The Play’s The Thing

When the woman-who-had-wanted-to-be-a-writer said, “I feel like that part of me is cemented over,” I could almost see the pain radiating from her….

“I wanted to be a writer,” she said, her voice going quiet. “But I got stuck, years ago, and now I feel like that part of me is cemented over.”

We’d met randomly, in the audience at a production of Hamlet, and started talking in that way you do with strangers who love the same things you love.

She had an enviable life–apartments in two great cities, celebrity friends from the creative class, tickets to all the best shows, she even had cool shoes–and yet when I told her I was a writer, something shifted. She went still. She traveled back in time to a version of herself that she’d almost managed to erase…but not quite.

“I was a journalist, but I wrote a short story once,” she confessed. She remembered every detail of that story that had meant so much to her.

The story had her flying high, but when well-meaning friends started to ask, “When’s the novel coming?”, she got stuck. There was a vision of ‘being a writer’ she couldn’t make happen, and it derailed her dream, entirely.

To Thine Own Self Be True

I have versions of this conversation, often.

Perhaps you do too if you have the courage to introduce yourself as a writer. (And for the record, ‘a writer’ is someone who writes. Not someone who has been published. Not someone who has won awards. Someone who writes.)

When the woman beside me said, “I feel like that part of me is cemented over,” I could almost see the pain radiating from her.

I wanted to hug her.

 I wanted to tell her it’s never too late. 

I wanted to tell her about all the wonderful writers and writing spaces out there, places she could find support to nurture her inner writer again; people who would help her rediscover the joy of being someone who creates. 

But then the lights went down and we were transported by the work of other creatives–the ones who never gave up, who put the work together, and themselves out in front of an audience. 

We watched, while they created. 

I wondered if my new friend was laying down a fresh layer of cement, or allowing her longing to create to crack open that shell. 

I suspect it was more cement.

I bet she told herself to ignore the tug of creativity.  That it was too late anyway. That it was enough to go on consuming other people’s work. That her feelings didn’t matter.

To Be, or Not To Be?

And that’s the worst part.

That is why I come back, year after year, create this challenge anew, and put myself out there to promote it.

Because so many people have been told that if they’re not producing commercially successful writing, if they don’t get lucky enough to find an agent and a publisher for that work at the exact right moment and become a best-selling author, that there is no point in them trying to write.

So many people learn accept a life where they quiet their own desires; tell themselves that their feelings don’t matter…just because they can’t–or don’t want to–go pro with their writing.

Or because they had some success, but not enough to impress the naysayers in their life.

But when we cement over our feelings in one area of our lives, we teach ourselves to do it in other areas too. We learn to live a partial life, where our desires don’t matter.

We learn to settle for a lesser version of ourselves.

And I don’t want that for you.

Though this be madness, yet there is method in’t

Writing a story a day in May is a ridiculous idea…and that’s the point.

The point is to write with abandon. To give yourself permission. To learn to come back to your desk regardless of the quality of the previous day’s writing. To put your creative self first for a few minutes every day for a month.

If you can do that, you’ll discover playfulness still has a place in your life. You’ll begin to see ideas everywhere, and the world will become an endlessly engaging place. And you’ll have a tool to wield when waves of inevitable envy roar in,  as you see other people achieve traditional, visible success: you’re in the game. You’re writing.

More than that, you’ll be a better person: You’ll think deeply about what makes humans act the way they do, and in so doing you’ll uncover hidden depths of compassion and empathy. You’ll get to right wrongs, and fight for justice in your stories and perhaps inspire readers to do the same in real life.

In all of this work, you’ll spend a little time each day in tune with the values that matters most to you. 

The Readiness Is All

Soon I’ll begin running my Warm Up Campaign again – five tiny tasks each week to get you ready for an outpouring of creativity during the StoryADay Challenge.

Sign up now and I’ll send you the StoryADay Keep Writing Workbook today, an interactive method for keeping your excitement levels high during your next project so you can continue to grow, as a writer. 

Then, next month, I’ll send you all the warm up exercises as we limber up for the StoryADay challenge.

Let’s play!

