To engage with your audience there’s no tool quite like an author website. Even if your social media presence is strong, it pays to have your own home on the web, and this week Nancy Fields of Fields Graphic Design is here to talk us through everything from how to set up a site, to what to put on each page.
Last week’s prompt encouraged you to describe everything in terms of smell. It was tough, wasn’t it? But I’ll bet you discovered some things about your go-to style of description and how you could branch out a little.
This week is, I think, a little easier, focusing as it does on sound. It’s a sense that we often see represented on the page, but I’m going to encourage you to move beyond cliches like ‘rolling thunder’ and ‘the squeal of tires on asphalt’.
Your protagonist is hiding from someone. The stakes are high. They must not be discovered.
One of the most common (and most overlooked) pieces of writing advice is to use the five senses.
This month I’m going to use the five weekly writing prompts to encourage you to get more sensory detail into your writing by focusing on one sense per week.
Write a story in which a non-assertive character is stuck in a situation with other people who know less than they do and keep proposing the wrong solution to a problem. Make as many of your descriptions and metaphors smell-based as possible.
I know, people feel really strongly about whether or not to outline, but today—whether you’re a planer or not– I’m going to encourage you to think of your writing session as a road trip.
Road trips are fun, but usually we have a destination in mind. When, in the middle, with whoever is in the backseat complaining, and the last of the sandwiches eaten, it helps to know the answer to the question “are we nearly there yet?”
Traditional, western narrative stories have a structure, and here is a model for that.
Using the framework to brainstorm your story will help you both get to the end and, just when you’re getting sick of the story, figure out if you are indeed ‘nearly there yet’.
In keeping with this month’s theme of Achieving Wins and Celebrating, limit yourself to 1000 words for this story and just get it done.
Write a story that starts at the end. The story must include a flower.
I’ve given you the restriction of including a flower, because when we have too much freedom it is paralyzing. I bet as soon as I said ‘flower’ your mind starting turning over how it could get a flower into a story.
Starting at the end is a fun way to tell a story. It’s a fun for the reader, as they try to unpick the puzzle of how your character ended up *here*. It’s good for the writer because we aren’t tempted to write a story-with-no-point. We know it’s going somewhere and we have to figure out how to get there!
All our stories should be about something, should hvae a point, should make the reader say ‘ah, yes, I must keep reading to find out why…”. Often, in the process of writing our ideas, we forget this, or get lost in the details. Telling a story in reverse (or at least starting at the end and jumping back in time) is a great exercise to cure us of this.
Brainstorm some ways your story could start that would intrigue a reader. Is your character standing on the roof of a building looking over the edge? Are they running? Are the police leading them away? Are they laughing gleefully as someone plunges a knife through their heart? (Yes, more Star Trek references! Bonus points if you can identify the episode.)
Leave a comment to let us know what you wrote about today, and how it went!
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.