Why You Should Include Holidays In Your Stories

September.

That was when I saw the first ‘holiday’ themed products in my supermarket (and yes, I mean the twinkling-lights, snow-covered, jolly fat-man type holiday),

And I know I’ll start seeing Valentine’s displays soon.

As a consumer it drives me a little crazy.

As a writer, it’s a great reminder.

  • Holidays are part of the fabric of our lives
  • It pays to plan ahead if you’re creating something with a date-related theme!

Why Include Holidays?

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Write a holiday story, anytime, with this on-demand workshop.

When it comes to end-of-year holidays my personal bias is towards Christmas & New Year, but there are so many other holidays to celebrate. Which will you choose?

The great things about including a holiday in a story are:

  • They are evergreen: you can recycle them every year! (Think about how rich Maria Carey has become from that one song…)
  • They are universal: no matter what culture we come from we all have those days where people come together, eat too much, face family members and friends they don’t really want to see, see people they haven’t seen for years, have fights, make up, fall in love, and get nostalgic.
  • It’s an instant character-motivation-creator: around a holiday you always have some people who are sad, some people are excited, and some people who are a little too into it…
  • If you are writing in a secondary or fantasy world, including this universal human experience in your story enriches the culture you’re creating. It feels real when your characters’ lives are complicated by ritual events they may have strong feelings about (even if it’s just to be frustrated at the interruption to their quest!)

Instant Drama

One of the best ways to get to know people is to see how they act under stress.

One of the best ways to stress your characters and find out who they are, is to throw them into the mix with people they wouldn’t necessarily choose to be with.

Can you think of a better way to do that, than to send them a holiday party? 😉

What holiday will you include in your next story? Is it real or fictional? What is your favorite holiday? Leave a comment!

It’s Time To Tell Holiday Tales

Have you thought about writing a holiday story?

In my world October 31 ushers in what feels like one big long holiday season: from Halloween, to Guy Fawkes in the UK, to Thanksgiving in the US, and then the headlong rush through Hannukah, Christmas, Diwali, Kwanzaa, New Year and Lunar New year…and blink! We’re almost at Valentine’s Day!

Join the Holiday Stories Workshop, Nov 20, 2023

Write a holiday story with us in the brand-new workshop.

There’s no doubt these next few months are busy and freighted with expectations (have you thought about your end of year review? Your New Year’s Resolutions? If you’ll send holidays cards? Whose house you’ll go to for which family gathering? What topics are safe to talk about?!)

In simpler times*people used to gather round and tell stories at holiday gatherings.

(*times were never simpler. They were always full of complicated humans with complicated needs)

Holiday Story Traditions

In Dickens’ time ghost stories were in fashion.

Hans Christian Anderson went in for tragic tales of noble poverty.

Nowadays we have the Hallmark Christmas Movie and the Holiday Disaster Film as our new ‘fireside’ traditions.

But have you given any thought to writing a holiday story of your own?

I started doing this a few years ago, sending each year’s story out to friends as an alternative to the dreaded family newsletter. I only sent them to people who I thought would enjoy them, and only when I had a chance to write something I felt good about.

Writing a holiday-themed story is a great way to

  • Get in the mood ahead of time (it’s a good idea to start early)
  • Have something to talk about that’s not politics, religion, or money, when you get to the family gathering
  • Slowly build a collection of stories with a similar theme you could put together in an anthology
  • Have an excuse to get some writing time before the holiday rush starts (or during it).
  • Exorcise the demons of all that socialising, especially if you start writing next year’s story when you get home from a particularly ‘colorful’ event, this year.
  • Always have something on hand for the holiday-themed hungry calls for submission that will start appearing next July.

There are so many tropes and traditions to play with when it comes to Holiday stories, and I’ll be back soon with some ways for you to think about them.

But for now, I must dash and grab some brandy. I’m already late to soak the dried fruit for this year’s Christmas cake…

Have you written holiday stories? What holiday would you choose if you did? What would be your ‘must-have’ ingredients to make truly a holiday story? Leave a comment!

Don’t Let Shame Kill Your Creativity

In this video post I talk about how shame shuts down the exact processes we need for creativity and what you can do about it.

Spoiler alert: I talk about reducing your expectations, celebrating every single tiny thing you do that contributes to your writing life, and collecting Story Sparks.

