A wrecking ball is parked in front of a 100-year old building. You are an architect, the wrecking ball operator, or a homeless person? What are your best memories and deepest regrets?
Brenda Rech
Brenda is happily married with two beautiful daughters, three dogs, two cats and a bird named Amy Farrah Fowler. Her flower gardens are forever at the beginner’s stages as she would rather hike with her husband and dogs or explore her writing. Her favorite breakfast is crispy bacon and strawberry jam on white toast. She is currently working on her first novel and has a monthly newsletter ‘Thru the Window’
Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!
Write a story in which two characters talk different languages
The Prompt
Communication can be one of the greatest challenges of the human race with roughly 7000 spoken languages in the world. Have you ever been in a country where you did not speak the language but needed to find a location or service? Have you ever helped a non-native speaker of the language in your country purchase an item or find the right train? Perhaps the communication resulted in gestures, pointing at an item or drawing pictures to convey a message. Write a story where two characters speak a different language and must communicate for the most part without words. It can be in first person from the point of view of one of the characters. If it helps, draw from your own personal experience(s).
Carey Marie Shannon
Carey Shannon loves to use her writing to make humorous connections between items that may appear completely unrelated. A feat that is easy for a serious Elvis fan and frequent blood donor. Carey Shannon loves to write about humorous connections between items and subjects in life that may appear to be completely unrelated. A feat that is easy for an Elvis super fan and frequent blood donor. She has been a member of the Story A Day community since 2020 and now hopes to provide some inspiration quirkiness to other writers.
Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!
In today’s writing prompt will you grant your character the power to change the past?
The Prompt
“If only I could go back and do it over again, I would…
” How many times have we said that to ourselves?
In JK Rowling’s “The Prisoner of Azkaban,” Hermione Granger had a time turner necklace where she could turn back time to allow her to attend more classes, but more importantly, save two lives.
Whether it’s changing one seemingly small decision or a whole lifetime of decisions, there is usually one thing that we would change if we could.
Something that would make a difference in just one life or many more.
What is your character’s one thing?
Leslie Stack
Leslie Stack is a writer, musician, camper, and teacher who loves being on the water or in a museum. You can usually find her doing research behind dark glasses on a park bench. She lives in a house in Pennsylvania with her husband where the books are plotting a takeover.
Here’s your next Bingo Piece. Download the pic, print it out and paste it onto your bingo sheet. Then share a picture of it on social media with #storyadaybingo
Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!
Write a story in whcih a character talks to an animal
The Prompt
Dr. Dolittle author Hugh Lofting showed the magic of communicating with animals through his series of children’s books.
The relationship between animals and humans can range from affection to terror.
As pets, animals can sometimes be our greatest confidantes and comforters.
In the wilds of a forest or jungle, they can be our greatest enemy.
Write a story where a person speaks to an animal as if they were another person.
Does the animal respond with grunts, growls or by scratching the ground?
How does the person interpret the nonverbal responses of the animal?
Some ideas include a person confiding a secret to their cat or someone crying to their dog after a bad day at work.
A person could also plead with a bear or tiger for their life.
There is always the hunter and the hunted.
A human could also help an animal in distress or vice versa.
Mystical animals like dragons and unicorns are welcome.
Carey Shannon
Carey Shannon loves to use her writing to make humorous connections between items that may appear completely unrelated. A feat that is easy for a serious Elvis fan and frequent blood donor. Carey Shannon loves to write about humorous connections between items and subjects in life that may appear to be completely unrelated. A feat that is easy for an Elvis super fan and frequent blood donor. She has been a member of the Story A Day community since 2020 and now hopes to provide some inspiration quirkiness to other writers.
Here’s your next Bingo Piece. Download the pic, print it out and paste it onto your bingo sheet. Then share a picture of it on social media with #storyadaybingo
Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!
One of the joys of writing is to create characters that can ‘see’ what has come in the way of what they want.
The Prompt
“I twisted my ankle and hobbled about for a decade. After years of doctor’s visits, therapy sessions, medications, this and that, I came to believe that I’d been cursed and would likely limp to my grave. Until I met you, I didn’t know curses could turn into blessings.”
Use this line anywhere in a short story of about 1500 words.
