[Write On Wednesday] – What A Girl Wants

I used to get hung up on The Big Idea: having something to say; writing a story that was somehow meaningful.

It wasn’t until I tried to write a story a day for the first time, back in 2010, that I realized: the idea doesn’t come first.

The idea (the theme) often doesn’t come until the end of the story when you suddenly realize what it is your characters have been yapping on about for the past few pages.

The character — what the character wants, what the character doesn’t have, and why — are where the story happens.

The Prompt

danglies
"Danglies" by Keera Russell
  • Today, come up with a character (could be based on someone you know).
  • Think of one thing the character really wants and doesn’t have. (It doesn’t have to be a life-changing thing. It could be a pair of diamond earrings.)
  • Make this ‘want’ the central motif of the story.  I think you can learn a lot about a person by how they deal with what they don’t have.
  • Tell the story of a moment, a day, an incident in the life of this character.

The Rules:

1. You should use the prompt in your story (however obliquely you use the ‘want’, it should be there in the character and all their reactions).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: What A Girl Wants  #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

This week’s #WriteOnWed short story prompt is all about what your character wants #storyaday http://wp.me/p1PnSG-zy

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

See my story – and write your own, today: What Your Character Wants #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

I Don’t Feel Like Writing – Part II

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Last week we talked about the importance of writing even when you don’t feel like it. Well, enough theory. This week I bring you seven practical strategies for making it happen.

Goals, rewards and accountability buddies form part of the big picture in this scheme. They are sensible parts of your writing’s career plan. But as for the actual “starting writing” part? That’s when you need to be a bit more tricksy.

Try some of these tricks to shake loose the “sensible”, lose the “logical” and get your brain into that devil-may-care creative zone you need for writing.

1. Give Yourself Enough Time

I’ve always loved a deadline — as long as it came with a sleepless night between the two of us. But sit down to write knowing I have to have something completed in an hour?! That’s enough to induce a mammoth case of writer’s block (aka panic). Comedian John Cleese talks about this in this fabulous video on creativity (it’s long, but worth watching). He recommends no less than 90 minutes as a window for creative work, asserting that your brain will try to sabotage you for at least the first half hour…It’s not a hard and fast rule, but it does point out the necessity of allowing more time than you might otherwise plan, for creative ventures.

2. Letter To a Friend

If you’re really having trouble knowing how to get into your story, put all thoughts of readers, editors and publishing out of your head. Instead start writing a letter to your best friend, explaining what this story is going to be about. Write it as if you were describing something that had really happened. You don’t need to finish the letter (or mail it) because the act of writing it out will help you find a way into the actual story, and start writing.

3. Switch Up Your Writing Method

If you usually write on a computer, try turning on the microphone and dictating your story instead (you can transcribe it later). If you usually dictate stories, grab a good pen and some nice paper and write a few paragraphs. If you habitually write on paper, pull up a keyboard. Just the act of writing in a different physical way forces your brain to fire in different ways. You may find yourself “writing” in a different style than usual, or you may simply jump start your writing day. (This will feel awkward. That’s kind of the point. Try it.)

4. Stand Up

Sitting down is not a natural attitude, in evolutionary terms. Humans are made to be upright, to be walking around. So stand up for a while. Pace the floor, muttering like a mad person about the plot point that has you foxed. If you can swing it, put a plank across the arms of a treadmill and balance your laptop on it (I recommend walking very, very slowly until you get the hang of this). Either way, regular movement-breaks help you write by getting your blood pumping and letting your mind wander. Creativity requires thinking-time as well as working-time.

5. Write Nonsense

Some days getting started feels like torture. It feels like a physical impossibility. Put your pen on the paper, put your fingers on the keyboard and just talk. Talk about anything. How hard this is, how much you hate it, what sounds you are hearing outside your window, the feeling of your hair sticking to your neck in the summer heat, anything. Eventually you will relax (and get sick of the navel-gazing, self-absorbed, pity-kitty you have become and start writing the damned story).

