Q. How do I start writing again after a long time?
A.
Keep your expectations low. Don’t expect to produce a masterpiece, or even a coherent story. Continue reading “[Q & A] How To Start Writing Again”
Keep your expectations low. Don’t expect to produce a masterpiece, or even a coherent story. Continue reading “[Q & A] How To Start Writing Again”
All this to say, You Be You. You Write You. It is said in Ye Olde Hallowed Annals of Writerly Bull that Thou Shalt Write The Book of Thy Heart. Truly. Do. Because life as a professional artist is HARD. You have to delight in what you’re writing and slaving away over because there are moments when that’s all you have. Take your craft deadly seriously, but not yourself, and not necessarily your genre. Wink at it, have a total blast, revel and wallow, and be only as indulgent as your editor allows. Try to be objective, and don’t be hurt if people think your cup of tea tastes like poo. With any luck, passion, love and creativity will shine through. For my part, I can only hope the wild expanse of whatever foggy moor I’m frolicking in will bring loyal readers, who don’t mind the eerie abandon, back time and again to my dark and stormy night.
Leanna has a very good point.
Are you writing what you love?
First, some questions:
Obligatory StoryADay promo: writing a story every day for a month drives you to try new things, desperate measures, genres and voices you’ve never allowed to fly free before. Try it.
You might find your true voice and your true love lurking underneath all those stylized and ‘commercial’ things you think you ought to be writing.
That way lies fulfillment and riches (well, I can’t guarantee the riches, but I’m fairly certain they won’t come if you hate what you’re writing!)
I find it useful to read case studies from people who have actually WRITTEN books (and possibly had them published and worked on a sequel). Theory is all very well, but hearing from someone who has actually done it? Much more inspiring. They also tend to be more passionate, less forgiving and much, much more practical.
Here are a bunch of articles from working writers who answer the second-most-asked question they hear. [1. The first, of course, being “where do you get your ideas?”]
Jon Scalzi is a speculative fiction writer, Hugo award winner and creative consultant on the SyFy Network’s Stargate: Universe. He wrote an energetic answer to the time question which includes this choice paragraph,
There are lots of things I think I’d like to do, and yet if I don’t actually make the time and effort to do them, they don’t get done. This is why I don’t have an acting career, or am a musician — because as much as I’d like those, I somehow stubbornly don’t actually do the things I need to do in order to achieve them. So I guess in really fundamental way I don’t want them, otherwise I’d make the time. C’est la vie.
Jackie Kessler has written 12 novels (not all of them published, but hey, that’s a lot of writing time) and refuses to apologize for taking time to write [link no longer valid].
Screenwriter John August shares his work-a-day experience of becoming a professional writer. (“my general point is that you need to actively clear time in your day to write, which means giving up something.”) It’s not sexy, but it worked.
Jane Friedman talks about what it takes to make time to write.
Chip Scanlan talks about writing in small chunks, lowering your standards, rejecting the Soup Nazi.
And to finish things off for today:
Joanna Penn, The Creative Penn (@creativepenn on Twitter) shares this personal story, which debunks the ‘if I only had time’ myth a bit:
I once decided that I needed time to write my book. I had some money from the sale of my house, took 3 months off and tried to write every day. It didn’t work. I didn’t have anything to show for it, and went back to work disheartened at my inability to write. It was 4 years until I actually decided to try again.
Then I wrote “How to Enjoy Your Job” in 9 months of evenings, weekends and days off while working fulltime.”.
You can find the time – you just need to re-prioritise!
[updated 3/3/2020 with corrected and new links]
Help! I’m suffering an explosion of creativity and I can’t seem to stop myself finding time and ideas for writing!
One recent evening I tucked myself into my armchair, put my feet up, pulled my knitting on to my lap and settled down in the flickering black and white light coming from my television as we fired up a couple of episodes of The Twilight Zone — our nightly non-guilty pleasure.
I love The Twilight Zone. The stories are so imaginative, they’re not afraid to take a dark turn (!); they’re stylish, well-crafted and intellectually stimulating.
I’ve been telling myself that they’re great research for my own story telling efforts.
And in a way they are. They’re all about a character (often a man, aged 36, oddly enough) who needs something, lacks something, wants something. Great stuff for storytellers.
But at the end of every Season 1 episode, I keep seeing this little line of text that makes me uneasy.
The line?
“Based on the short story…”
I follow a lot of working writers’ blogs, but people who are getting paid to write the equivalent of short stories now are often working in TV. The influences they cite are other TV shows and writers. I follow those links and spend hours reading about how those other writers write and find success.
But I’m not writing screenplays. I need to remind myself how to show a scene in words, not images.
So I’ve embarked on another challenge (you know how I love a challenge, right?) and I invite you to come along with me.
