‘Creative’ is not a noun…Lots of people want to be the noun without doing the verb. They want the job title, not the work.”
Austin Kleon, Keep Going
I read Chapter 3 of Kleon’s latest book this morning and it stopped me in my tracks.
Not because I didn’t know and understand what he said.
I have, after all, made a name for myself as the person who entices writers to actually write during May & September every year.
But because it made me wonder: am I actually doing the verb?
I’ve been stalling on writing this blog post for about two weeks.
Don’t worry, it’s not bad news or anything. I just couldn’t write it.
You know the feeling, right? You want to work on a project, but every time you sit down, something is wrong. You can’t find your way into the story, or you are seized with a sudden urge to research the perfect lamp for your desk…
To get this post going, I used one of my favorite, sure-fire tricks:
Continue reading “What I Do When The Writing Stalls”Catch the replay of me and Marya Brennan from NaNoWriMo’s Young Writer’s Program answering questions about short story writing!
Are you ready to get more creative, more productive, and finally figure out how to integrate writing into your life?
Make your commitment now, to spend May with us, writing a story a day or become a superstar!
Short stories are fun to write, fast to compose (well, faster than books), and they get published every single day.
This post is by my guest Windy Lynn Harris, author of Writing & Selling Short Stories & Personal Essays: The Essential Guide To Getting Your Work Published (Writer’s Digest Books, 2017)
Writing a short story is a worthy mission. Short stories are fun to write, fast to compose (well, faster than books), and they get published every single day. Here’s a quick guide to help you craft short stories like a pro.
Before we get started, let’s put ourselves in short story mode. Your goal when writing a short story is to deliver a satisfying narrative in a very small package. Short stories aren’t tiny novels. They rarely have any subplots at all. Instead, the action revolves around one main conflict. The theme is revealed through a character and his or her obstacles. Tension keeps the reader invested in the stakes all the way through to the resonant ending.
That might sound like a lot to manage all at once, but if you break the artistic process down to three steps, you’ll find your way to a satisfying story without wandering off the map.
Continue reading “Write A Short Story in Three Easy Steps – Windy Lynn Harris”
Sometimes its hard to write.
Even when you want to.
Even when you’ve started a story.
Maybe your story wanders off the point and you get lost in the mushy middle. Or maybe your story immediately wants to become a novel. Perhaps you get interrupted and lose your mojo.
I’d love to hear from you. What happened last time you started a story and didn’t finish? What stalled you last time you sat down to write and couldn’t.
Leave a comment here and let’s get a discussion going about what goes wrong and what we can do about that.
Here’s all my best advice on writing flash fiction…
This month has been all about Flash Fiction. It’s a fabulous way to:
Here’s everything you might have missed at the blog this month: Continue reading “Making February Flash – A Round Up”
When I started StoryADay May back in 2010, some of 100 or so people who took part really stuck with me. One was Gabriela Pereira, who had just finished up an MFA and was transitioning from student to working writer. We shared an enthusiasm both for writing and for the hair-brained scheme.
Back then, I was a couple of years ahead of her in the online, community-building, content-marketing , writing-for-pay experience. Now she has soared into the writing world as a leader, a teacher, an inspirer and, in her own words, Chief Instigator at her project: DIY MFA.
This afternoon I tuned in to her latest webinar, sort of as a favor. I’ve heard the talk before, live and in person, and was really just showing in case no one else did. Of course, there were tons of people on the call, loads of questions from attendees, and Gabriela fired people up and sent them away with tools and techniques to make their writing better, as always.
But — it shouldn’t surprise me, but it did — what I hadn’t expected to happen was that I had a breakthrough about my own novel-in-progress, while listening to Gabriela talk. Suddenly, I knew exactly what the turning point at the mid-point of my novel needed to be. More than knowing it, I could *picture* it.
I rushed off to my office and scrawled three pages of notes, opened up Scrivener and started adding scene cards to the second half of my novel’s file. I got super excited, and then realized how much writing I had to do…then chose to see that as exciting too!
Did I mention I’ve heard this talk at least twice before?
Lesson learned: when you find a teacher/mentor/friend whose words you really connect to, stick to them. Revisit their lessons. Re-read their books. Get on webinars and conference calls with them. Ask questions. Go over and over their lessons at different stages of your development and the development of each of your projects.
