[Write On Wednesday] Anger

Continuing a trend from last week and the week before, here’s another prompt that leads you into plot via your main character’s emotion.

Rage Wallpaper
Rage Wallpaper by Thoth God of Knowledge, on Flickr

The Prompt

Write A Story That Features Anger

Tips

  • You can start your story with an angry outburst then spend the rest of it unpacking what prompted the rage, or exploring the consequences of one person’s rage for all the characters around them.
  • You can build up to a big, angry finish — showing your character giving in to something they’ve been fighting all the way through the story.
  • Think about how you have experienced anger in your own life — both in yourself and observing it in others.
  • Try to get inside the head of someone who has a very different ‘anger vector’ than yourself. (If you’re a ‘push me for weeks until I explode’ person, think about writing a character who is a ‘rage and forget it’ sort).
  • Remember there is such a thing as righteous anger.
  • To avoid the story becoming too intense, use the concept of the opposite emotion to show that your character(s) is/are capable of other emotions too. (What is the opposite of anger? Depends on the type of anger, doesn’t it? It might be charm, or humor, or kindness, or gentleness.
  • How can you tell a story that includes one character containing two opposing attributes. Think about what a character like that wants and go from there).
  • What kind of language will you use? Animal metaphors? Short, choppy sentences? Dialogue? How will you avoid clichés?

Go

 

[Write On Wednesday] Joy

Write A Story In Which A Character Experiences Joy

Continuing on from last week’s prompt about a character experiencing an emotion, this week we’re focusing on Joy.

joy!
joy! by atomicity, on Flickr

The Prompt

Write A Story In Which A Character Experiences Joy

Tips

  • How to define ‘joy’? I’m going with ‘a momentary experience of intense happiness’, though CS Lewis famously mixed that feeling of happiness with one of ‘longing’ in his definition of joy.
  • The main character does not have to be the character experiencing the moment of joy. They can be an observer.
  • How do the characters observing the joy-filled character’s behavior react? Do they reflect the joy? Do they feel bereft because they lack it? Do they envy the other person? Do they show that directly by being sad, or do they bury it and act like a jerk?
  • Will the joyful moment happen at the beginning of your story and kick off all the events that follow? Will the character be sustained by the fleeting sensation or spend a miserable existence in a futile attempt to recapture it?
  • Will you build up to the moment of joy at the end of your story (huge climax? Happy ending?)
  • What does it actually feel like to experience (or witness) joy?
  • What kind of a character could really use a little joy, and how can you put them in a situation where they experience it? Do they deserve it? Does that matter?

Go!

[Writing Prompt] Character Counts

Woo-hoo! One week into the StoryADay May challenge and you are still turning up. Good for you!

(Seriously. More than talent, persistence is the thing that is going to make writing a fulfilling, successful and worthwhile pursuit for you.)

Take a moment to reflect on everything you learned about your writing last week. Try to keep the things that worked, but stay flexible and open to more experimentation in the weeks ahead.

This week we’re going to focus on different elements of the story, starting today with Character.

The Prompt

Write A Story Where Everything Hinges on Your Character’s Most Desperate Desires

Tips

  • If you need some help coming up with things your character might desire, here’s a series of writing prompts based on Maslow’s Hierarchy of Needs.
  • Spend some time with a blank sheet of paper, before you write. After you decide on your character and their need, jot down 15 scenarios that could grow from that desire. (Writing 15 different scenarios means that you’ll blast through the obvious storylines straight away, then you’ll get to the weird and interesting ones that will make your story sing. Keep going until you have 15 even though the last three will probably be truly terrible.) Pick the one that interests you most, then start writing.
  • Make the desire all-consuming (for this instance, the duration of this story). Focus on this moment in the character’s life. Mine it for details, humor, horror, whatever you can get out of it.

Go!

Don’t forget to comment below to tell us how your writing went (or share an excerpt, or link to your story on another blog) or join us in the community and do your Victory Dance.

