Write on Wednesday – And Get Published

…well, maybe.

This week’s Write On Wednesday post is a reminder about this prompt I posted during the 2015 May’s Challenge.

The DIYMFA Anthology/Writer-Igniter deadline is fast approaching. Polish up your earlier story now, or write a new one today.

The Prompt

  1. Use the Writer Igniter tool at DIYMFA to spark a story (grab a screenshot of your result)
  2. Write a story of up to 2,000 words on the theme ORIGINS
  3. Submit to DIYMFA by August 31, 2015 (more details here).

 

Go!

(And good luck!)

[Write On Wednesday] Expect The Unexpected

Sir RaleighThis morning my sister (visiting me in the US from Scotland) took my son out in the pouring rain to continue their ‘learn to ride your bike’ sessions. She’s leaving today, so it was their last chance. They weren’t going to let a little warm rain stop them. I do wonder, however, what the neighbors thought.

Which leads me to today’s prompt.

The Prompt

Think of a character who needs to do a task. Put that task in an unusual location/setting/timing/condition.

Tips

  • If your character needs to bake a cake because her mother is coming over (and your character, of course, has long-standing, complicated issues with her mother), that’s a story. If she’s trying to bake the cake on a spaceship and it has to be ready before her mother spacewalks over from her passing spaceship, that adds a layer of interesting complexity to the story!
  • Perhaps your story opens with two characters, like my sister and son, cycling in the driving rain. What could induce them to cycle in these conditions? Where are they going? What is driving them to do this? How do they feel about the journey? Each other? What is the journey a metaphor for? (Grammatically incorrect, but fun to say out loud. Try it!)
  • What other mundane tasks can you think of? Taking a test. Cleaning a bathroom. Meeting a friend. Now, where can you set these to make them intriguing? Taking a test on the side of a mountain. Cleaning a bathroom in a World War I trench. Meeting a friend in Death Valley.
  • Dig deeply into the circumstances. Ask why these things are happening where/when they are happening. Why would your character be there, trying to do this thing? Will they persevere? Will they give up? Will they whine? Will they fail? What has driven them to this point? Where would they rather be? Why is this interesting to a reader?

Go!

[Write On Wednesday] Snowpocalypse

This week, like last week, my prompt is inspired by a submission-call from an anthology.
As a dyed-in-the-wool fan of disaster movies, I couldn’t resist this one.

The Prompt

Snowpocalypse

Tips

  • Cast your mind back a few short months (if you’re in the Northern Hemisphere, especially if you’re someone that gets hard winters) to the unrelenting, bitter winter. Think about those last few weeks of winter when you can barely remember what the world looks like in anything but monochrome. Remember how it made you feel. Think about how long it took to simply get out the front door when you can’t go out without fourteen layers of clothing.
  • Put a character into this setting. Are they happy? Are they longing for spring?
  • Come up with a reason why spring isn’t coming. Maybe it’s something like Narnia’s White Witch. Maybe it’s climate change. Maybe your character is on a planet where perms-winter is normal.
  • Make something change. It can be the character’s desires, the weather patterns or the environment they’re in (if the dome cracks and the air outside is 40-below, that’s a crisis your character’s going to have to deal with)
  • When something has changed, put your characters to work (together is good. Even more fun if they have conflicting personalities) to solve the problem or face their doom
  • One of the best ways to launch yourself into ‘show not tell’ is to put characters together and let them talk about what they see, what they want, what they fear. Put two or more characters into your setting and get them talking as soon as possible.

Go!

[Write On Wednesday] About Time

Today’s prompt was inspired by a call for submissions from Main Street Rag Anthologies. They are currently reading submissions (until July 31) for an anthology called “It’s About Time”.

I don’t normally encourage you to put the cart before the horse (and think about publishing before you’ve got through the creative process) because it can be stifling. However, there’s nothing wrong with writing with a particular market in mind, as long as you don’t let it cripple your creative side. So forget about the anthology for the next hour or two, and just think about the prompt.