When the student is ready, the teacher appears, as my old mate the Buddha apparently never said.
If you want to get in on the remaining webinars in Gabriela’s current series, here’s some info:
Perfect Your Plot, Structure Your Story – December 14
Rock Your Revisions – December 21
(Some links on this page—the webinars and the one to Scrivener—are affiliate links, but I never recommend anything I don’t believe in 100%.)
Photo credit: Wayne S. Grazio
There is still time left this year to meet some of your goals. The question is which ones?
You probably had a list of projects you wanted to write this year, and there are only two possibilities now:
Either way you have a choice to make:where do you focus your time and creative energy for the rest of the year?
“Successful people make decisions quickly and change their minds slowly”
-Napoleon Hill
This certainly seem to be a trait in many of the successful people I know.
“The only bad choice, is making no choice”
-Jeff Walker
I’ve been writing long enough now that I’ve seen people come along who were just starting out when I’d been doing this for a few years, who have overtaken me. Whether it’s the success of their website, or their book publishing, they seem much further along on one or other of the paths I want to take.
I’m sure you’ve had similar experiences. But why does it happen?
Partly, it’s to do with making choices.
Like many writers I tend to over think things. I tend to get stalled by the idea that there is a perfect choice.
We could beat ourselves up about that, but the reality is, as writers we make choices all the time. We need to get comfortable with that, so that our perceptions don’t hold us back.
You choose
Every choice you make is a rejection of every other choice.
Scary!
As a reforming over-thinker and reluctant-decision-maker, I’m here to tell you that, the more you make choices in your writing, the better you become at it.
And in fiction, making choices is always reversible.
Here’s the really important part about choices: you aren’t locked into your choices, but you must review them and adjust your course.
For example, if you decide to kill off a character in your short story, but then find they would have been useful to have around later, you have some choices to make: must you correct the mistake or can you make some other character carry the weight that would have been taken up by the character you killed?
And in your writing life: you decide you’re going to write for two hours before bed every night, but find yourself tired and depleted and unable to create anything worthwhile. Should you continue to do what you think ought to work, or should you review the results of the experiment, decide you’ve learned something useful, and try writing at another time of day?
(Hint: it’s Answer B)
We’re not sculptors, lopping off pieces of marble that ought to have been a nose or an arm. If we accidentally chop off a story arm, we just go back in and add more words!
With words, we can fix everything.
Making choices in your fiction is fantastic practice for making choices on bigger issues.
TASK: Go back to your writing today with a sense of appreciation and gratitude for the fact that your medium is the insubstantial one of words and fiction; and that by making choice in your fiction you get to become better at it.
The art of iteration (i.e. trying things, adjusting and trying the next, tweaked version) is in trying a new thing for long enough to really tell if it’s working, before you analyze and make changes.
Do not make decision on the fly. Do not change your routine or your decisions every day. Give every experiment time to run, then examine it, and change one little thing, and go again.
Think of these experiments as first drafts. My first-draft version of ‘write first’ allow me to check email before I started writing. After I had tried the experiment for a while, I got stuck. The experiment (the first draft) had run its course. The outcome: checking email derailed my fiction writing.
So I edited out ‘check email’, and gave the process another try. It went much better.
The fact that we commit to writing a story every single day in May, means there is no bargaining. There is no question of ‘am I going to write today?” No mental energy is lost on that decision. Instead we StoryADay-ers leap out of bed in a panic, thinking “WHAT am I going to write today?”
With the writing part assumed, we skip straight to making creative choices, and scanning the world for inspiration.
I advocate taking away as many choices as possible from your writing practice.
Making choices saps your willpower. If you spend your day making choices about your writing practice, by the time you sit down at the keyboard, you’re going to be pretty depleted.
Does your day go like this:
I would argue that if your day looks like this, you have depleted your will power so much that it is going to be really hard for you to make all the choices that you need to make in your story world.
Think about Mark Zuckerberg and his omnipresent grey hoodies, or Obama wearing the same blue suit (or multiples thereof) almost every day of his presidency. These people have so many choices to make in the day, the last thing they want to do is waste energy on choosing an outfit.
You have so many choices to make in your story world, the last thing you want to do is worry about reinventing your writing routine every day.
