[Writing Prompt] Hidden Depths

Now that we’ve played around with perspective for a few days, let’s turn our attention to character.

Of course you want your hero to be heroic and your bad guys to be evil, but don’t forget that one dimensional characters are unrealistic and unsympathetic.

So what’s the solution? 

The Prompt

Give Your Character a Flaw

The key to giving your character an interesting flaw is to let the readers see the potential for failure early on. 

If your heroine is a devoted mother and that is going to be the thrust of the story, let the readers see her having a moment of resentment, of longing for her former freedom. Raise the stakes by giving her chances to regret that feeling later, when her children are in peril. It’s not who she really is, but it was a very human impulse. Your readers will empathize both with the impulse and the regret. 

If your hero is a wise-cracker, hint that there is a serious reason underneath. 

The same goes for the evil witch in the office, who makes your main character’s life a misery. If she is all bad, the reader will get bored with her. If she has a hint of a redeeming feature (even if it is that she is hilarious), the readers will have more patience for her necessary appearances in the story.

Just don’t go overboard with this. It’s a short story. A quick hint early on is all you should need to put on the page. 

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Second Person

Continuing this week’s theme of POV prompts, here is today’s prompt:

Write a Story In Second Person

This is probably the least-used of all the points of view and with good reason. It’s not one we’re used to reading because it’s tricky and informal and potentially distracting.

So what is ‘second person’? It’s when the story is told with “you”, where the narrator puts you in the position of the main character.

If you’ve ever played a role-playing game (or a first-person video game) this perspective is going to come a lot easier to you than if you have never read it before. In role-playing games, the games master reads a scenario to the other players, putting them in the scene:

“You walk into the room and know, immediately that something is wrong. There’s a huddled shape in the shadows at the far side of the dim, low-ceilinged space and strange markings on the floor. You turn to leave but the door has slammed shut behind you. There is no handle.”

That’s all very well, but how do you stop a story from reading like a ‘choose your own adventure’ book: a series of descriptions? Well, here’s a passage from Jay McInerney’s “Bright Lights, Big City” that shows you how you can incorporate action, reflection and dialogue into a second person story. In this scene, the main character is in a nightclub.

In the bathroom there are no doors on the stalls, which makes it tough to be discreet. But clearly you are not the only person in here to take on fuel. Lots of sniffling going on in the stalls. the windows are blacked over, and for this you are profoundly grateful.

Hup, two, three, four. The soldiers are back on their feet. They are off and running in formation. Some of them are dancing and you must follow their example.

Just outside the door you spot her: tall, dark and alone, half hidden behind a pillar at the edge of the dance floor. You approach laterally, moving your stuff like a Bad Spade through the slalom of a synthesized conga rhythm. She jumps when you touch her shoulder.

“Dance?”

So yes, it is an unusual written form. It is, however, the way we often talk (“So, say your mother-in-law was coming over and she’s always having a go at you about the state of your bathroom, but her baby boy has never been seen to life a Clorox wipe in his life…”)

No need to be intimidated. Try out the second person and see what it does for your writing, your tone, the storytelling possibilities. Pay attention to how much description and dialogue you use in this form and how much of it seems interior. Is it significantly different from how you usually write?

Have fun with this and…

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Third Person Limited Perspective

This week’s prompts are all about point of view and narrative voice.

The Prompt

Write a story from the third person limited POV.

Tips

“Third Person, Limited” means that, unlike yesterday, your narrator never says “I did this”, rather you talk about “he went to the door”, “He opened it.”

The ‘Limited” part means that all the judgements and assumptions, all internal thoughts are limited to those of the character through whom you are telling the story. No popping out of Dave’s head to jump across the room and tell us what Mandy is thinking as she looks at him. The only thing we’re privy to is what Dave thinks Mandy might be thinking about him.

Within this framework you can still play with the form: your limited persona can be like Nick Carraway, reporting on Jay Gatsby’s life, rather than telling us about his own adventures. You can give your limited persona the ride of her life through a whitewater canyon and let us see it all from her perspective.

Third person limited is great for short stories, because it lets us – the readers – identify with one character, and ground the story somewhere. You don’t have much space in a short story and the last thing you want is to confuse your readers (unless, of course, the whole point of your story is to confuse your readers!). Letting them get to know a character by showing their reactions to events, puts you half way to rooting for (or against) the protagonist.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Third Person, Omniscient perspective

Continuing this week’s theme of POV prompts, here is today’s prompt:

Write a story from the Third Person, Omniscient perspective

This is the perspective you know from all the classics (Dickens springs to mind): the author can say anything, pop inside any (or all) character’s heads, travel backwards and forwards in time, insert herself and her own commentary onto the page…

Have some fun with this. Take an episode and tell it from one character’s perspective, then leap into another character’s head and give their read on the situation. Try out your authorial prerogatives and make a comment about what’s going on (think of that moment when a TV character turns to the camera and talks directly to us, the audience).

This can get quite complicated (which is why it works so well for novels) but give it a bash and see what you come up with.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] First Person POV

You’ve done it! You’ve made it to the end of the first week! I hope you’ve met or come close to your goals. But if not, this is the perfect time to sit back and figure out what went ‘wrong’, what you can learn from it and how to press forward.

And now, on to today’s prompt.

It’s easy to get stuck in a rut, writing in third-person, or first person, or inside or outside your character’s heads. So this week we’re shaking things up. Ready?

The Prompt

Write A Story Using The First Person Voice

Tips

  • The whole thing should be told in the “I” voice.
  • It should, for preference,  be a story about something that happened/is happening to the person telling the story.
  • When writing in the first person you can never allow your narrative to stray inside another character’s head. The “I” character can speculate about what other people are thinking, but everything must come from their perspective.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Space

The Prompt

Pick a spectacular or vivid interior space. Set your story in it, paying attention to the space and how it might shape your narrative.

Tips:

  • Perhaps your space is large and cavernous and something whispered at one end can be easily overheard at the other.
  • Perhaps your hero is visiting his grandmother who has a lifetime of tchotchkes cluttering every surface. How does that affect him and can he say what he came here to say?
  • Does your heroine need comfort, but find herself in a sterile home decorated by her acclaimed but distant architect husband?

Use a few details of an interior setting in your story today to suggest what’s going on with your characters.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.