Getting Unstuck with K. B. Carle Pt. II

It’s really nice to know that there is still an outlet or a form of writing that I can do and still keep a full-time job while doing it.

And it didn’t really bend my schedule too much. So that’s how I really started exploring Flash

-K. B. Carle

In the second part of my conversation with author KB Carle (listen to Part 1 here) we talk about what attracted her to Flash Fiction; the challenges of moving from short to novel-length fiction; how to get unstuck ; and how being a writer includes building your community

There’s a ton of practical tips (and resources) to keep you going in this week’s episode. Enjoy!

Need the transcript? Click here

RESOURCES

In Exchange for the Final Pudding Cup, We Offer Our Inner Thoughts, from The Offing (includes a Venn diagram)

Hello, My Name Is Marley in CRAFT Literary Magazine (this one has a word search!)

Vagabond Mannequin in Jellyfish Review (crossword clues as story!)

How We Survived , in Lost Balloon

Grace Q. Song‘s website

Christopher Gonzalez

Tommy Dean

Cathy Ulrich

Kathy Fish

Meghan Phillips

Best Small Fictions 2021

I Keep My Exoskeleton To Myself by M. Crane

Smokelong Quarterly

Five South

No Contact

Atlas & Alice

Atticus Review

Keep writing,

Julie

About KB Carle

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

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A Conversation with K. B. Carle Part I

When I’m most relaxed, here comes the character…

That’s when everybody decides to show up and just interrupt my day like they don’t have a care.

-K. B. Carle

In this conversation with author KB Carle we talk about writing flash fiction and micro fiction, the importance of community, getting through the middle, and more

Need the transcript? Click here

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

P. S. You can listen to Part 2 here

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

A Conversation with K. B. Carle

When I’m most relaxed, here comes the character…

That’s when everybody decides to show up and just interrupt my day like they don’t have a care.

-K. B. Carle

In this conversation with author KB Carle we talk about writing flash fiction and micro fiction, the importance of community, getting through the middle, and more

Need the transcript? Click here

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

Forget the Hero’s Journey, a conversation with Gwen E. Kirby

“when we leave our characters in sort of these vagaries, these big emotions and these big ideas, we don’t have anything to hang the characters or the emotions on.”

-Gwen E. Kirby

In the second part of my conversation with Gwen E. Kirby we talk about developing characters that feel real to people, about writing at this moment in time, writing about women, and the question that Gwen Kirby doesn’t get asked often enough,

Gwen E Kirby is the author of the fabulous debut collection of short stories Shit Cassandra Saw. has a MFA from Johns Hopkins university. PhD from the University of Cincinnati and is the Associate Director of Programs and finance for the Sewanee Writers. Conference at the University of the South where she’s also teaching students about creative writing. Her writing has appeared in One Story Tin House Guernica. Smoke Long Quarterly, and many other places.

Need the transcript? Find it here

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

Sh*t Cassandra Saw, an Inteview with Gwen E. Kirby

“So little of life is comprised of huge dramatic running out into the rain to cry “Stella!”  If we saved our short fiction for only those moments, not only am I not totally sure what we would write about, but I’m not sure it would be all that accurate a portrayal of what it is to be a person.”

-Gwen E. Kirby

On this week’s podcast I’m in conversation with author Gwen E. Kirby, whose debut collection Sh*t Cassandra Saw was one of my absolute favorites from last year.

In our conversation we talk about the stories in her new collection, the benefit of a fantastic title, how to take an idea and develop it into a story. 

Need the transcript? Find it here

Next week, in the second part of this interview, we will talk more about developing characters that feel real to people, about writing at this moment in time, writing about women, and the question that Gwen Kirby doesn’t get asked often enough.

It was a delightful conversation and I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

P. S. Mary Robinette Kowal, who I interviewed a few episodes ago, is offering a class this Sunday on diagnosing (and fixing) story problems. I always leave her classes feeling as if someone has flipped my head open and dropped in a bunch of sparklers. You might want to check it out.

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

You Don’t have To Be Brilliant From The Beginning

I found this in my Free Little Library the other day and it prompted a powerful lesson that I thought I’d share here as advice for writers. If you’re struggling to write and wondering if you’re any good, Snoopy has a lesson for you.

Continue reading “You Don’t have To Be Brilliant From The Beginning”

The One Thing You Must Do Before Taking Writing Advice

The problem with writing advice is that it all weighs the same.
Weigh Scale

  • You read four articles on character development and start to worry because vibrant characters don’t come easy to you.
  • Your favorite writing-blogger is having trouble with dialogue in her own fiction so she does a series on the importance of natural dialogue. Now you start to think worry that your high-fantasy characters’ dialogue isn’t naturalistic enough.
  • It’s coming up to NaNoWriMo, and everyone’s talking about outlining and sharing their own Type-A version of it, which makes you start to doubt that you could ever write a novel because…damn!

There is an abundance of wonderful advice about writing online. If you are ever having a problem in your writing it is easy to find five different polemics on that topic in as many seconds.

But if you’re not writing regularly, how do you know what advice YOU need hear?

Find Your Strengths, Work On Your Weaknesses

I had the pleasure recently of being able to ask the talented and prolific Chuck Wendig about his characters and how he makes them pop off the page.

His answer took me completely by surprise.

“I feel like voice is my strong suit,” he said, simply.

He went on to talk about other areas that he struggles with more — areas that need work in the rewrites — but this? It was the easy stuff for him.

A small, controlled explosion went off in my brain:

He’s just good at this stuff.

I don’t have to be as brilliant at characterization as him. Maybe I can’t be.

If I’m really, really good in some other area, maybe it’s OK if I focus on that.

This Is Not An Excuse

This is not at excuse to avoid learning about the craft. You do need to be proficient in all areas of writing.

But if your first draft is weak in one area (or several), don’t let it slow you down. Instead, play to your strengths. If you’re witty, play that up. If your wordplay makes people smile, go to town on it. If  you are all about the dialogue, get that down first.

  • Write a lot to discover your strong suit.
  • Play to those strengths.
  • Fix the rest in the rewrite.

 

Need help with the ‘write a lot’ part? Try these articles:

How To Become An Insanely Productive Writer

Delegate Your Way To Writing Success

Five Irresistible Writing Prompts

Need more help? Take a look at the Time To Write Workshop, The StoryADay Guide to Breaking Writers’ Block and the Warm Up Your Writing Home Study Course in The StoryADay Shop.