[Guest Prompt] Heidi Durrow – Passions

[Ooo, I’m particularly excited about this one. This is a challenging prompt but one that should yield some great stories, since character and conflict are at the heart of the story – JD]

The Prompt

The Energy of Passions & Obsessions

You become what you think about all day long.
-Ralph Waldo Emerson

Passions and obsessions are great starting points for stories. So what if a character has a passion or obsession but the character has extreme difficulty fulfilling that dream. For example, a character could have an extreme passion with exotic birdwatching, but he can’t fulfill his greatest wish because he is a poor child living in a big city. What does the character do to fulfill his obsession? What happens to the character when he can’t? What does the fulfillment of the obsession or passion mean to the character?  


Heidi Durrow is the New York Times best-selling author of The Girl Who Fell From the Sky (Algonquin Books) which won the PEN/Bellwether Prize. She is the founder of the Mixed Remixed Festival, an annual film & book festival in Los Angeles.

[Write On Wednesday] The Irritable Author

Write a story in which the main character acts on something that really irritates YOU

“Don’t you just wish…”

Have you ever said those words when something has really, REALLY irritated you?

Imagine what would happen if you followed through on all those little revenge-daydreams you have after someone scratches your car/talks incessantly on their phone in the library/dogears the corners of Volume 4 of your collectable edition of The Sandman 10 Volume Slipcase Set…

The Prompt

Write A Revenge-Fantasy Story

Pick something that really irritates you and write about a character who actually DOES the things you can only dream of doing (as a respectable member of a mostly-functional society).

Tips

  • Read the opening chapters of Rest You Merry by Charlotte McLeod. It starts when mild-mannered professor Peter Shandy finally snaps after being pressured to decorate his home for the annual college Christmas ‘Illuminations’. It’s deliciously hilarious.
  • Pick something that really gets under your own skin, the more mundane the better. (It will allow you to be more creative in your revenge!)
  • Show us the moment when your character snaps. Give us the physical and mental fugue-state breaking point. Remember not to tell us “he was so angry he couldn’t speak”, but to instead describe the pounding in his veins, the way his tongue cleaves to the roof of his mouth. Slow down time with the details, then let ’er rip!

Go!

[Writing Prompt] Make It Even Worse

Yesterday we took your character’s dreams and dashed them in the middle of the story.

Today I want you to take your character, and their desire and cripple them not once, but twice. Of course you get to reward them with a little win in the middle.

The Prompt

Give your character a goal, frustrate them, let them make some progress but let it come at a  cost.

Darth Vader vs Obi-Wan Kenobi

Tips

  • Think about Star Wars, the great story-outliner’s tool: Luke wants to get off this boring little planet but his aim is frustrated by obligations and lack of opportunity. When his family is murdered he finally acts. His next aim is to find and rescue the sexy princess (spoiler alert: Ew!). Problem: she’s on the most heavily defended, most technologically advanced ship in the fleet of the all-powerful empire. Somehow he succeeds. Yay! BUT, oh no, they sacrifice Obi-Wan, his mentor, at the same time. Now Luke has a new mission: overthrow the empire. Fail, Strive, Succeed but at a cost, pursue next part of his ‘want’. [Check out this Narrative Map of the Hero’s Journey]
  • Put your character in an impossible situation. Let him dig his way out only to fall into a new pit. Only this time he knows a bit more about himself and what it’ll take to climb out. (Friends? A rope? Strong hands?) Let the character use what they learned in the first part of the middle, to achieve what they need to do next.
  • It doesn’t have to be all doom and gloom or drama. If you’re writing humor you can still do this. Frustration is funny. Even throwing in a moment of tragedy is acceptable in comic writing. In fact, if you’re making your reader laugh until 2/3 of the way through the story, they won’t even notice the knife in your hand until you’re sliding it between their ribs. Bam! Will that pack an emotional punch?! (Sitcoms do this from time to time. Aren’t you surprised to find yourself suddenly sobbing during your favorite 30 minute comedy?)

Go!

What Does Your Character Want? Five September Writing Prompts

This week’s prompts have all been about exploring character needs. Without a desire, why are we reading about your character? Without an obstacle to that desire, where’s the story?