Might help to brainstorm a few things like: Who would say this? To whom? a mentor? a child? a magician? a stranger on a train? a turtle? a millionaire who’s about to be murdered or a pauper who’s about to get rich?
Reflect on a time when something happened that you thought was the worst thing ever, only to find out later that it was not so bad. In fact, as time went by, it seemed the best thing to have happened.
One of the joys of writing is to create characters that can ‘see’ what has come in the way of what they want. Oftentimes, it is an aspect of themselves, not merely the forces around, that throws them into chaos, pulling them away from the very thing they desire.
As a writer, you have the power to enable readers to map this type of ‘seeing’. Readers walk away from your work not only entertained, but subtly equipped with a new way of looking at their own lives.
Here’s your next Bingo Piece. Download the pic, print it out and paste it onto your bingo sheet. Then share a picture of it on social media with #storyadaybingo
Neha Mediratta
Neha is a generalist currently obsessed with stretching, mind-body-world connection and the spirit’s dwelling place. She writes fiction, non-fiction, takes on editing assignments she enjoys and works with people she admires. She lives by a lake in an overcrowded coastal city with her family and some wildlife. Check out her writing here: https://www.amazon.com/Neha-Mediratta/e/B08CJSLD2H
Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!
Julie Duffy has hosted 12 StoryADay Mays and almost as many StoryADay Septembers. That’s quite a lot.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Your character is doing something innocuous and habitual like washing dishes or driving in a car or picking up dry cleaning or taking a walk in the neighborhood when a ghost/spirit appears to them. Whether it is human, animal, or other, what is it saying and why has it appeared to the character at this moment?
(This is good for dredging up something from the character’s subconscious and also for throwing your character off track with something unexpected.)
CAROLINE KIM was born in Busan, South Korea but moved to America at an early age. She has lived on the East Coast, Midwest, and Texas but now makes her home in Northern California with her family.
Her poetry and fiction have appeared or are forthcoming in TriQuarterly, The Rumpus, Pleiades, Porter House Review, MANOA, The Michigan Quarterly Review, Spinning Jenny, Meridian, Faultline, Pidgeonholes, Cosmonaut’s Avenue, Ms. Aligned 3, and elsewhere. Her collection of short stories, The Prince of Mournful Thoughts and Other Stories, won the 2020 Drue Heinz Literature Prize and was longlisted for the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Write a story from the perspective of a character that is not a human or other animal.
The character could be something from nature, like a rock or a puddle or a tree, or it could be something built (for example, a lamp or a shoe or a fountain pen).
To consider:
How does your character think? And what do they think about it?
What is most important to them?
What happens to them and how are they able, or not able, to react?
Monique Cuillerier is a science fiction writer living in Ottawa. When not writing, she likes to run, knit, garden, and get angry on Twitter (@MoniqueAC). Her most recent story was published by Diabolical Plots this month. Past work can be found at NotWhereILive.ca
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
There is a point, in the distance, that your character very badly wants to reach. What is it?
What is the point from which they’ve started out, what are they willing to do to get to that point in the distance? What will they sacrifice?
The bridge is the point between those two places. The bridge is where what they must do to get there, what they’re willing to sacrifice, and the consequences of those decisions coexist.
Write their story, on the bridge.
Are we ready? Today is Day 1 of StoryADay 2021!
Today’s prompt is from Fran Wilde. Fran is a wonderful short story writer among other things, and she writes weird little stories, but weird little stories that win awards…so let’s pay attention to what she’s asked us to do.
Fran has asked us to write a story where your character is on a bridge.
It’s a wonderful metaphor for where characters are in short stories. A short story can be just that moment on the bridge where they can see what they want and they know where they’ve been.
But they have to do something.
They have to do something they probably don’t want to do to get to the next step, to get where they want to go.
Your character wants something and it’s over there. Something is stopping them from getting there. If they’re the three Billy goats gruff, it’s a troll. If it’s a fantasy story, maybe there are rogues on the bridge. If it’s an adventure novel, maybe the bridge is rickety. If it’s a family drama, maybe their spouse is trying to tell them not to go any further….
So many possibilities, but all of them will keep you focused on the fact that, in a short story, a character has a choice to make and they have an action to take. And all the story needs to be is about that.
