character – Page 2

Day 22- If You Were Not You by Julie Duffy

Today’s prompt has us looking at character

The Prompt

Dig out your Short Story Framework again, and this time let’s plan a story that features a character who might be you, but very much isn’t. Let them react in ways you never would, never could, to whatever obstacles you throw at them.

When trying to get inside the head of this person, it can be useful to think of someone you actually know who is very different from you. Think of someone who does things that you would never do, that you despise, or that you secretly admire. Start with their external actions (what do they do when someone cuts them off in traffic that is so different from what you do, for example.) Backtracked from there to try to figure out what is going on in their head and their heart in that moment.
Put this character in a situation where there is conflict or stress and where their reactions are going to be really different from how you would react. Write the reactions, and as you’re doing so, unpack the story behind this person.
Don’t worry about trying to have a clever plot in this story. It can be something as simple as: this person gets cut off in traffic and how they react. The point of this exercise is to investigate the psyche of somebody very different from you. There’s a danger in always writing characters that are too sympathetic or similar to yourself.
Writing about somebody you dislike or someone unlike you can be very difficult. To make them more sympathetic, give them something there really, really good at. They might be charismatic. They might be really good engineering. But everyone has some areas where they are competent even if they are incompetent in every other sphere that matters to you!
This is not an exercise in writing a villain. This is an exercise in writing someone very different from yourself. It could be someone you admire.

Julie Duffy

Julie is the creator of StoryADay May. She created the challenge in 2010 when she realized she was spending so much time daydreaming about ways she could have lived different lives that she might as well write some of them down as stories!

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Day 14- The Whole is Greater than the Sum of its Parts by Neha Mediratta

We’re diving into structure and character today with this prompt from Neha Mediratta

The Prompt

Write a short story about an accident from the PoV of three different characters:

involved in the accident (e.g. as a passenger or driver of a cart or cycle/bike or car/plane or spaceship),
witnessing the accident ( e.g. as agent who tried to avoid or confront the accident as it happens),
trying to put pieces of what really happened when investigating (e.g. could be a public figure like a police officer or a person just coming to terms personally with this incident).

The playing rules here are to

a) develop our practice muscles to inhabit different perspectives.
b) dig deeply into a small but decisive moment.
c) convey a final impression of the whole (i.e. The End) with the help of three different characters in the compact space of a short story.

And most of all, have fun writing!

Neha Mediratta

Neha is a generalist currently obsessed with stretching, mind-body-world connection and the spirit’s dwelling place. She writes fiction, non-fiction, takes on editing assignments and works with people she admires. She lives by a lake in an overcrowded coastal city with her family and some wildlife. Check out her writing here

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Day 13- Disappointment & Delight by Meghan Louise Wagner

Let’s get emotional with today’s prompt from Meghan Louise Wagner

The Prompt

Imagine a character who is older (interpret that as you like!) who returns to a place they visited once when they were younger.

There should be some emotional importance to the place, but this prompt works best if it’s a place the character only went to one or two times (not anywhere they’re super familiar with).

Start the story with the character returning to the place. When they arrive and see the place in its present state, have them either be:

a) greatly disappointed or

b) greatly delighted.

Then weave in memories of the place (or memories associated with the place) from when they were young.

Try to jump back and forth between them in the present and the past. By the end of the story, try to show a change in how the character views the place, either in the past or present. (for ex: if it started with them being delighted, have the story end with them being disappointed–or vice versa.)

Meghan Louise Wagner

Meghan Louise Wagner lives in Northeast Ohio. Her work has recently appeared in such places as Nashville Review, Cutleaf, Story, AGNI, Okay Donkey, and The Best American Short Stories 2022. More about her can be found at: meghanlouisewagner.com

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Day 11- Food Fight by Marta Pelrine-Bacon

Food is more than nourishment .in today’s writing prompt from Marta Pelrine-Bacon

The Prompt

Food!

People have strong feelings about certain foods.

Have your characters battle over food. There are so many ways we fight about food.

Or have a character who refuses to love their traditional food and suffers the consequences.

Marta Pelrine-Bacon

Marta is an author and artist making stuff up as she goes along.

Day 6- Unnamed by K. B. Carle

K. B. Carle invites you to leave your character unnamed

The Prompt

When writing or brainstorming the beginnings of a story, one complication that paralyzes the writer is what to name their character?

Some have a placeholder name such as “John Doe,” waiting for the character to reveal their name once the story is complete and will add this new name while editing.

Others, like myself, go to Google for unique, unusual, or rare names. But what if we made the decision not to name our characters at all?

For this prompt, resist the urge to name your main character. Instead, consider characters such as

Cathy Ulrich’s, “The Astronaut’s Wife,” who is simply known by her wife’s job title and role in their marriage.
Hema Nataraju’s “middle-aged commuter,” or
Eric Scot Tryon’s “Wife #2.”

How do names identify our characters? Are they defined by their job title, feelings, or their role in the world around them?

DO NOT be afraid to experiment and, as always, have fun! Afterall, someone dared to create villains such as Polkadot Man and Condiment King.

Examples:

After the Thrill by Amy Lyons

Compound by Noa Covo

You Were Only Waiting for This Moment to Arrive by Kathy Fish

Rumors from the Castle by Cathy Ulrich

K. B. Carle

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

Listen to her episodes of the StoryADay podcast: episode 279 and episode 280

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Day 3- Character Pulls Focus by Tommy Dean

Tommy Dean leads your character through a story

The Prompt

Start a story with a character in the middle of a conversation, where everyone knows something the main character doesn’t know.

Allow the main character to ignore the people around him. Use the setting to reveal something about the main character.

Let the main character gives us snippets of who the characters are around them.

Eventually, let one of the other characters get through to the main character!

Let the main character know seeing the room around them differently.

How does this added context force the main character to act/react?

How do they better understand the other characters in light of this revelation?

Tommy Dean

Tommy Dean is the author of two flash fiction chapbooks Special Like the People on TV (Redbird Chapbooks, 2014) and Covenants (ELJ Editions, 2021), and a full flash collection, Hollows (Alternating Current Press, 2022). He lives in Indiana, where he currently is the Editor at Fractured Lit and Uncharted Magazine. A recipient of the 2019 Lascaux Prize in Short Fiction, his writing can be found in Best Microfiction 2019, 2020, 2023, Best Small Fiction 2019 and 2022, Monkeybicycle, Moon City Press, and numerous other litmags.

His interviews have been previously published in New Flash Fiction Review, The Rumpus, CRAFT Literary, and The Town Crier (The Puritan).

He has taught writing workshops for the Gotham Writers Workshop, the Barrelhouse Conversations and Connections conference, and The Writers Workshop.

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

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