Use these prompts to spark a few stories of your own. Don’t forget to leave a comment and let me know which ones worked best for you, and be entered to win a copy of my Time To Write Workshop.
Maslow's Hierarchy of Needs
Prompt 1 — Filthy Lucre
Your character needs money, and fast! Why? How? You tell us!

Prompt 2 — Gimme Shelter 
One of the most primitive needs of any person is a need for shelter. This prompt explores that in ways from primitive to more civilized.

Prompt 3 — Feed Me, Seymour!
Staying with the basic needs of humanity: your character is hungry. Why? What’s stopping them from ordering in? Tell us the story.

Prompt 4 — Belonging
Now that you’ve explored the most basic needs of your characters, what next? Well, let’s assume they’re safe and fed. What do they want now? To belong. Tell this story today.

Prompt 5 — Appreciate Me!
Beyond mere belonging, people need to be appreciated for who they are. Write the story of someone fighting to be appreciated.

Could You Use More Instruction, From Writing’s Hottest Teachers? Watch this video!

get started button

(Not an affiliate link, because I want you to get the 50% discount you get by joining the DIYMFA list!)

Video notes

  • Chuck Wendig actually blogs at terribleminds.com, not the fake site I made up in this video!
  • Also, I forgot to mention James Scott Bell, the most generous man in publishing, and Stuart Horowitz of bookarchitecture.com, will both be speaking too. It just keeps getting better 🙂
Keep writing,
Julie
P.S. Don’t forget, everyone who comments this month will be entered in a drawing to win a free copy of the StoryADay Time To Write Workshop.

[Writing Prompt] Belonging

This week our themes are focused on characters’ needs. Today, something above a survival need, but something that is nevertheless deeply important:

Cafe BeLong at the BrickworksThe Prompt

Write a story about a character who desperately wants to belong

Tips

  • This can be any kind of relationship story: love, friends, family, career.
  • The character must NEED to belong so badly that they’re willing to go through hell to pursue their need.
  • Your story should take your character somewhere: will they change to fit in, or will they realise that’s too big a step for them. Will they be OK with that (in either case)?
  • Show us why your character needs to belong and how that need drives her every action.
  • Put obstacles in her way as often as possible and show us about your protagonist’s character by showing us how he/she reacts to the obstacles.

 

Go!

[Writing Prompt] Two Heads Are Better Than One

Continuing this week’s theme of POV prompts, here is today’s prompt:

The Prompt

Write a story from the Third Person, Omniscient perspective
Make up your mind!

Tips

  • This is the perspective you know from all the great writers (Dickens, Tolstoy, Pratchett…): the author can say anything, pop inside any (or all) character’s heads, travel backwards and forwards in time, insert herself and her own commentary onto the page.
  • Have some fun with this. Take a scene and tell it from one character’s perspective, then leap into another character’s head and give their read on the situation.
  • Remember to show the first character’s continuing physical behavior from where the second character is standing after switch to their perspective. Your reader will know how the first character’s behavior reflects his thoughts. Will the second character understand or misconstrue?
  • Try out your authorial prerogatives and make a comment about what’s going on (think of that moment when a TV character turns to the camera and talks directly to us, the audience). What does this do to the story? Do you like it?

This can get quite complicated (which is why it works so well for novels). Don’t worry about writing a complete, polished story today. Just play with the POV and see what options are available to you.

Go!

[Writing Prompt] Up Close and Third Person

This time, let’s come out of our own heads and get inside someone else’s.
TV Head

The Prompt

Write a story in the Third Person, Limited perspective

Tips

  • Third person limited is a lot like first person except you’re not writing “I”. By that I mean you can only show the thoughts of one person.
  • A good way to remember not to show other characters’ thoughts is to imagine your story as a TV show or movie. All characters apart from the one whose point of view you’re following, must walk across the screen, being observed by him (or her)
  • Try not to use ‘he thought’, or ‘she felt’, or ‘he wondered’. Take a look at this writing advice (allegedly by Chuck Palahniuk) which has some great examples of how to avoid this trap — and why it’s so much more effective when you do

Go!