You don’t need to do much setup.
You don’t need to really tie it up with a bow.
You just need to tell us what happens and why it matters.
So good luck with Day One!
This is a fairly meaty prompt, but on Day One you’ve got lots of energy. You’ve planned for this. You haven’t used up all of your good ideas yet. (That actually is never going to happen)
Go out there and get your teeth into this prompt.
I’ll see you back here tomorrow, but before that, stop by and let me know what you wrote, how it went and just leave a quick comment for us when you’re done today.
Good for you for showing up. I’m very proud of you.
Keep writing.
Would you like to receive this kind of enhanced content every day during May AND get to attend Zoom writing sprints with me and the Superstars?
The Author
Two-time Nebula winner Fran Wilde writes science fiction and fantasy for adults and kids, with seven books, so far, that embrace worlds unique (Updraft, The Gemworld) and portal (Riverland, The Ship of Stolen Words), plus numerous short stories appearing in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, Uncanny, and multiple Year’s Best anthologies.
Her work has won the Eugie Foster and Compton Crook awards, been named an NPR Favorite, and has been a finalist for six Nebulas, three Hugos, a World Fantasy Award, three Locii, and the Lodestar. Fran directs the Genre Fiction MFA concentration at Western Colorado University and writes nonfiction for NPR, The Washington Post, and The New York Times.
I’ve been thinking a lot recently about how we build characters (both in real life and in fiction). So much of what we ‘know’ is based in the stories we tell about ourselves. That’s what this week’s prompt is all about.
The Prompt
Write a story in which a character tells the same story at three different times in their life.
One of the fastest ways to find your way to the plot of a short story is to come up with a character who wants something and see how they pursue that desire.
The Prompt
Think of a character who wants something really, really badly. Put an obstacle in your way and let them react to it
On this day in 1972 John Young and Charles Duke were the 9th and 10th humans to land on the moon. They weren’t the first crew to touch down, nor were they the last (that was the mission after theirs). What they did was still mind-blowingly complex, but didn’t garner nearly as much attention.
The Prompt
Write about a character (or duo) who is doing something new and difficult, but they’re not the first to achieve it. What does that do to their attitude to the task, to their relationship with each other, to their relationship with the people around them?
The Prompt: Write the story of an inanimate object.
This prompt was inspired by a conversation with a StoryADay Superstar who had been waiting for a package to arrive for weeks. We speculated about what it had been up to on its travels, and now it’s your turn.
All the prompts this month are designed to stand alone or support your novel habit! Use them to spark standalone stories or to unstick your work-in-progress.
Just because it’s short doesn’t mean a story can’t be complex.
Zao Fox Village, Shiroishi-shi, Japan
The Prompt
Write a story in which the protagonist and antagonist are two sides of the same coin.
In Part 2 of my interview with Angela Ackerman, co-author of The Emotion Thesaurus and host of Writers Helping Writers, we talk about how to use details to write great characters, immerse readers in your story, and even figure out your plot.
A character who knows less than the reader tries their best to deal with a problem they don’t fully understand.
THE AUTHOR
Simon Rich is is an American humorist, novelist, and screenwriter. He has published two novels and three collections of humor pieces, several of which appeared in The New Yorker
His message to the StoryADay community: “God speed everyone. Let’s keep writing if we can.”
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Think about three different characters going into a situation who need three different things to happen in it. Now, all of these things will conflict with the other needs. Think about how they will ally with each other and thwart each other in conversation and subtly trying to influence each other. But only one character can get what they want. Now… go!
The Author
Born in the Caribbean, Tobias S. Buckell is a New York Times Bestselling author. His novels and over 50 short stories have been translated into 17 languages and he has been nominated for the Hugo, Nebula, Prometheus and John W. Campbell Award for Best New Science Fiction Author. He has a fabulous Patreon campaign where you get original stories once a month. He is also the author of one of my favorite new writing guides, It’s All Just A Draft, which I talked about in this podcast episode.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
We are one month away from StoryADay May, people! This is not a drill.
Actually, yes, it kind of is.