Now, I know not everyone can write first thing in the morning (it’s extremely rare day when I can truly sit down to write without having to deal with other people’s needs first).
But what you can do, is create a protected bubble of time that is for writing. In order to do that, make a deal with yourself that you will write at a specific time every day (or plan ahead for a weeks’ worth of writing days if your schedule is unpredictable).
And then stick to it.
This removes the self-talk about whether you’ll write today, wether you deserve your writing time, and all the bargaining we do with ourselves to ‘buy’ writing time.
I have tried to make it, recently, an absolute that I write fiction first thing in the morning. I’ve tried to make it an absolute that I don’t look at email, Twitter, Facebook, or talk to any more people than absolutely necessary, before meet my fiction word count.
The more that has become a habit, the more my fiction output has grown, and the more my output has grown, the more creative breakthroughs I’ve had and, the better my writing has become.
You may find that you can write best at the end of the day, when everyone has gone to bed and you will have no choices except the ones in your story world.
Just decide when you’ll write, and stick to it for a couple of weeks. Decide if it’s working. Tweak. Try again. Keep writing!
I know we creative types often resist routine and commitment and structure because we’ve been sold this vision of the crazy creative.
We’ve come to believe that routine and structure stifle creativity and innovation, but in fact, routine in your working practices can actually free you up to be more creative in your work.
“Clarity and decisiveness come from the willingness to slow down, to listen to and to look at what’s happening.”
-Pema Chodron
We can’t build the creative space we need if we’re cramming our writing time into the space between all the will-I/won’t-I choices we put in front of our commitment to our writing.
Learning to get better at making choices and sticking with them is a powerful tool both in your stories, in your writing life, and in your life in general.
(Lesson #357 in how writing makes us better people!)
Make your choices boldly. Stick to your commitments for a period of time. But remember that, as in writing, you can edit your choices later.
What will you choose to work on between now and the end of the year in your writing life? Something in your writing practice? A particular written project? Leave a comment
Opening lines are hard to write because they have to do so much:
That’s why I advocate writing the first lines last—or at least tweaking them after you’ve finished the story, when you know what it’s about.
So, how do you make your first line reflect all these things?
Let’s look at some examples. Continue reading “Mastering The Magic of Opening Lines”
There are, of course, as many definitions of Flash Fiction as there are writers.
Continue reading “Writing Flash Fiction Gems – Small, Precious, and Slower Than You’d Think”
In which I encourage you to write Flash Fiction and tell you about an upcoming online workshop.
Flash Fiction chat, April 10, 2017
Posted by Story A Day on Tuesday, April 11, 2017
The online workshop will happen on April 22, 2017 from 4 PM until late.
There are 10 tickets for full workshop participants (writing exercise, critique and discussion) and 40 reduced-price tickets for audience-only attendees.
Let’s be honest: fame and fortune would be nice, but it’s not really the reason we write, is it?
We write because we need to. It should be enough but sometimes we want more. This post will lead you through three ways to get yourself closer to your image of ‘writing success’.
Continue reading “Get The Results You Want, For Your Writing”Happy January!
This month’s theme has been ‘Practice’ (as in setting up and maintaining a healthy writing practice).
Here’s what you might have missed:
The January 2017 episodes covered:
I’ve always been impressed with how much fiction StoryADay friend and participant Alexis A. Hunter pushes out into the world: over 50 short stories in publications like Apex, Shimmer and Cricket.
In 2017, she has committed to writing a new short story every month.
That sounded like my kind of challenge, so I asked her more about it. Continue reading “Write 12 Stories This Year – A Challenge From Alexis A. Hunter”
To stick to our good intentions and create good writing practices, we have to stay excited about our writing. Meeting a word count goal or an hours-in-chair goal isn’t always enough of an incentive to break through our resistance to sitting down and creating something out of nothing, every day.
So, in this article, I’m offering you some alternative ways to get yourself jazzed about your writing practice.
Photo: Stuart Dootson
Of course, being me, I’m going to recommend you incorporate short stories into your writing practice, but you can use these ideas even when you’re working on a scene in a longer work.
I’m going to show you how you can stay excited about your writing practice by:
I’m also going to give you one foolproof way to make sure you finish your stories, every time.
