Day 17- You got a mouse in your pocket? by Fleet Sparrow

Fleet Sparrow invites us to explore the first person plural, today

The Prompt

Lately, I’ve been fascinated by how many times people will say “we” when they really mean “I”. There’s the courtly “royal we”, the Borg-like hive mind “we”, the “you and what army? we”, etc. So, for a challenge, write your story in the first-person plural.

Think about who would be using the plural first-person. What are they hiding about themselves? What are they telling? How many is the “we” including: one, two, or hundreds? And, for fun, just notice how naturally or unnaturally this “we” comes to you when writing.

Fleet Sparrow

Fleet is an avid fanficcer and smut lover who enjoys playing with long-held ideas and figuring out how to break them into something new. Zie loves Batman/DC Comics, writing, reading, music, and puns.

Y’all can find zir on Twitter (sometimes) at @FleetSparrow; on Substack (rarely) at fleetsparrow.substack.com; and on ArchiveOfOurOwn (often) under the name, you guessed it, FleetSparrow.

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Day 14- The Whole is Greater than the Sum of its Parts by Neha Mediratta

We’re diving into structure and character today with this prompt from Neha Mediratta

The Prompt

Write a short story about an accident from the PoV of three different characters:

  1. involved in the accident (e.g. as a passenger or driver of a cart or cycle/bike or car/plane or spaceship),
  2. witnessing the accident ( e.g. as agent who tried to avoid or confront the accident as it happens),
  3. trying to put pieces of what really happened when investigating (e.g. could be a public figure like a police officer or a person just coming to terms personally with this incident).

The playing rules here are to

a) develop our practice muscles to inhabit different perspectives.
b) dig deeply into a small but decisive moment.
c) convey a final impression of the whole (i.e. The End) with the help of three different characters in the compact space of a short story.

And most of all, have fun writing!

Neha Mediratta

Neha is a generalist currently obsessed with stretching, mind-body-world connection and the spirit’s dwelling place. She writes fiction, non-fiction, takes on editing assignments and works with people she admires. She lives by a lake in an overcrowded coastal city with her family and some wildlife. Check out her writing here

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Day 10- Stick With Me by Julie Duffy

Writing in the present tense provides immediacy, as this writing prompts, and its tips, demonstrate

The Prompt

Tell a story in the present tense that starts when your character enters a new environment and ends when they exit.

This story could be a single episode from a larger quest, that illuminates something about your character (useful for those of you who have a longer work-in-progress on the go), or it could be a standalone story.

I’m encouraging you to tell the story in the present tense because it makes the story so much more immediate AND leaves the possibility open for absolutely anything to happen at the end of the story.

Want your character to drift off into space uncertain of their fate? Want them to die at the end? Want to keep the reader on the edge of their seat? These things are all easier to pull off when your story is in the present tense.

If you start your story “I’m walking down the middle of the road, traffic roaring past in both directions on either side of me, pulling the folds of my long gown this way and that, like hands grabbing at my dress…” the reader has no idea if this character is going to survive or not.

If the same story was told in the past tense, (“I was walking down the middle of the road…”) there is an implied ‘later’, an older version of the character who survives to tell us the story.

You don’t have to be out to murder your character, to use this perspective, but it can be very useful in stories where you want to ratchet up the suspense and the sense that anything could happen.

It’s also good practice to mix up our natural inclinations from time to time.

If you’re feeling resistance to any of these ideas, remember: I’ve lost count of the number of writers who told me they hated (HATED) a particular prompt, and write to it anyway, only to have it turn out to be the most interesting (and often published) story they wrote that year.

StoryADay Bingo Day 10
Here’s your Bingo token

Julie Duffy

Julie Duffy is typing this prompt on an ergonomic keyboard. The large maple tree outside her window is being buffeted by spring storms, reaching its branches towards her windows as if it wants to come inside. Wait, what was that noise?

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Day 9- First To Third by Julie Duffy

This StoryADay writing prompt encourages you to try an older story from a new poing of view

The Prompt

Re-write yesterday’s story, in a different point-of view.

Keep the same protagonist, but take us into a different voice.

