In Part 2 of my interview with Angela Ackerman, co-author of The Emotion Thesaurus and host of Writers Helping Writers, we talk about how to use details to write great characters, immerse readers in your story, and even figure out your plot.
Writers Helping Writers: http://stada.me/whw
One Stop For Writers: http://stada.me/osfw
Ready to write today, not “some day”?
One of the nine plot patterns highlighted in James Scott Bell’s Plot & Structure is:
The love story.
(A billion romance readers can’t be wrong!)
You don’t have to write a traditional romance to be writing a love story. There’s a love story embedded in almost every story you read or watch. From Homer’s Odyssey to Homer and Marge Simpson, love is in the air.
All that is required for a love story is for two protagonists who are in love, and an obstacle to that love. Resolving the obstacle, one way or another, is the plot of your story.
To avoid writing a schlocky, saccharine formulaic romance, “one or other of your lovers [should] grow as a result of the pattern,” says Bell.
Write A Love Story
After last week’s character focus, this week’s prompts are going to focus on different plot archetypes.
First up: the fish out of water story.
This ties in nicely with the focus on character, since the fish out of water story lays a great emphasis on the characters – either the alien character, or the ones who are trying to deal with having him in their lives. Think: Mork and Mindy, The Wizard of Oz, Hitchhiker’s Guide To The Galaxy… It also allows you scope to have fun with descriptions, point of view, dialogue, belief systems, you name it.
Write A Fish Out Of Water Story