[Reading Room] A Mother’s Love by Lottie Lynn

A Mother’s Love is a chilling science fiction story that was selected for the BBC Radio 4 Opening Lines series in 2014.

The stories are supposed to “”have a strong emphasis on narrative”” and this one does. Here’s the opening:

“Child wanted something to do. Mother had left him in their room, because she had to fix a pipe. He had wanted to help; but she said no, she didn’t want him to get hurt. Child thought it was because he lacked sadness whenever she left…”

I love stories like this, where no-one really explains much and you have to figure it out from the clues in the story. And I had to keep reading when, in the second paragraph, I came across this line,

“Pulling at his wires, he began to move towards the jumbled mass of objects Mother had given him to play with.”

What: wires?!

What had started out like a twisted domestic scene had taken a turn for the strange and intriguing. Note to self: breadcrumbs in stories are essential for turning it from ‘good’ to ‘un-put-down-able’.

This year’s deadline for entries is Feb 13, 2015.

Essential Guide To the Best Short Stories of 2014

If one of your resolutions for next year is to read more short stories (and it should be!), it can be hard to know where to start.
You want to cultivate a modern style, the kind of thing that reflects your voice AND the kind of stories people want to read.
The problem with a do-it-yourself reading masterclass, is that anthologies tend to contain a vast range of stories, chronologically arranged from the late 1800s to the mid 1960s. These stories have stood the test of time and are therefore considered classics, but their style can seem pretty dated.
On the other hand, you could grow old reading a random selection of the multitudinous modern short stories available online. So what’s a serious writer to do?

Let other people recommend stories to you.

I’ve trawled the end-of-year roundups and found a number of recommendations for your further reading. Most of these are stories from this century, with a few must-read classics sprinkled in here and there. Names that kept cropping up on list after list: B. J. Novak, Lorrie Moore, Lydia Davis, Elizabeth McCracken, Phil Klay, Margaret Atwood, Alice Munro.
Treat yourself to a volume or two, or trot off down to your local library to look for some of these titles.

Powell’s Short List 2014

Powell’s audaciously posted a “best of” list in time for Short Story Month in May this year (N.B. Did we make May the month for short stories? I don’t remember anyone calling it that before we started this crazy thing in 2010. Pat yourselves on the backs, StoryADay-nauts! I think we created a Thing!)
NOT a list of the best short story collections this year, it is however a list of excellent short story collections from the century so far:

The Guardian’s Ill-Defined “Best” List

Not sure what the category here is —  I suspect it’s the editors’ favorites list, rather than a true ‘best of’ — but I’m betting there are some collections (and authors) you might have missed in this British-based list.

Paris Review’s Prize Winning Stories of The Year

Two stories are in the Best American Short Story Anthology this year and nine were nominated for the Pushcart Prize. Read some at the Paris Review site.

The Independent’s Best Stories of the Year

Another list from a British newspaper. Includes Hilary Mantel’s controversial “The Assassination of Margaret Thatcher”, some Margaret Atwood and a collection by Tom Barbash, a fave of mine.

The Huffington Post’s 10 Best Short Stories You’ve Never Read

Take the HuffPo challenge. Have you read them? I felt quite smug when I discovered I had read the first one on their list…then I looked at the rest of them. Ahem…

Electric Literature’s Best Short Story Collections of 2014

25 recommended story collections from Donald Antrim to Lorrie Moore with some names that didn’t hit any other lists I saw.

Readers’ Digest 8 of the Best

RD recommended these eight collections in the spring (another shout out for May as Short Story Month!). Some familiar names on this one…

BookTrust Recommendations From Short Story Authors

BookTrust asked prize-winning writers to pick THEIR favorite collections. Seems sensible…
Also, check out BookTrust’s online library of short stories here:

Longreads Best of the Year

A subjective list of the best short stories of the year. As good a place as any to start 😉

The Quivering Pen Great Big Roundup

A fine list of short story collections from David Abrams. Compiled in June, it contains some interesting titles.

Hugo Award Nominees 2014

If all that up there is wa-ay too much literary fiction for you, how about taking a look at the Hugo Award nominees of the year for some speculative fiction-y goodness?

Stacked’s Young Adult Short Story Recommendations

Doesn’t it seem like YA would be a great category for short fiction? Well, Stacked has a list of some YA short story collections from the past few years.

Fantastic Stories of the Imagination’s Short Genre Fiction Recommendations for 2014

Finally! A collection that includes Speculative and horror short stories. Only four stories in this list, but they are different enough to be worth checking out.

More Genre Fiction from Jonathan Strahan

This list is way out of date, but worth looking at just because genre gets so little respect in the other lists. All titles are from the first decade of the 21st century. Good additional recommendations in the comments section.

Jason Sanford’s Sci-Fi Picks for 2014

An author and reader picks his best bets for next year’s awards lists.
Then of course, there is always the Best American Short Stories annual anthology, The Best British Short Stories 2014, and I highly recommend the Selected Shorts podcast as a way to have new and notable short stories read to you by great actors, wherever you are.
Side note: apparently Brits take the short story much more seriously than folks anywhere else in the English-speaking parts of the planet. Prizes, end-of-year round ups, they dominate them!
Lets all don fake-British accents (except for me, of course who still has a semi-authentic one) and cheer the patron saints of the short story: the good folk of the UK!
So, what short stories have you read this year that you’d recommend? Share in the comments!

[Reading Room] Golden by James Scott Bell


Author James Scott Bell, as well as being a successful lawyer, novelist and writing coach, has been a good friend to StoryADay (giving us both an interview and a writing prompt for last year’s StoryADay May).