[Writing Prompt] The Little Old Lady

Today we’re concentrating on a character: in particular the kind of person who would have been known to me, when I was a child, as “a little old lady”.

CL Society 208: Old lady shopping

The Prompt

Write a story featuring a little old lady

Tips

  • Remember, in the days before hair dye and facial peels and gym memberships and HRT—in the days of hard physical labor from dawn to dusk—being a ‘little old lady’ could start at any age from your mid-forties! Those days were NOT that long ago…
  • Feel free to use your little old lady to play to type (cast her as a fairytale witch or a helpless old woman) or against type (have her, I don’t know, swimming from Florida to Cuba without a shark cage…).
  • The interesting part of this story is going to be perhaps less about how this character changes, and more about how our perception/expectations as readers are changed during the story.

Go!

[Writing Prompt] Thwarted

One of the best pieces of advice I received for writing short stories was to make your character want something. Once your character wants something you have a structure for the whole story: put obstacles in their way and see how they react.

The Prompt

Create a character who wants something really badly, then thwart them at every turn.

Tips

  • This story can be realistic, or high-fantasy; historical or far-future; tragic or comic. The strength of this prompt is that it focuses on character. No matter where you set it, you can make it realistic by having your character react to being thwarted in a way that feels familiar to your reader.
  • You get to decide whether your character gets what they want at the end or not.
  • Read Fight City (An Irish Jimmy Gallagher Novelette) by last week’s guest prompter James Scott Bell for a really fun example of how you can spin out this kind of ‘thwartage’ for a whole novella (it’s only $0.99 but you may also borrow it for free under Kindle lending plan).
  • Here’s a short-short story from Mary Robinette Kowal that demonstrates how a simple ‘want’ can sustain a whole story and help create rounded characters out of somewhat surprising source-material. (I highly recommend the Writing Excuses podcast that Mary co-presents with Brandon Sanderson, Dan Wells and Howard Tayler. It doesn’t often focus on the short story, but it is always inspiring and only 15 minutes long.)

 

[Writing Prompt] Write Sam’s Story

Continuing on from yesterday’s theme of giving you an element of the story you must use, today I’m giving you a character. I’m seeding some hints about this character into the prompt and you should take them where ever they lead you.

The Prompt

Sam Chase has just left a meeting with the big boss. Sam has been offered a dream position — or at least a position that would have been a dream if it had been dangled out there two years ago. But lately, Sam has been beginning to understand that there’s more to life than ambition, career, advancement, the trappings of success. Oh let’s be honest: it’s been coming on ever since last summer. If the only constant is change, Sam thinks, I’m a walking illustration.
Write Sam’s story.

Tips

  • In case you hadn’t noticed, I was very careful to use no pronouns in that blurb about Sam. Sam can be male or female, at your whim.
  • Will you explain what happened “last summer” or keep it mysterious? If you do explain it, will your story start there? End there? Mention it as a big reveal at the climax?
  • What will Sam choose? Just because we’re tapped on the shoulder by our better angels, doesn’t mean we always make the right choice. But then again, sometimes we do. What will YOUR Sam do?

Go!

[Writing Prompt] Describe A Character

In today’s story, we’re going to focus on a very particular type of descriptive writing

The Prompt
Creating a Character Your Readers Can “See”

As you write about your character today, make sure he or she is three-dimensional. You don’t have to tell me how tall they are or whta they weigh, but paint a picture of them that is so vivid that the reader can’t help but form a mental imgae of them

Tips:

  • Describe the way they walk.
  • Have your character use a signature gesture or two.
  • Show how they move their body.
  • Allow other characters to notice things about them.
  • For this exercise free to steal mannerisms from an actor or a TV character (I’m thinking Benedict Cumberbatch’s Sherlock Holmes or, perhaps even better, Martin Freeman’s long-suffering Watson).
  • Make your choice of words carefully: see if you can make them reflect what you are trying to convey without using adverbs (‘stalking’ instead of ‘walking quietly, like a predator’).

 

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Secondary Characters

It is day 13 of StoryADay September and you have almost made it to the halfway point. How’s it going? What challenges are you encountering? What are you learning about your writing habits? Leave a comment, or get in on the discussion in the forums.

