Julie Duffy has hosted 12 StoryADay Mays and almost as many StoryADay Septembers. That’s quite a lot.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Your character is doing something innocuous and habitual like washing dishes or driving in a car or picking up dry cleaning or taking a walk in the neighborhood when a ghost/spirit appears to them. Whether it is human, animal, or other, what is it saying and why has it appeared to the character at this moment?
(This is good for dredging up something from the character’s subconscious and also for throwing your character off track with something unexpected.)
CAROLINE KIM was born in Busan, South Korea but moved to America at an early age. She has lived on the East Coast, Midwest, and Texas but now makes her home in Northern California with her family.
Her poetry and fiction have appeared or are forthcoming in TriQuarterly, The Rumpus, Pleiades, Porter House Review, MANOA, The Michigan Quarterly Review, Spinning Jenny, Meridian, Faultline, Pidgeonholes, Cosmonaut’s Avenue, Ms. Aligned 3, and elsewhere. Her collection of short stories, The Prince of Mournful Thoughts and Other Stories, won the 2020 Drue Heinz Literature Prize and was longlisted for the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Write a story from the perspective of a character that is not a human or other animal.
The character could be something from nature, like a rock or a puddle or a tree, or it could be something built (for example, a lamp or a shoe or a fountain pen).
To consider:
How does your character think? And what do they think about it?
What is most important to them?
What happens to them and how are they able, or not able, to react?
Monique Cuillerier is a science fiction writer living in Ottawa. When not writing, she likes to run, knit, garden, and get angry on Twitter (@MoniqueAC). Her most recent story was published by Diabolical Plots this month. Past work can be found at NotWhereILive.ca
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
There is a point, in the distance, that your character very badly wants to reach. What is it?
What is the point from which they’ve started out, what are they willing to do to get to that point in the distance? What will they sacrifice?
The bridge is the point between those two places. The bridge is where what they must do to get there, what they’re willing to sacrifice, and the consequences of those decisions coexist.
Write their story, on the bridge.
Are we ready? Today is Day 1 of StoryADay 2021!
Today’s prompt is from Fran Wilde. Fran is a wonderful short story writer among other things, and she writes weird little stories, but weird little stories that win awards…so let’s pay attention to what she’s asked us to do.
Fran has asked us to write a story where your character is on a bridge.
It’s a wonderful metaphor for where characters are in short stories. A short story can be just that moment on the bridge where they can see what they want and they know where they’ve been.
But they have to do something.
They have to do something they probably don’t want to do to get to the next step, to get where they want to go.
Your character wants something and it’s over there. Something is stopping them from getting there. If they’re the three Billy goats gruff, it’s a troll. If it’s a fantasy story, maybe there are rogues on the bridge. If it’s an adventure novel, maybe the bridge is rickety. If it’s a family drama, maybe their spouse is trying to tell them not to go any further….
So many possibilities, but all of them will keep you focused on the fact that, in a short story, a character has a choice to make and they have an action to take. And all the story needs to be is about that.
You don’t need to do much setup.
You don’t need to really tie it up with a bow.
You just need to tell us what happens and why it matters.
So good luck with Day One!
This is a fairly meaty prompt, but on Day One you’ve got lots of energy. You’ve planned for this. You haven’t used up all of your good ideas yet. (That actually is never going to happen)
Go out there and get your teeth into this prompt.
I’ll see you back here tomorrow, but before that, stop by and let me know what you wrote, how it went and just leave a quick comment for us when you’re done today.
Good for you for showing up. I’m very proud of you.
Keep writing.
Would you like to receive this kind of enhanced content every day during May AND get to attend Zoom writing sprints with me and the Superstars?
The Author
Two-time Nebula winner Fran Wilde writes science fiction and fantasy for adults and kids, with seven books, so far, that embrace worlds unique (Updraft, The Gemworld) and portal (Riverland, The Ship of Stolen Words), plus numerous short stories appearing in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, Uncanny, and multiple Year’s Best anthologies.
Her work has won the Eugie Foster and Compton Crook awards, been named an NPR Favorite, and has been a finalist for six Nebulas, three Hugos, a World Fantasy Award, three Locii, and the Lodestar. Fran directs the Genre Fiction MFA concentration at Western Colorado University and writes nonfiction for NPR, The Washington Post, and The New York Times.
I’ve been thinking a lot recently about how we build characters (both in real life and in fiction). So much of what we ‘know’ is based in the stories we tell about ourselves. That’s what this week’s prompt is all about.
The Prompt
Write a story in which a character tells the same story at three different times in their life.
One of the fastest ways to find your way to the plot of a short story is to come up with a character who wants something and see how they pursue that desire.
The Prompt
Think of a character who wants something really, really badly. Put an obstacle in your way and let them react to it
On this day in 1972 John Young and Charles Duke were the 9th and 10th humans to land on the moon. They weren’t the first crew to touch down, nor were they the last (that was the mission after theirs). What they did was still mind-blowingly complex, but didn’t garner nearly as much attention.
The Prompt
Write about a character (or duo) who is doing something new and difficult, but they’re not the first to achieve it. What does that do to their attitude to the task, to their relationship with each other, to their relationship with the people around them?
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