[Write On Wednesday] Writing For Reluctant Readers

Don’t forget, the end of the month is approaching. It’s the perfect time to check out your writing commitments from last month, and start planning your commitments for December. There’s still time to do a few more things this month to reach your goals!

There’s a concept that there are avid readers and ‘reluctant readers’ (boys often get lumped into this category). It is pronounced as if it’s somehow the reader’s fault that they get bored with books. I firmly believe that anyone can be turned into a midnight-reading-story-zombie if we just find (or in our case, write) the right kind of story for that reader.

It might seem odd to challenge you to write a short story for someone who doesn’t want to read one, but this exercise will keep you focused on making your story as compelling, action-driven, and engaging as possible.

ReadingThe Prompt

Write a story for a reluctant reader

Tips

Continue reading “[Write On Wednesday] Writing For Reluctant Readers”

[Writing Prompt] Write A Children’s Story

There’s no feedback like the honest feedback of trying to hold the attention of a squirmy kid. This week I want you to try (or imagine) reading a story you’ve written to a kid under the age of 8. They are too young to worry about your feelings and they WILL let you know if the story is dragging! It’s great practice for holding the attention of former-kids too!

The Prompt

Write A Children’s Story

Tips

Continue reading “[Writing Prompt] Write A Children’s Story”

[Write On Wednesday] Write To Read

This evening I’ll be going out to another short story reading event, and it’s got me thinking about the audiences we write for.

Tonight’s story is adapted from one I wrote a while ago. I’m very happy with how it reads on the page, but when it comes to reading it aloud, I found I needed to cut a lot of description, tighten up the examples, lose some of the more languid language.

This month all the prompts will encourage you to try writing (or adapting) a short story with a specific audience in mind.

Noir Reading

The Prompt

Write A Story Designed To Be Performed Out Loud

Tips

118 – UnStick Your Writing During NaNoWriMo, Part 2

Advice about how to get unstuck when you still have 30,000 words to write!

RESOURCES:

Unsticking Yourself thread on Twitter: https://stada.me/unstuck

Tony Conaway’s article on public readings: https://stada.me/tonytalk

Further reading: What To Do When You’re Stuck In The Middle of Your Novel, (https://stada.me/wdstuck) from Writer’s Digest, with advice from the excellent DIYMFA book by Gabriela Pereira 
James Scott Bell’s book: Write Your Novel From The Middle

Another new episode of Write Every Day, Not “Some Day”

117 – Getting Unstuck During NaNoWriMo – Part 1

NaNoWriMo, the National Novel Writers’ Month, is well underway. By this point in week two your story might have become a little bit, well, stuck.

In these next two episodes I share tips and advice from myself and others about how to get unstuck when you still have 30,000 words to write!

 

Unsticking Yourself thread on Twitter: https://stada.me/unstuck

Tony Conaway’s article on public readings: https://stada.me/tonytalk

Further reading: What To Do When You’re Stuck In The Middle of Your Novel, (https://stada.me/wdstuck) from Writer’s Digest, with advice from the excellent DIYMFA book by Gabriela Pereira 

James Scott Bell’s book: Write Your Novel From The Middle

 

 

Another new episode of Write Every Day, Not “Some Day”

[Write On Wednesday] 5-6-7-8

This month I’ve been encouraging you to write short stories in unusual forms and genres.

Since I’m spending today trekking back and forth to NYC to see the new Frozen musical with my kid’s school (I know, such a hardship, right?), I decided to urge you to write an outline for a musical today.

This is a bit of an odd one and if you’re not such a theater nerd as me, pick your favorite genre of movie, and imagine you’re writing an outline of all the sequences in your movie (there are probably about 8, with a big dramatic turning point at each quarter mark).

The Prompt

Write An Outline, or the Song/Scene List for a Dramatic Presentation

Tips

This isn’t going to read like a traditional narrative story

Imagine you’re looking at the program for a musical: it has a list of the scenes/songs you’re going to hear. Recreate that for your fantasy musical.

