Amazon, AI & Author’s Rights

In which Julie has opinions about AI and Amazon, and invites you to get in the habit of celebrating all your triumphs, this month

This week author Jane Friedman noticed that someone had used her name on a bunch of junk, AI-generated books about writing, and they had become attached to her profile on Amazon and Goodreads…and the kicker is that there is no due diligence done by these companies to make sure the books were actually hers. Their response? “Trademark your name, or there’s nothing we can do about it.”

Which is patently nonsense.

But, lest you get discouraged about having to monitor identity theft as yet another writing-adjacent task youhave to ad to your to-do list, I have some thoughts on what authors can do instead.

Also in this episode: the Importance of Celebrations, and some tips for how to do that.

Want to jump straight to the part where you’re celebrating your writing? Buy the workbook now!

The Importance of Celebrations Image BUY NOW

TRANSCRIPT IS HERE

LINKS:

The Importance of Celebrations Workbook: http://stada.me/wb-celebrations

This episode: https://storyaday.org/episode294

Some Author Advocacy Groups:

The Alliance of Independent Authors: https://www.allianceindependentauthors.org/

The Author’s Guild: https://authorsguild.org/

Science Fiction and Fantasy Writers of America: https://www.sfwa.org/

PEN America: https://pen.org/


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Sign up for the StoryADay Anytime Challenge: https://storyaday.org

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Video Version

Support the podcast

And finally a remainder that know you can support this podcast, if you would like to, which some people have asked me about and to do that, you go to glow.fm/storyaday, and you can make a one-time or recurring donation to keep the show going. And I really appreciate your support. That’s it from me this week. Happy writing. And I’ll see you again soon.

Getting Unstuck with K. B. Carle Pt. II

It’s really nice to know that there is still an outlet or a form of writing that I can do and still keep a full-time job while doing it.

And it didn’t really bend my schedule too much. So that’s how I really started exploring Flash

-K. B. Carle

In the second part of my conversation with author KB Carle (listen to Part 1 here) we talk about what attracted her to Flash Fiction; the challenges of moving from short to novel-length fiction; how to get unstuck ; and how being a writer includes building your community

There’s a ton of practical tips (and resources) to keep you going in this week’s episode. Enjoy!

Need the transcript? Click here

RESOURCES

In Exchange for the Final Pudding Cup, We Offer Our Inner Thoughts, from The Offing (includes a Venn diagram)

Hello, My Name Is Marley in CRAFT Literary Magazine (this one has a word search!)

Vagabond Mannequin in Jellyfish Review (crossword clues as story!)

How We Survived , in Lost Balloon

Grace Q. Song‘s website

Christopher Gonzalez

Tommy Dean

Cathy Ulrich

Kathy Fish

Meghan Phillips

Best Small Fictions 2021

I Keep My Exoskeleton To Myself by M. Crane

Smokelong Quarterly

Five South

No Contact

Atlas & Alice

Atticus Review

Keep writing,

Julie

About KB Carle

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

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A Conversation with K. B. Carle Part I

When I’m most relaxed, here comes the character…

That’s when everybody decides to show up and just interrupt my day like they don’t have a care.

-K. B. Carle

In this conversation with author KB Carle we talk about writing flash fiction and micro fiction, the importance of community, getting through the middle, and more

Need the transcript? Click here

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

P. S. You can listen to Part 2 here

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

A Conversation with K. B. Carle

When I’m most relaxed, here comes the character…

That’s when everybody decides to show up and just interrupt my day like they don’t have a care.

-K. B. Carle

In this conversation with author KB Carle we talk about writing flash fiction and micro fiction, the importance of community, getting through the middle, and more

Need the transcript? Click here

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

Forget the Hero’s Journey, a conversation with Gwen E. Kirby

“when we leave our characters in sort of these vagaries, these big emotions and these big ideas, we don’t have anything to hang the characters or the emotions on.”

-Gwen E. Kirby

In the second part of my conversation with Gwen E. Kirby we talk about developing characters that feel real to people, about writing at this moment in time, writing about women, and the question that Gwen Kirby doesn’t get asked often enough,

Gwen E Kirby is the author of the fabulous debut collection of short stories Shit Cassandra Saw. has a MFA from Johns Hopkins university. PhD from the University of Cincinnati and is the Associate Director of Programs and finance for the Sewanee Writers. Conference at the University of the South where she’s also teaching students about creative writing. Her writing has appeared in One Story Tin House Guernica. Smoke Long Quarterly, and many other places.

Need the transcript? Find it here

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

Sh*t Cassandra Saw, an Inteview with Gwen E. Kirby

“So little of life is comprised of huge dramatic running out into the rain to cry “Stella!”  If we saved our short fiction for only those moments, not only am I not totally sure what we would write about, but I’m not sure it would be all that accurate a portrayal of what it is to be a person.”

-Gwen E. Kirby

On this week’s podcast I’m in conversation with author Gwen E. Kirby, whose debut collection Sh*t Cassandra Saw was one of my absolute favorites from last year.

In our conversation we talk about the stories in her new collection, the benefit of a fantastic title, how to take an idea and develop it into a story. 

Need the transcript? Find it here

Next week, in the second part of this interview, we will talk more about developing characters that feel real to people, about writing at this moment in time, writing about women, and the question that Gwen Kirby doesn’t get asked often enough.

It was a delightful conversation and I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

P. S. Mary Robinette Kowal, who I interviewed a few episodes ago, is offering a class this Sunday on diagnosing (and fixing) story problems. I always leave her classes feeling as if someone has flipped my head open and dropped in a bunch of sparklers. You might want to check it out.

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter