Write On Wednesday – After The Happily Ever After

How many times have you made a change in your life, only to backslide? Do you ever wonder will happen to a story’s character after the credits have rolled?
Happily Ever After show at Magic Kingdom

The story is over when the character has mastered the challenge. But the story, for your character, is not really over. They live their life, in the shadow of everything that came before.

The Prompt

Write the story of a character’s NEXT struggle, after the ‘happily ever after’

Tips

  • You could take a character from someone else’s stories, or from a folk tale (write a sequel to Cinderella or Gone Girl)
  • You could write the sequel to a story you’ve written in the past
  • Questions to ask yourself: what did the character have to overcome to succeed in the original story? What did they desire? How did they suddenly become sure they could win? What has changed, since then? Are they struggling with the same thing, in a new setting? Are they struggling with new issues, as a results of the original win?
  • For example: Cinderella was struggling against her step-family, who wanted her to fail. What will life be like for her in the castle? Her new husband presumably wants her to succeed at being Queen. Does she have what it takes? Does everyone in the castle want her to succeed? Is there a big event coming up that she must host? What lessons can she take from her first challenge into this new one? Is she battling feelings of insecurity as well as outside forces?
  • In my story The Girl Who Circumnavigated The Globe In An Act Of Her Own Making, my main character’s desire is to communicate; to present herself to the world on her own terms. Within the scope of that one story, she does it. She feels good at the end of the story. She has a plan. But what about when she next goes back to Earth? Will she see her ‘victory’ as something fanciful and worthless? How will she deal with the frustration of being prejudged by everyone all the time, again? I could write that story today.

Go!

Write on Wednesday – Unexpected

I’m sitting in Manhattan, about to go to see “Hamilton”. (squeeeee!) I just realized I hadn’t written a prompt for this week so here’s my birthday-treat-inspired prompt:

Write a story we might know (e.g. The story of a Foudning Father) but in an utterly unexpected style (e.g. A hip hop musical about the First Secretary of the Treasury…)

Settings – A Writing Prompt from Josh Barkan

Writing exercise: (20 minutes)

Choose a place that you know well, which you have strong feelings about. Describe that place, first when you are in a happy mood. (10 minutes) Then describe the place when you are in a sad mood. (10 minutes)

What difference did you note?

Writing exercise: (30 minutes)

What is described in a particular setting often depends upon the point of view of the story. Describe a real park you have visited, first in the first person point of view through the eyes of a young man or young woman in love (15 minutes), and then through the eyes of an old widow or widower (15 minutes).

What differences in setting did you notice, even though it was the same park?

 

Tips:

The purpose of these exercises is to realize that setting is never neutral. Setting descriptions are subjective. So your setting should always evoke a mood. Think of your setting as another character. The setting should help us feel the mood of the scene you are describing. If there is conflict in the scene, then the setting should be described harshly, in a way that evokes the harshness of the moment. If the scene is a warm scene, with love, then the setting should reveal that warmth.

 

About Josh Barkan

Josh Barkan is the author of MEXICO. Josh Barkan has won the Lightship International Short Story Prize and been a finalist for the Grace Paley Prize for Short Fiction, the Paterson Fiction Prize, and the Juniper Prize for Fiction. He is the recipient of a fellowship from the National Endowment for the Arts, and his writing has appeared in Esquire. He earned his MFA from the Iowa Writers’ Workshop and has taught writing at Harvard, Boston University, and New York University. With his wife, a painter from Mexico, he divides his time between Mexico City and Roanoke, Virginia. For writing advice from Barkan and other top-notch short story writers, download Signature’s Compact Guide to Short Story Writing.

 

Write About A Writer – a writing prompt for 31 May, 2017

You’ve made it! You’ve written stories all month long — whether you’ve written every day, or on and off throughout the month — I congratulate you!

Make sure to come back tomorrow for three things

  • The June Serious Writers’ Accountability Group — make your commitment to your writing for next month
  • Details about StoryFest — your chance to get your favorite story featured on the front page of StoryADay.org
  • The mini-critique group I’m running next week, to help you whip your stories into shape in time for StoryFest.

But before all that: one more story to go:

The Prompt

Write A Story About A Writer

Tips

  • Feel free to take out your aggressions on me! Feature a writer who turns on their teacher/mentor/professor!
  • Channel Stephen King’s “Misery” and feature a stalker.
  • Take the reader through all the goys and perils of the writing journey
  • Or use the conceit of a writer character to do something that couldn’t really happen in real life.

And after you’re done, write a blog post or a journal entry capturing all you’ve learned about yourself as a writer this month. Resolve to build on your strengths. Keep what you write somewhere safe, so that next time you have a big writing push coming up, you can benefit from all these lessons!

