Day 17- You got a mouse in your pocket? by Fleet Sparrow

Fleet Sparrow invites us to explore the first person plural, today

The Prompt

Lately, I’ve been fascinated by how many times people will say “we” when they really mean “I”. There’s the courtly “royal we”, the Borg-like hive mind “we”, the “you and what army? we”, etc. So, for a challenge, write your story in the first-person plural.

Think about who would be using the plural first-person. What are they hiding about themselves? What are they telling? How many is the “we” including: one, two, or hundreds? And, for fun, just notice how naturally or unnaturally this “we” comes to you when writing.

Fleet Sparrow

Fleet is an avid fanficcer and smut lover who enjoys playing with long-held ideas and figuring out how to break them into something new. Zie loves Batman/DC Comics, writing, reading, music, and puns.

Y’all can find zir on Twitter (sometimes) at @FleetSparrow; on Substack (rarely) at fleetsparrow.substack.com; and on ArchiveOfOurOwn (often) under the name, you guessed it, FleetSparrow.

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Day 14- The Whole is Greater than the Sum of its Parts by Neha Mediratta

We’re diving into structure and character today with this prompt from Neha Mediratta

The Prompt

Write a short story about an accident from the PoV of three different characters:

  1. involved in the accident (e.g. as a passenger or driver of a cart or cycle/bike or car/plane or spaceship),
  2. witnessing the accident ( e.g. as agent who tried to avoid or confront the accident as it happens),
  3. trying to put pieces of what really happened when investigating (e.g. could be a public figure like a police officer or a person just coming to terms personally with this incident).

The playing rules here are to

a) develop our practice muscles to inhabit different perspectives.
b) dig deeply into a small but decisive moment.
c) convey a final impression of the whole (i.e. The End) with the help of three different characters in the compact space of a short story.

And most of all, have fun writing!

Neha Mediratta

Neha is a generalist currently obsessed with stretching, mind-body-world connection and the spirit’s dwelling place. She writes fiction, non-fiction, takes on editing assignments and works with people she admires. She lives by a lake in an overcrowded coastal city with her family and some wildlife. Check out her writing here

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Day 3- Character Pulls Focus by Tommy Dean

Tommy Dean leads your character through a story

The Prompt

Start a story with a character in the middle of a conversation, where everyone knows something the main character doesn’t know.

Allow the main character to ignore the people around him. Use the setting to reveal something about the main character.

Let the main character gives us snippets of who the characters are around them.

Eventually, let one of the other characters get through to the main character!

Let the main character know seeing the room around them differently.

How does this added context force the main character to act/react?

How do they better understand the other characters in light of this revelation?

Tommy Dean

Tommy Dean is the author of two flash fiction chapbooks Special Like the People on TV (Redbird Chapbooks, 2014) and Covenants (ELJ Editions, 2021), and a full flash collection, Hollows (Alternating Current Press, 2022). He lives in Indiana, where he currently is the Editor at Fractured Lit and Uncharted Magazine. A recipient of the 2019 Lascaux Prize in Short Fiction, his writing can be found in Best Microfiction 2019, 2020, 2023, Best Small Fiction 2019 and 2022, Monkeybicycle, Moon City Press, and numerous other litmags.

His interviews have been previously published in New Flash Fiction Review, The Rumpus, CRAFT Literary, and The Town Crier (The Puritan).

He has taught writing workshops for the Gotham Writers Workshop, the Barrelhouse Conversations and Connections conference, and The Writers Workshop.

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Day 9- First To Third by Julie Duffy

This StoryADay writing prompt encourages you to try an older story from a new poing of view

The Prompt

Re-write yesterday’s story, in a different point-of view.

Keep the same protagonist, but take us into a different voice.

Where, yesterday, you might have written, “I slammed the door as I left, hearing a muffled ‘hey!’ from behind it. But seriously, how could he have said such a thing, and expected me to stay?” today you might write it from the third-person, limited point of view, which would read like this: “she slammed the door as she left, hearing a muffled ‘Get back here!’ from behind it. But seriously, how could he have said such a thing and expected her to stay?”

Notice how similar third-person limited is to first person? We’re still experiencing the thoughts of only one person. We are very closely aligned with their thoughts and feelings. We don’t need the writer to say ‘she thought’, because it’s always clear whose thoughts we are in.

The advantage of third person is that you can use a line break to indicate a perspective shift and hop inside another character’s head.

“She slammed the door as she left.”
#
The walls shook as the door hit the frame. He yelped with a surprise that quickly turned to anger. Half out of his chair, he yelled “Get back here”. The only answer was the click of her heels on the wood of the stairs and the echoing slam of the front door. A wave of shame pushed him back into the sagging armchair. How could have have said those things to her and expected her to stay?
#
The air outside was icy and cut into her lungs like broken glass. Where would she go now? Surely anywhere was better than here. Fresh snow crunched under the ridiculous heels he had insisted she always wear …
—
You can stay in one person’s perspective or jump around, just remember, which ever head you’re in, that’s the one the reader will identify most closely with. It’s best not to jump around too much and leave your reader seasick!

Julie Duffy

Julie Duffy likes to write in first person but appreciates the opportunities afforded by third. If she is being honest, what she really loves is a really well done third-person omniscient story as employed by Messers Dickens and Pratchett. You can read more StoryADay Point of View writing prompts here.

StoryADay Bingo day 9
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Day 8- Keeping it Personal by Julie Duffy

In today’s StoryADay writing prompt, we’re working with first person perspective

The Prompt

Write a story in the first person about an incident that happens to a character who is your opposite.