6. Outline one scene

Every story has scenes. The bit where we walk in to the characters’ lives. The bit where they are forced to make a decision. The bit when they have a big fight. Take one scene and outline it. Promise yourself that you’ll write this one scene today even if you don’t manage anything else. Figure out who is in the scene, where it takes place, what the characters want, why they can’t have it (yet) and what function the scene plays in the overall scheme of the story (is it a set-up scene? Does it contain the inciting incident? Is it the climax?). Don’t worry about how you’ll write the rest of the story. Outline this one scene. Then write it.

7. Visualize Success

This is the most hippy, nebulous piece of advice I will give and its a bit more ’big picture’ than the other techniques here, but used in conjunction with them it can be extremely powerful. We are a product of our beliefs about ourselves, so let’s make sure we spend some time on the positive ones. Yes, writing is hard. No, we’re not big successes yet. So why do we do this to ourselves? What do we want? Answer this question then spend some time imagining how it will feel when you get there. Use those anticipated good feelings to propel you towards your goal.

Your goal might be as grand as seeing yourself doing book signings and readers to adoring fans. Or it might be as simple as remembering the thrill you always feel when you finish a piece.

And remember, you’re a writer. It is your job to imagine things all the time. If MBA candidates and captains of industry can use this technique, how much more successful will you, a writer, be?

What techniques do you use to jump start your work on a day when you don’t feel like writing?

 

Need more help jump-starting your writing day? Check out the ebook: The StoryADay.org Guide To Breaking Writers’ Block

What If I Don’t Feel Like Writing?

You love to write, right?

Except when you don’t.

2006_05.28 Isaac tantrum

What’s a writer to do on those days when your inner writer is being a cranky toddler, plumping it’s big fat bottom down on the floor, screwing up its face and wailing,

“I dun wanna wri-i-ite!”

Today I bring some tough parenting love for your inner child-writer. Next week: seven practical strategies to jump-start your writing on the days when even The Mommy Voice won’t cut it.

Tough It Out

D’ya think the dairy farmer always leaps out of bed before dawn, whistling and praising the winter wind that whips away his breath on the way to the byre? Nope, but you need milk for your coffee, so he drags himself out of bed.

Readers, no, the world needs your stories, so get your fingers on the keyboard.

But Julie, you say, writing is a creative pursuit! How can I be expected to turn out something wonderful if writing feels like work?

In answer I say: how will you turn out something wonderful if you aren’t sitting down every day and learning how to get through the reluctance, the fear, the slog? You don’t have to write something wonderful every. You do, however, have to write. Whether you feel like it or not.

Do whatever it takes to get yourself past the reluctance and into that happy place where the words flow. Stay in your chair until you are happy to be there. Your readers will thank you.

Rewards

If you are not writing for a steady paycheck and legions of crazed fans, you need another reward structure.

It IS hard to start and finish a story. It IS hard to face the revision process. You DO deserve a reward for putting in the effort – beyond the satisfaction of knowing you did it.

So, set up some incentives for yourself. Be generous, but canny. Your rewards should enhance your creativity rather than take the edge off.

Examples of creativity-enhancing rewards:

  • -a call to a like-minded friend,
  • -a new notebook,
  • -some guilt-free time contemplating a thing of beauty,
  • -a walk in the woods

Stodgy, counterproductive “rewards”:

  • -a half-pint of ice cream,
  • -two hours flipping through the channels,
  • -a free-flowing bitch-session about how hard it is to be a writer.

 

Goals

Yes, goals. Set regular goals and meet them.

Any or all of the following – especially when you pair them with the accountability of telling a more-bossy friend about them – can help you break through the barriers on a day when you just don’t want to write:

-a daily word count or ’scene goal’. Commit to write X number of words or complete scenes every day. You will progress, even if you end up revising heavily later.
-a weekly goal can make the whole ’goal’ thing less stressful than a daily goal. Struggling on Tuesday? Make up for it on Wednesday, Thursday AND Friday.
-write down mid-term and long-term goals: “finish three stories this month”, “revise and submit stories to ten markets by October”, “self-publish a story collection in 2013”.

Refer to your list as you sit down to work. Remind yourself it’s not just about the slog or the word-count: you have goals for your writing.

And if one of your goals is “support myself through my writing, full-time” then it’s even more important that you figure out, now, how to write even when you don’t feel like it.