And then I’m going to invite you to make a very specific commitment to your writing this year—if it seems right for you—one with built-in accountability and support.
Continue reading “Stay Excited About Your Writing This Year”
This month’s theme here at StoryADay is: Make It Better.
Here’s some recommended reading from around the web on various aspects of making your writing life better.
Here are three articles on how you can make your writing better to read, easier to sell, and impossible to put down.
Confessions of A Slush Pile reader – really useful article on why one reader rejected stories from a publication (even if your’e not submitting stories to publications, this is a great list of ‘what will put your reader to sleep’ and help you improve your writing)
Hunting Down Story Goals Plot holes are deadly to your story, but just as deadly are the other ‘holes’ that you might not be thinking about. This article tells you what they are and offers up a handy, printable template for keeping track of the important details. This might be overkill for short-short stories, but could be really useful for longer short stories, novellas and definitely for those of you working on novels.
It’s A Story, Not Just A List of What HappensIn which I offer up some writing advice gleaned from watching an interview with Trey Parker and Matt Stone — of South Park fame, among other things. [quick read]
All writing is not created equal, argues James Scott Bell, while Ruthanne Reid shares advice for not quitting even when you can’t write.
The Five Modes of A Writer’s Life James Scott Bell talks about the five types of writing day you might have (from the inspired ‘flow’ state, to the solid reliable quotas of the “pro”). This is an encouraging article to help you make your commitment to your writing better: understanding that every day is not going to be blissful, really helps you stick to your priorities!
3 Steps to Writing When Life Goes NutsWe all have them: weeks (months?) when life gets away from us and writing seems impossible. This encouraging article from Ruthanne Reid commiserates, then gives you some concrete steps to take, to keep your writing life alive.
Two tools to help you revise without drowning in a vat of your own words (and tears).
The 7DayStory – This email course, that I created with Gabriela Pereira of DIYMFA, takes you through the process of writing, REVISING and releasing a short story in seven days. It’s free and, if you’re looking for a methodical way to work through the revision process, pay particular attention to days 3–6
Climbing Mount Revision, One Step At A Time – The guest post that began the 7DayStory process, by Gabriela Pereira of DIYMFA.com
Critique is a funny thing. If you get lucky, you find a great group and you’re all mature and experienced. If you’re not so lucky, you get newbies or jerks. If you’re thinking of starting a group (or want to make yours better) start by showing them this video: Professor Puppet’s Writing Critique instructions.
This short, funny video by my buddy Gary Zenker, is a great introduction for anyone new to critique, or who needs a refresher Air this video at the start of your group, to set the ground rules in an entertaining way!
How To Ask For — And Act On — FeedbackIf you have other writers willing to read and critique your work it can be really valuable. Here’s are some of the right, and the wrong ways, to deal with feedback.
I hope these evergreen articles will help you Make It Better this month and in the future.
Do you have any tips for things that have made your writing or your writing life better? Share in the comments!
If you want to read more like this, let me send future articles straight to your inbox:
Every word of that title is important, so go back and read it again.
Doesn’t that sound appealing?
The first time I came across Stuart Horwitz, I was struck by the way his writing instruction bridges the gap between Pantsers and Plotters, and how he provides actual processes and methods for getting from ‘wannabe writer’ to ‘someone who can polish and finish their work’.
His latest book comes out today and provides a powerful, user-friendly guide to getting work done, while LOVING what you do.
It takes you through the process of writing a book in three drafts and includes extras like PDFs and stop-motion animated videos that illustrate the lessons in the book. It’s really delightful and powerful stuff.
I had a chance to interview Stuart Horwitz about his books, his editing work and his own writing this week, and he had some great advice for us, as we work on short stories and perhaps move on to our longer, book-length projects.
JD: Why did you want to write this particular book? What problem are you trying to help writers solve?
SH: We only have a limited number of books in us — mostly because our time here is limited — and so it becomes a matter of figuring out what are the best books for us to work on, and how we can bring the most excitement to that work and then, how we can get through it, while we still have that energy and affection for it. (Like I say in the subtitle “while you still love it”.) And then move on to the next thing.
Time’s ticking.
And I know this very well because, little-known fact: I trained as a mortician. I walked out of there knowing for a fact that I was going to die. We all are.
