Continuing this week’s theme of POV prompts, here is today’s prompt:

Write a story from the Third Person, Omniscient perspective

This is the perspective you know from all the classics (Dickens springs to mind): the author can say anything, pop inside any (or all) character’s heads, travel backwards and forwards in time, insert herself and her own commentary onto the page…

Have some fun with this. Take an episode and tell it from one character’s perspective, then leap into another character’s head and give their read on the situation. Try out your authorial prerogatives and make a comment about what’s going on (think of that moment when a TV character turns to the camera and talks directly to us, the audience).

This can get quite complicated (which is why it works so well for novels) but give it a bash and see what you come up with.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

The Prompt

Pick a spectacular or vivid interior space. Set your story in it, paying attention to the space and how it might shape your narrative.

Tips:

• Perhaps your space is large and cavernous and something whispered at one end can be easily overheard at the other.
• Perhaps your hero is visiting his grandmother who has a lifetime of tchotchkes cluttering every surface. How does that affect him and can he say what he came here to say?
• Does your heroine need comfort, but find herself in a sterile home decorated by her acclaimed but distant architect husband?

Use a few details of an interior setting in your story today to suggest what’s going on with your characters.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

Stories have settings, characters and action. Great! Easy. Let’s get writing!

A-hem. One of the hard parts of writing is getting the pacing of a story correct. You need to slow things down and speed things up in the right places. It may seem counterintuitive but the place to speed up is often in the set up. Readers don’t need a lot of set up. You (and they) can fill in the details as you go along. Again, oddly enough, the place to slow down can be the moment when you reach the action.

Trained by Hollywood as we are, we tend to think of ‘action’ as fast-paced, the bit where the cars come screeching down the hill, the rocket blasts off, the volcano erupts. But in a story, the ‘action’ is simply ‘the stuff the characters do in an effort to get what they want’.  When your characters start taking action, that might be a flag for you to slow the reader down, tease the moment, with some details, thoughts, frame-by-frame storyboarding of the scene.

The Prompt

Take a moment, right in the heart of the action of your story, and increase the tension by slowing it  wa-a-ay down with granular details.

Tips

Some examples:

Take us through every muscle that tenses as the hero prepares to run;

Take us inside a woman’s head for every random thought that flits through it between the words “will you marry me?” and her answer (“Did I leave the iron on? Oh gawd, I cannot believe I thought about that right now. Look, he’s on his knees. He’ll ruin his trousers. Focus, woman! Look at his face. That mole really needs checked out and oh no, this moment has gone on too long. Must answer. Must answer. Should I cry? I don’t think I want to cry, but it seems like the kind of thing I should do. I wish he’d stop staring at me like that…”)

Detail the painstaking preparations the surgical team makes, in silence, before the lifesaving operation.

 

This might not be the most successful story you ever write, but it’s a worthwhile technique to practice. You might just find a brand new tool to put in your writers’ toolkit.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.