Target Practice

How can you know you’re successful, if you haven’t defined ‘success’?

Stephen King didn’t become “Stephen King” overnight. He did it step by step, and at each step he refused to quit, for some reason.

Often we are tempted to quit because we aren’t seeing the results we thought we would, fast enough (“I thought I’d have an agent by now”, “I thought I’d be published by now”, “I thought I’d be able to leave my day-job, by now.”)

Some of the end goals you have for your writing, today, might be true and reasonable and motivating for you.

But consider that some of them are rooted in other people’s expectations. And usually in the expectations of people who are not writers and have a very sketchy picture of how the words ‘writer’ and ‘success’ can fit together.

There are so many different ways to ‘be a writer’ – and to be successful as a writer – that it’s vital for each of us to define what ‘being a writer’ looks like for us, for now, and to be willing to revise that at each stage.

Before you can build a writing practice, or even successfully write a story, it’s helpful to figure out what ‘success’ looks like for you, for now….so that you know if you’re hitting the target.

Today’s task is to define success for yourself.

Grab your notebook and let’s go through this exercise together.

Set a timer for 3 minutes and move to the next question after each. Keep going even when you think you can’t answer the next question.

Write down your current biggest, most outlandish wish for your writing life and what does your life look like when you achieve it?

(feel free to think about money, fame, impact on others, and what your daily life would look like in that Best of All Possible Worlds). Go nuts with this.

E.g. create a fictional world that has a series of best-selling novels, a movie franchise and a line of tie-in action figures. I go to movie premieres in borrowed diamonds. My family compound is nestled by the woods at the bottom of a mountain, on a river that leads to the sea, but is also conveniently located for big city cultural events. I write in the mornings and spend afternoons walking the hills with my favorite humans, then do some more writing in the evenings before sleeping soundly and breakfasting on eggs from my free-range chickens (that someone else looks after). Fans write to me and tell me I changed their lives for the better.

What is a smaller success than this, that might lead to your Best of All possible Worlds goal? And what does your life look like?

e.g. Write the first book in my story world, putting all my current craft skills into play, and learning a few more along the way. Have trusted first-readers who give me excellent feedback, and are clamoring to be on my ‘street team’ and help promote it when the book comes out.  My life is pretty hectic, doing everything I had to do before, and deal with publishing and promoting a book, but I’m learning a ton and I have a team of great people around me. It’s exhilarating, and a little exhausting.

What is a smaller success than this? And what does your life look like?

E.g. write some and complete some short stories set in my fictional world, to help me build the craft skills I need to build compelling characters and hold the reader enthralled all the way through. I’m spending a significant amount of my free time on my writing, mostly writing, but also taking classes from writers/teachers I admire and leveling up my skills. I don’t spend as much time on Twitter, doomscrolling or watching dumb TV anymore. My other creative hobbies are being neglected, but I had to pick a lane. I chose writing and I can feel myself making progress. It’s quietly satisfying.

What is a smaller goal than that? And what does your life look like?

E.g. write a single story and complete it. It is hard for me to give myself permission to take time for myself, consistently, but I’ve noticed that when I stopped asking for permission and simply gave it to myself, it wasn’t that big a deal to anyone else. When I have done my writing, I am tired but  somehow refreshed and relaxed. I am definitely more fun to be with after I’ve played with my imaginary friends. The people I live with are starting to notice, and even occasionally say,  ‘do you want some writing time?’ I have decided not to be insulted by that!

What does a smaller success than that look like? And how is your day?

E.g. I brainstormed an idea for at least part of a new story, and I put it somewhere I will be sure to find it again. It’s a step in the right direction and something I can work on tomorrow, or next time I need a story idea. I didn’t write 2000 words of deathless prose, but I showed up for my writing and played in a serious way. The rest of my day goes great. Somehow decisions seem easier, my day job is less annoying, and I’m able to give some energy to other people when they need me…without resenting it!

What does a smaller success than that look like? And how is your day?

E.g. I captured three story sparks. It didn’t seem like ‘writing’, but it unleashed my creativity and made the mundane stuff I had to do today a little more fun. Running errands and folding laundry is a lot more fun when I keep imagining backstories for everything from the supermarket cashier to the towels! Someone told me I made them smile because I looked like I was having a good day. 

