[Reading Room] The Locked Pod by Malka Older

The Reading Room is a personal log of stories I’ve enjoyed, read through the eyes of a writer. Find more

This story plays really nicely into the idea of the Locked Room Mystery, only it’s an escape pod on a space station, and not just any space station but a cloistered world of intellectuals who have chosen a life of focus, mostly-ignoring the outside concerns of the universe.

The opening line is a doozy:

“When we opened the escape pod, the person inside it was dead.”

The mystery in the story is a classic ‘locked room’ mystery: a seemingly impossible to explain murder, and the solution is excellently suited to the setting of the story. (Well done, that author!).

I think mysteries work best when they misdirect and distract us with a compelling human story and this one certainly does that. We have a cloistered order of intellectuals to explore, one that is suddenly confronted with an outsider, and a dead one at that, AND we have a bit of a family story as the protagonist’s teenaged daughter enters the tale (with all the usual parental issues that come along with living through your child’s teenage years: communication missteps, a growing sense of separation, an acknowledgement that time with them is finite).

This story reminded me of the best of classic sci-fi: Asimov with a bit more character development, Clarke with a bit less tech, Heinlein without the weird sex stuff.

As a mystery AND Sci-fi fan I really enjoyed this brief visit to the words of Malka Older, and look forward to the novel. “The Mimicking of Known Successes” (Tor, 2023)

Said author Malka Older:

“Living through the past year two years five years, I’ve thought a lot about the power of comfort reading, and so I packed this book with elements that bring me joy: a slow-building romance; an atmospherically Holmesian mystery; a storied academic idyll (constructed from reclaimed satellites); long train rides across the bleak landscape of a giant gas planet, and tea in front of the fire on stormy nights. At the same time, I also found myself needing to write about ecosystem loss and communities in conflict between returning to what was normal in the past and forging a new future. It’s the banter-filled, yearning comfort read I needed in my life, and I’m so happy to send it out into the world.”

Tor.com

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[Reading Room] Cosmogramma by Courttia Newland

This collection is a great example of what modern speculative fiction can be: fascinating, compelling, peopled by sympathetic (and not-so sympathetic) characters; surprising and familiar, inspiring, filled with mystery and a sense of discovery for the reader…and I love it when stories are connected, so I enjoyed piecing together the connections between some of the stories in the collection.

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[Reading Room] How The Trick Is Done by A. C. Wise

I liked this a lot.

It managed to be about magic and death and unrequited love and #metoo and revenge and yet have a lightness and beauty that I often find missing in modern stories, and which is hard to pull off with those themes.

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[Reading Room] No More Than A Bubble by Jamel Brinkley

The Reading Room is a series of posts where I review short stories with a writers’ eye.

The opening

“It was back in those days. Claudius Van Clyde and I stood on the edge of the dancing crowd, each of us already three bottles into one brand of magic brew, blasted by the music throbbing from the speakers. But we weren’t listening to the songs. I’d been speaking into the open shell of his ears since we’ve gotten to the party, shouting a bunch of mopey stuff about my father. Sometime around the witching hour, he stopped his perfunctory nodding and pointed towards the staircase of the house. “Check out these biddies,” he said. Past the heads of the dancers and would-be seducers I too saw the two girls he meant.”

So what do we know from these opening lines?

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[Reading Room] The Great Interruption by Wendell Berry

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This story was featured in The Best American Short Stories 2019, edited by Anthony Doerr

This story’s full title is The Great Interruption: The Story of A Famous Story of Old Port William and How It Ceased To Be Told (1935-1978). It’s a great example of the benefits of writing a lot, and never trying to sound like anyone else.

The Opening

The style of this short story was a challenge, for me. Its long, complex sentences, so unlike most of what I read these days, slowed me down. In fact, I had to read a page or so, out loud, to get myself into the rhythm of the narrator’s voice.

Even the title was confusing—until I untangled it, when it became intriguing.

It read like Mark Twain, like Charles Dickens: of a time and place that is not mine.

But I knew straight away it was going to be worth it. Here’s how it starts.

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[Reading Room] Natural Light by Kathleen Alcott

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This story was featured in The Best American Short Stories 2019, edited by Anthony Doerr

This story was dense and literary with a slow-build to a quiet conclusion. It was not to my usual taste at all. I didn’t much care for the protagonist. It had several elements that usually make me roll my eyes. And yet when I got to the end of this story, I immediately wanted to read it again. 

The language slowed me down, but not in a way that annoyed me. The exact meaning was often opaque, but through repetition, the author showed me how to read it and understand it. It was an odd experience, and I really liked it.

The Opening

I won’t tell you what my mother was doing in the photograph—or rather, what was being done to her—just that when I saw it for the first time, in a museum crowded with tourists, she’d been dead for five years.

Kathleen Alcott, Natural Light

Well. Isn’t that intriguing? We don’t know anything about the characters before this opening line, but all of a sudden we know quite a lot. 

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