Short stories can feature just one main character. You can totally get away with it. But not all the time.

The Prompt

Play With Your Secondary Characters

What is a secondary character? It’s any character who doesn’t matter to the story if you take out the protagonist.

Everything the secondary characters do in this short story should relate to the protagonist in some way:

  • The villain forces the main character to pursue a course of action
  • The best friend helps the main character figure out what she should do
  • The sweet character storms off, showing up how much of a jerk the main character is being.

As you write your story today make sure to include secondary characters and pay attention to everything they do. if they start to wander off-script, into areas that do not directly relate to your protagonist, stop them! (Promise them their own story tomorrow, if you have to!)

Go!

And when you have written your story,  comment on this post and let the congrats come flying in.

[Write On Wednesday] – What A Girl Wants

I used to get hung up on The Big Idea: having something to say; writing a story that was somehow meaningful.

It wasn’t until I tried to write a story a day for the first time, back in 2010, that I realized: the idea doesn’t come first.

The idea (the theme) often doesn’t come until the end of the story when you suddenly realize what it is your characters have been yapping on about for the past few pages.

The character — what the character wants, what the character doesn’t have, and why — are where the story happens.

The Prompt

danglies
"Danglies" by Keera Russell

  • Today, come up with a character (could be based on someone you know).
  • Think of one thing the character really wants and doesn’t have. (It doesn’t have to be a life-changing thing. It could be a pair of diamond earrings.)
  • Make this ‘want’ the central motif of the story.  I think you can learn a lot about a person by how they deal with what they don’t have.
  • Tell the story of a moment, a day, an incident in the life of this character.

The Rules:

1. You should use the prompt in your story (however obliquely you use the ‘want’, it should be there in the character and all their reactions).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: What A Girl Wants  #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

This week’s #WriteOnWed short story prompt is all about what your character wants #storyaday http://wp.me/p1PnSG-zy

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

See my story – and write your own, today: What Your Character Wants #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

[Prompt] May 31 – Best Friends and Endings

Today is the last day of StoryADay!.

I don’t know about you but I’ve had a blast – not just writing but meeting up with old friends and making new ones. And now the challenge is ending. So I decided to make the prompt celebrate both those things:

Write a Story Featuring Your Best Friend

and

Give It A Kick-Ass Ending

This can be a fictional version of your real life best friend, or it can be a story about best friends, but make us love the hero as much as you love your very best friend ever.

Put problems in her way, kick him when he’s down, then let him rise up towards a kick-ass, crowd-cheering, fist-pumping ending. Make us care and make us cheer. Imagine the best, funniest, more heart-warming, most satisfying ending you would want for your real-life bestie, and let your character live out the dream.

Go!

(But don’t forget to come back and for StoryFest,  to read a whole bunch of StoryADay short stories. Bring your friends!)

[Prompt] May 13 – What Your Character Wants

Every character should want something, even if it is only a glass of water.

-Kurt Vonnegut

A concrete way to ensure that you are writing a story — not a scene or a character sketch — is to make sure your character wants something. Give your hero a want or a need, then move them towards or away from that thing. Et voilà! You have a  story.

There isn’t much room in a short story. You can’t afford to give your main character two or three things she wants (unless it’s two things that are diametrically opposed). She will have other things that matter to her, of course. It’s just that now — at this moment in her life, the one we’re spying on — she has one overriding want or need that she must resolve.

Secondary characters have wants and needs too, but you don’t have much room to talk about them. If your secondary character is the antagonist (or villain) you can spend more time on their ‘wants’ since exploring them is probably part of explaining why your hero isn’t getting what she wants yet. Otherwise, mentioning their dream in one sentence can be a great way to flesh out secondary characters.

Make Your Characters Want Something

Today, write a story in which you give a character a very specific want or need (you don’t have to spell it out at the start). Move them towards their goal, put rocks in their path, grant or deny their wish.

Give every secondary character a specific need too – even if it never makes it into the story, be sure you know what that person’s dearest wish is.