The Prompt

It’s About Time

Tips

  • This could be a phrase someone in the story says. They can be annoyed or they can be jubilant.
  • This could inspire a twisty, time-travel story.
  • Perhaps you will write a thoughtful story about aging or the passage of time, or historical processes.
  • If your short story starts to get away from you, challenge yourself to turn it into a Flash Fiction piece. Trimming a story to meet a 1,000 word limit really helps you see the essentials. (I did this recently. I ended up expanding the story again, after I’d created the Flash version, but it was much easier to keep the story on track, after I had forced myself to strip out all the tangential rambling!)

Go!

[Write On Wednesday] Two Different Timelines

Today’s prompt is inspired by a great book I’m reading on story structure. It’s called Book Architecture: How To Outline Without Using A Formula by Stuart Horwitz (who I had the pleasure of meeting at the Philadelphia Writers’ Conference recently. If you get a chance to see him speak, I’d highly recommend it. Very engaging and he takes a VERY different approach to the idea of outlining a story from most pro-outline people.)

The Prompt

Write A Story That Contains More Than One Timeline

Tips

  • Here’s a Flash Fiction example of the kind of thing I’m talking about: Comatose by Megan Manzano
  • In Book Architecture, Horwitz offers a couple of great tips for keeping multiple timelines from becoming confusing: 1, anchor your reader in the ‘present’ timeline before jumping back to a flashback and b, keep your flashbacks moving in the same chronological order (i.e. start at one point in the character’s experiences and move in one direction from there. He uses the movie Slumdog Millionaire as an example of this structure).
  • Here’s a longer, and more complex story that has multiple timelines: The Weight Of A Blessing by Aliette de Bodard (the timelines here are The Present, After The Last Visit With Her Daughter; The Recent Past, During And In-Between Her Three Visits With Her Daughter; and The Far Past, During The War. All of them combine to illustrate the theme of the story while unpacking the details of what the heck’s going on (kind of).
  • For today’s exercise, try doing the minimum: weave two timelines together, and keep each one moving in a particular chronological direction.
  • This might take more time than the usual Write On Wednesday “write it fast and loose” kind of exercise. What the heck, take the whole week.
  • Try taking a story you’ve written before and reworking it this way. Choose one you’re not happy with, or that you never finished Good candidates are stories that sank under the weight of their own backstory. Split out the backstory and tell it in flashback.

Go!

[Write On Wednesday] Going On A Journey

This week’s writing prompt: Take Your Character(s) On A Literal & Figurative Journey

Enjoy the journey, not the destination.
Yesterday, I wrote about Richard Matheson’s classic short story Nightmare at 20,000 Feet.

It got me thinking about journeys as a vehicle (sorry!) for a story. In his story, Matheson included tons of detail about the plane travel in the early ’60s. The claustrophobic feeling of the setting wasn’t accidental: it mirrored the character’s internal issues beautifully.

Today I’m inviting you to do something similar.

The Prompt

Take Your Character(s) On A Literal Journey

Tips

  • Choose a mode of transportation that you can write about in detail. (Have a lot of time for research? Sure, write about Mary and Joseph on a donkey in Roman-occupied Palestine. Short on research time? Use the last trip you took as source material).
  • Think about the mode of transportation you have chosen. Does it represent freedom or escape? Is it comfortable or torturous? Is it difficult or easy? (Horse back riding sounds like fun, but if your character is facing his third day on a horse in freezing drizzle and you have a different story!). Is your character driving or at the mercy of others (literally and figuratively?)
  • What does your character want/need? How can you use a literal journey to pad out the significance of that?
  • What changes in the middle of the story? Can you use the vehicle/travel to raise the stakes? If the bus breaks down or the horse bolts, or the passenger tempts the driver to break the speed limit what are the implications for the character? How can you make it worse? Don’t be afraid to go deeper/further/more whacky (you can always scale back in the revisions if it seems too crazy).
  • In the end, does your character end up where he wanted to go? Literally? Figuratively? Did your character end up where they needed to be? Are those the same things?
  • Think about the imagery and language you use (see yesterday’s Reading Room post, about how Richard Matheson chose his words to enhance the tone of the coming story).
  • Write a quick first draft.
  • Go back through the story and see if you can heighten the sense of place with different senses, different word choice. See if you can make things worse (or better) for your character.
  • If you’re brave enough, post your story in the comments (but not if you’re planning on submitting it anywhere else).

Go!