Before that time comes, how about we accomplish some shit, you know? That’s all I’m saying.
JD: So how do we do that?
SH: Having a ritual while you write is crucial. There are times when it’s not possible [to fit in everything from your ritual]. We have to recognize that its value doesn’t lie within the ritual itself, it lies in its ability to bring you to a joyful state. It helps us penetrate beyond appearances and figure out why we’re doing this…what we’re doing.
And every writer has to have a process. It doesn’t have to be my process. You can get some from me, four from this other person, and make up 2 of your own and there’s your process. But if you stick to it, it will help you on the less-excited days.
JD: You take a very moderate approach to the whole ‘Write by the seat of your pants’ vs ‘Outline everything’ debate. You sound terribly reasonable.
SH: We like to call it The Middle Way in Buddhism.
There’s always a reason to bend the rule and there’s always a reason to practice discipline.
JD: The thing that helped me immensely, every time I read your books, is the concept of “Knowing What Draft You’re In”. Can you explain that a bit?
SH: The first draft is just getting it down – The Messy Draft. The second draft is the Method Draft which is about making it make sense. The Third Draft is the Polish Draft which is about making it good.
So, when you sit down to start, it’s all First Draft.
And when you do action steps to figure out what you’re actually working with and then take the best parts up a level, it becomes the Second Draft.
And then you go through your beta-reading process, bring in outside input, and use that to get to your third draft, which is your polish draft.
And I’m talking about a real draft. I’m not talking about tweaking. Like: these five scenes are all going in trash. And: I need scenes that aren’t here yet. Adding three commas? That’s not a draft. That’s just ornamentation. That’s chasing perfection.
The secret to the three drafts is that when, during the second draft, you uncover holes and start writing that scene, remember that new scene is in its first draft. If you stare at that new piece and say, “Why aren’t you as good as everything else already?” it’s going to be madness.
Keep in mind, every time you encounter new material it’s first draft.
JD: How do you know what to work on next, in revisions?
SH: There are action steps [in his books – JD] that you can take between drafts which will reveal to you what you are working on, more clearly.
Mapping the journey we’re on at the same time that we’re on it, gets kind of dizzying/confusing.
We need a separation between the viewer and the subject matter.
I’m a big fan of grids [Here, I refer you to Stuart’s books and his website because this is a big, meaty and really useful subject – JD]
JD: How can a short story writer avoid overwhelm at the thought of writing a novel?
SH: I like to break it down in to writing sessions. The question is “how many writing sessions does it take”? From my own experience: I have a short story that is probably one session away from nailed and that is Number 5.
So it’s the same concept. My second book, Book Architecture Method, took 60 writing sessions.
You show up to one of those 60 sessions, you necessarily have to reduce the scope of your expectations. What am I doing today? I’m not writing a novel today. I’m writing a part of a chapter in a draft today.
I’m going to take the rest of that junk out of my mind and I’m going to sit down and write, and I’m gonna write what I was thought I was writing, and I’m going to discover new stuff, and I’m going t write stuff that isn’t good, and I’m going write stuff that is good, and I’m going to keep going, and I’m going to get to the end of this session.
When I get to the end of the session, if I’ve made progress, that’s a win.
JD: It’s easy as writers to judge ourselves as having failed. You idea of grids and process and ritual take the emotion out of the revision process.
SH: Self judgement is a very complex phenomenon and has many many faces. There may be a reason why that never really goes away: a tension exists where our need to constantly slay that dragon helps us bring forth our best work, or brings us to our edge. But the nagging, griping voices in our heads are, for the most part, not contributing to the forward motion.
You have to believe in yourself first. That is probably the hardest thing about writing. It’s probably one of the harder things about living, so practice in one helps with the other.
JD: I stress finishing stories during StoryADay. Your books are all about helping writers finish books. Why do you think so many writers never finish their projects?
SH: There are a lot of reasons why people don’t finish. [Sometimes] there’s some pretty deep psychological stuff going on. Somewhere there was a message that was encoded that ‘you are not good enough’.
Then the people who didn’t get that message, and who actually suck a lot worse with you, are filling up the airwaves with what they did. And now we’re having to read ten books by them before we get one book by you.
The fact is if you have 10 people who are reading what you have to say you can write something great. you can even write something great if one person is listening to you.
