[Prompt] May 23 – Third Person, Omniscient

Continuing this week’s theme of POV prompts, here is today’s prompt:

Write a story from the Third Person, Omniscient perspective

This is the perspective you know from all the classics (Dickens springs to mind): the author can say anything, pop inside any (or all) character’s heads, travel backwards and forwards in time, insert herself and her own commentary onto the page…

Have some fun with this. Take an episode and tell it from one character’s perspective, then leap into another character’s head and give their read on the situation. Try out your authorial prerogatives and make a comment about what’s going on (think of that moment when a TV character turns to the camera and talks directly to us, the audience).

This can get quite complicated (which is why it works so well for novels) but give it a bash and see what you come up with.

Go!

 

[Prompt] – May 22 – Third Person Limited

This week’s prompts are all about point of view and narrative voice.

Write a story from the third person limited POV.

“Third Person, Limited” means that, unlike yesterday, your narrator never says “I did this”, rather you talk about “he went to the door”, “He opened it.”

The ‘Limited” part means that all the judgements and assumptions, all internal thoughts are limited to those of the character through whom you are telling the story. No popping out of Dave’s head to jump across the room and tell us what Mandy is thinking as she looks at him. The only thing we’re privy to is what Dave thinks Mandy might be thinking about him.

Within this framework you can still play with the form: your limited persona can be like Nick Carraway, reporting on Jay Gatsby’s life, rather than telling us about his own adventures. You can give your limited persona the ride of her life through a whitewater canyon and let us see it all from her perspective.

Third person limited is great for short stories, because it lets us – the readers – identify with one character, and ground the story somewhere. You don’t have much space in a short story and the last thing you want is to confuse your readers (unless, of course, the whole point of your story is to confuse your readers!). Letting them get to know a character by showing their reactions to events, puts you half way to rooting for (or against) the protagonist.

Go!

 

[Prompt] May 21 – 1st Person

This week’s prompts are all going to focus on Point Of View.

 

It’s easy to get stuck in a rut, writing in third-person, or first person, or inside or outside your character’s heads. So this week we’re shaking things up. Ready?

Write A Story Using The First Person Voice

The whole thing should be told in the “I” voice, and preferably should be a story about something that happened/is happening to the person telling the story.

Go!

[Prompt] May 20 – Revenge

I saved this one for last (in the plot prompts series) because it has the potential to be the most fun of all!

If you’re a writer, the chances are you think a lot (too much?) about everything that happens to you. And you probably remember every little slight anyone has ever perpertrated upon you.

Now’s your chance to have your revenge.

Today you will write a revenge story. (Use examples from real life if you like!)

If you want to keep your main character sympathetic, make sure they’re seeking revenge for something outrageously unfair and that the bad guys are really bad. And make sure that your main character doesn’t just slide through the revenge process unchanged.

Of course, it doesn’t have to end well for your main character. Maybe they start out nice-but-wronged and end up avenged-but-twisted. Or maybe your protagonist is a real bad apple, to start with.

As usual, keep the scale of your story small: focus on one incident – probably the moment of confrontation. Start right in the action and show the backstory in dialogue, allusions, images. Bring the story to a climax and show us how it has affected your main character as s/he walks off into the sunset.

Write A Story of Revenge

Go!

Thanks to James Scott Bell for a week’s worth of inspiration. Check out the StoryADay.org exclusive interview with JSB, his Plot & Structure book, or any of his suspense novels, zombie legal thrillers (who could resist?!), historical romance or books for writers.

[Prompt] May 19 – The Quest

This week’s prompts are inspired by ‘plot patterns’ from James Scott Bell’s Plot & Structure.

Today your hero is restless. S/he can’t simply live the way everyone else does. Your hero needs to go on a quest.

Whether this quest (and what they seek) is literal or figurative, make sure the goal is something absolutely critical to their survival, and the obstacles huge.

(In a short story you may only be able to give them one obstacle as the set-piece but you can use the action & dialogue to

  • Imply a whole lot about who they are,
  • Explain why they are here and
  • Show the scale of the quest before and after this point,

If you pay attention to doing this, you’ll end up with a complete  story, not just a trailer for a novel

Send Your Character On A Quest

Go!

[Prompt] May 18 – The Loner

This prompt is inspired by ‘plot patterns’ from James Scott Bell’s Plot & Structure.

Your prompt today revolves around a protagonist who holds him/herself apart from the rest of their society. Perhaps they are an anti-hero, perhaps a loner, perhaps an introvert in a family of extraverts.

Make something happen to tempt/force this person out of their alone-ness. Will they step into their society during the action of the story? When all is resolved will they stay involved or retreat once again?

Write a story about a loner/anti-hero

Go!