For more inspiration on this subject, check out Nathan Bransford’s post on the subject.

[Prompt] May 12 – Other Than Human

WRITE ABOUT A NON-HUMAN CHARACTER

Can you write a non-human character without making it react like a human? How would a table/tree/robot/alien think? How would it speak? How would it react compared to the reactions of someone born and raised in the West in the 21st Century?

Can you write a truly non-human character?

Go!

[Prompt] May 11 – Delayed Appearance

DELAY THE APPEARANCE OF THE MAIN CHARACTER

Sometimes it’s a problem to create enough suspense in a short story to keep the reader engaged. An interesting way to do this is to delay the appearance of your main character until quite far into the story. This follows on from yesterday’s prompt where you kept your protagonist off-sceen. This time, however, you can build them up and then allow them to take the stage.

How does this feel? Better? Did you keep the tension going even after the character appeared?

Keep Your Main Character In The Wings

Go!

[Prompt] May 10 – Offstage

NEVER LET YOUR CHARACTER APPEAR

Write a story in which the main, most interesting character never actually appears ‘on-stage’.

Everything the reader learns about the character should come in opinions, comments and conversations between other characters in the story. What do we learn about them? How important do they become? How difficult is it to keep them ‘off-stage”?

The Hidden Protagonist

Go!

[Prompt] May 9 – Chatty Cathy

LET YOUR CHARACTER TALK

Tell a story where everything we learn about the character comes from the things they say.
Does what they say match up with what they mean? Iin what ways do they lie about themselves when the speak? How do people react?)

Tell Us About Your Character Through Their Voice

Go!

[Prompt] May 8 – Character From Your Past

This week all the prompts are going to focus on Character. Here’s the first:

REWRITE A CHARACTER FROM YOUR PAST

Pick a character, a real person, from your past. Put them into a story. Be as kind or as cruel as you like (you might want to change their name…)

Use a real character.

Go!

[Daily Prompt] May 27 – Graduation

It’s that time of year again.

I spent the evening watching my kindergartener receive a certificate and getting ready to move into First Grade. He’s already been at the same school for three years, and is moving on to…the same school, but next time in 1st Grade.

Still, it was an ending, a moment of transition, a biggish deal (mainly because the grown-ups made it that way).

So today’s prompt is:

Write a story that contains a transition, an ending or a new beginning.

Go!

[Daily Prompt] May 12 – Reunion

Today, my parents braved airport security, 3000 miles and a five-hour time difference to come and see me. All the frantic running around is over, all the last-minute things are done, and now we are sitting — tired and smiling — in the same room at last.

Write a story that includes the idea of reunion

(P.S. I can imagine reunions that do not end as happily. You?)

Remember, prompts are optional (but it’s fun to read everyone’s different takes on each prompt)

[Daily Prompt] May 8 – I Hate You!

This prompt was inspired by Marta Pelrine-Bacon who posted the other day about writing a story about a character she didn’t like. It’s not something we all do often so today: write a story featuring an unsympathetic main character.

Some tips: give your unsympathetic main character something the reader can identify with or find attractive (think Hannibal Lecter who was fantastically clever and insightful; Gene Hackman as Lex Luthor…)

[Update: Dec 2021: coming back to this prompt, 10+ years later, I was pleased to see that I hadn’t actually stolen this method of adjusting your character’s attractiveness from the Writing Excuses podcast, which, three years later would do a great series of episodes on this kind of thing with a very elegant explanation.)

[Daily Prompt] May 7 – Military Spouses’ Day

Did you know that May 7 is “Military Spouses’ Day”? Well it is, and we’re all to stop and appreciate what it takes to be a military spouse.

Hey, I know. While you’re thinking about it…why not write a story featuring, if not a military couple, certainly two people who face challenges including but not limited to: separation, relocation, trauma. Or write something with a tangential connection to something military.

There. Broad enough? 😉

Write A Story In Honor Of “Military Spouses’ Day”

Go!

[Daily Prompt] May 4 – May The Fourth Be With You

Sorry, but give the sheer weight of all the Star Wars Lego in my house these days, I couldn’t resist.