If you share your post online, be sure to send me a link (in the comments below or by email) or tag me on social media!

And don’t forget, StoryFest is coming, June 10-11!

Thank you all for playing along this month. Without you, I wouldn’t be doing any of this.

Keep writing!

Hansel & Gretel – A Writing Prompt for May 30, 2017

Today I wrap up the story structure series with a bang.

The Prompt

Write a Hansel & Gretel Structured Story

Tips

  • The Life-Changing Moment in this story structure, comes at the start.
  • The Life-Changing Moment may have happened ‘off-stage’ before the story starts (imagine the story of Hansel and Gretel where the kids are already alone in the woods. That would work, right?)
  • Remember to focus on what your character would never, ever choose to do, and how the circumstances are forcing them to face that (for example, Hansel and Gretel would never disobey/mistrust the adults in their life, but life is giving them a pretty clear directive to do just that).
  • This story starts with a big moment, and then throw complications at your character. Once you’ve told us enough about the character for us to figure out how they’re going to survive, you can end the story.
  • If you’d like to read more about this story structure, check out this post.

Don’t forget to post in the community or leave a comment to tell us how you got on today.

The Ugly Duckling – a writing prompt for May 29

Today we continue looking at story structure: this time, with what I call the Ugly Duckling Structure.

The Prompt

Watch the video and write an Ugly Duckling story

Tips

The ‘life-changing moment’ comes in the middle of this story

Balance out every challenge from before that moment, with a similar, but different moment afterwards. Show us how the character (or their circumstances) have changed now.

This story might have to be longer than a Cinderella-type story. Sketch it out, if you don’t have time to do it justice today.

Read this post, which talks more about the Ugly Duckling structure.

Don’t forget to leave a comment or post in the community and tell us how you’re getting on. What have you learned this month, so far?

A Cinderella Story – a writing prompt for May 28, 2017

Today’s prompt is part of a workshop that I give on story structure. (If you’d like me to talk to your group, ask!)

On the go? Listen to this as a podcast.

The Prompt

Write A Story With A Cinderella Story

A Cinderella Story Structure

Cinderella Story Structure

In the story of Cinderella our heroine wants to find happiness. She tries and fails and tries and fails. A lot.

  • She tries to find it by being nice to her sisters and stepmother, but they just treat her terribly.
  • She tries to find it by going to the ball, but she’s not allowed to go.
  • She tries to find it from her fairy godmother. This one almost works, but there are time limits and she fails. When the love-struck prince can’t find her, all is lost.

Eventually, the life-changing moment comes at the end of the story when the prince finds her and Cinderella gets to choose her happy ending.

(In most versions she says yes and marries the prince; in every version, this choice is the first time Cinders has had any power. This is when her life changes.

So, this is where the story ends because the character’s story arc is over: She has her chance to reach her goal, at long last.

(If you want more information, check out this post.)

Non-Traditional Love Story – a writing prompt for May 27, 2017

The Prompt

Write A Non-Traditional Love Story

Tips

  • You could use non-traditional partners for your love story (it doesn’t have to be romantic love; and if it is, it doesn’t have to be between straight, white people).
  • The way you tell the story could be non-traditional (it could be told in a non-narrative form).
  • Here’s my review of The Sentry Branch Predictor Spec by John Chu (with links to the story).

Letters – a writing prompt for May 26, 2017

Today I throw you one of my favorite prompts, because I love reading these kinds of stories.

The Prompt

Write a story in the form of a series of letters

Tips

  • The ‘letters’ can be anything really: letters, journal entries, found documents, Tweets, Facebook updates…
  • The letters can come from only one person — in which case we hear only one side of the story.
  • The letters might come from various sources and in various time periods.
  • You might mix letters with documentary evidence (school report cards, obituaries clipped from a newspaper, a termination document from an employer).
  • Your writing might be in the form of a ‘gospel’ for a new religious or political cult.
  • This might grow to be a bigger project than you can handle in one day…

Prose Sonnet – A writing prompt for May 25, 2017

Today’s prompt sticks with this week’s theme of pushing the form of the short story away from the idea of it as a ‘mini novel’.