Here are some of the beats your two-act musical should hit:

  1. Big opening number that introduces the characters, setting, theme & tone.
  2. Character song – introduces your main characters desire and obstacle
  3. Introduction to the love interest/problem/antagonist
  4. Set back (probably a big chorus number)
  5. Comedy song (featuring a minor character, to relieve the tension – ‘Brush Up Your Shakespeare’, or ‘Gaston’)
  6. A serious ballad that restates the problem
  7. A decision song. The main character is going for it, assembling their team
  8. Set up for the big action of the second half. Cliffhanger! (Definitely have all characters on stage)
    [Interval]
  9. Another song restating the desire and obstacles of the main character
  10. Big number setting up for the climax, featuring multiple characters
  11. Final struggle song
  12. Quick charming song resolving the action
  13. Finale, a powerful song bringing back all the characters, even the dead ones. Probably has a similar title to one we’ve heard before.

 

So that’s it. Decide on a premise for your pretend musical. Figure out who your main character is, their desire, their obstacle and their antagonist.  Then go to town creating song titles that fit the outline above. Have fun with this! Come up with a title for your musical and feel free to add notes to your ‘program’ with character names, suggestions for interval drinks and snacks, and perhaps even sponsorships by local businesses!

 

Go!

116 – Critique Week Is Back! Oct 21-31

Join our critique ‘week’, Oct 21-31 (because wouldn’t it be nice if every week had a couple of extra days to get stuff done?) and get access to the Revisions & Critique Mini Course as well as having me and 3 of your peers critique your work.

Use the code: octearlybird before noon (EST) on Sunday, Oct 21 to save $20

https://stada.me/crit18

 

Another new episode of Write Every Day, Not “Some Day”

The Power of Being Vulnerable

Critique Week LogoRecently I was an invited speaker at a reading featuring local authors.

I got some laughs (phew!) and sold some books. It took nerve to do it, but I’m so glad I did.

In the breaks, I talked to other writers whose stories I had enjoyed immensely. And guess what? They knew who I was and told me they’d enjoyed my story. Some of them even asked questions about the status of the novel I’d read from at a similar event five months ago.

Can you imagine how that felt?

These great writers and performers remembered my work?!

Some of these writers have connections with a wider circle of writers in the area, some of whom are pretty big deals in their genres.

And now I have a connection to that wider world.

I want to talk to you today about how you can build and expand on YOUR network of writers

I got my opportunity because of a tiny decision I made about 8 years ago, to turn up at a local writers’ group’s critique night.

That group has been one of the best ways for me to get embedded in the local writing scene, and a wider writing scene. We share tips about conferences, contests, scholarships, events, blogs we’ve liked, podcasts we’ve discovered, basically anything to do with improving our craft. Sometimes we become friends

But Julie, I hear you say, I thought you said it was a critique group.

It is!

There’s a vulnerability and trust in the act of sharing your work, that encourages deep connections to grow.

I know I’m lucky. I live in a densely-populated area with lots of over-educated people, many of whom want to write.

You may not be so lucky.

Except that you are, because we live in the future, and we can do almost anything online that my group does in the physical world.

And this is the bit where I finally get to the point.

This time last year I offered a ten-day online critique group. A dozen writers showed up, critiqued each other’s work and received a full critique of a story (or 3000 words of a longer piece) from me and at least three other members of the group.

And I’m doing it again this year.

Get on the waitlist now

and I’ll send you my Critique Group Primer so you can always have the best experiences no matter where you get your critiques.

[Write on Wednesday] Tell A Noir Story

inspired by the fact that I’m reading at a Noir event tonight, I’m challenging you to write an atmosphere laden, tragedy-laced noir story today.

The Prompt

Write A Noir Story

Tips

Otto Penzler, owner of Mysterious Books and editor of the annual Best American Mystery Stories anthology, has this to say about noir.