———————————————————
This book is a fabulous introduction to Stuart Horwitz’s method for writing and revising works of any length, and I can’t recommend it enough. Pick up a copy today.
This is it! Can you believe it?
Three more days to go!
I’m calling this partial-week The Last Hurrah.
This week we’re going to:
And then on the final day I am encouraging you to
(Actually, you’ll probably go big and go home, but that’s OK too)
I applaud everyone who is still turning up at this point in the challenge whether or not you’ve written every day, whether or not that all your goals, the fact that you’re still turning up here makes you a winner in my book.
Three more days. Let’s do this!!
Write a story with a Cinderella story structure: try, fail, try, fail, try, fail, life-changing moment.
We’re starting our week of Story Elements prompts with a deep dive into story structure.
Ready? Let’s dive in.
Write A Story With a “Cinderella Story Structure
I come to believe that short stories revolve around one life changing moment.
It doesn’t have to be literally life-changing, but it has to change something for the characters (temporarily or permanently).
If you’re writing quiet internal literary fiction, the moment is going to be something small, like realizing you can’t go on in this relationship, or this job.
If the story is a big action thriller then the life-changing moment could be anything from the moment you decide you need to take action, to the moment when you win or lose.
In the story of Cinderella our heroine wants to find happiness. She tries and fails and tries and fails. A lot.
Eventually, the life-changing moment comes at the end of the story when the prince finds her and Cinderella gets to choose her happy ending.
(In most versions she says yes and marries the prince; in every version, this choice is the first time Cinders has had any power. This is when her life changes.
So, this is where the story ends because the character’s story arc is over: She has her chance to reach her goal, at long last.
Write a story with a Cinderella story structure: try, fail, try, fail, try, fail, life-changing moment.
Welcome to Week One!
I know you’re excited. I know you want to get started on your great masterpiece. But setting that kind of pressure on yourself is the fastest way I know to a crippling case of writers block.
This week I’m going to impose limits on your writing that will make it almost impossible for you to write something great. This is my gift to you.
Listen to me and Gabriela Pereira of DIYMFA run through all the tips, tricks and really great reasons to give it a shot.
Her podcast, DIYMFA Radio is a great listen. If you’re not subscribed yet, you should!
StoryADay News March 2016
Welcome, all! (Including the 59 people who joined the list last month!)
It’s already March, which means we have something like eight weeks until StoryADay May! I’m shaking up a few things this year, so stayed tuned for next month’s newsletter that’ll tell you what’s new, and how to be first into ‘behind the velvet rope’ community when it opens up again in late April.
In the meantime, let’s spend three of those weeks together, warming up for StoryADay.
I’m running a LIVE version of the StoryADay Warm Up Course again this year, with (new this year) a private Facebook group.
(And yes, if you’ve ever taken the course before or bought the Home Study version, you can join in this time around, for free!)
It all kicks off on April 2, 2016, so watch your inboxes for more news about that.
Find Out About The upgraded version, the I, WRITER Course here
Sometimes the hardest thing about writing is getting started…and a lot of that is to do with allowing ourselves to get over our fears and doubts. In these three articles I talked about ways to stop sabotaging your writing dreams and instead, give yourself permission to write.
These articles all have audio embedded, so if you have things to do but can’t bear to stop ‘reading’ click on the “play” button. If you’d like more of these (or if you’d like hem in podcast form — downloaded automatically onto your device of choice) let me know by replying to this email.
In which I use the Pixar movie Wall-E to encourage you to succeed on your own terms…
In which I bust all your writing excuses (and give you a little pep talk, too…
In which I award you a printable certificate that guarantees you Permission to Write 😉 …
Having dealt with building good writing Habits in January, and given sourceless Permission To Write in February, this month at the blog, I turn my attention to Productivity.
You want to write, you believe you should be writing, maybe you are writing.
Now you need to ramp up that word count, or that story count, and get in some serious writing practice.
Watch the blog for weekly articles on the business of creative productivity.
If you want to write short stories you should be reading short stories. I’ve reviewed a selection of short stories this month, including stories by Richard Matheson and Adam Foulds.
Have you posted your goals for March in our Serious Writers’ Accountability Group yet? Check out this post, and add your pledge in the comments.