Welcome To The Slow Zone

We writers can be in such a rush–to get this project finished; to submit; to hit the best-seller list; to make our fortune—that it’s easy to get discouraged. It can feel like we’re not making progress if the writing is slow, or ‘successes’ don’t come often.

But writing isn’t just one thing. And none of the activities that make up a writing life are particularly quick.

  • Developing ideas takes time
  • Drafting takes time
  • Revising and rewriting benefits from time and space.
  • Improving our skills demands time, and experimentation, and wrong turns.

It’s OK to be what my friend, coach Jennie Mustafa-Julock, calls “impatiently ambitious”. At the same time, we have to cultivate patience for the parts of the practice that just go…well, slowly.

The Benefits of ‘Slow and Steady’

This idea of ‘going slow’ has come up a couple of times in the Superstars community, this week.

“I’ve had to come to terms with the fact that I’m a really slow writer,” said one person, who writes beautiful, immersive stories.

“I’m embracing being slow,” said another writer, who I’m watching make huge strides in their practice.

World-class athletes, actors, and musicians spend a lot of hidden time practicing their craft; only occasionally stepping onto the big stage to perform.

We writers spend a lot of times doing work that doesn’t end up in front of anyone else. And that’s OK, especially when we are focused on improving our skills.

Couture Vs. Fast Fashion

In a world of fast fashion, people still crave a tailor-made suit, a custom-fitted wedding dress, and a beautifully hand-crafted hat. And those who can, value that quality enough to pay premium rates for it.

In this moment of instant-access to information, and AI-everything, there’s a lot to be said for slowing our creative lives down to a human (humane?) pace. 

Let’s reclaim the time and space for deep thought, wrong turns, course-corrections, and insights that only come with prolonged effort.

These are the spark of humanity – of creativity–that AI can never replace.

Spend some time this week giving yourself the chance to stare into space, make some mistakes, erase some words, and write something nobody will ever see, just for the sake of having done it.


P. S. Want to put some craft-building writing time on your calendar this week? Try the 3-Day Challenge, a self-paced journey through the short story.

StoryADay’s 2025 In Review

It’s been a busy year!

In case you haven’t been paying attention (and why would you? I’m sure you have other things in your life), things have been pretty busy at StoryADay this year.

Here’s my round-up of writing resources and events from the past year.

If you’re subscribed to the mailing list, you’ll know some of this. If not, sign up here.

If you’re intrigued by the events going on inside the Superstars Community and think it might be the right community for you, find out more here.

On a Personal Note

My personal writing year was gratifyingly full of new drafts–I had hoped to complete 12 and in fact completed 6, which I consider a triumph given the way my year was disrupted by family emergencies and LOTS of non-leisure travel and stress. I also came out of the year with a professional-rate sale and a renewed commitment to sending stories out into the world.

But what surprised me most was the StoryADay tally of STUFF WE DID. Take a look:

Coaching 

14 x 1:1 Coaching sessions – If you feel the need for a one-off ‘Writing Therapy’ Session, to get unblocked, to reignite your fire, or to make a plan of action for your writing, you can book some time on my calendar here.

My coaching session was amazing. Not only did we address the original issue and come up with some great alternatives, she probed me about my current project and helped me to come up with some new ideas that are going to revolutionize it. I’m so excited about how the ideas we tossed around are going to affect this revision of my book. I feel like I’m on track to accomplish what I wanted.

Heidi Clausius

On The Blog

214 Free Resources

11 Opt-In Resources

In the Superstars Community

JOIN US HERE

633 Ongoing Events

602 (!!) writing sprints facilitated — many of these are hosted by member-volunteers and each host brings their own flavor to their sprints. (I have lost control in the most delightful way possible!)

25 hangouts (hosted by me) + 4 Launchpads (member run meetings) – opportunities to be with other writers, talk about writing, share resources, and just BE writers together.

