Today’s post comes to us from gifted memoirist Jane Paffenbarger Butler. You can read more about Jane, below, but in the meantime, enjoy mining your memories for Story Sparks! – Julie
When I was a child, my mother and sisters and I spent hours making our clothes at home. The memory of those long quiet days together is etched in my mind because we did it over and over. That makes it a perfect resource for my writing because it is etched in my mind. But even one-time events can be seared onto our brains and serve equally as sources of inspiration.
Because we have kept a memory, stored it for some reason, it holds a significance that may be useful. When I try, I can remember many details and images about that repeating scene of sewing. Recording a memory, in writing, however disjointed or unclear or insufficient, means we capture whatever clarity there is to be observed. The overriding feeling of the sewing room was one of having to focus on the details, such as being sure of our measurements, even in our pinning, and whether the machine was threaded correctly and if we were following every direction. There was little conversation and there was little sound besides that of our movements.
However fuzzy, our memories are infused with feelings that give them an emotional power that can make our writng richer.
I may want to write specifically about sewing, the memories of the creaking old house, the stale state of the space we shared, the silence so thick I heard the buzz of a fly trapped at the window pane trying to escape. But I may prefer to let this description inform whatever other writing I do. These recalled images and ideas are newly acquired and because of their source resonate with authenticity.
Today’s prompt is all about a misunderstanding, and comes to us from the writer Wayne Anthony Conaway.
Write A Story In Which One Character Misunderstands Another, With Far-Reaching Consequences
Today’s prompt focuses on misapprehension – that is, interpreting something incorrectly. Too often, in fiction, every character communicates perfectly. That’s not the way it happens in real life.
Example: award-winning author Harlan Ellison once misheard a conversation at a party. He overheard a woman say, “”Jeffy is fine. He’s always fine.”” What Ellison actually heard was “”He’s always FIVE.”” That inspired the story “”Jefty Is Five,”” about a boy who never grows up.
Alternately, the misapprehension could be visual.
True story: when I graduated college, I moved to a southern town – one of those places where anti-intellectualism seemed to be the prevailing attitude. I met lots of girls there, but I was looking for an intellectual girlfriend. One day, while sitting in dingy waiting room, I saw a pretty girl outside. To my amazement, she wore a tee-shirt with the letters “”SPQR”” on it. SPQR stood for – in Latin – “”The Senate and the People of Rome.”” What kind of woman wore a tee-shirt that referenced Ancient Rome? I had to meet her! I rushed outside, saw the girl…and discovered that her shirt didn’t say “”SPQR.”” It said “”SPORT.”” The final letter was hadn’t been visible from where I sat! (I was so disappointed, I didn’t even speak to her.)
So that’s your prompt: misapprehension, either verbal or visual.
About Wayne Anthony Conaway
Born in Philadelphia, PA, Tony Conaway has written and ghostwritten everything from blogs to books. He has cowritten non-fiction books published by McGraw-Hill, Macmillan and Prentice Hall. His fiction has been published in eight anthologies and numerous publications, including Blue Lake Review, Danse Macabre, Rind Literary Magazine, qarrtsiluni, The Rusty Nail and Typehouse Literary Magazine.