Remember, you don’t have to pledge to do anything particularly impressive. It can be “read three short stories this month” if that’s what works for you.
Just remember to come back next month and tell us how you got on.
Accountability, geddit?
Would you like to get some practice editing, uploading and managing a podcast workflow?
I’ve been recording audio of the blog posts all year, and would love to put out a regular podcast, but the time required to edit and splice and upload and notate is defeating me.
If you’re interested in online business, audio production, or podcasting and would like to learn more about Libsyn, iTunes, metadata and social media marketing, we need to talk.
You will:
Interested? Email me (julie at storyaday dot org) and let me know!
Phew! OK, that was a lot of news. Inspired? Check out these writing prompts before you go. And now,
Keep writing!
Julie
If you want to read more like this, let me send future articles straight to your inbox:
Six years ago today, I posted this at StoryADay.org
That first year about 100 writers joined me in my harebrained scheme, largely due to the fact that the very lovely Debbie Ohi is unable to resist a challenge (or the urge to blog about it), and spread the word.
Since then, thousands of writers have started writing again, written their first-to-be-published story, embarked on careers as novelists and generally had a ripping good time.
We’ve started hosting challenges in September too.
I’ve published books and run courses.
Neil Gaiman, Gretchen Rubin, Heidi Durrow, Joe R. Lansdale and more have posted guest writing prompts for us to enjoy.
And this year, in less than two months, the seventh annual StoryADay May starts up.
In the middle of the 20th Century “Art” because professionalized, to the point where we felt we didn’t deserve to tell stories unless a New York publishing house was slapping it between hardcovers, or an overpriced university program anointed us “Writer, MFA”.
This was an aberration; a moment in history that did not exist before and does not exist now.
Humans have always sat around and told each other stories, without the benefit of editors or tutors or anyone giving us permission. We told stories to audiences, and we gauged their reaction in order to make our stories better next time.
The success of the “amateurs doing things on TV” genre (American Idol, The Voice, Dancing With The Stars) along with the boom in indie publishing, indie movie making, indie everything making, are signs that the artificial workshop of creative professionals is over. Humans are taking back control of our own creativity.
Are you?
Tell your stories. Show them to people. Make them better. Write new stories.
That’s all there is to it.
You have every right to write. In fact, print out this certificate and write your name on it.
There. You have my permission to write.
Can you give yourself permission to write?
We all imagine a perfect time when the obstacles will fall away and Writing Will Happen. And We’re All Wrong…
We all have reasons why we’re not writing.
We all have reasons why we’re not writing right now:
We all imagine a perfect time when the obstacles will fall away and Writing Will Happen.
In all of it.
Maybe, but remember how invigorated you felt last time you got into that flow state while writing, and the time just flew away? Continue reading “Want To Learn To Write More? Give Yourself Permission To Write”
There’s a scene towards the end of the movie WALL-E when the captain of the only remaining human ark-in-space realizes it’s time to go home to Earth. They’ve been away for generations. By any reasonable measure, he’s been successful. His ship is still flying. His people are still alive and procreating. Everything is running smoothly.
But, in his research, the captain falls down a hyperlinked-rabbit-hole of cultural practices that humanity has simply forgotten.
“Computer,” he says, prompted by the previous entry. “Define: dancing.”
Imagine an existence where we’ve forgotten about dancing! Would you consider that kind of existence ‘successful’?
Sometimes, when it’s hard to pick a writing project, it can be useful to take inspiration from other authors.
Sometimes, it’s good to review what kinds of books we’re reading and ask whether or not they are helping us in our writing.
Sometimes, it’s just fun to challenge our friends.
So here’s my challenge to you: tell me about the last three books you opened
(Not your favorite books, not books you wanted to read, not books you think will impress me. What books did you open? And yes, this can be in ebook, audio or picture book form)
Share your #last3books on your blog or social media and/or in the comments below. Then post this challenge to your friends.
A mixture of personal stories, poetry, reflections on scripture, lives of the saints and litanies, it’s a positive way to start the day. It makes me less selfish.
