Day 22 – Grant Faulkner is Playful

Welcome to Week 4 of StoryADay! Can you believe you’ve made it this far?

I can tell you from past experience that if you have made it this far, you’re going all the way!

You’ve already spent Week 1 on the “Write” part of the WRITER Code, and Week 2 on “Refine”, concentrating on what was working and what you could let go of in yoru writing and your writing practice.

Last week was all about “Improve”, as you tackled different parts of the story writing craft.

This week’s theme is: “Triumph!”.

This week I want you to make a conscious effort to put a tiny celebration in place whenever you do something that furthers your journey as an author.

  • Got to your desk? Punch the air and say “yeah!”.
  • Finished your story? Give yourself a gold star (literally! Put one in your journal!).
  • Read the prompt and spent the day noodling on story ideas? Take one hand and pat yourself on the back with it.
  • Didn’t get your story written and decided to let it go, but come back tomorrow? Do a little dance, celebrating your ability to overcome disappointments.

There is some serious behavioral science research behind these silly tactics.

When you celebrate, you feel good, and when you feel good, you want to do more of the thing that makes you feel good.

That’s why some of the things we’ll never be, at StoryADay, are somber, judgmental or unrealistic about the challenges of living this writing life!

The Prompt

Be playful.

Playfulness can open up an expanse in confinement.

So… write a story in 26 sentences, with each sentence beginning with a sequential letter of the alphabet, starting with “A.”

The Author

Grant Faulkner is the Executive Director of National Novel Writing Month (NaNoWriMo) and the co-founder of 100 Word Story. He has published two books on writing, Pep Talks for Writers: 52 Insights and Actions to Boost Your Creative Mojo, and Brave the Page, a teen writing guide. He’s also published a collection of 100-word stories, Fissures, and Nothing Short of 100: Selected Tales from 100 Word Story. He’s also the co-host of the podcast Write-minded. His next collection of short stories, All the Comfort Sin Can Provide is forthcoming from Black Lawrence Press in July 2021.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Grant Faulkner,


Leave a comment and let us know how you got on and how you’re celebrating every success this week!

[Write on Wednesday] Tell A Noir Story

inspired by the fact that I’m reading at a Noir event tonight, I’m challenging you to write an atmosphere laden, tragedy-laced noir story today.

The Prompt

Write A Noir Story


Otto Penzler, owner of Mysterious Books and editor of the annual Best American Mystery Stories anthology, has this to say about noir.

“Most mystery fiction focusses on the detective, and noir fiction focusses on the villain…The people in noir fiction are dark and doomed—they are losers, they are pessimistic, they are hopeless. If you have a private eye, the private eye is a hero; and he’s going to solve the crime and the bad guy will be caught. That’s a happy ending, but that’s not a noir ending.”

  • Now I don’t think it’s entirely true that a noir story can’t have a happy ending. It just has to be an imperfectly-happy ending.
  • Your hero might escape, but it’s by doing something terrible. Or he leaves a trail of devastation in his wake. Or the bad guys still achieve their ends.
  • Your hero and their love interest can achieve a measure of personal happiness at the end, but it’s not an uncomplicated, Disney-esque happy ending.
  • Noir stories tend to be heavy in atmosphere and imagery, and have a distinctive narrative voice.
  • The villain’s motivation is something you can explore more in a noir story than in a traditional mystery.
  • Life is never simple or sweet in a noir story.
  • There should be a crime, attempted crime, or mystery in the story.
  • Explore the seedier side of life, and don’t forget to use all your senses, and exploit all of your characters’ passions.
  • Read yesterday’s Reading Room post, for my thoughts on Dashiell Hammet’s noir story “Nightmare Town”.


Day 21 – News Flash

The Prompt

Write A Story As A News Report

This could be a TV report with a panel of pundits yelling at each other, a reporter on the street, the voice of a producer in your anchor’s ear…

Or, this could be a traditional newspaper report.

Remember to tell a story, though! Then tell us all about it in the comments.

Day 20 – I’m Gonna Sit Right Down

The Prompt

Write A Story In The Form Of A Series of Letters


  • You could do social media updates, conference call, letters, records.
  • In this story remember that each party in the story has an agenda, conflicts.
    You could tell three different sides of a story
  • Your format will affect the type of language that the characters use: in letters things might be more formal, in texts it’ll be more brief.

Remember to leave a comment to let us know how you got on!

Day 19 – Direct To Camera

May is far from over! Don’t give up now. And if you’ve just discovered StoryADay May, it’s not too late to jump in. Here’s today’s prompt, and you can find a new episode of the podcast here: Is It Time To Quit? (spoiler: no!)

The Prompt

Tell A Story ‘Direct To Camera’

This is probably going to be in first person.

Write as if you’re writing to your best friend, or talking directly to a police officer, or relaying this to a room of strangers.

if all else fails, stand in front of your phone and tell the story. Tell a real story or a fairy story. See what this does to your writing.

Leave a comment and tell us how it went today!

Day 18 – It’s A Bit One-Sided

The Prompt

Write a story today in which the reader only hears one side of the conversation

This could be a telephone conversation, a text conversation, a series of social media updates, a series of letters, whatever.


Bob Newhart telephone does this in telephone calls

Watch Neil Gaiman read his story Orange here or read it here

[Reading Room] Paradox by Naomi Kritzer

I was blogging and podcasting a lot, last month, about short story forms, and how short stories do not have to read like mini novels.

And the month before that was all about Flash Fiction.

Today, I’m recommending that you take a look at this story Paradox, by Naomi Kritzer.

It is both flash fiction and a non-narrative story. And it’s great.

It starts,

This is the original timeline.

This is a great example of how you can make every word count, and how short fiction is a wonderful place to practice that.

That single word, “original” does all the heavy lifting. It tells you a lot about what kind of story this is going to be: confusing, time-travel-y, chatty. It conveys genre, style, and tone.

Five words. That’s all it took her to set the reader’s expectations.

(Note to self: write to the author and ask her what the original first line looked like. I’m betting it wasn’t this. Second note to self: rewriting is key!)

It is written in the first person (sometimes first person, plural) and we never find out the character’s name or gender. It plays deliciously, hilariously, with all the time travel tropes and questions out there, and talks, knowingly, to the reader.

This is no mini-novel.

And it leaves us with a flippant question at the end, the deeper question it asks is not about time-travel at all.


Read it online or listen here.