Day 27- Last Will by Michele. E. Reisinger

Today’s prompt from Brenda Rech gives you a chance to stretch your imagination

The Prompt

A lawyer I know once told me there are only two kinds of people in this world: Those who think the pre-deceased should decide how to disperse their life’s work and those who think themselves entitled to it.

Write a story told as a LAST WILL AND TESTAMENT.

You can be silly or serious, realistic or really weird.

Which of the two kinds of people is your protagonist?

Which is their beneficiary? Is there a third kind of person?

What message may your protagonist be trying to send, and do the beneficiaries agree?

Consider your time period and genre, as well as the bequests. Are they sentimental, practical, or fantastical?

The gold pocket watch in 1886 could be a family heirloom, but in 6881 a portal between universes. What if the watch were BOTH those things, regardless of space and time?

Play around with the topic.

Maybe instead of writing the document, you write the story of the passed-down object or one of the beneficiaries.

Maybe you write about the ugly vase or the empty booze bottle, around whose necks cryptic notes are strung.

Maybe you focus on the relative who expected everything and received nothing. Or the lawyer, maybe, duped by the pre-deceased into unscrupulous behavior.

Whatever you decide, your story needn’t be macabre or gloomy. It can be, of course, but it can also be playful.

It can be joyous.

Michele E. Reisinger

Michele is a writer and StoryADay Superstar living in Bucks County, PA, with her family and never enough books. Her short fiction has appeared in Across the Margin, Stories That Need to be Told, Sunspot Literary Journal, Dreamers Creative Writing, and others. Find her online at mereisinger.com.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

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Day 23- A Catalogue of Complaints by Julie Duffy

Settings are important in today’s prompt

Write a list of complaints. Focus on the voice of your character, and what the particular complaints tell the reader about that character.

Things To Consider

You can write this as an exaggerated version of yourself and your own complaints about the world—but be wary of doing this if you are not blessed with a strong sense of the ridiculous, or if you’re feeling particularly dark about the world right now. The point of this exercise is NOT to validate your complaints, but to communicate to a reader certain human commonalities.

Start with a character and think about what stage of life they are in, what their hopes are, what their experience of life might have been. Try to write the list the way they would, with an eye to providing context clues for a reader.

You might model your character on someone in public life who frustrates you, inspires you, or confuses you. What would a fabulously wealthy heiress have to complain about (it won’t be nothing). How do those complaints reflect on her? What would an admired philanthropist still grouse about, privately? How would that change a reader’s perspective from the start to the end of the story?

Use the title to tell us whose list of complaints we’re reading (for example, it might read like an advice article in a glossy magazine: World Champion Ice Dancer Melody Swope shares Fourteen Things to Prepare Your PreTeen Ice Queen For When They Go Pro; or How Famed Naturalist Sir Danny Arbuckle Packs For A Trip To The Wilderness, A List of Grievances by Olivia Snyder, Aged 12 1/4).

Write the list as if your character wrote it for their eyes only, because you want to get to the honest parts of the character, the parts they wouldn’t necessarily air on purpose.

Remember to provide a sense of discovery for the reader–they will be searching for meaning, so take them on a journey.

It doesn’t have to be a list of complaints, but do try to pick something that allows you to dig into a particular character and take the reader on a journey.

Be brave. Leave lots of gaps. See what happens.

Julie Duffy

Julie is the creator of StoryADay May. She tries not to complain too much. If you’d like to receive writing lessons and prompts from Julie throughout the year, consider signing up for the StoryAWeek newsletter.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

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Day 20 – Make it Flash by Julie Duffy

A moment of clarity, from Julie Duffy

The Prompt

Write a Flash Fiction story in 500 words, inspired by a vivid, or transformative, or reflective moment (like the one in the photo).

Tips

  • Have as vivid a moment as you can in mind as you start your story.
  • If you use this picture, brainstorm what happened in the moments before the the shutter clicked. Where are they going? Where have they been? What’s causing that facial expression? Is it sincere? Who’s taking the picture?
  • What happens the moment after the photo? Who cares about that? (Whose story is this?)
  • Whose voice will you tell it in? The photographer, writing it up later for the notes for his exhibition? The subject (first person, present tense? Told from the future). Some omniscient narrator? Will they be trustworthy or untrustworthy?
  • If you’re stuck on how to write a flash fiction story, listen to the episode of the StoryADay podcast with Windy Lynn Harris, where she shares 7 ways to approach flash.
  • If you’re not sure what makes a short story flash, check out these StoryADay Flash Fiction Essentials

If you share you story somewhere (and here’s why you might not want to) post a link here so we can come and read it.

Leave a comment to let us know what you wrote about today, and how it went!

Julie Duffy

Julie Duffy has always been verbose (something she often got in trouble for at school) which might explain why she is such a fan of the puzzle that is short fiction.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

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3 Short Stories To Read Before May Begins

As we warm up for StoryADay May 2023, it’s always useful to read great examples of the kind of short fiction we might end up writing during May.

Here are three great (and a little weird) stories I’ve read over the past few months, to inspire you.

If you’ve ever thought “I can’t write a whole a short story,” maybe it’s because you haven’t seen all the weird and wonderful ways a short story can be built. It’s almost impossible to get it wrong!

Keep writing,

Julie

P. S. The free WRITER Code Masterclass is underway. If you want to write, but keep getting derailed, watch Lesson 1 now: in which I present a framework for a writing life that works for you, today, not ‘some day’.

Day 26 – A Story In Memos

Jul0ei Duffy Writing prompt

The Prompt

Like the list story, this prompt encourages you to break the narrative rules. Let the story unfold through a series of updates, memos, social media posts, a technical manual, or some other document that creates gaps the reader must fill in.

Remember that each memo will be written in real time, reporting on an event, before the character experiences the next ‘episode’ and writes about it.

Challenge Plus

Go deeper with enhanced content, videos, & training from StoryADay’s Julie Duffy

The Author

Julie Duffy’s Gallup Strengths finders results accuse her of sometimes making logical leaps that other people find it hard to follow…

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Leave a comment and let us know how you used the prompt, and how you’re celebrating!

Day 16 – Janine Griffin Gives You A Sign

The Prompt

Janine Griffin writing prompt

It’s a sign!

This prompt idea came from an episode of Valley 101, a podcast about Arizona This episode was about who writes their funny highway signs, the history of them and what sort of messages they deliver. The idea of constraints appealed to me, often it drives creativity in unexpected directions.

Arizona’s highway sign messages are three lines long, with up to 18 characters per line. You can have commas, spaces, apostrophes, and dashes, which all count toward the 18 character limit. Now 18×3 characters isn’t long to tell a story, but it is long enough to deliver an important message. So the prompt is this:

Your character is in the middle of doing something mundane when they see a message that causes them to change course. The message could be something they see on a highway sign, a sign on the window of a store, a dashboard displayed in an office, or even a text message, but the limit is 18×3 characters and the message causes the character to change what they were doing/going to do.

Challenge Plus

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The Author

Janine Griffin writes fiction and non-fiction, and things that fall in between.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Leave a comment and let us know how you used the prompt, and how you’re celebrating!