[Prompt] May 16 – Love Story

Daily Prompt LogoOne of the nine plot patterns highlighted in James Scott Bell’s Plot & Structure is:

The love story.

(A billion romance readers can’t be wrong!)

You don’t have to write a traditional romance to be writing a love story. There’s a love story embedded in almost every story you read or watch. From Homer’s Odyssey to Homer and Marge Simpson, love is in the air.

All that is required for a love story is for two protagonists who are in love, and an obstacle to that love. Resolving the obstacle, one way or another, is the plot of your story.

To avoid writing a schlocky, saccharine formulaic romance, “one or other of your lovers [should] grow as a result of the pattern,” says Bell.

Write A Love Story

Go!

[Prompt] May 15 – Fairy Story

Whether you like the Disnified Happily Ever After versions or the grim Grimm originals, fairy stories are a great source of inspiration for a writer.

You can rewrite the tales with a modern twist, or a funny one, or you can simply take the morality-play form and use it for your own story.

I come back to this prompt idea again and again because it is such fertile ground and because EVERYONE knows a fairy story or folk tale (if you need a reminder of some, go here).

Alternatively, you could choose to write an allegory (think: Narnia, or Animal Farm). If you do write an allegorical story, however, bear in mind this advice from James Scott Bell’s book Plot & Structure:

“Allegory is difficult to do well, since it may just come off as merely preaching in the guise of an imaginative tale…Make the characters real and not just stand-ins for your ideas.”

Rewrite a fairytale/folk story or Get Allegorical

Go!

 

[Prompt] May 14 – Fish Out Of Water

After last week’s character focus, this week’s prompts are going to focus on different plot archetypes.

First up: the fish out of water story.

This ties in nicely with the focus on character, since the fish out of water story lays a great emphasis on the characters – either the alien character, or the ones who are trying to deal with having him in their lives. Think: Mork and Mindy, The Wizard of Oz, Hitchhiker’s Guide To The Galaxy… It also allows you scope to have fun with descriptions, point of view, dialogue, belief systems, you name it.

Write A Fish Out Of Water Story

Go!

[Prompt] May 13 – What Your Character Wants

Every character should want something, even if it is only a glass of water.

-Kurt Vonnegut

A concrete way to ensure that you are writing a story — not a scene or a character sketch — is to make sure your character wants something. Give your hero a want or a need, then move them towards or away from that thing. Et voilà! You have a  story.

There isn’t much room in a short story. You can’t afford to give your main character two or three things she wants (unless it’s two things that are diametrically opposed). She will have other things that matter to her, of course. It’s just that now — at this moment in her life, the one we’re spying on — she has one overriding want or need that she must resolve.

Secondary characters have wants and needs too, but you don’t have much room to talk about them. If your secondary character is the antagonist (or villain) you can spend more time on their ‘wants’ since exploring them is probably part of explaining why your hero isn’t getting what she wants yet. Otherwise, mentioning their dream in one sentence can be a great way to flesh out secondary characters.

Make Your Characters Want Something

Today, write a story in which you give a character a very specific want or need (you don’t have to spell it out at the start). Move them towards their goal, put rocks in their path, grant or deny their wish.

Give every secondary character a specific need too – even if it never makes it into the story, be sure you know what that person’s dearest wish is.

For more inspiration on this subject, check out Nathan Bransford’s post on the subject.

[Prompt] May 12 – Other Than Human

WRITE ABOUT A NON-HUMAN CHARACTER

Can you write a non-human character without making it react like a human? How would a table/tree/robot/alien think? How would it speak? How would it react compared to the reactions of someone born and raised in the West in the 21st Century?

Can you write a truly non-human character?

Go!

[Prompt] May 11 – Delayed Appearance

DELAY THE APPEARANCE OF THE MAIN CHARACTER

Sometimes it’s a problem to create enough suspense in a short story to keep the reader engaged. An interesting way to do this is to delay the appearance of your main character until quite far into the story. This follows on from yesterday’s prompt where you kept your protagonist off-sceen. This time, however, you can build them up and then allow them to take the stage.

How does this feel? Better? Did you keep the tension going even after the character appeared?

Keep Your Main Character In The Wings

Go!