This is THE PERFECT TIME TO WARM UP your writing (take it from someone who didn’t, the very first year I ran this thing. I thought it would be smart to save all my ideas until May. Um, wrong!)
One of the easiest ways to get into the flow of writing is to minimize the amount of stuff you have to invent. So today I have two prompts for you, from the archives, which help you take that ‘write what you know’ thing and have a little more fun with it than if you were simply journaling.
The Prompt
Read through these two prompts from the archives and decide which one is most interesting to you.
Try to get to the end of the story today. Bonus points: write to the other prompt tomorrow!
Remember, if the story is getting away from you, to limit it only to the essential characters, settings and details. Just enough to paint a picture for yourself.
Also: don’t worry if this story is not ‘good’. It’s only a draft.
How did you get on yesterday? Did you write a story?
This is when the challenge gets really tough: the novelty has worn off and the end of the month seems a long time away. But keep going! If you keep writing through this week, you’ll still be writing at the end of the month and that is going to feel really good.
Lean on the support in the comments, to spur you on!
The Prompt
Write A story about yesterday’s character, all grown up
Yesterday I challenged you to write about an incident earlier in the life of a character you’d come back to, today.
Today I want you to bear in mind the inner struggle of that character, once they’ve had time to create some damaging behaviors based on the incident in yesterday’s story.
Now, pick an action, a physical act, that they can perform in this story. Make it significant to the character.
My example: in Die Hard, when John McClane picks up a photo of his family (back when they were a happy family), he winces, and it shows us everything we need to know about what this character wants, and what’s standing in his way (hint: it’s his own behavior).
Add a moment like that to your story today. No inner-monologue. No telling the reader why it’s significant. Just use all our senses to pull us into the moment.
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A story about the childhood damage of a character you’ll write about tomorrow
Today’s story owes a lot to Lisa Cron’s book Story Genius, in which she talks about how childhood beliefs can become problems for adult characters.
Behaviors that protected your character as a child (for example, an abandoned child’s tendency to keep people at a distance, or conversely to be too clingy, doesn’t serve them well as an adult.)
Every character needs an inner conflict, to make them interesting.
Today write a vivid story about something that happened early in life to a character you’ll come back to, tomorrow.
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
For people to love your story, they need to love (or love to hate) your character.
The most beautiful writing in the world, the most exciting action sequence in history, neither of these will make people love your story.
But a compelling character will steal their heart, sneak into their memory, and make them come back to your writing over and over again.
Wouldn’t it be great to have raving fans?
How do you make your character compelling without spending too many words tracing their inner thoughts? How do you balance character growth with action?
Step 1: Know Your Character
None of us step out into the world in the morning as a fresh new creation.
We walk out of the door with hang ups and passions and prejudices and ingrained behaviors, all of which come from a lifetime of having experiences and reacting to them.
Lisa Cron, in her excellent book Story Genius, talks about this brilliantly:
You have to know your character’s childhood damage, she says, and the protective behaviors they created. If you can set your story at a point in their life when those behaviors no longer serve your character, you have automatic conflict built into your story (and conflict makes stuff happen!)
Top Tip: do some ‘discovery writing’ about your character before you ever try to write the actual story. It will make your first draft go soooo much faster.
In our quest to make readers love our protagonist, we can forget to give them flaws.
But how do you give them a flaw, without making them unlikeable?
The best resource I’ve come across came from the podcast Writing Excuses, where they talk about playing with three different characteristics as if they were sliders on a mixing board. Your character can be competent, proactive, and sympathetic, but they can’t be 100% (or 0%) of all three at the same time.
Contractors say, “You have have a job done well, fast, or cheap. Pick two.”
At any one moment in a story, a character can be extremely competent, extremely proactive, or extremely sympathetic. Pick two.
And then play with those levels throughout the story. (Think about how Hermoine Grainger changes over the course of the first Harry Potter book. At the start she is the most competent and proactive of the three friends, but nobody likes her. By the end, she has given up some of that proactivity and learned to lean on her friends. She acknowledges that Ron is more competent at wizard chess, and lets Harry be the one to face the last big challenge…and we like her a lot more, for it.)
Top Tip: Playing with character competencies is a great way to make them more or less sympathetic without having to give them a ‘tragic flaw’.
