limitations of their system are exactly that: economic.

If something is deemed ‘unpublishable’ it does not mean that,

  • That people aren’t interested in it,
  • That it’s bad,
  • That you shouldn’t write it

It might mean that,

  • Not enough people are interested in it to justify a huge print run, distribution deals and a massive marketing campaign.
  • You won’t sell very many copies. (Although you may. You never know.)
  • It will be intensely interesting to a tiny number of people, who are easily identifiable because they a, live in the place you’re writing about or b, join associations of other-people-who-do-similar-pastimes, etc.

The Soul-Eaters

My problem with “Oo, the peons shouldn’t write their stories” articles [3. Apart from the short-sightedness, a lack of awareness of subaltern studies school of historical research and the insufferably smug arrogance, obviously]  is that they are destructive to the very soul of humanity.

I’m not exaggerating here.

We are a story-telling people. It’s how we make sense of our lives and our world. It’s what separates us from the brute beasts. It is an essential part of our nature.

  • Think about the friend who makes you laugh the most. What is she doing? Telling stories — stories with pacing and suspense and great twists.
  • Think about the most boring person you know. What does she do? Tell stories — terrible, unending, pointless, rambling stories.

Sometimes we make up stories about our origins and pass them on to our progeny. Sometimes we write beautiful epics that explain the human condition. Sometimes we unwittingly preserve a way of life that is destined to die out and be forgotten, except for our stories about it.

What does it do when some arbitrary gatekeeper says, “No, the story of your life growing up in Hicksville with a quirky family isn’t important enough to be published. Don’t even waste your time writing it down.”?

What arrogance! What utter idiocy!

Take Back Your Stories

We’ve been trained by a couple of generations of TV, music labels, and yes, publishers, to believe that we little people aren’t qualified to tell stories, make music or entertain our friends.

  • Homer [4. or the composite historical phenomenon that has come to us in the stories handed down] kept people spell-bound around the fire with tales of Ulysses and his epic journey.
  • Jane Austen catalogued a lifestyle long since extinct but nonetheless fascinating to us all these years later.
  • My grandparents hosted get-togethers where my grandmother played the piano for sing-a-longs, my grandfather told uproarious lies and everyone had a great time.

What do we do? We watch pre-packaged, fake ‘reality’; we listen only to homogenous music on stations that only play one style of music, and we read only the stories that an intellectual elite has chosen for the universality of their appeal.

There’s Room For Everyone At The Digital Inn

There is nothing wrong with best-sellers, nothing at all. I love me some pulpy paperback mystery and sci-fi, and I read the big ‘literary’ hits whenever I can stomach them.

The problem I have with the top-down model of publishing (whether books or music or art) is that it stifles the creative lives of ordinary, gloriously creative people. Because that’s what we are, us humans. Endlessly creative and passionate and social animals.

Luckily, we live in a great age for do-it-yourself distribution of creative products, whether stories, music or video.

No, not everything that people put out into the world is my cup of tea.

Yes, there is a lot more dross to sort through these days.

But it’s also a lot more likely than ever before that I’m going to find something fascinating to read, on a topic of my choosing, by asking around online and getting recommendations from people with similar tastes.

And One Final, Not-Insignificant Point

This flowering of creativity and distribution is going to be an absolute gold mine for anthropologists in the future.

As someone with an MA in History, I am incredibly excited about the breadth of primary sources we are leaving to future historians[5. Part of my Masters’ research was on the travel journals of explorers to the New World in the 1500s. Some of my other research invoved the shopping lists of Ventian guilds and what they could tell us about what was going on in the city and the world at the time. I’m betting the people who wrote those documents never imagined they’d be considered important by scholars 400 years into the future] Imagine if everyone in the Bronze Age had had a handy, dry cave wall where they could have documented their daily deeds. How much more would we know about our ancestors than we do now from a few scratchings in Lascaux and the occasional stomach-pumping of a frozen ice-mummy?

So go. Write your memoirs. Make them as detailed as you like. Make them as vivid as you can. And don’t listen to anyone who tells you it’s all been said before. Because it hasn’t.

Not by  you.

And your story deserves to be written.