So of course, I wanted to like his new story, which veers from his usual style. No mysteries here, no fast-paced action, just the story of a guy dealing with the legacy of something in his past that he’s not proud of.

Writing (and publishing) this story was a big leap for Bell (as he explained when he announced it). he was nervous. It wasn’t like anything he’d ever written before and he was worried that he might fall flat on his face.

Don’t you feel like that, a lot of the time when you sit down to write? I know I do.

So I went into this story wanting to like it. but I wasn’t sure I was going to. I mean, what do I care about a middle-aged, middle-class divorced father on a playdate with his son?

Well, Bell quickly made me care. He does it by using all the craft available to him. Within the first paragraph I’ve learned a lot about the guy, his divorce, the ex-wife. Look how much information he packs into sentences 3 & $ of the story — and not just information, but attitude, character background, exposition, the whole shebang:

“Judy and I reached an amicable settlement on custody, mainly because I didn’t want to fight her anymore. Her family is well off and were not shy about retaining the biggest shark tank in L. A.”

The story is about more than just a bitter divorcé, though. Rather it is about a father reliving something that happened when he was a kid, a little older than his son.

One of the things I noticed about this story (and all of Bell’s writing) is the strength of the narrator’s voice when he’s writing in first person. It is always dipping with character, attitude and is firmly rooted in wherever the character is from (usually L. A.). In this story, even when he takes the character back in time to his teenage years, the voice is distinctive and unmistakably the voice of a teen,

“That’s what got him in bad with Robbie Winkleblack…”

“I ran away, too, but I wasn’t laughing. I was thinking it was all over for me now. I’d be kicked out of school, maybe thrown into juvie.”

How can you make readers care about your characters whether or not they think they are going to?

Read James Scott Bell’s article on why he wrote this and why short stories are so awesome

[Reading Room] Boule de Suif by Guy de Maupassant

This is an extraordinary story, and the one that sky-rocketed Guy de Maupassant to literary stardom. I can see why.

Unlike many stories written in the later 19th Century I found this one immensely accessible. The language was vivid yet not convoluted (perhaps because it has been tranlated from the original French?) and the characters intense and vivid.

It is set during the Franco-Prussian war (and if you don’t know much European history, the lively description of the occupation of French towns by the German armies in the 1800s does a lot to set the stage for what happened during the two world wars at the start of the 20th century).

The story has a longer set-up than modern stories tend to. The author spends a lot of time setting the scene before what we would call ‘the inciting incident’ that gets the story underway, but somehow it doesn’t drag. It is fascinating and descriptive and energetic and I couldn’t stop reading, even though I had no idea yet who the main characters were going to be or what the story was ‘about’.

When things do get rolling (literally) we embark on a long carriage ride with an unlikely group of companions who are thrown together by their desire to escape their occupied town and their wealth, which gives them the means to do so. Wealth, of course, is no indicator of social class and de Maupassant populates the carriage with a fascinating bunch of characters. Yes, they are largely stereotypes (much as the characters in Dickens often are) but they each have enough color to make it seem possible they might actually be real.

The story crests along with false starts and it teases us that things are going to turn out one way until we reach a point of no return. Now all that scene-setting and character-building de Mauppassant has been doing finally pays off as the story slides to its inevitable conclusion. The masterful part is that, like someone watching a mudslide or avalanche engulf a pretty mountain village, the reader can’t help but root for a miraculous change of course.

Read Boule de Suif online

[Reading Room] Dr. Heidegger’s Experiement by Nathaniel Hawthorne

This is a story that, as well as being enjoyable and stuffed with great language, is firmly rooted in short story history.

Dr. Heidegger invites five old reprobates to his study for an experiment (as apparently all men of learning did from time to time if Hawthorne and H. G. Wells and all the rest are to be believed). Of course, it turns out that the guests are the subjects of the experiment and, of course, it doesn’t go well.

As I was reading it I was aware that the style is so far from our modern style of writing and talking as to be almost as foreign as Shakespeare (in fact, it probably will be in a couple of generations). It’s not quite as dense as Dickens, not quite as antiquated as Washington Irving, but has that strong third-person narrator that not so many writers use any more (with apologies to Terry Pratchett, who lets the narrator visit from time to time).

It wasn’t just influenced by the past, though. I could clearly see how this story (and others like it) had influenced another generation of writers: the early science fiction and fantasy writers; the people who wrote for The Twilight Zone and other early TV shows. There’s a strong dose of the mysterious, the tricksy, the twisty ending (though this one doesn’t twist so much). I could clearly imagine this, updated and dusted off, in a Twilight Zone episode.

In fact, it occurred to me that this would make a perfect story to use in the CopyCat Workshop component of the I, WRITER course. If you already have your copy, why not dig out that workshop and give it a try today?

[Reading Room] – Heart of a Champion by T. C. Boyle

“Heart of a Champion” takes the reader from the opening credits to the close of an old (fictional) Lassie serial.

It is fascinating tutorial for those of us who have absorbed most of our ‘short stories’ in the form of TV shows or webisodes or through other visual media. It demonstrates quite nimbly, how to move from a visual image to the written word. It’d be worth reading for that alone, even if it wasn’t beautifully written and laugh-out-loud funny, too.

Another great feature of this story is that it parodies a much-loved show but goes beyond simple goofing around with the predictability of the TV show. The author thinks hard about the question of ‘what if it didn’t have to end the way it always had to end?’. He comments, subtly on what the show said about the characters who sleep-walked their way through it and the society that it was created by and that it reflected.

If you are heavily influenced by movies or TV shows, read this story, then write a story that contains similarly cinematic images.

If you are attempting a parody, take a close look at what this story does to do more than simply turn into a ‘skit’ and instead become a whole, novel piece of art.