“Most mystery fiction focusses on the detective, and noir fiction focusses on the villain…The people in noir fiction are dark and doomed—they are losers, they are pessimistic, they are hopeless. If you have a private eye, the private eye is a hero; and he’s going to solve the crime and the bad guy will be caught. That’s a happy ending, but that’s not a noir ending.”

  • Now I don’t think it’s entirely true that a noir story can’t have a happy ending. It just has to be an imperfectly-happy ending.
  • Your hero might escape, but it’s by doing something terrible. Or he leaves a trail of devastation in his wake. Or the bad guys still achieve their ends.
  • Your hero and their love interest can achieve a measure of personal happiness at the end, but it’s not an uncomplicated, Disney-esque happy ending.
  • Noir stories tend to be heavy in atmosphere and imagery, and have a distinctive narrative voice.
  • The villain’s motivation is something you can explore more in a noir story than in a traditional mystery.
  • Life is never simple or sweet in a noir story.
  • There should be a crime, attempted crime, or mystery in the story.
  • Explore the seedier side of life, and don’t forget to use all your senses, and exploit all of your characters’ passions.
  • Read yesterday’s Reading Room post, for my thoughts on Dashiell Hammet’s noir story “Nightmare Town”.

Go!

[Reading Room] Nightmare Town by Dashiell Hammet

Short review: I can’t believe I’ve never read anything by Dashiell Hammett before. I must be crazy. This was awesome. Totally got its hooks into me and stayed with me long after I read it.

Nightmare Town is the title story in this collection by the Noir master. Having mostly watched movies adapted from Raymond Chandler stories, and pastiches of Noir by others, I wasn’t sure what to expect.

I was, however, preparing for a reading at a Noir night, and thought I ought to do some research before I wrote a story to fit the theme.

Wow.

The Story

Continue reading “[Reading Room] Nightmare Town by Dashiell Hammet”

[Write On Wednesday] What A Laugh

It’s one thing to be funny in conversation with friends, but writing comedy can seem harder, somehow. Today we’ll try out some techniques to make our funny stories funnier.

This prompt is adapted from ideas in The Hidden Tools of Comedy: The Serious Business of Being Funny by Steve Kaplan, which was recommended to me by StoryADay veteran, Almo Schumann.

The Prompt

Give your character permission to go after their desire, no matter what the cost Continue reading “[Write On Wednesday] What A Laugh”

[Write on Wednesday] Cataloguing

Today’s prompt kicks off a month of Write On Wednesday short story prompts that focus on odd or very specific formats of stories.

Remember when Elaine from Seinfeld got a job writing for the J. Peterman catalogue? Every entry was a tiny short story, usually ridiculous, about the fantasy character who would wear/carry each product.

That’s what I want you to try today.

J. Peterman Catalogue screenshot

The Prompt

Write an imaginary entry for a pretentious, high-end catalogue

Tips

  • Think about the character who might use the piece you are highlighting
  • Think about the image you’re selling to the reader
  • Take the characteristics or details of your imaginary friends, and amp them up to outrageous levels
  • Make yourself laugh
  • Be as over the top as you like
  • Include a description of the object that contains sensory details
  • Keep the ‘story’ to around 200 words
  • Once you’re finished, look at your little story and see what you could learn from it, when you’re writing character or setting descriptions in the future.
  • Could you use some of the techniques you employed here, even if you dial it back a little?

 

Leave a comment and let me know the product you described and the character you chose. What did you discover in your writing today?

StoryADay September 2018 Week 5

How did it go last week? How many stories did you write? How are you feeling heading into this week? Join the discussion below!

And don’t forget to come back when you’ve finished your last story to CELEBRATE YOUR SUCCESS!

Week 5 Prompts

So how did you get on? What did you learn during this challenge? Leave a comment here with your reflections, or share it on social media and leave a link.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want prompt by email throughout the year? Sign up below for the Write On Wednesday prompts.