Phew!

(You can stop your timer now!)

My final question

Do you need to reach that Best of All Possible World goals before you can feel successful? Can you build a writing practice that improves your life and the lives of people around you, with a few tiny, starter goals?

Tomorrow I’m going to give you one more, really fun exercise to do, to get you jazzed for writing, before we start work on the One Story you’re going to write this month, .

Leave a comment: what was the tiniest step you came up with? How would it feel if you could have a little of the feeling that evoked, every day? Would it lead to bigger and better things?

Day 9- First To Third by Julie Duffy

This StoryADay writing prompt encourages you to try an older story from a new poing of view

The Prompt

Re-write yesterday’s story, in a different point-of view.

Keep the same protagonist, but take us into a different voice.

Where, yesterday, you might have written, “I slammed the door as I left, hearing a muffled ‘hey!’ from behind it. But seriously, how could he have said such a thing, and expected me to stay?” today you might write it from the third-person, limited point of view, which would read like this: “she slammed the door as she left, hearing a muffled ‘Get back here!’ from behind it. But seriously, how could he have said such a thing and expected her to stay?”

Notice how similar third-person limited is to first person? We’re still experiencing the thoughts of only one person. We are very closely aligned with their thoughts and feelings. We don’t need the writer to say ‘she thought’, because it’s always clear whose thoughts we are in.

The advantage of third person is that you can use a line break to indicate a perspective shift and hop inside another character’s head.

“She slammed the door as she left.”
#
The walls shook as the door hit the frame. He yelped with a surprise that quickly turned to anger. Half out of his chair, he yelled “Get back here”. The only answer was the click of her heels on the wood of the stairs and the echoing slam of the front door. A wave of shame pushed him back into the sagging armchair. How could have have said those things to her and expected her to stay?
#
The air outside was icy and cut into her lungs like broken glass. Where would she go now? Surely anywhere was better than here. Fresh snow crunched under the ridiculous heels he had insisted she always wear …

You can stay in one person’s perspective or jump around, just remember, which ever head you’re in, that’s the one the reader will identify most closely with. It’s best not to jump around too much and leave your reader seasick!


Julie Duffy

Julie Duffy likes to write in first person but appreciates the opportunities afforded by third. If she is being honest, what she really loves is a really well done third-person omniscient story as employed by Messers Dickens and Pratchett. You can read more StoryADay Point of View writing prompts here.

StoryADay Bingo day 9
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Day 8- Keeping it Personal by Julie Duffy

In today’s StoryADay writing prompt, we’re working with first person perspective

The Prompt

Write a story in the first person about an incident that happens to a character who is your opposite.

TIPS

Think about some situation you are sure you would FREAK OUT in, and give it to a character who is utterly unlike you (in some ways you admire, and perhaps some ways you don’t)

In many ways, first person is the most natural way to tell a story because it’s how we tell stories all day long. “How was your commute?” “Where did you park?” “What did you do this weekend?”

All of these questions invite stories.

The most important thing to remember about first-person is that the reader is only ever privy to the thoughts of the person telling the story. They can infer, from other people other people’s expressions, what they’re feeling, but you can’t know for certain. You can’t tell me exactly what your spouse was thinking when you took a wrong turn. You can tell me what they said and how they said it….

The character can be self-aware or self delusional or mixture of the two.


Julie Duffy

I am Julie Duffy and this is a first-person bio. I founded StoryADay May in 2010 because I was stick of never finishing anything I started. Ironically, StoryADay May turned into an annual event and now I hope it will never end! I also encourage people to make weekly goals during the rest of the year, in our Serious Writers’ Accountability Group posts. If you’d like email reminders about them, fill in the form, below.

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Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!

Day 7- Fourth Grade Spelling List by Julie Duffy

Cram all these words into a story, and tell your inner editor to hush…in today’s StoryADay Writing Prompt

The Prompt

Use these words in a story:
poison
kingdom
keyboard
castle
garbage
vocal
syllables
seventy
mountain
return

In the past I’ve used spelling word lists from my own children’s 3rd Grade (https://storyaday.org/write-on-wednesday-third-grade-word-list/) homework. Sadly, those children are way too tall for spelling homework anymore (and let autocorrect do most of the work for them), so I’m upgrading you to a spelling list for Fourth Graders that I found online.