A year of asynchronous support and resource-sharing in our Slack Workspace

11 Special Events

  • 3 Critique Weeks (12 meetings, 51 stories received feedback from 4 readers each)
  • Book Club (Jan-Mar)
  • Revision Hotseats (Jan)
  • Be Precise Workshop (Mar)
  • Character at the Core: Build Your Story From The Inside Out Workshop (July)
  • Get Better At Bragging Workshop (Aug) 2 timeslots – also delivered to Mary Robinette Kowal’s Lady Astronaut Club
  • One-Story Challenge – Mastering The Middle (Sept)
  • SWAGR Weekly Planning Method – a new weekly planning and accountability (Nov-Dec, weekly)
  • Annual Plan Workshop – Coming Soon as a replay you can access

4 Experiments

  • Revision Hotseats (deep dive into a small number of stories that have been revised )
  •  6 Book Club meetings (monthly deep dive into four short stories from an anthology)
  • SWAGR weekly planning meeting (plan to continue in 2026)
  • Critique Week shared language plan and BOSS Critique System (more about this coming soon)

6 Worksheet Bundles & Resources Created

2026 Productivity Tracker (free)

Get Better at Bragging

Guide to Preparing for a Writer’s Conference

Breakthrough Challenge Workbook

SWAGR Method (and Randomizer)

I, WRITER Planning & Logging Templates (expanded and updated for 2026) – worksheets and trackers for every brain type

  • BIG PICTURE PLANNING
  • Annual Overview Calendar Page
  • Goals Overview
  • PACE Yourself Worksheet
  • Quarterly Calendar page
  • SWAGr plan overview page
  • Triumph Tracker 
  • What Am I Doing? (And Why?) Daily Overview Page
  • 1-6 Projects planner
  • CALENDAR PAGES
  • Week at a glance (Sunday start, landscape)
  • Week at a glance (Monday start, landscape)
  • Weekly Planner (morning, afternoon, evening, Monday start, landscape)
  • Weekly Planner (morning, afternoon, evening, Sunday start, landscape)
  • Weekly Planner (morning, afternoon, evening, any day start, landscape)
  • MAKE IT MANAGEABLE
  • SWAGR Method – This Week/Not This Week page, linear
  • SWAGR Method – This Week/Not This Week page, non-linear
  • SWAGR Method Randomizer toy
  • Weekly overview sheet (priorities, tracking, portrait)
  • Focus For The Week overview (priorities, tiny next steps, notes, portrait)
  • Daily Plan(ish) – Gentle planning page (portrait)
  • Mind Map starter template 
  • Tiny Next Steps Tracker
  • Daily Review worksheet (traditional)
  • Gentle Daily Assessment worksheet
  • Weekly Review worksheet
  • Market Research Checklist
  • Project Planner One-Sheet
  • Submission Planner printable ‘job sheet’
  • Activity Logs & Trackers
  • Activity Web (non linear)
  • Activity Log (linear)
  • I, WRITER Tracker (track which parts of the writing life you’re focusing on throughout the year)
  • Monthly Habit/Task tracker (circular)
  • Submission Tracker table (linear)
  • Story Tracker (what you wrote and where you kept it)

Buy now for $9

Thank You

All of this, of course, takes time, hosting fees, and brain power. If you’d like to get more support while supporting my work, consider upgrading to the StoryADay Superstars Community.

If you want a little dedicated time on my calendar, I’ve started offering formalized 1:1 “Writing Therapy” sessions. Let’s talk about your writing, your projects, your ambitions, and how to make them all line up!
Stuck on your next step? Let’s talk.

But most of all,

Keep writing,

Julie

The Submission Echo

Listen carefully, writers! Do you hear ‘the submission echo’?

or: Why Shouting into The Void Isn’t Always Bad…

Writing and submitting manuscripts can be discouraging. 

It can feel like shouting into the void. 

You send your stories, your queries, your pitches, out into the world and hear…nothing—-or ‘no—so often you start to “wonder what’s the point”?

I’m always preaching about the benefits to you of doing the work anyway, but recently I discovered another benefit, that I’m calling ‘the submission echo’, and it came after a flurry of ‘shouting into the void’, myself.

The Little Story That Couldn’t

I’ve been through a spell of ‘not sending things out’ and now I’m in a season of sending stories out to find their place in the world, again. And there’s a lot of waiting around for answers.

This week the answer was ‘no thanks’. 

The publication I had lovingly crafted a story for, didn’t want it.

Hmmph!

But…This one didn’t sting as much as some other ‘non-acceptances’ (I’m not using the R word!) because this one had brought me much more than an opportunity to be published.