Where, yesterday, you might have written, “I slammed the door as I left, hearing a muffled ‘hey!’ from behind it. But seriously, how could he have said such a thing, and expected me to stay?” today you might write it from the third-person, limited point of view, which would read like this: “she slammed the door as she left, hearing a muffled ‘Get back here!’ from behind it. But seriously, how could he have said such a thing and expected her to stay?”

Notice how similar third-person limited is to first person? We’re still experiencing the thoughts of only one person. We are very closely aligned with their thoughts and feelings. We don’t need the writer to say ‘she thought’, because it’s always clear whose thoughts we are in.

The advantage of third person is that you can use a line break to indicate a perspective shift and hop inside another character’s head.

“She slammed the door as she left.”
#
The walls shook as the door hit the frame. He yelped with a surprise that quickly turned to anger. Half out of his chair, he yelled “Get back here”. The only answer was the click of her heels on the wood of the stairs and the echoing slam of the front door. A wave of shame pushed him back into the sagging armchair. How could have have said those things to her and expected her to stay?
#
The air outside was icy and cut into her lungs like broken glass. Where would she go now? Surely anywhere was better than here. Fresh snow crunched under the ridiculous heels he had insisted she always wear …
—
You can stay in one person’s perspective or jump around, just remember, which ever head you’re in, that’s the one the reader will identify most closely with. It’s best not to jump around too much and leave your reader seasick!

Julie Duffy

Julie Duffy likes to write in first person but appreciates the opportunities afforded by third. If she is being honest, what she really loves is a really well done third-person omniscient story as employed by Messers Dickens and Pratchett. You can read more StoryADay Point of View writing prompts here.

StoryADay Bingo day 9
Here’s your bingo piece!

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Day 8- Keeping it Personal by Julie Duffy

In today’s StoryADay writing prompt, we’re working with first person perspective

The Prompt

Write a story in the first person about an incident that happens to a character who is your opposite.

TIPS

Think about some situation you are sure you would FREAK OUT in, and give it to a character who is utterly unlike you (in some ways you admire, and perhaps some ways you don’t)

In many ways, first person is the most natural way to tell a story because it’s how we tell stories all day long. “How was your commute?” “Where did you park?” “What did you do this weekend?”

All of these questions invite stories.

The most important thing to remember about first-person is that the reader is only ever privy to the thoughts of the person telling the story. They can infer, from other people other people’s expressions, what they’re feeling, but you can’t know for certain. You can’t tell me exactly what your spouse was thinking when you took a wrong turn. You can tell me what they said and how they said it….

The character can be self-aware or self delusional or mixture of the two.

Julie Duffy

I am Julie Duffy and this is a first-person bio. I founded StoryADay May in 2010 because I was stick of never finishing anything I started. Ironically, StoryADay May turned into an annual event and now I hope it will never end! I also encourage people to make weekly goals during the rest of the year, in our Serious Writers’ Accountability Group posts. If you’d like email reminders about them, fill in the form, below.

Bingo!

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Day 17 – Gregory Frost Plays with Point Of View

 The Prompt

Think up a narrative about some form of travel—anything from setting out on an adventure, to a school trip to somewhere, to crossing a border, to an accident on the way, (a train wreck perhaps).

Begin this in the voice of a collective first person: “We.”

How does a group consciousness describe the experience?

Consider both Karen Russell’s “St. Lucy’s School for Girls Raised by Wolves” and Ayșe Papatya Bucak’s “The History of Girls” as examples of this voice. Note that both authors introduce the element of the individual “I” at critical points among the we. See if you can identify in your story idea where the individual “I” might intrude or take over. (500 words and up)

THE AUTHOR

GREGORY FROST’s most recent novel-length work is the Shadowbridge duology from DelRey. It was an ALA Best Fantasy Novel pick. His latest short fiction will appear in the September/October 2020 Asimov’s Magazine and in an upcoming issue of Weird Tales.

His collaborative novelette with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town,” won an Asimov Readers Award. His short stories have been finalists for the Stoker, Nebula, Hugo, and Theodore Sturgeon awards.

Read A Book, Support An Indie

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This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

GREGORY FROST, SHADOWBRIDGE

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