What is the point of writing a story from such a silly prompt, I hear you ask?

The point is that it is silly.

As soon as you start to practice your writing consistently, the voices in your head begin: “You must write something good if you’re going to spend this much time alone with your imaginary friends. You must justify your time by writing deathless prose that will win awards, and you must do it now.”

And those voices are the ones that will block you, stall you, send you running from your desk not to reappear for months or even years.

Today’s writing prompt encourages you to lower the bar.

Today’s triumph is that you manage to write something — anything — that resembles a story and contains these words.

Simply writing, is your goal, today. Not writing something good. Just writing.

Have a go. You might even like it!


Julie Duffy

Julie Duffy is the founder of StoryADay and takes silliness very seriously.

Bingo!

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Day – 6 Flash Fiction Friday

Psst! If you’re getting tired and losing steam, pop over to the comments of yesterday’s Fun-Size Challenge, where people are working through the early parts of the Short Story Framework and getting excited about their ideas. It’s quite infectious.

Why not pull out the Short Story Framework and use it to help plan today’s story?

The Prompt

Write a flash fiction story that involves a flash of light

Tips

Realistically, most of the stories you write this month will be Flash Fiction in length (anything up to around 1200 words), but today I want you to focus on making it vivid, the way great flash should be.

Flash Fiction is about more than word count. It is deliberately taut, and yes, short. It should contain one or two vivid moments or images that stay with the reader long after they’ve gone.

Write your story of 1200 words today, and work on making it flash.

Read the StoryADay Flash Fiction Essentials if you need more inspiration.

FLASH FICTION FURTHER READING

Steve Almond, Stop

Erin Morgenstern, The Cat and The Fiddle

Ariel Berry, Useless Things

Naomi Kritzer, Paradox

Josh McColough, Meteor

Jennifer Wortman, Theories of the Point of View Shift in AC/DC’s ‘You Shook Me All Night Long’

Rachel Engelman, Joan of Arc Sits Naked In Her Dorm Room

Julie Duffy, The Girl Who Circumnavigated The Earth In An Act of Her Own Making

GO! Need support? Post here!

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Day 4- The 40 Minute Retelling by Julie Duffy

Set your timer…today’s StoryADay writing prompt forces you to focus!

The Prompt

Set a timer for 40 minutes and then retell a story that you know well.

Tips

The story might be a fairy story or fable, or perhaps you just wish that series you watched had a better finale, and you fancy rewriting the last half of that episode. (Remember, fanfic is fine as long as you’re not selling someone else’s ideas and characters as your own!)

To write a 40-minute story, I propose this timeline (and I’m serious)


  • 0-5 minutes: use the Short Story Framework to brainstorm your character and their need, and the first action they will take to move towards it.
  • 5-15 mins: Write the opening of your story based on those notes
  • 15-35 mins: brainstorm and write 1-2 ‘and because of that’ actions your character takes, which take them towards the conclusion of the story.
  • 35-40 mins: write a quick ending when you have answered the question of whether or not the character gets what they wanted.
  • 40-43:20: do a victory dance (seriously, put on some happy music and dance around your room. Celebrating your wins is important!)

This week, you might have noticed, all the prompts have built-in limits.
There’s a reason for that.

Historically, writers get very excited in the first week of StoryADay, and that leads them to get a bit over-ambitious. Stories start to balloon into novel ideas, and it’s hard to finish a story like that every day. With so many ideas lying around unfinished, it’s an invitation to burn out.

So, in recent years, I always start the challenge by pulling back on the reins a little, and asking you to enjoy the creativity that comes from limiting the possibilities for your daily writing practice.


Julie Duffy

Julie Duffy is a writer and founded StoryADay in 2010. She finds it very easy to get lost in her writing. She maintains that nothing in her life would get done without timers and calendar alerts. Her husband agrees.

Bingo!

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Here’s your next Bingo Piece. Download the pic, print it out and paste it onto your bingo sheet. Then share a picture of it on social media with #storyadaybingo

Join the discussion: what will you do with today’s prompt OR how did it go? Need support? Post here!