Write A Story Featuring An Epic Battle Between Good And Evil

…and remember, that could just as easily happen between two office cubicles as in a galaxy far, far away.

You could also make a case that Star Wars is just a big family saga — or maybe a romance — so feel free to go with that too.

And if you do go with the Hero Looking For A Quest thing, remember how whiny and unheroic Luke was at the start of those movies? You might want to emulate that and give your hero some room to grow.

Write A Story About Good Vs. Evil

Go!

Tuesday Reading Room – Brooksmith by Henry James

from Fifty Great Short Stories (Milton Crane, Ed. Bantam Classics reissued 2005)

I don’t know much about Henry James, though I have struggled through more of his short stories than I have novels. I’ve never formally studied his writing, so don’t know what the prevailing literary criticism theories are…but I can tell you this: I dislike his characters and I dislike his outlook and I always end up, as I did at the end of this story, wanting to punch at least one of the characters in the nose.

Which is, I suppose a kind of a compliment to the writer.

Brooksmith by Henry James

As much as I say I don’t ‘like’ Henry James’s stories, I do recognise the work of a master craftsman. (I wonder if I would have liked him any better if he had been writing today [1. Probably not.])

The first thing I admired about this story was the way he pulled me in right from the first sentence. You might not think of the slow-paced Henry James novels as belonging on the same shelf as Ian Fleming or James Patterson, but there is, nonetheless, plenty of suspense to keep the reader hooked:

We are scattered now, the friends of the late Mr. Oliver Offord, but whenever we chance to meet I think we are conscious of a certain esoteric respect for each other.

Who was the late Mr. Oliver Offord and why do his friends only ‘chance to meet’ and share a ‘certain esoteric respect’ – and what does that really mean?

James continues to ratchet up the suspense in the very next sentence,

“Yes, you too have been in Arcadia,” we seem not too grumpily to allow.

Why was it “Arcadia” (and why would they ordinarily be grumpy with each other)?

The story turns out not to be about Mr Offord at all, but about his butler, Brooksmith and the perils of allowing the servant class to rise above their station.

I’m not sure which side Henry James would really have taken on the issue of class and station, but his narrator has a very fixed, extremely anti-egalitarian viewpoint that makes him supremely unsympathetic to the modern reader.

He is, however, so unrelentingly shaped by his societal norms that he is absolutely believable and ‘true’ – and loathsome, I might add.

It really struck me — after putting down this book with a sneer on my face and a punchy urge in my fist — that my writing could benefit from a bit more loathesomeness. I’m really a very nice person, trained in life to be fair and tolerant and to give everyone the benefit of the doubt. But being well-brought-up can create a tendency to be too nice to my characters, too forgiving.

If I want to create characters as ‘true’ and real as Brooksmith‘s unworthy narrator, I have to risk creating characters that someone 111 years from now might want to punch.

What do you do to make your characters ‘real’? Please do leave a comment!

Daily Prompt – May 22: Hobbies

Write A Story That Features A Hobby/Activity You Have Tried

Write A Story That Features A Hobby/Activity You Have Tried

The only rule in today’s prompt is that the hobby may not be “writing”.

I have my own special reasons for this — namely: that, as an adult, I cringe every time I see a book where the main character is any type of writer. It seems to betray a lack of imagination. (Of course I’ll make an exception when re-reading books by LM Alcott or LM Montgomery or some other beloved writers whose initials are not “LM”, but for today the rule stands).

The hobby does not have to be anything you have done recently or frequently. It could be basket-weaving or finger-painting. But it should be something of which you have real-world experience and so can describe in minute detail if you need to.

Go!

Daily Prompt – May 18: The Lie

Write About A Lie

Oooo, the lie. We’ve all done it. We do it all the time, even though we know we shouldn’t. Sometimes we get away with them and other times they come back to bite us in the most spectacular fashion.

Write About A Lie

Is it a tiny one? A whopper? Does no-one find out about it? Does that mean your character really ‘gets away with it’? Does it spiral out of control and become a Fawlty Towers episode?

GO!