114 – On Promiscuity

In which I talk about when (writerly) promiscuity is good, and announce the winners of the September giveaway of Windy Lynn Harris’s book, “Writing & Selling Short Stories & Personal Essays”.

Bonus points if you can spot the sound of my kid’s hamster trying to break out, in the background. #IThoughtHamstersWereSupposedToBeNocturnal

Another new episode of Write Every Day, Not “Some Day”

StoryADay September 2018 Week 4

How did it go last week? How many stories did you write? How are you feeling heading into this week? Join the discussion below!

If you missed the start of StoryADay September or still need to set your rules, check out Week 1’s post. Don’t try to catch up and write stories for last week, just jump in now and keep moving forward!

Week 4 Prompts

That’s it for this week. I’ll be next week with another batch of prompts.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want email reminders throughout September? Sign up, below:

StoryADay September 2018 Week 3

How did it go last week? How many stories did you write? How are you feeling heading into this week? Join the discussion below!

If you missed the start of StoryADay September or still need to set your rules, check out Week 1’s post. Don’t try to catch up and write stories for last week, just jump in now and keep moving forward!

Week 3 Prompts

That’s it for this week. I’ll be next week with another batch of prompts.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want email reminders throughout September? Sign up, below:

113 – Should You Edit While You Write?

This could be a really short podcast (just me screaming “NO!”), but I decided to talk in a more constructive way about the reasons why I think it’s important to write fast first drafts and save revisions for later.

With thanks to my StoryADay Superstars group for raising this talking point as they go through StoryADay September.

 

Another new episode of Write Every Day, Not “Some Day”

StoryADay September 2018 Week 2

How did it go last week? How many stories did you write? How are you feeling heading into Week 2? Join the discussion below!

If you missed the start of StoryADay September or still need to set your rules, check out last week’s post. Don’t try to catch up and write 7 stories for last week, just jump in now and keep moving forward!

Week 2 Prompts

That’s it for this week. I’ll be next week with another batch of prompts.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want email reminders throughout September? Sign up, below:

StoryADay September 2018 Week 1

Here we are at the start of StoryADay September 2018!

The Rules:

  • Set your own rules (why not leave them in the comments?): Decide whether you’re going to complete a story every single day, or every week day, or every Thursday…it’s up to you. Make your own rules, and stick to them!
  • Check in every day to find the (optional) writing prompt. Write a story to that prompt or to your own ideas.
  • Finish at least a messy first draft
  • Come back and leave a comment on that day’s post, to let everyone know how you got on, and to encourage others.

Here are the prompts for this week. Bookmark this page now and come back each day!

The Prompts

In September, I send out a weekly batch of prompts. Here are all the prompts for Week 1

That’s it for this week. I’ll be back on the 8th with the next batch of prompts for Week 2.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want email reminders throughout September? Sign up, below:

[Writing Prompt] StoryADay September 2018 Day 1

Today’s prompt comes from Windy Lynn Harris, author of Writing & Selling Short Stories and Personal Essays

Windy has kindly agreed to give away 2 copies of her book to us! See below for the giveaway details.

But first, here’s your prompt:

The Prompt

A LIST EXERCISE
Flash fiction stories are less than 1000 words.
Many are much shorter than that.
Flash invites you to be creative with form.
Today, your task is to make a list. A literary list, that is.
Grocery lists, to-do lists, or goals lists written with the effect of showing a person’s life, their struggles, their failures, etc, are terrific pieces of flash. They test the reader’s inferential powers.
Your challenge: Provide a list of items from a luxurious bedroom, a garage, or a refrigerator.
Use specific concrete details. Reveal a sketch of a person’s life through these items. Imply something.
Leave a comment below, to let us know how you got on and also, to be entered to win [1.No purchase necessary, void where prohibited and all that good stuff.] one of two copies of Windy’s fabulous book (which I genuinely think is the gold standard handbook right now for this space). And keep writing until Sept 15 when I’ll offer one more copy as a second giveaway.

