This is an awesome way to quickly launch (and finish) a new story, any time you have time to write but are short on inspiration. Try it!
Use this story formula to to create an interesting character, give them a desire, kick off some intriguing action and plan the kind of resolution you want.
Once you have that skeleton, you can start filling in colorful details…and soon your creative brain will be demanding you start to write!
A _______ (adjective) ________(noun), who _________(verb) ___________(subject), then _________(related verb) __________(resolution)
- Using these kinds of limits short-circuits your inner editor and makes ‘writing a story’ seem much more manageable. Just take it step by step.
- Make sure you give your character an adjective that implies some desire (e.g. ‘ambitious’ not ‘young’; or ‘contented’ – which implies that their desire is for the status quo to remain unchanged)
- Use the middle set of blanks to kick off the action (use a verb that implies change: “discovers”, “uncovers”, “decides”, “is forced to”, “commits to”, “resists”, “invents”, “journeys”)
- Use the final set of blanks to define what kind of ending you want. Will it be a happy ending? Will it be bittersweet? Will your character achieve their desire or lose it? Will they learn something or not?
- Paint the big picture first (e.g. A “dissatisfied woman”, who “uncovers something about a rival”, then “uses that knowledge to get what she wants”, or “discovers she has everything she needs, all ready”)
- Now add some details and desires. Think about what would be fun/exciting/engaging for you to write about (e.g. “An ambitious mommy-blogger”, who “finds out her biggest rival has been lying on her blog”, then “uses that knowledge to ruin her rival and make her own blog successful”, or “realizes how shallow her ambitions had been and decides to refocus”)
- Next, add even more detail, with desires, needs, colorful details. You don’t have to fill in any details of *how* the resolution comes about, just the overall thrust of it.
- Don’t worry that your story will be formulaic. The originality comes in the details you choose, the characters you create and the situations you dream up for them. You and I could both use my mommy-blogger idea and I guarantee you our stories would be wildly different.
- Try writing different options for each of the sets of blanks. If you don’t love your first ending option, try something different. If your character’s adjective makes her unappealing to you, try a different one.
- Going through this exercise helps keep your story on track. If you know, at the start, how you want the story to end (even if you don’t know the details of how you’ll make that happen), it limits your choices, and lets you choose between three or four sets of action for your character. Knowing whether you want it to be a happy ending or a bitter one, makes it much easier to decide on the types of choices you make (N. B. Neither is inherently better. It all depends on what you enjoy reading/writing and what kind of audience you want to attract).
- Don’t be afraid of this, if you’re a ‘pantser’. This is not a restrictive outline that will constrain your creativity. Rather, it is a set of guideposts that will get you where you want to be (i.e. at the end of a satisfying story).
If you’re intrigued by this, sign up to find out when I release a new mini-course that will take you through this exact process — with examples and resources to help. (Get the StoryADay Creativity Bundle for free, as soon as you sign up.)