Next week: seven specific techniques for getting yourself in the mood to write even when your inner child-writer is saying “I dun wanna!”.

Then, let me bust your writing excuses. No more excuses!

 

So tell me, what do YOU do when you don’t feel like writing?

[Write On Wednesday] Storytelling in Real Time

This week’s prompt revolves around taking a very short span of time (impossibly short) and stretching it out over the length of a complete short story.

Quick question before I get onto the prompt. We’re having a discussion on the Advance List about the possibility of doing a bonus StoryADay in September. I’d love it if you could share your level of interest in this poll

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Thanks! Now, on with the prompt!

This week I read a great new novel called Billy Lynn’s Long Halftime Walk by Ben Fountain. One of the many remarkable things about this novel is that almost all the events in the novel happen on one afternoon.

I heard the author talking about this. It was a deliberate decision on his part, a challenge to himself to see if he could (with very few exceptions) avoid flashbacks or set-pieces that happened out of the timeline of the book’s one day. He also didn’t want a mystery or huge amount of suspense to pull readers onward. I was so intrigued that I had to get hold of a copy and see how he pulled it off.

Of course, he did it by Continue reading “[Write On Wednesday] Storytelling in Real Time”

[Tuesday Reading Room] The Sun, The Moon, The Stars by Junot Diaz

Last month I went to Book Expo America, the big bookselling trade show in NYC. It was the first time I’d been at BEA in a dozen years.

Last time I was there, there was this funky new thing called the Rocker ebook reader, the size of a trade paperback with a big heavy battery and a black-on-gray screen that completely failed to excite anyone at the conference but me. I’m not sure Amazon even had a booth that year.

Fast forward to this year and everyone was walking the floor, smartphones in hand, skirting the vast Amazon presence right in the center of the floor. Added to that the publishers — most of whom didn’t even have email addresses last time — sent out a free ebook containing samples of the most “buzz-worthy” books featured at the convention. I got a copy for my Kindle (sorry, RocketBook. You never made it, but you helped blaze the trail, if its any consolation).

In the BEA Buzz ebook I found a short story called “The Sun, The Moon, The Stars”, by the very buzz-worthy Junot Diaz. It was the first of his stories that I have read and it wont be the last. It’s from a collection called This Is HowYou Lose Hercoming out this year from Riverside Books.

The story takes us inside the head of a young Dominican guy with girl problems. Written in the first person and in the distinctive patois of the young idiot male everywhere, the story is a skillful demonstration of how to tell more than just one person’s story through one person’s voice.

Even though the narrator is clearly the “sucio” his girlfriend suspects he is, Diaz manages to show us, through his character’s voice, that he has the potential to be much more. Without whining, he shows how his struggle to be a good macho young man complicates his attempts to be a good man.

And when Diaz allows his character to go “home” to the Dominican Republic with the girl he’s trying to keep, we see the a very different young man, a natural poet and family guy.

The whole story is a subtle reflection on the difficulty of growing up, fitting in, finding your way, with one foot in two different communities, and in many cultures. But it’s all done with a light hand and extraordinary eloquence.

Look for “This Is How You Lose Her” by Junot Diaz from Riverhead Books in September.

StoryADay September?

So, hey, quick question: would you be interested in doing a bonus StoryADay September?

Why September?

*It’s that time of year when years of school timetables have conditioned us (in the Northern hemisphere at least) to think about fresh starts and buckling-down-to-work.
*It’s far enough away from NaNoWriMo, for those of you who participate, that it won’t eat into your novel-planning time in October.
*It’s a full calendar-quarter since May. Our creative batteries will be recharged (and frankly, we might have fallen back into some old, bad habits, yes?)

 

I’d be thrilled to prep for a StoryADay September if people are excited about the idea, but frankly, I don’t want to waste my time (and pepper you with unwanted emails) if everyone feels ‘meh’ about the idea. I’d be so grateful if you’d take a moment to click on the poll and let me know. Is it “Meh, I’ll wait until May” or “Oo, yeah, I’m SO going to need this by September”?

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And please feel free to leave a comment saying how you feel about this 😉