Find out more about Story Sparks here

Characters Are People, Too

Writing a character sketch can be a great idea…as long as that’s not the way we introduce the character in the final story…

or: How I Met Their Father (and what it tells you about introducing characters)

After our first proper date, the boy who had taken me to the theater sat across from me in a smoky pub in Edinburgh and told me stories from his life. 

We had somehow managed to claim the coveted armchairs near the fire (because pubs in Scotland have such things). As we talked, one or other of us would lean forward to pick up our pint glasses from the low table in front of us. Gradually, we started to do it in unison.

 It would have been noisy and it must have grown dark while we talked, but I don’t remember any of that, because I was laughing, and listening, and piecing together a person from the stories he was telling me.

He told me about his boss at the university, the stupid games they played in the lab to pass the time while experiments ran, the (very) daft things he’d done after too many pints, and – and this is where I remember thinking ‘you should careful with this one’s heart’ – the story of an ex-girlfriend or two.

It wasn’t until much, much later that I learned about his hometown, the granny he loved, the games he invented alone in his room on rainy Saturday afternoons.

I learned about him backwards. 

It’s how we meet most people, if you think about it. 

And yet we tend to make a fuss when stories are deliberately written that way, as if the author is somehow breaking the rules. 

How To Introduce Characters

When we make character sketches and biographies, it makes sense for us to start at the beginning (where were they born? Where did they grow up? What formative experiences did they have?)

But if we try to do that when we introduce them to readers it feel like an info-dump…because that’s not how we get to know people in real life.

It feels stilted. Awkward. Weird.

So don’t be afraid to introduce characters in the moment and gradually peel back the layers gradually, and only when it becomes important for us to know why they are the way they are.

How do you think about character development vs introducing characters on the page? Leave a comment:

How To Be A GREAT Critique Partner

There’s a memorable scene in the movie Silence of the Lambs, when Jodie Foster’s FBI supervisor points out that assumptions are treacherous “Because when you assume, you make an “ass” out of “u” and me…”

I was thinking about that today, as I prepare for another Critique Week, here at StoryADay.

When I interviewed Matthew Salesses, author of Craft in the Modern World, he talked about the difficulty of giving meaningful feedback to other writers if we don’t root out our unconscious biases.

Chances are, if you’re like me, most of the literary greats you were exposed to at school were white, male, and dead. 

“Good stories” were those that were modeled after Faulkner or Joyce, or Poe. 

But what if you’re being asked to read a story by your friend who is queer, 25, and an immigrant from Nigeria? How do you ‘judge’ that story?

How To Be A Sensitive Reader

In my experience, the best way to give helpful feedback is to get into conversation with the writer.

Some useful questions include:

  • Who are you writing this for? (Accepting, humbly, that I might not be the target audience.)
  • How do you want the reader to feel at various points in your story?
  • Are there any cultural storytelling norms you’re using that I might need to know (if I’m not your target audience)?

I hope this gives you confidence to say ‘yes’, next time someone asks you for feedback.

Keep writing,

Julie

P. S. If you’re interesting in getting great feedback from some talented and thoughtful writers, find out more about the StoryADay Critique Week.

Do you know about ‘The Pause’?

I’m writing this in Rancho Mirage, California. It gets five inches of rain a year, and I think they all fell today…along with a violent windstorm that took down a tree outside my hotel room.

I watched as the maintenance crew arrived, piled out of their truck, then paused to assess the damage.

There was some milling around, some chatting, but at a certain point someone picked up a chainsaw.

Someone called for the wood-chipper.

The pause was over.

Everything was noise and motion and determined action.

If you’re finding it hard to write, perhaps you’re in the pause.

Perhaps the pause is necessary.

storyaday graphic divider

The last few years have been… a lot.

Most people are standing around looking at the damage, not yet capable of formulating a plan for what happens next.

Imagine what might happen if people like us helped lead the recovery.

Imagine what might happen if, while everyone else is trying to put back what’s been broken, storytellers stepped in to clear away the dead wood and shape the landscape of the future.

We need new stories.

Stories that allow people to imagine better futures.

We need stories written by the quiet kids, the overly-sensitive kids, the ones who pause and notice everything.

If you’re not feeling the pull to create right now, get ready.

It’s coming.

And we need you.

Download the Keep Writing Workbook and always know your next, smallest step as you chase your writing goals.

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What kind of stories do YOU think the world needs right now? Leave a comment