This story had been a challenge to write. I’d had to research cutting-edge science for it. I’d walked away and come back to it. I’d enjoyed the process. Some readers I gave it to it to enjoyed it. 

In the end, I simply like this little story.

That’s why I was so surprised that the ‘no thanks’ didn’t sting as much as I expected, and here’s why:

I noticed the ‘submission echo’.

The Submission Echo

That’s what I call the effect when creativity begets more creativity, courage begets courage, and one story drives you to write more stories.

Lots of surprising things happened after I submitted that story:

  • Yes, the story had been tricky and the research had stretched the limits of my understanding of a particular field…and energized me. It reminded me that I love writing.
  • Yes, it took courage to push the ‘submit button. But the little hit of excited dopamine made me want to do it again. Which meant more writing, more market research, more wrangling with tricky plot points…only now, that felt exciting, not overwhelming.
  • And yes, I gained renewed confidence in my ability to push through a problem in a story. (Since submitting the Little Story That Couldn’t, I have added three new scenes to my previously-stalled novel-in-progress.)

Shout Into The Void

When writers tell you not to fear rejection it’s not just because acceptance is a numbers game1.

It’s also because pushing yourself to finish the story, polish the story, take a chance on showing it to someone…all these things make you uncomfortable and it is in the discomfort that we grow.

Submitting stories isn’t the only way to force yourself to stretch, and grow as a writer, and next week I’ll send you some other ideas on how you can push yourself to grow as a writer.

But I hope you push yourself to do something that feels like ‘shouting into the void’ in your writing life, this month…because you never know what you’ll hear in the echo.

storyaday graphic divider

Until next time: here’s a new episode of the podcast, talking about this story; the fine line between ‘excuses’ and ‘reasons’; and a writing prompt centered around holidays. Check out the podcast, here.

Keep writing,

Julie

P. S. Need more practice writing stories you can send out into the void? Consider the StoryAWeek newsletter: 52 weekly lessons and writing prompts. Find out more.

  1. Assuming you are a halfway decent writer, the more stories you send out, the more likely you are to hear a ‘yes’ ↩︎

What Would You Do With Fortune & Fame?

Why do YOU want to write?

What if your writing could really help someone?

This week I became aware of a project from fantasy writer Brandon Sanderson: a “challenge coin” offered freely to anyone struggling with depression, that a,  is a beautiful collectible item and b, contains a QR code link to resources to help people with mental health issues.

(You can find out more here. If you are someone who deals with depression, you can get the coin for free. If you just like Brandon Sanderson and want to support his work—or collect All The Things—you can buy a coin there, too. There is no ‘test’. You are invited to self-select.)

The Arts As Their Own Reward? Yes, and…

I’m a big fan of encouraging people to write for it’s own sake: for the rewards you get from the process.

But that doesn’t mean I think you’re somehow ‘selling out’ if you want to make a living from your craft. 

In fact, if that’s your path, I hope you make a fortune from your writing.

I think writers are exactly the kind of people who should be successful and rich.

Brandon Sanderson is an example of how that success can look, in the hands of someone who spends all their time thinking hard about what makes humans tick (i.e. a writer).

Do The Work

Dreams of fame and fortune, and all the good you’ll do with them, are lovely, and can be inspiring in the tough times, when you’re starting at the fourth revision of a manuscript, wondering if you’re making it better or worse.

But you still have to do the work. 

Sanderson didn’t become rich and successful on the strength of having written one book. He writes a LOT. Obsessively, in fact. 

You do not have to write obsessively in order to become successful–there are plenty of examples of people who have a slightly more balanced approach and still do fine–but you do have to write.

  • Actually-Writing,
  • Really-Revising,
  • Courageously-Engaging with the publishing industry/readers,

These must be serious activities for you, if you want success as a writer.

Don’t Go It Alone

Another lesson from Sanderson that I’ve noticed over the years is that he doesn’t try to do it alone. 