Short stories are incredibly versatile and short story readers are willing to work for their thrills. Let’s get to it:

The Prompt

Write a prose sonnet: a story 14 sentences long

Tips

  • Of course, our prose sonnets aren’t going to rhyme or be in any particular rhythm (although you can shoot for that if you like).
  • You can draw inspiration from traditional sonnet forms. For example, it could follow the structure of a Petrarchan sonnet which presents an argument or observation in the first 8 lines (sentences, in this case), then a  turn in the next line. Then you can spend the rest of the story ‘answering’ the question/observation/argument of the start.
  • You could model your story on a Shakespearean sonnet: three groups of four related sentences, and a final two-sentence ending that perhaps turns the story upside down OR reinforces its message.
  • You could go from the specific to the general and end with a universal truth, or set the story up the other way around.
  • One powerful image might be all you need in a story this length: a grandparent with their grandchild, feeding the ducks, for example. Placed at either end of your story (or in the middle), this image might allow you to illustrate a theme on relatable, specific and still universal levels.
  • You could also write a sonnet ‘sequence’, if your story demands more room. That would mean you write groups of ‘scenes’ in 14 sentences each until your story is finished.
  • For more on the form, read this.

 

Hidden Messages – a writing prompt for May 24, 2017

Today’s prompt was, er, prompted by a brief literary feud that flared up recently.

A TV critic took issue with the latest episodes of the BBC’s Sherlock, complaining that our hero was more James Bond than Conan Doyle’s Holmes. The episode’s writer wrote a response in verse, then the critic wrote back with his own poem. BUT, in the last couple of lines of the poem, he pointed out that he had embedded a hidden message in his words (the second letter of the first word of every line spelled it out).

I was so tickled that I’m stealing the idea (which he stole from Conan Doyle, so I don’t feel bad).

The Prompt

Write a story with a hidden message

Tips

  • You could make the first letter of every sentence spell out a message.
  • You could make the first/second/third/last word of every sentence add up to a secret message.
  • You should probably start by writing out your secret message and then figuring out the rest of the words in your story, so it fits!
  • This will force you to break all the normal rules of your process of storytelling. Don’t be afraid. Be bold. At the very least you’ll learn something about your process!

Go!

The List – a writing prompt for May 23, 2017

The Prompt

Write a story in the form of a list

Tips

  • You could write
    • a ‘to do’ list,
    • a list of grievances addressed to your character’s boss/children/spouse;
    • a shopping list;
    • a McSweeney’s style list;
    • a list of steps you are advising someone to take,
    • any other type of list you like.
  • The title is hugely important. You might need to write it last. It should perhaps have a double meaning: it might mean one thing to the reader before they read the story and yet peel away a layer once the story is in their brains.
  • Don’t be afraid to let the reader work. Leave things out. Imply much, explain little.
  • Don’t feel the need to wrap this up neatly. Jennifer Egan doesn’t.
  • The twist in this kind of tale, comes because the form betrays the meaning: a list is a utilitarian, ephemeral thing. The more important/dramatic the issue your character takes on in the list, the more impact the story will have (this can be dramatic, funny, ridiculous, dark, or anything else!)

Go!

A Refusal – a writing prompt

Continuing our week of prompts aimed at creating rich backstory for novelists and short story writers alike, today we create an alternate story for your protagonist.

The Prompt

There is a moment in every story where a protagonist has to make a choice: to take up the challenge of the story or to turn away. Everything else flows from that.

Today, write a story in which your protagonist makes the other choice. 

Tips

  • This will, of course, result in a shorter story than otherwise.
  • It will still have fallout. (Think: It’s A Wonderful Life, Sliding Doors etc.)
  • Examine that fallout in a story.

Don’t forget to leave a comment, or do your Victory Dance in the community.

Turning Point – A writing prompt for novelists

This week I’m focusing on prompts that novelists can use. If you’re  novelist, I don’t want you to feel like you’re wasting your time here at StoryADay May. While short story writers can easily use these prompts, too, you novelists will find much in them that enriches your work-in-progress.

Let’s dive in:

The Prompt

Write a story that investigates a turning point in your protagonist’s past.

Tips

  • Every interesting character has an internal struggle fighting with (or complementing) the external struggle of the plot. It usually stems from a character flaw/defect/protection mechanism they’ve been building for years. Use this prompt to write a story that captures the beginning of that character development.
  • If you don’t have a novel or work in progress, investigate a character from an earlier story you’ve written (or one you hope to write).

Lisa Cron’s Story Genius (referenced in the video) can be found here or requested through your local indie bookstore.

Second Look – A writing prompt from Julie Duffy

Today I encourage you to take a second look at a story you’ve written before.

The Prompt

Take a story you’ve written before and write it again from a different point of view.

Tips

You can rewrite the events of the story, as viewed by someone else.

You could choose to use the original story as a jumping-off point, that simply informs your knowledge of this formerly-secondary character.

Feel free to write the story in a completely different form (if the first one was a series of letters, you could write this one in a more narrative form.