I’m thinking a lot about mysteries these days. I love them, so I’m trying my hand at writing them.
There is no better way I know to get myself writing, than to sit down and read, preferably in the genre I’m tackling.
This week I read Golf Etiquette by Jim Davis, found in the Feb 2011 issue of Ellery Queen Mystery Magazine.
Though I had some quibbles with the style until I managed to turn off my inner critique-group-reader, I couldn’t argue with the power of the first line: Continue reading “[Reading Room] Golf Etiquette by Jim Davis”
I failed utterly to see the ending coming…
Oh, this one made me laugh.
Not just for the unexpected ending, but for the constant, very modern thoughts that crowded my head as I was reading it.
Basically, this is the story of a ruthless old king who, not having any sons, has his daughter raised as a boy, then sends her to assume his brother’s throne (after the ruthless old king has ruined the good name of his brother’s only heir).
It’s a knotty, Shakespearean set up and I was so consumed with thoughts of the delightful ways a modern writer could treat the topic, that I failed utterly to see the ending coming. Continue reading “[Reading Room] A Medieval Romance by Mark Twain”
This story is definitely not bound by the rules of “rising action”, or “character arcs”…
Often, when I talk about how to write a short story, I get caught up in talking about traditional, narrative tales that might be structured in a similar way to a novel.
But one of the things I love about short fiction is its ability to transcend that and be so much more (or less-but-more, perhaps).
This story, A Haunted House by Virginia Woolf, is a lovely example of that. Continue reading “[Reading Room] A Haunted House by Virginia Woolf”
Last week I talked about reading and writing stories with divided storylines that come together at the end.
The example I gave, Shakedown by Elizabeth Gonzalez, had a fairly traditional narrative structure. While it wasn’t clear how the two storylines would interact, at first, it was an easy-to-read story.
Shaking Things Up
Continue reading “[Reading Room] Your Mama’s Adventures In Parenting by Mary Robinette Kowal”
I picked this book up because a, it was written by a Pennsylvania writer and b, because of the glowing review written for it by Karen Russell and short story writer and novelist whose writing I love (literary but not stuffy).
(Incidentally, this is a great way to discover new writers: Continue reading “[Reading Room] Shakedown by Elizabeth Gonzalez”
Surface Tension is a science fiction story originally published in 1952 and so qualifies as being either from (or near) the so-called ‘Golden Age’ of science fiction. (I found it in The Big Book of Science Fiction, edited by Ann & Jeff Vandermeer.)
Fear not, this is not all heros saving damsels in distress and wearing silly outfits in space. It is very different from anything I’d ever read from that era, and from most sci-fi that I’ve read from later eras. Continue reading “[Reading Room] Surface Tension by James Blish”
Oh, this was fantastic: experimental science fiction by John Chu
Supposedly the story of a technological development, as told by one of the inventors, this is not an easy read. It doesn’t sweep you up in character and stakes and plot points. It does, however, do all the things I love about short fiction: confuse, confound, sweep you along on a torrent of language, and spit you out at the other end, shaking yourself and going ‘whoa!
(For the record, I also like nice narrative stories with heroes and adventure and all the traditional elements of story, but short stories have a unique ability to skirt all that and still give you a good time)
Just throw out whatever anyone’s ever told you about short story structure and read this. The story is not where you think it should be.
Since I’m no computer scientist (and perhaps even if I was) I found myself having to let the words pour over me, for the most part, and search for the story where the author had cleverly hidden it. (Take a look. You’ll see what I mean).
Clever and artistic and unlike anything else I’ve read. I’m not saying I’d like EVERY short story to be like this, but it certainly was refreshing and kind of exciting to remember that short fiction can be … this!
Read it here
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The Reading Room is a series of short story reviews that are posted (usually on Tuesdays) in order to inspire you to read more short fiction in order to become better at writing it
I like complex stories. But I want them to be just as satisfying on a FIRST read as they are on a second or third.
I liked the fact that this story was about a man who happened to be a vicar and who happened to be gay, rather than being About A Gay Vicar. It makes me feel like we’ve evolved as a species, when stories about marginalized or minority characters can be about more than the thing that marginalizes or defines them.
At the start, the main character, Peter, is struggling at the start with many things: his job, the kids on the soccer team and their parents (he doesn’t really like them), his faith, his urge to be a father himself…
Continue reading “[Reading Room] The Rules Are The Rules by Adam Foulds”
I can see why so many episodes of the Twilight Zone start with the words “From a story by Richard Matheson”…
This creepy little story starts with a kid who has been locked in a room by ‘Granma’, and we don’t know why, yet.
It’s told in the voice of the little kid, and I mean, really in the voice of a little kid:the grammar’s all wrong and there are no apostrophes in the contractions. The story can be a little hard to read at times, because of it, but the errors keep us firmly in this kid’s head the entire time — no narrator’s voice, here. This is a great technique for a writer to
steal borrow, if you’re bold enough.
Continue reading “[Reading Room] Dress of White Silk by Richard Matheson”
Described as a ‘delightfully subversive’ story, “The Appropriation of Cultures” by Percival Everett is definitely both of those things.
I listened to this story as part of a Selected Shorts podcast. It was read by Ruben Santiago-Hudson (who I knew as Captain Montgomery from Castle . He turns out to be a wonderful storyteller who gets out of the way of the story and is blessed with a voice I could listen to for days).
It’s described in the show notes as a ‘delightfully subversive’ story and it is definitely both of those things.
The story starts with an affluent college graduate who seems like a bit of a wastrel, spending his time living off inherited money, reading and playing jazz with ‘the old guys’ at some dive bar.
The story’s trucking along just fine until one night Daniel is playing at the bar and some college frat boys come in and request that the band “Play Dixie for us”. Continue reading “[Reading Room] The Appropriation of Cultures by Percival Everett”