Day 27- Last Will by Michele. E. Reisinger

Today’s prompt from Brenda Rech gives you a chance to stretch your imagination

The Prompt

A lawyer I know once told me there are only two kinds of people in this world: Those who think the pre-deceased should decide how to disperse their life’s work and those who think themselves entitled to it.

Write a story told as a LAST WILL AND TESTAMENT.

You can be silly or serious, realistic or really weird.

Which of the two kinds of people is your protagonist?

Which is their beneficiary? Is there a third kind of person?

What message may your protagonist be trying to send, and do the beneficiaries agree?

Consider your time period and genre, as well as the bequests. Are they sentimental, practical, or fantastical?

The gold pocket watch in 1886 could be a family heirloom, but in 6881 a portal between universes. What if the watch were BOTH those things, regardless of space and time?

Play around with the topic.

Maybe instead of writing the document, you write the story of the passed-down object or one of the beneficiaries.

Maybe you write about the ugly vase or the empty booze bottle, around whose necks cryptic notes are strung.

Maybe you focus on the relative who expected everything and received nothing. Or the lawyer, maybe, duped by the pre-deceased into unscrupulous behavior.

Whatever you decide, your story needn’t be macabre or gloomy. It can be, of course, but it can also be playful.

It can be joyous.

Michele E. Reisinger

Michele is a writer and StoryADay Superstar living in Bucks County, PA, with her family and never enough books. Her short fiction has appeared in Across the Margin, Stories That Need to be Told, Sunspot Literary Journal, Dreamers Creative Writing, and others. Find her online at mereisinger.com.

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27

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Day 23- A Catalogue of Complaints by Julie Duffy

Settings are important in today’s prompt

Write a list of complaints. Focus on the voice of your character, and what the particular complaints tell the reader about that character.

Things To Consider

You can write this as an exaggerated version of yourself and your own complaints about the world—but be wary of doing this if you are not blessed with a strong sense of the ridiculous, or if you’re feeling particularly dark about the world right now. The point of this exercise is NOT to validate your complaints, but to communicate to a reader certain human commonalities.

Start with a character and think about what stage of life they are in, what their hopes are, what their experience of life might have been. Try to write the list the way they would, with an eye to providing context clues for a reader.

You might model your character on someone in public life who frustrates you, inspires you, or confuses you. What would a fabulously wealthy heiress have to complain about (it won’t be nothing). How do those complaints reflect on her? What would an admired philanthropist still grouse about, privately? How would that change a reader’s perspective from the start to the end of the story?

Use the title to tell us whose list of complaints we’re reading (for example, it might read like an advice article in a glossy magazine: World Champion Ice Dancer Melody Swope shares Fourteen Things to Prepare Your PreTeen Ice Queen For When They Go Pro; or How Famed Naturalist Sir Danny Arbuckle Packs For A Trip To The Wilderness, A List of Grievances by Olivia Snyder, Aged 12 1/4).

Write the list as if your character wrote it for their eyes only, because you want to get to the honest parts of the character, the parts they wouldn’t necessarily air on purpose.

Remember to provide a sense of discovery for the reader–they will be searching for meaning, so take them on a journey.

It doesn’t have to be a list of complaints, but do try to pick something that allows you to dig into a particular character and take the reader on a journey.

Be brave. Leave lots of gaps. See what happens.

Julie Duffy

Julie is the creator of StoryADay May. She tries not to complain too much. If you’d like to receive writing lessons and prompts from Julie throughout the year, consider signing up for the StoryAWeek newsletter.

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23

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Day 21- Chat to the Future by Julie Duffy

Your character writes a letter to their future self, in today’s StoryADay writing prompt

The Prompt

Sometimes when we are writing characters we forget how much they change, not just in the course of our stories, but in the course of their (fictional) lives.

Today, go back to last week’s story (What If by Leslie Stack) and imagine your character at the moment before everything started to go wrong, before the thing they regret and wished they could fix.

Have that younger version of your character write a letter to their future self, 10 years hence. (Your character might do this because they are given an exercise in a writing class, a leadership seminar, or it could be inspired by hitting a life milestone, a birthday or graduation, or even by reading an article like this.

What do they hope for their future self? What can you include (knowing what you know, from that earlier story) that will be bittersweet or amusing or ironic? What do they expect their life to be in 10 years?

And just to keep things interesting, like Wilfred in that link above, keep the letter to 280 words.

Julie Duffy

Julie Duffy is the founder & director of StoryADay. She writes stories and used to be famed among her far-flung friends, for writing epic letters. If you’d like to receive electronic letters from her, on the topic of writing, make sure you’re signed up at StoryADay!

day 21 bingo

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Day 20- Down The Rabbit Hole by Gabrielle Johansen

Write a ‘hermit crab’ story, a story written in the form of someone’s browser history

The Prompt

Tell a story using someone’s browser history. It could be nothing more than a list of sites visited, or perhaps there are a few narrative interludes, but the main goal should be to tell the bulk of the story with the trail of virtual breadcrumbs.

Gabrielle Johansen

Gabrielle Johansen is a fantasy writer from the south, who has gone down many a rabbit hole herself.

day 20 bingo
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Day 19- Recipe for Magic by Carey Shannon

Write a story as a recipe

The Prompt

Create a recipe for a magic potion or elixir using the same format as a cookbook.

You can provide ingredients like fire or the screams of banshees.

Click here for a list of magical elements that may provide some inspiration. T

his could also be a good recipe for a great memory or dream or the perfect evening.

Carey Shannon

Carey Shannon loves to write about humorous connections between items and subjects in life that may appear to be completely unrelated. A feat that is easy for an Elvis super fan and frequent blood donor. She has been a member of the Story A Day community since 2020 and now hopes to provide some inspiration quirkiness to other writers.

day 19 bingo
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Day 18 – Overheard and Understood by Julie Duffy

today’s writing prompt invites you to write a short story in an unusual format: an overheard conversation

The Prompt

Write a one-sided conversation.

Tips

Imagine a character listening to one side of a Zoom call.

The person on the call is using headphones, so your character can only hear their words, not the responses.

Imagine a conflict for your two characters (it could be a parent and child, a romantic couple, roommates): Living together has certain stresses and we all need things from the folks we live with. Being in close confines causes conflicts every day, that build over time.

Your character has a problem with the person they live with. Maybe they want more of their time and attention. Maybe they want to leave. Maybe they just want to have a discussion about values.

How could the one-sided conversation they overhear illustrate (or solve, or illuminate the problem?

You could write this in sections – the first section is your character thinking about the problem, or rehearsing what they’re going to say to their housemate.

The second section could be the conversation they overhear. You can include your character’s internal (and external) reactions to what they here, or just leave that section as a block of monologue.

The third section might be showing your character’s actions in the wake of the understanding they have gained from eavesdropping on the conversation.

Don’t forget to include physical senses in some of the story. Where is your person standing? What does the room feel like? What can they smell? What else can they hear (are the floorboards creaking underfoot, as they try to conceal their presence? Or are they tapping on the door and being ignored/unheard? Are they sipping on a coffee or a cocktail? How does it taste?

Julie Duffy

Julie is the host of StoryADay and has been on more than her fair share of Zoom calls even before, you know, 2020. Julie often speaks to writers groups and business groups about creativity, writing, and the art of productivity. If you’d like her to speak to your group, you can find out more here

day 18 bingo
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P. S. Over on the Fun-Size Challenge I’ve invited people to submit a story for a chance of getting feedback from me on a live call next week. You are also invited to the party. Get all the details.