Day 25 | Selective Memory by John Wiswell

The Prompt

The one thing this house remembers


John Wiswell

John Wiswell is a disabled writer who lives where New York keeps all its trees. He won the 2021 Nebula Award for Short Fiction for his story, “Open House on Haunted Hill,” and the 2022 Locus Award for Best Novelette for “That Story Isn’t The Story.” He has also been a finalist for the Hugo Award, British Fantasy Award, and World Fantasy Award. He is the author of Someone You Can Build a Nest In, a Year’s Best pick by NPR and The Washington Post, and Wearing the Lion, and he can be found making too many puns and discussing craft on his newsletter, johnwiswell.substack.com.

Now out: the paperback edition of SOMEONE YOU CAN BUILD A NEST IN and you can pre-order his new release (coming in June 2025) now: WEARING THE LION

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25

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Day 24 | Surrealist Fiction by Julia Elliott

The Prompt

In Second Manifesto of Surrealism (1929), Andre Breton called for “the profound, the veritable occultation of Surrealism.”

Of the Surrealist painters and writers who dove whole hog into arcane imagery, my favorites include Leonora Carrington, Remedios Varo, Max Ernst, and Leonor Fini.

Choose a single Surrealist painting and do some fun, casual research to decipher its symbolism and “occult” elements. If you need help finding a painting, check out the list below.

After developing a personal interpretation of the work, write a short piece of surreal fiction about the character(s) and situation(s) in the painting.

If there are multiple characters, you might choose one to narrate the story (in first-person or third-person limited point of view) or use an omniscient perspective to jump around among the characters.

Instead of attempting to make a logical narrative that rationalizes the surreal situation, revel in the painting’s odd elements and tell a strange tale inspired by the imagery.

Recommended Paintings

Leonora Carrington:
Self-Portrait, Inn of the Dawn Horse, 1937-38
Queen of the Mandrills, 1959
The Giantess (The Guardian of the Egg), 1947
The House Opposite, 1945
Darvault, 1950
Friday the Thirteenth, 1965
Bird Bath, 1974
Sissygy, 1957


Max Ernst:
Attirement of the Bride, 1940
Napoleon in the Wilderness, 1941
Men Shall Know Nothing of This, 1923
The Antipope, 1941-42
Europe After the Rain II, 1940-1942


Leonor Fini:
The Shepherdess of the Sphinxes, 1941
Chthonian Divinity Watching over the Sleep of a Young Man, 1946
The Botany Lesson, 1974
Two Women, 1939
Donna del Lago or Le Bout du monde II, 1953


Remedios Varo:
The Call, 1961
Witch Going to the Sabbath, 1957
Creation of the Birds, 1957
Celestial Pablum, 1958
Woman Leaving the Psychoanalyst, 1960
Vegetarian Vampires, 1962


Julia Elliott

Julia Elliott’s Hellions was published in April 2025. She is also the author of the story collection The Wilds, a New York Times Book Review Editors’ Choice, and the novel The New and Improved Romie Futch (both from Tin House). Her work has appeared in The Georgia Review, Tin House, Conjunctions, Granta (online), and the New York Times. She has won a Rona Jaffe Writers’ Award, and her stories have been anthologized in Best American Short Stories and Pushcart Prize: Best of the Small Presses. She teaches English and Women’s and Gender Studies at the University of South Carolina and lives in Columbia with her husband, daughter, and five hens. Her new story collection Hellions came out in April 2025.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

Remember: I don’t recommend posting your story in the comments here (and I talk more about why not, here). Best practice: Leave us a comment about how it went, or share your favorite line from your story.

24

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Day 23 | A Pointed Discoveryby Rachel Bolton

The Prompt

When she picked up the knife, she discovered the blade was still sharp.


Rachel Bolton

Rachel Bolton is a Bram Stoker Award Nominated writer. Her work has appeared in Apex Magazine, Women Write About Comics, Strange Girls, and more. She lives with her cat in Massachusetts. You can follow her on Bluesky @raebolt.bsky.social and find out more at her website:

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

Remember: I don’t recommend posting your story in the comments here (and I talk more about why not, here). Best practice: Leave us a comment about how it went, or share your favorite line from your story.