Following Ray Bradbury’s prescription for writers (watch it here. It’s worth the time) I’m trying to read a short story every day, especially those from the late 19th and early 20th centuries — stories with some staying-power. I’m also trying to read one essay a day (though accessible, classic essays are proving harder to find than good short stories) and one poem a day (oddly enough, though poems are shorter, I’m finding it harder to rouse myself to do this part of the program).
I’ve been doing this for just over a week and, as I said, I’ve been ‘suffering’ under an explosion of creativity. I’ve written one, long-for-me, 6,000 word short story and sketched out ideas for more than 50 more (yes, 5-0!) in a few different themes/genres, started my second story and written four blog posts.
And my kids are on vacation!
But I can’t seem to stop myself finding time to read and write.
I’ve rediscovered the joy of both reading and writing. I’m sneaking off, staying up late, ignoring people I love, to read — and little of it is on Facebook or Feedly or Twitter. I’m reading well-crafted fiction and non-fiction that has stood the test of time. And I’m bursting with ideas, references and imagery — I’m so full of ideas that I can’t hold them back. I simply have to write. (This is not always the case with me. I always feel better when I’m writing but I’m quite good at being lazy and grumpy instead).
Want to join me in being more creative, more productive, and more joyful? Start reading and writing today!
Here are some of the books I’m using to find short stories, poetry, essays and other inspiring non-fiction to read.
Oh, you knew I was going to have to do it:
Write A Scary Story For Halloween
You can take some traditionally Halloween-y elements and write about them in a spooky way, or in a funny way, or a tragic way, it’s up to you! Or you can invent some new tropes for the scary story (Hey, Stephen Moffat managed to turn harmless stone statues into one of the creepiest new monsters I’ve encountered in years!!)
1. You should use the prompt in your story.
2. You must write the story in one 24 hr period – the faster the better.
3. Post the story in the comments — if you’re brave enough.
4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!
Share this challenge on Twitter or Facebook
Some tweets/updates you might use:
Don’t miss my Halloween short story #WriteOnWed #storyaday https://storyaday.org/wow-scary
This week’s #WriteOnWed short story prompt is all about scares #storyaday https://storyaday.org/wow-scary
Come and write with us! #WriteOnWed #storyaday https://storyaday.org/wow-scary
See my story – and write your own, today: Scary Story!! #WriteOnWed #storyaday https://storyaday.org/wow-scary
I’m often asked how I write—how, physically, do I write? Pen and paper? Computer? Portable device? Onto my blog?
This is a question you, too, should consider for yourself before you set yourself any kind of writing challenge (like, for example, writing a story a day for a month!)
How will you:
* Write whenever and wherever you get the chance?
* Keep track of everything you’ve written?
* Find a way to work that is comfortable for you?
So should you commit to writing in a notebook? ON a netbook? At your trusty (or flaky) computer?
Honestly, the answer for you (as it is for me) is probably a mixture of all of them. So here are my tips and tricks for:
* Using all the writing technology at your disposal for maximum productivity (without losing your mind)
* Keeping and retrieving your masterpieces for later editing.
The pros and cons to this are pretty straightforward.
* You can get a paper and writing implement pretty much anywhere.
You don’t need batteries, a network.
* Nothing pops up on your page to distract you.
* Editing as you write is difficult. You’re pretty much limited to crossing things out and writing in the margins. Getting to the end of a first draft before editing, should be easier than on a computer.
* You can do it pretty much anywhere (except, perhaps, in the dark.)
* Handwriting fires up areas of your brain that are associated with deep understanding and memory. It is a very different experience from typing.
* You need to have a paper and pen(cil) handy. What if you can’t find your favorite pen? Will you spend so long looking for it that you don’t write?
* Editing after the story is finished is going to require you (probably) to transcribe the story into a computer or write it all out longhand again. Not necessarily a con though, as that can help with the editing process. Definitely a con if your time is severely limited.
* Scraps of paper are easy to lose and hard to find once they’re lost. This is less the case with computer files.
* Set up a system now for retrieving your work later. Some options include:
** only using one notebook (or series of notebooks) for each project. Don’t write a little bit here and a little bit there.
** Designate a StoryADay notebook and carry it everywhere. Only use that blue-covered copybook from Staples that you like, for your novel.
** Using looseleaf paper can be helpful if you write in different places or like to edit on paper. You can get hold of binder-sized paper pretty much anywhere. When you get home, file your stories in one binder, and you should be able to keep track of things. This requires some discipline in promising you’ll always file the stories away but it’ll be worth it three months from now when you try to find them again!
* Find paper that is a joy to write on, if you’re that way inclined. Have a cramped notebook with lines that are too dark or too light or too far apart, and a spine that doesn’t crack open far enough, or pages that are so small that you have to turn them every couple of sentences? This is just one more way to make it easy to skip today’s writing. Make writing a physical pleasure as well as a mental one, by treating yourself to some paper that you love and will want to spend time everyday caressing.
