Today’s prompt is all about limits, but don’t worry, you don’t have to know anything about poetry and you don’t have to make this rhyme!
Write A Story In 14 Sentences
That’s it!
(Sometimes limits can be surprisingly freeing so if you hate this idea, try it anyway!!)
To see four excellent examples of a 100 word story, hop on over to the publisher’s site now. Or pick up the book from Amazon or request it from your local indie bookstore.
Today we continue our look at short stories as not-mini-novels and play with them in ways you can only play with short stories!
Write a story completely in dialogue
It’s probably best to keep this to two characters because it’s harder to have more than two characters, without attribution.
I want you to keep it straight in our heads, who’s talking, simply by the way they talk.
A guy who works on Wall St should sound different from a farmer from a rural area.
Don’t forget to leave a comment and tell us what you wrote today!
Today’s bonus prompt comes from Elise Holland, writer and editor of the 2Elizabeths online literary magazine
There are so many excellent contests available to short form writers.
Sometimes the clear-cut parameter of a deadline serves as inspiration, and
many contests are genre specific, creating a built-in, detailed prompt.
In order to provide a precise prompt, I suggest looking into submitting
your work to Nowhere Magazine’s Spring 2018 Travel
Writing Contest. Beneath the prompt, you will find my tips on how to find
writing contests, and how to use each set of submission guidelines as
future prompts.
Until May 31, 2018, literary travel magazine Nowhere is seeking
contest submissions from young, old, novice, and veteran writers.
Specifically, they are looking for stories with a strong sense of place.
Send your fiction, nonfiction, or essay, but be certain to specify which
genre your work falls into at the top of your manuscript. Submissions
should be kept between 800 – 5,000 words in length. The contest winner will receive $1,000 and publication in Nowhere. For further details and
to submit your work, visit the magazine’s website here.
About Elise Holland
Elise Holland is the editor of 2 Elizabeths, a literary magazine
focused on poetry and short fiction, with an emphasis on romance and
women’s fiction. Her work has been published inWriter’s Digest Magazine, The Writer’s Dig, and at DIY MFA. Find Holland online at 2Elizabeths.com.
Welcome to Week 3! You’re still here! I’m very impressed…
This week we’ll be looking at some of the fun ways short stories can be written that are nothing like mini-novels.
Write A Story In The Form Of A List
This is a great refresher after a week of deep narrative work.
Go and have some fun!
Today I want to give you an overview of something that I find useful when figuring out where to start and stop a story and how to keep it on track.
It’s called the MICE Quotient and I learned about it from Mary Robinette Kowal, though it was invented by Orson Scott Card.
The letters stand for:
M – Milieu
I – Intrigue/Idea
C – Character
E – Event
Each letter tells you what type of story you’re telling.
This is largely a story about place. Usually your character arrives in a new place at the start, and most of their struggle is about them neogitating that place, learning about it, trying to escape it. The story ends when they leave that place or they fit it.
EXAMPLES: The Hobbit, Lord of the Rings, Ever After.
A question is posed at the beginning of the story. The story ends when the mystery is solved or the question is satisfactorily answered.
EXAMPLES: Sherlock Holmes, Arrival/The Story Of Your Life
A character starts off with an internal conflict and, by the end of the story they have changed it, or rejected the idea of change, or at least understood where the problem lies.
EXAMPLES: Die Hard (Seriously, John McClane has issues at the start of that movie!), The King’s Speech.
External forces change the world at the start and drive the struggle in the middle of the story. At the end of the story the status quo has been restored or a new normal has been established.
EXAMPLES: The Hunger Games, The Parent Trap, disaster movies!
Pick a dominant thread for your story today, based on the MICE categories. Work towards the ending that fits the story type you chose.
I was introduced to this idea by Mary Robinette Kowal, who talks about it on the Writing Excuses podcast. She also made this excellent infographic, to help keep things straight.
Me? I give a workshop about this and how the first three Die Hard movies fit into different categories. Tell your favorite conference organizer to book me now!
Today we continue with the third of my ‘fairy story’ structures: Hansel Gretel.
Start with a life-changing moment and lead your characters through the story to show us who they become.
Hansel and Gretel starts off with a bang: two kids, alone in woods, abandoned!
What are they doing to do?
After the big opening, all their struggles teach us about the kids’ characters. By the time Gretel finally kicks the witch into the oven, grabs her brother and they make their way out of the witch’s cabin, we know enough about these kids to know they’re going to be OK.
How can you replicate this for your characters?
This is a big week at StoryADay: we’re creating a lot of skills that will help you build stories throughout the rest of the month and beyond. Stay tuned!
And don’t forget to leave a comment to let us know you’ve written, how it’s going, and what you’re learning.
The only qualification to be a ‘Superstar” is a desire to write and support your fellow writers.
A supportive group of committed writers, who meet virtually, support each other’s efforts, and inspire each other.
Registration for 2024 open now-June 8, 2024
A 6-part journey through the short story.
Starts Jan 3, 2025