 

Video: Top 3 Tips for A Successful StoryADay September

Be A Superstar?

If you want some extra support including:

  • Daily video explainers of the prompts, and pep talks
  • Transcripts of the videos
  • Audio-only versions
  • A private site just for Superstars, to hang out and comment
  • Weekly video hangouts with me and the other Superstars throughout September

Sign up to become a Superstar now

Don’t want that much support? You can still get all the prompts in your inbox by signing up below:

[Write on Wednesday] The Ways We Talk

This week, I’m recycling a writing prompt from a couple of years ago, all about slang, because it fits so wonderfully with this month’s theme of ‘backstory’.

(Also, because I’ve been on vacation and …)

Invented languages, or slang, are wonderful ways of establishing culture in your novel and of making sure your dialogue feels like dialogue and not ‘speechifying’.

I talked about this on the podcast recently. Check it out.

Read the full prompt here, then come back and leave a comment to let me know what you think. Did you read the linked article? Did it spark any ideas for you?

112 – Backstories & Integrity

Firstly I talk about some people who are making short and long fiction work for them: Mary Robinette Kowal, whose new novels The Calculating Stars grew out of a short story, The Lady Astronaut of Mars; and Diana Gabaldon, who writes short stories in her Outlander universe to keep her readers occupied while she’s working on the longer novels.

I also talk about slang:

Writing prompt: https://storyaday.org/wow-invented-languages/

Escape Pod episode: Me, Meg & The Thing by Gian-Paul Bergeron – http://escapepod.org/2018/08/02/escape-pod-639-me-meg-and-the-thing/

Prompts for this month: http://stada.me/backstory

PEP TALK

The second part of this podcast is a pep talk about living up to your writing commitments in the face of life’s urgent tasks and why it’s so important … and not just to you.

Another new episode of Write Every Day, Not “Some Day”

TRANSCRIPT

Good morning, good evening, good afternoon. This is Julie from StoryADay here back to talk with you for another 15 minutes or so about writing. Have you been writing to the writing prompts of Story A Day this month? Have you been writing backstories for a longer work exploring the affection world that you have created before?

I have been thinking more about this and I have just recently finished a book called “The Calculating Stars” by Mary Robinette Kowal. I talk about her a lot because I admire her in many ways. Largely her writing and also the way that she makes a living as a writer. This book, The Calculating Stars, is an alternate history of the 50s in America and the NASA Space program. It’s not called NASA in her work but she has done a lot of research and it’s really great. It’s right up my alley: it’s history, it’s science fiction, and it’s  space travel; hitting all my geek buttons.

The first thing that she wrote in that universe or the first that she published in that universe was a short story called the Lady Astronaut of Mars which is a great title.  You  know from that title that it’s set in the 50s because we don’t refer to people as Lady at his or Lady that any more, but she wrote this story about this woman who has had a career as a lady astronaut. “The Calculating Stars” goes back and explores how she became that lady astronaut and it’s a whole novel, explains the whole world, explains her life, puts a whole cast of character around her who were obliquely referred to in the short story. There’s a second novel coming in the same universe. I believe that all of that came out of a short story.

So when I talk to you about writing short stories that explore the backstory of a fictional universe it’s not just research. It’s not just wasting time, it’s not just notes. It could really grow into something important whether it’s a series, a short story setting in the universe or whether it’s a two book dealing with Tor.com. You really can’t go wrong I don’t think, unless you are wasting time and not finishing the stories and procrastination finishing the longer work.

I think that writing and crafting short stories in the universe is always going to be a good thing.

So go back and look at the August writing prompts and find one that encourages you to write the backstory of your character or the culture in your world and other stuff there. Don’t forget to check at the bottom of the page for some of the Suggested Similar Posts.