Again, the pros and cons are fairly straightforward:
* You know where it is and how to use it (you do, don’t you?)
* You probably have a decent word processor built right in and, chances are you are very comfortable typing at a decent speed.
* Even if you can’t remember how you decided to organize your file folders last week, you can easily search your computer for errant stories.
* You can easily edit and save multiple versions.
* It is all to easy to get distracted by the Internet
* It is very easy to edit, leading to you fussing with bits you have already written and never moving forwards.
* It is tempting to play around with formatting when you’ve got a nice powerful word processor that you can use to show you exactly how your story will look when set in the format used by Glimmer Train or The New Yorker (not that I’ve ever…oh shut up!).
* Designate a folder for all your fiction writing, another for non-fiction, another for semi-thought-out blog posts. File your work.
* Save often. Seriously I cannot stress this enough. And still you’re going to need to experience the pain of losing a masterpiece before you put this into practice. But Save OFTEN. Train your fingers to mash the ‘ctrl’ and ‘s’ buttons together every paragraph or two. You’ll be glad you did.
* Use the simplest program you can. I use IAWriter when composing (I’m using it now). Use the full-screen mode in your word processor-of-choice.
* Turn off the Internet (Unplug the LAN cable, turn the sound down, turn off wi-fi, whatever you have to do). Do nothing but write when you are writing. No checking email, Facebook or Twitter. Ever.
* Name your files sensibly. You can call them all “StADASept12 The One About The Woman And Her Garden”, “StADaSept12 The Dog In The Ditch” if you think that’s likely to help you remember which is which, and where you put them. If you are writing a series of stories about the same characters always name the file with the same character’s name “Sarah stories – fishing in the creek with Grandma” “Sarah stories – Going to the corner shop”
If you move around a lot and are comfortable with a mobile device (and don’t want to hand write) it probably makes a lot of sense for you to use one of these devices.
* They are with you all the time or easy to move to wherever you are.
* You don’t need good lighting.
* Spellcheck.
* Battery life.
* If they are connected to the Internet you risk getting distracted.
* Comfort. Smaller keyboards and screens can make for a frustrating experience. Though I find them great for writing, less so for editing.
* Version control. If you’re using a mobile device and a desktop you run the risk of having (and working on) different versions of your story at the same time.
* Decide on how you are going to handle version control. If you work both on an mobile device and a desktop, consider saving all your work to Dropbox, Google Drive, iCloud or some other remote location (not your computer’s hard drive). This way, you’ll open the same file on either machine. By all means periodically copy all the files to an archive folder on your machine but call it something like ‘archive’ so you don’t get confused about which file is the latest version.
* Pick programs that play well together. I tried using Scrivener on my desktop and iaWriter on my iPad and ended up spending a ridiculous amount of time trying to learn/figure out how to sync the two. (My fault, not theirs, but not something I was willing to spend the time to learn properly during a challenge!). If you have Word or Pages or Scrivener or a simple text program on both your machines, use it. You can always export them to something else when it’s time to edit and submit.
* Get a bluetooth keyboard for your tablet. Yeah, yeah, they have onscreen keyboards and hand-writing recognition and speech-recognition, but a neat little keyboard still trumps all that for most of us.
* If it works for you, consider downloading something like Dragon Dictate which will transcribe your stories. (Way back, the desktop version of this was quite good because I could train it to understand my Scottish-American mongrel accent. The iPhone app version doesn’t seem as versatile, so this doesn’t work for me).
Some people post their stories every day to a blog. They may even write them write in the blog-software window. There are some fairly big (and non-obvious) pros and cons for this one.
* You get to share your work immediately – especially good if you have a writers’ group or a bunch of dedicated readers.
* You can easily find your stories again. Even if your hard drive dies.
* There is a off-the-cuff, relatively uncrafted esthetic to blogging that might help you write with abandon every day.
* Publishing your work on a blog may cause some editors to consider the work ‘previously published’ and render it invalid for inclusion in magazines and competitions.
* Writing in the blog window leaves you at the mercy of your internet connection and the host’s servers. One blip and your whole story can be lost otherwise.
* Consider writing offline and then pasting the content directly into the blog window. Write in a plain text program and then pretty it up once you’re in the blog window.
* Save drafts obsessively as you work on them.
* Use your blog software to set up categories and tags for your stories. That way it’ll be really easy to find all the stories you wrote during StADa Sept ’12, or all the stories your wrote that were autobiographical, or all the fairy stories…
* Consider password-protecting or marking as ‘private’ any entries you think you might rework for submission to magazines or contests. If no-one else can see them, no-one can consider them ‘published’.
So how do YOU write? Have any tips for keeping your writing flowing?