Set in a densely realized fantasy world, centered in one city, but so deeply developed that I have confidence there’s a whole universe around it. Locke Lamora is a lovable rogue, who, with his gang ‘The Gentleman Bastards’, tries to pull of the biggest scheme of his life and ends up in more trouble than even he could ever have imagined. There is magic in this universe but it is expensive, therefore it is sparely, which makes me happy. I prefer relatable tales of people getting in and out of scrapes on their own wits and training.
It’s an incredible feat, especially for a debut novel. The language is rich and earthy and witty (like Neil Gaiman and Terry Pratchett’s lovechild, if it had been abandoned and raised in a gutter). It is long though. I kind of wish it was a series of three shorter books, so I could enjoy one, put it down and sigh, and then look forward to he next one. There’s certainly enough story there, for that. But that’s not the choice they made, so I’ll be picking this on up for some time to come.
With his trademark chatty tone and irrepressible optimism, he points out all the problems we face and encourages the next generation to be bold, and believe that they can come up with solutions, if only they care enough.
Great read.
So, those are the last three books I opened. What about you? Leave a comment!
Don’t forget to share the challenge. Here are some updates you might use:
What are the last three books you opened? Take the #Last3BooksChallenge https://storyaday.org/last–3-feb
Dare to share the last three books you opened? Take the #Last3BookChallenge http://storayday.org/last-3-feb
I’ve made a case for logging your word count to keep yourself accountable, to give yourself a pat on the back, to encourage consistency and good writing habits.
But it doesn’t have to be word count.
Setting a word count goal makes sense if you’re working on a novel and want it finished by X date.
It also makes sense if you want to become a faster writer.
It might not make sense to set a word count goal if you’re still struggling to create a writing habit. Or if you’re writing flash fiction.
And what if you’re int he editing (or marketing) phase of a project, but still want to feel productive?
In these cases, you might want to to track the number of days on which you worked, to see how your writing practice is becoming part of your life.
Set a goal for the number of days a week that you will Write Something (or Work on Project X).
If you like to keep your logs in a more tangible form:
At the end of the month, step back and gaze at the ‘heat map’ of your work progress. Hopefully there’ll be enough ’stickered’ days to make you smile. If not, make a commitment now to do better next month.
If you can make an unbroken chain of those days that’s great. But bewarE! Setting so high a bar can backfire. What happens the first time life gets in the way and you miss a day? You feel terrible. You get demotivated. You quit.
Rather, I’d suggest setting a goal to write on a certain number of days a week.
At the end of the month, look back at your log see how much you achieved and if any patterns emerge (are weekends good or bad for you? Do you write more when you’ve had more sleep? When the kids are in school?). You can see where you might make changes or improvements.
Again, try to not use the log as a weapon to bludgeon yourself with guilt. Use it to analyze and study (and to face) what’s really going on. Try to increase your goal a little from what you actually achieved this month (not some abstract and possible unrealistic ‘ideal’).
Whatever type of log you choose, use it to keep yourself accountable, spur positive changes, and reinforce good work habits.
Because all of these things get you closer to where you want to be: writing.
Are you logging your writing days or word count? What methods do you use, and how do you use it to help you progress? Share in the comments, below!
How I used the StoryADay Word Count Logging tool to write 100,000 words last year, and why you should be logging your progress too!
Do you log your word count?
I’ve been logging my word count (on and off) for the past couple of years. Last year, without really trying too hard, I managed to write 100,000 words of fiction. That was the end of one novel, several short stories (a couple published) and the first half of a second novel.
If I’m so productive, why bother logging my word count, you say?
Come closer and let me whisper into your ear…I’m productive because of the word count log.
Here are four ways logging my progress helped me meet my goals: Continue reading “How I Used Word Count Tracking To Write 100,000 Words”
Not living up to your New Year’s Resolution? Now is the time to reset — to recommit — before guilt and shame derail the rest of your year.
You probably set some pretty ambitious writing goals at New Year. Did they include writing a certain amount every day or every week? And now, are you find it hard to even log your word count because you’re afraid of what you might see (or not see)?
That the sinking feeling you get when you’re disappointed in yourself is not something installed in us by a malevolent designer to make our lives miserable.
What you’re feeling is guilt. And the point of guilt is to alert you to something you’re not happy about, so that you can change it. Continue reading “Don’t Let Guilt And Shame Derail Your Writing Goals”
A 6-part journey through the short story.
Starts July 28, 2023