I came across a prompt that I completely forget I had written which was about slang and exploring the slang of your world which is interesting because I just read a story this week. It was on a podcast and it may have been Escape Pod and it was written in a completely almost unintelligible slang until you realize that, until you tune in to how the characters talk and then it becomes very clear, very quickly what they are talking about. But in the actual opening of the story, it’s read with such confidence by the narrator that you just think this isn’t gibberish. But the whole thing is using consistent futuristic slang based on where these characters live their lives. It’s actually fascinating, it’s hard work but it’s fascinating. It’s an interesting exercise in thinking about how you can talk when you are not concerned about sharing information with people who are outside their little world. That’s what slang is. It’s a way of showing that you belong to this group and excluding outsiders. So it’s very interesting in terms of dialogue.

I started talking about the Lady Astronaut because I was thinking about  people who have done short story collections in the last few years. One of them is the fabulously successful Diana Gabaldon, who has her Outlander series, which is not only a series of something like seven doorstop books full of research and magic containing time travel and heaving bosoms and muscular Highlanders. It’s also a TV series and she has been writing these since like 1997 so it’s really become a big thing for her.  In between her big doorstop books she writes short stories to keep her readers happy because you can’t turn out a thousand page novel into 5 minutes so she writes stories in between books and she has collected them into various collections.

So that’s another reason to write short stories in your fictional world because it keeps your readers happy in between novels and you can keep income coming in as you put together short story collections in between novels. I could go on about how it’s useful to have lots of titles coming out frequently if you are going to self-publish  but not everybody is interested in self-publishing so I won’t.

There is one other thing that I wanted to talk about before I wrap up this week’s podcast. That is more of a pep talk about you and your writing time.

I have been following a food plan. I have been talking about it for about a year and I have been following it really well for  the first 9 months  7 months and then things got ugly and I started slipping and recently have got back on the plan. It’s kind of an all or nothing plan and I have to tell you it feels great to actually live up to my commitments. I have a support group and we all talk about whether we start to have a plan today and it sounds a little cultish but we all need support, right? It’s having that little group of people who is waiting to hear how you got on this month. It really starts you thinking about did I make my commitments to myself? That’s what I want to talk about right now is how important it is to prioritize your commitments to yourself?

Currently, I am planning a vacation and I am planning for StoryADay September and both these things are on the calendar and they are approaching, they are marching towards me whether or not I do anything about it. Whether or not I am ready September the first will roll around. So the work that I have to do for those two things—the packing, the priming of emails, prompts, all that stuff, the telling you about it—that stuff all has to happen on a schedule. So it’s very easy for me to prioritize that work and say I am going to work on prompts this morning, I’m going to do my laundry this morning and find my suitcase and it’s very easy for me to say my fiction can wait because there’s no deadline there. My short stories that I was going to write this month, they can wait because I really have to get this other stuff done because it’s urgent and its happening.

And yes that is true, but every time that we put our story writing, our fiction writing,  our art on hold for the more urgent things in life, we train our brains to say that this stuff is not important because it’s not urgent, it’s not important. I am here with a plea today and I know some of you out there in this community have got this and most of the time your meeting goals, you are doing thing and you turn up with the SWAGr group and you say I did this, I wrote this story and you are the people who are getting published, you are the people who are meeting your writing commitments and sharing your writing with people and living that writers life. I just want to remind the rest of us who maybe aren’t as accountable to our own goals, or  who are more easily swayed by the needs of others or by the march of time on the calendar to emulate those people, emulate the writers around you who say “you know what I need to sit down and do my writing.” It’s not urgent in a calendar kind of way but it’s important and it is urgent in a living my life way.

This is your one shot at life. Writing is important to you. Its part of who you are, it helps you become more who you are, it makes you a better person, my guess is it makes you easier to live with because it certainly does that for me. I want to challenge you this month, this week, this day to do the things that are urgent and that are on your calendar and the other people who are relying on you for, other people whose faces you know. But remember that your fiction is important not just to you but it is important to the people who rely on us to tell the stories. It’s amazing to me when I meet someone who tells me  a great story and I say you should write that and they look at me like I’m crazy.