23

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Day 22 | Cherry Red by Angela Sylvaine

The Prompt

A teenager is eating a cherry snow cone, their lips are stained red.


Angela Sylvaine

Angela Sylvaine is a Bram Stoker Award nominated author and self-proclaimed cheerful goth who writes speculative fiction and poetry. Her dark cheerfulness is on full display in her novel, Frost Bite, a ‘90s sci-fi horror comedy, and her retro ‘80s YA mall slasher novella, Chopping Spree. Her goth side is fully explored in her debut short story collection, The Dead Spot: Stories of Lost Girls.

Angela’s short fiction and poetry have appeared in over sixty anthologies, magazines, and podcasts, including Southwest Review, Apex, and The NoSleep Podcast.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

Remember: I don’t recommend posting your story in the comments here (and I talk more about why not, here). Best practice: Leave us a comment about how it went, or share your favorite line from your story.

22

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Day 21 | That Kind Of Morning…by Rich Larson

The Prompt

Over the course of a single morning, your house becomes a Starbucks.


Rich Larson

Rich Larson was born in Niger, has lived in Spain and Czech Republic, and is currently based in Canada. He is the author of the novels Annex and Ymir, as well as over 250 short stories – some of the best of which can be found in his collections Tomorrow Factory and The Sky Didn’t Load Today and Other Glitches. His fiction has been translated into over a dozen languages, among them Polish, French, Romanian and Japanese, and adapted into an Emmy-winning episode of LOVE DEATH + ROBOTS. His latest book, Changelog, is now available for preorder.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

Remember: I don’t recommend posting your story in the comments here (and I talk more about why not, here). Best practice: Leave us a comment about how it went, or share your favorite line from your story.

21

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Day 20 | Permission to be Funny by Julie Duffy

The Prompt


Write a humorous story by giving your character permission to go after their desire, no matter what the cost

Tips

Comedy gives your character in the narrative the permission to win. Comedy gives them the permission to do what they need to do in a moment of crisis, even if it makes them look like a bad guy or an idiot.

Steven Kaplan, The Hidden Tools of Comedy: The Serious Business of Being Funny (Michael Wiese Productions)

Give your character a desire, something they are willing to go all-out for.

What makes Marty McFly so funny in Back To The Future? It’s the fact that he’s willing to do anything to get home, no matter how difficult or ridiculous, from fighting the town bully to seducing his own mother — well, almost.

He’s willing to give it a try– to prat-falling over fences and doorways in his haste to get out of awkward situations. None of this is ‘funny stuff’ in a vacuum, it all grows out of the character’s single-minded desire to achieve his aim, no matter what the cost to his ego.

Put your character in a situation where they are going to have to do things they wouldn’t normally do, if they really want to achieve that desire .

(e. g. in The Life Of Brian, our hero is a nobody who wants to be somebody and get the girl, who happens to be a revolutionary. When her leader tells him to graffiti the town square and is caught by the school-master-like centurian, the consequence is funny because it goes so far, so big. Literally.)


Make sure your character doesn’t have any of the skills they would need if they were going to be a traditional hero character.

Marty, in BTTF, knows nothing about life in 1955.

Monty Python’s Brian is so timid, so far from being a revolutionary, that every situation he finds himself in is inherently funny.

If either of these characters possessed the skills they needed to win, their movies would have been dramas or action movies, instead of comedies!

Make your funny character believe in themselves.

They are not a character. They are a person, who is trying to achieve something.

Everything they say or do, they should believe in. It might turn out to be inappropriate for the situation, but for some reason, they believe it and they believe it is a useful thing to say or do right now.

Comedy can also result when a character does the thing that we, because we are so polite and a credit to our mothers, would never say or do. How would the people around your character react in that moment?

For more on writing humor, read my interview with Lisa Doan at NaNoWriMo’s Young Writers’ Program blog.


Julie Duffy

Julie Duffy is a writer who likes to think she is funny. She is the host of StoryADay May . She sometimes juggles and knits, though rarely at the same time.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

Remember: I don’t recommend posting your story in the comments here (and I talk more about why not, here). Best practice: Leave us a comment about how it went, or share your favorite line from your story.

20

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