[Writing Prompts] Realistic Dialogue

I don’t know if you’ve been using little or lots of dialogue in your stories up until now. We’re going to spend the next few days looking at dialogue issues, and play with a few different aspects of it.

The Prompt

Write a story that features realistic dialogue

Tips

When writing dialogue, remember that people don’t talk in speeches, not really. And they certainly don’t listen to each other. We interrupt, talk at cross-purposes and misunderstand each other all the time. Capture some of that.

When writing colloquially don’t go overboard with misspellings and missing letters to convey how people ‘really’ talk. Using ‘gonna’ and dropping the ‘g’ from ‘ing’ is fine if you’re trying to show that someone has a really strong accent, but invented spellings risk just making the reader impatient and irritated. Much better to try to capture the rhythm of a locale’s speech or use one or two tell-tale local words, than to try to transliterate a dialect accurately.

Remember to use sentence length to reflect how someone is feeling: short, choppy sentences for someone who is agitated; long, lugubrious sentences for contented fat cats.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Bring On the Antagonists

I know, I know, I included villains and antagonists in yesterday’s prompt, but today we’re focusing on them.

The Prompt

Pick An Antagonist Type

If you’ve been following along with the prompts this week, you’ll already have worked on a flawed main character and a targeted secondary character. That secondary character may even have been an antagonist (a villain). So why am I talking about them again?

It’s one of those venn diagram things. All villains are antagonists, but not all antagonists are villains.

Antagonists’ CheatSheet

The antagonistic force in any story is the thing that is stopping the main character for getting what s/he wants or needs. While it might be Count Olaf terrorizing the Beaudelaire children, the antagonistic force might just as easily be Holden Caulfield’s crippling cynicism. Or maybe it’s Norman Bates’ mother.

Start with your main character. What do they want? What can stand in their way?

  • Internal personality flaws?
  • Something from their past?
  • A person?
  • A physical object? (though usually this generates an internal or external struggle)

Make sure that everything you write about your antagonist illustrates something about its relationship to your main character. We don’t have room, in a short story, for sub-plots.

Kristen Lamb has some excellent posts on this topic, if you need a little more reading.

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Secondary Characters

It is day 13 of StoryADay September and you have almost made it to the halfway point. How’s it going? What challenges are you encountering? What are you learning about your writing habits? Leave a comment, or get in on the discussion in the forums.

Short stories can feature just one main character. You can totally get away with it. But not all the time.

The Prompt

Play With Your Secondary Characters

What is a secondary character? It’s any character who doesn’t matter to the story if you take out the protagonist.

Everything the secondary characters do in this short story should relate to the protagonist in some way:

  • The villain forces the main character to pursue a course of action
  • The best friend helps the main character figure out what she should do
  • The sweet character storms off, showing up how much of a jerk the main character is being.

As you write your story today make sure to include secondary characters and pay attention to everything they do. if they start to wander off-script, into areas that do not directly relate to your protagonist, stop them! (Promise them their own story tomorrow, if you have to!)

Go!

And when you have written your story,  comment on this post and let the congrats come flying in.

[Writing Prompt] Hidden Depths

Now that we’ve played around with perspective for a few days, let’s turn our attention to character.

Of course you want your hero to be heroic and your bad guys to be evil, but don’t forget that one dimensional characters are unrealistic and unsympathetic.

So what’s the solution? 

The Prompt

Give Your Character a Flaw

The key to giving your character an interesting flaw is to let the readers see the potential for failure early on. 

If your heroine is a devoted mother and that is going to be the thrust of the story, let the readers see her having a moment of resentment, of longing for her former freedom. Raise the stakes by giving her chances to regret that feeling later, when her children are in peril. It’s not who she really is, but it was a very human impulse. Your readers will empathize both with the impulse and the regret. 

If your hero is a wise-cracker, hint that there is a serious reason underneath. 

The same goes for the evil witch in the office, who makes your main character’s life a misery. If she is all bad, the reader will get bored with her. If she has a hint of a redeeming feature (even if it is that she is hilarious), the readers will have more patience for her necessary appearances in the story.

Just don’t go overboard with this. It’s a short story. A quick hint early on is all you should need to put on the page. 

Go!

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.