Sometimes we forget that not everyone is a writer. Other people are readers, consumers of stories, lecturers of stories. They need our stories. We may not know their faces the way they know the faces of the people at our houses and our work, who are demanding things. But readers are out there. They need us and they need our stories. Quite beyond the fact of what writing does for you. You have a talent, you have a skill, you have a message to share, you have characters to share and you have an audience waiting to be entertained, to be moved, to be taught by you.

This week Patrick Stewart announced that he was coming back to Star Trek. Not just to Star Trek but to   Jean-Luc Picard. The reason he said he wanted to come back is because he has heard stories about how the Next Generation moved people and their lives.  I grew up watching Star Trek Next Generation. He said that he is excited to come back to that world and that character, that approach to life and to see what Jean-Luc Picard can bring in what he described as “these dark times”.

Writers have always written in dark times. Think of Alexandra Soltzhenitzyn, all those writers who were exiles…People have always written when things are difficult. Sometimes they write dark moving stories and sometimes they write wild satires and sometimes they just write comedy and they try to create a world they want to live in. That’s a pretty important thing, that’s a pretty important role that we have.

I am encouraging you to remember today, this week, this month, this year that your writing is important to you. It’s a priority but not only will you get that kick from living up to your goals from investing in your talent, from treating your craft with respect but you will be built with a better world. You will be creating visions of the future, visions of the world that could be for readers to read it. That’s what I am going to leave you with this week. Have a great writing week and keep writing.

[Write On Wed] Culture Club

This month I’m giving you prompts that work in different ways to support your long-form fiction/novel writing. This week we’re looking at the micro-cultureS in your novel’s world.

Boy George,Culture Club

The Prompt

Write a story that explains how the culture of your novel’s setting evolved

Tips

  • Even if you are writing contemporary fiction, don’t assume that the culture of your novel’s world is known to all your readers. There are what I think of as “micro-cultures” in every community, every family, every workplace. Just like in gardening, there are microclimates—I can grow tomatoes agains my house’s south-facing wall, but they would utterly fail if I tried to plant them on the cooler, shaded north-facing wall. My property isn’t very big, but it still has micro-climates!
  • Think about your fictional world’s culture in the novel. What does your main character feel they have to do, ought to do, would be shunned for doing?
  • How did those attitudes develop?
  • Write that story.
  • For example, in the movie “Steel Magnolias”, family and community are everything, and life revolves around the beauty shop. Why? Because a until very recently, women like them had very few choices in life. They found husbands, had children, entertained, and gathered at this ladies-only retreat where they could, for once, let loose and trade confidences. Write a story of the older women in that movie, when they were young. That will help the town and those secondary characters feel very real to your audience.
  • Conversely, in “When Harry Met Sally”, family plays no role at all. Harry is full of flaws, misbeliefs and self-harming psychological behavior, but we never see where it came from. It’s possible that Rob Reiner didn’t need to know Harry’s backstory because he was Harry, or at least knew a lot of guys like him, and knew enough about their behaviors to make him seem real. But if you want to be able to branch out and write characters who aren’t like you, it’s useful to explore the culture they came from. What was Harry’s family like growing up? What was the micro-culture in his neighborhood. What makes him so divorced from the family structure, relying only on a small group of friends?
  • Likewise if you’re writing in a more alien culture, it can be useful to write backstories about the early days of the prevailing religion or of the minority cultures that your secondary characters come from (surely no world is utterly homogenous?!).
  • Writing these backstories is useful for more than just research. You can use them to intrigue readers (give away a free story to get people on your mailing list and introduce them to your writing and your world). You can submit them to publications, and use those publishing credits to prove to agents and publishers that there is a built in audience for your novel. You can collect them and sell them to fans of the first book while you’re writing the sequel…

Photo credit: Eva Rinaldi

Have I I convinced you to dig into your novel’s backstories yet? Leave a comment to let me know what you’re thinking and what you’re writing.