  • He worked to develop his own style, but then he went to conferences to learn the business.
  • He formed a podcast with other writers, to share what they knew with the community of writer-admirers. 
  • He formed a company to deal the the growing business demands of being a prolific and successful author.
  • In his announcement about the challenge coins I noticed a lot of ‘we’ language.
  • He came up with the idea, but it was clear that there’s a team behind him coming up with smart ideas (like: what should go into the resource page; what to do about the tension between their desire to give them away to people who need them and also satisfy people who just wanted the coins because they’re collectors…)

The myth of the solitary writers is just that…a myth.

The only stories about solitary writers I can think of are stories that don’t end happily. Any successful, modern author’s ‘acknowledgments’ section runs to several pages.

How We Do It

Here in StoryADay-land, we get together to write every May: taking on a huge, ridiculous challenge, just to see what we’re made of. We post about our successes and our less-than-successes. We share and commiserate.

And we do workshops and hangout and co-working writing dates together, because doing this together is just way more fun. And more sustainable.

I hope you have a supportive community of writers around you.

And if not, keep your eye on your inbox for an invitation to join us for an end-of-year get together for the StoryADay community, that will also help you plan for a 2026 you can be excited about.

A Fun Thought Experiment

What would you do with your fame and fortune if you made it big? Leave a comment and let us know!

Keep writing,

Julie

P. S. Need more practice turning everyday moments into key scenes in your stories? Consider the StoryAWeek newsletter: 52 weekly lessons and writing prompts. Find out more.

It’s The Process, Not The Prizes

Why do YOU want to write?

To have this article read to you subscribe the podcast, or StoryADay on YouTube

In his 2003 Nobel Prize Banquet speech, honoree and author J. M. Coetzee used his moment on the stage to reflect on what a shame it was his parents hadn’t lived to see this day: 

“Why must our mothers be ninety-nine and long in the grave before we can come running home with the prize that will make up for all the trouble we have been to them?”

-J. M. Coetzee – Banquet speech. NobelPrize.org.

I thought this was an odd, and dispiriting way to thank the Nobel committee. 

Perhaps it struck me because I lost my dad in the summer and am going through the process of getting used to not being able to tell him things and see the reaction on his face.

But what I know in my bones is that, though he would have been tickled pink by my current and future achievements, his pride in me was based on who I am, not any big outcome, or prize. (And yes, I know I was privileged to have pretty awesome parents.)

It’s Not The Prizes

It’s not the big moments that make up a life—or a writing practice.

It’s the millions of tiny decisions and actions we take, day after day, that tell people who we are, and that add up to a life.

  • It doesn’t matter if your writing goes well today. It matters that you did it.
  • It doesn’t matter if you wrote 5,000 words today. It matters that  you come back and add more words, soon.
  • It doesn’t matter if your first draft is ropey. It matters that you finish; that you summon up the courage to revise it, and revise it again; that you decide you are bold enough to share it.
  • It doesn’t matter if your writing is ‘on trend’. It matters that you spend your time working on something that delights you—even as it frustrates you; something that only you could write.

Who Tells Your Story?

After playwright Tom Stoppard died this month, a widely-shared letter appeared in the UK newspaper The Times. 

In the letter, surgeon and cancer researcher Dr. Michael Baum recounts how, while attending a performance of Stoppard’s play Arcadia, he was introduced to Chaos Theory, which changed his thought process about a thorny problem in treating breast cancer. He ends the letter,

“Stoppard never learnt how many lives he saved by writing Arcadia.”

Prizes are nice.

Publication acceptances are nice.

Being able to make some money from your writing may, or may not be, nice depending on how you feel about turning your avocation into a job.

But writing is weird.

It’s a way to place our ideas into the heads of people we’ll never meet. 

It’s a method for manipulating the emotions of people in a future we might not see.

It’s a stone cast into a vast pond, causing ripples we can’t possibly track.

The Point

The work is the point.

The work is the starting point.

We might never receive the prizes, the publication, or the acclaim, but we can certainly never receive them if we don’t build the habit of doing the work. 

And doing the work has to matter enough to you that you would do it even if you never hear that your parents are proud of you or that you saved lives with your writing. 

You may never know what you writing means to other people.

What does your writing mean to you, and can you find a way to make that ‘enough’?

Keep writing,

Julie

P. S. Need more practice turning everyday moments into key scenes in your stories? Consider the StoryAWeek newsletter: 52 weekly lessons and writing prompts. Find out more.