In critique groups I usually hear two opposing critiques of character, depending on the writer’s natural tendencies:
The writing’s beautiful but it’s a little…slow (translation: nothing happens!!) OR
It was very exciting…but I’m not sure why I’m supposed to care (translation: explosions and chases are great, but your character has no inner depth)
Whether you naturally write lots of action, or spend a lot of time dwelling on inner feelings, a good writer needs to be able to balance action and inner conflict, to create compelling characters.
One of the best ways to do this is to turn off the inner dialogue and show your character taking actions or interacting with physical objects that
Are symbolic of their inner struggle
Matter to this character for a specific reason (which you know, and can reveal to the reader)
Remind the reader of the stakes, without you having to spell it out.
For example, in the beginning of the movie Die Hard, a watch-word for action-based storytelling, John McClane picks up a picture of his happy family from a desk in his wife’s office…and winces.
In that moment (right before he gets embroiled in the explosions and flying bullets) the viewer remembers that this is not just a wise-cracking action hero. He’s a man who is losing his family and isn’t sure how far he’s willing to go, to put it back together.
That’s the question the rest of the film answers.
And it’s the reason we, as viewers, care.
Top Tip: Turn off the inner dialogue and give us a moment, filled with all five senses, where your character demonstrates their emotions, on the outside.
Resources
Die Hard (watch how the film makers slip in little actions that remind you of the inner journey of the main character, even as the bullets fly)
All of this kind of craft-based instruction is useful for developing your writing…but only if it doesn’t slow you down while you’re creating first drafts.
If you’re writing the first version of a story do not stop to worry about ‘showing not telling’ or whether your character is sufficiently proactive in this moment.
All of this can be fixed in the rewrite.
And one of the best ways to figure out what’s working and what still needs work in your story, is to show it to other readers.
Perhaps the idea of a critique group terrifies you. Or maybe you’ve been in groups in the past that were frustrating, or just ‘meh’.
If that’s you, I have a gift for you: a free guide to critique groups, including:
All the personality types you’ll encounter in a group
How best to interact with each
What you need to know to to give and receive great feedback
Don’t waste time being afraid of feedback, any longer. It’s the single most important thing you can do to get your writing closer to the point where you can really begin to delight readers and build a raving fanbase.
Short stories don’t have a lot of space for non-main characters, but if you’re going to include a best friend or comic relief, make sure they earn their word count!
The Prompt
Write A Story That Gives Your Secondary Characters Something To Do
For today’s Write on Wednesday writing prompt, I’m digging into the archives.
This writing prompt, from 2012, talks about how to use your character’s desires to power a story and contains important tips on how to keep your short story from become a barely-begun novel.
The Prompt
Write a Story In Which Your Character WAAAAAAANTS something
This month I’m giving you prompts that work in different ways to support your long-form fiction/novel writing. Today’s prompt digs deep into your protagonist’s past.
Write the story of the childhood event that scarred your character
Tips
If you haven’t already, get hold of a copy of Lisa Cron’s Story Genius and read all about character misbeliefs. Re-read it, if you own a copy!
Every character has to have a flaw. Maybe you decided that yours was commitment-phobic, or that she was overly-honest, or that she couldn’t hold down a job. There are lots of ways that could be fun in a novel, but a deeper question is: Why?
What happened to your main character at an earlier point in their life, that caused them to begin acting this way?
Once you know that, the subtle ways she reacts will change. She won’t just be commitment-phobic, she’ll get unreasonably angry when anyone promises to take her on vacation, because when she was nine her dad promised to take her on vacation but instead blew the money taking his new girlfriend to Vegas, and your main character never had a real relationship with him again after that.
In Story Genius Lisa Cron asserts that harmful adult behaviors originate in behaviors that were actually protective, at some point. So, by not trusting her Dad again, your main character protected herself from getting hurt by him. But that pattern of behavior stopped serving her at some point (probably right around the time your novel starts) and she has to learn to overcome it. Knowing what caused her to begin acting that way is extremely useful.
Digging into your character’s past gives you news ways to show their flaws in your novel.
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.
Cookie
Duration
Description
cookielawinfo-checkbox-analytics
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional
11 months
The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy
11 months
The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.