TIPS

Think about some situation you are sure you would FREAK OUT in, and give it to a character who is utterly unlike you (in some ways you admire, and perhaps some ways you don’t)

In many ways, first person is the most natural way to tell a story because it’s how we tell stories all day long. “How was your commute?” “Where did you park?” “What did you do this weekend?”

All of these questions invite stories.

The most important thing to remember about first-person is that the reader is only ever privy to the thoughts of the person telling the story. They can infer, from other people other people’s expressions, what they’re feeling, but you can’t know for certain. You can’t tell me exactly what your spouse was thinking when you took a wrong turn. You can tell me what they said and how they said it….

The character can be self-aware or self delusional or mixture of the two.

Julie Duffy

I am Julie Duffy and this is a first-person bio. I founded StoryADay May in 2010 because I was stick of never finishing anything I started. Ironically, StoryADay May turned into an annual event and now I hope it will never end! I also encourage people to make weekly goals during the rest of the year, in our Serious Writers’ Accountability Group posts. If you’d like email reminders about them, fill in the form, below.

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Day 29 – Three Sides of the Same Story

The Prompt

Write a story in three sections, each section recounting the same event from a different character’s point of view

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The Author

Julie Duffy is the author of several guides for writers, available on Kindle. She is also an occasional columnist for WriterUnboxed.com

Read A Book, Support An Indie

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This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

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Day 13 – Monique Cuillerier Shifts Your Perspective

Monique Cuillerier Writing prompt

The Prompt

Write a story from the perspective of a character that is not a human or other animal.

The character could be something from nature, like a rock or a puddle or a tree, or it could be something built (for example, a lamp or a shoe or a fountain pen).

To consider:

How does your character think? And what do they think about it?

What is most important to them?

What happens to them and how are they able, or not able, to react?

How do they feel about this?

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The Author

Monique Cuillerier is a science fiction writer living in Ottawa. When not writing, she likes to run, knit, garden, and get angry on Twitter (@MoniqueAC). Her most recent story was published by Diabolical Plots this month. Past work can be found at NotWhereILive.ca

Read A Book, Support An Indie

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This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Leave a comment and let us know how you used the prompt, and how you’re celebrating!

Day 3 – Matthew Salesses Looks Back

The Prompt

writing prompt from Matthew Salesses

This prompt comes from thinking about point of view and you could use it to write the whole story in two parts.

For the first part create a character who does something that you did during that week: e.g. go to the grocery store and you buy oranges. now. Now write about it in the third-person perspective and fictionalize it.

In the second part move your story 10 years into the future. Change perspective to make it a first person perspective. And it turns out that that non-momentous moment from your life (e.g. going to the super supermarket and buying oranges) ended up being extremely important to this character.

Don’t forget to include how the world has changed from 10 years ago to now and how the character’s world has changed, how they think of the world, and how they move through the world differently.

Would you like to wake up to a video pep talk and writing lesson from me every day during the challenge AND be invited to writing sprints with me and the Superstars during May?
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The Author

MATTHEW SALESSES is the author of the bestsellers The Hundred-Year Flood, an Adoptive Families Best Book of 2015, and Craft in the Real World, an Esquire Best Book of the 2021, which explores alternative models of craft and the writing workshop, especially for marginalized writers.

His latest novel is the PEN/Faulkner Finalist Disappear Doppelgänger Disappear, Matthew was adopted from Korea. In 2015 Buzzfeed named him one of 32 Essential Asian American Writers.

Matthew is an Assistant Professor of English at Coe College, where he teaches fiction writing and Asian American literature and studies.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Buy now

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Day 30 – Plagiarize Yourself

The Prompt

Take a story you wrote earlier this month, and write it again in a different way.

The Author

Julie Duffy is a fan of not making things harder than they need to be.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Leave a comment and let us know how you used the prompt, and how you’re celebrating!

Day 17 – Gregory Frost Plays with Point Of View

 The Prompt

Think up a narrative about some form of travel—anything from setting out on an adventure, to a school trip to somewhere, to crossing a border, to an accident on the way, (a train wreck perhaps).

Begin this in the voice of a collective first person: “We.”

How does a group consciousness describe the experience?

Consider both Karen Russell’s “St. Lucy’s School for Girls Raised by Wolves” and Ayșe Papatya Bucak’s “The History of Girls” as examples of this voice. Note that both authors introduce the element of the individual “I” at critical points among the we. See if you can identify in your story idea where the individual “I” might intrude or take over. (500 words and up)

THE AUTHOR

GREGORY FROST’s most recent novel-length work is the Shadowbridge duology from DelRey. It was an ALA Best Fantasy Novel pick. His latest short fiction will appear in the September/October 2020 Asimov’s Magazine and in an upcoming issue of Weird Tales.

His collaborative novelette with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town,” won an Asimov Readers Award. His short stories have been finalists for the Stoker, Nebula, Hugo, and Theodore Sturgeon awards.

Read A Book, Support An Indie

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This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

GREGORY FROST, SHADOWBRIDGE

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[Daily Prompt] May 8 – A Different Perspective

It’s May 8 and we’re working through our second weekend already. I’m guessing the shine might have worn off this challenge a little by now and that you could be struggling.

(It’s not easy to come up with a fresh idea every day!)

So today, give yourself a break. Go back and find a story you’ve already written. Now, tell the story from a different character’s perspective.

Try to make the tone of the story totally different: the length of the sentences, the pacing, the rhythm, even the events, if the second person remembers them differently.

Rewrite One Of Your Own Stories From A Different Perspective

Go!