Guest Writing Prompt from Seanan McGuire/Mira Grant

Today’s guest prompter is Seanan McGuire who also writes as Mira Grant. I love these little peeks inside the minds of successful writers, don’t you?

Today’s guest prompter is Seanan McGuire who also writes as Mira Grant. I love these little peeks inside the minds of successful writers, don’t you?

The Prompt

Some little things got left out, and a little means a lot.

Seanan McGuire was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (Newsflesh, Book 1) (as Mira Grant) was named as one of Publishers Weekly’s Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot. In her spare time, Seanan records CDs of her original filk music. She is also a cartoonist, and draws an irregularly posted autobiographical web comic, “With Friends Like These…”

Remember: you don’t have to write to either of today’s prompts, but if one or other of them helps spark an idea, you’re welcome!

May 5 – Setting

First: a little Day 5 pep talk. If you’re finding it hard to write every day; if you’ve missed a day; if you’ve just found us and are wondering if it’s too late to join; if you’ve been here since April and and wondering if it’s time to quit…To all of you I say “don’t worry, just keep turning up. From today until May 31,  just sit down, think up interesting characters, give them annoying problems, and write as much as you can. If you miss a day (I mostly don’t write on Sundays, so I’m not going to be doing 31 stories this May), just accept it and move forward. Deal? OK, on with the writing prompt!

Setting can be as potent as an extra character in your story. It can affect every aspect of the story from the way people talk and dress, to the imagery and metaphors that you choose.

The Prompt

Write A Story With A Strong Sense of Place

Tips

  • “Setting” can be a place, a time or a culture.
  • Don’t tell us about the setting. Weave details into the story to strengthen the tone, mood, or the actions of the characters.
  • For example, if your setting is in a pre-industrial culture, your landscape might contain things like hitching posts for horses, small vegetable gardens at every home, rutted cart tracks, coppices of trees, wells etc. Mention them by having your characters use them while they’re talking/thinking about other things.
  • Think about how your setting affects your choice of words: if your setting is bucolic, perhaps your language will be more flowery than if you were telling a story set in a sterile, scientific setting.
  • Think about how setting can affect the mental state of characters. Do they get more jittery or more energized if it’s loud? How about if it’s dark? Quiet? Cluttered? Enclosed? Wide open?

GO!

Post a comment at the blog to let us know you’ve written today, or join the community and post in the Victory Dance Group.

May 4 – Heroes

Today we’re focusing on the heart of any story: the characters. We often refer to the protagonist as the ‘hero’ whether or not he/she is heroic. Today, however, we’re going to take that word literally:

The Prompt

Write A Story With A Heroic Protagonist

Tips

  • A hero is not necessarily someone with a cape and superpowers. A hero can be someone who is exceptionally talented in one or more areas and who uses those talents.
  • A hero can be great at one thing and ordinary (or clueless) in other areas: Adrian Monk is  almost incapable of living a normal life, but his OCD and his fears make him an exceptional detective; Elizabeth Bennett is not rich or beautiful or titled, or any of the other things that mattered at the time, but Jane Austen’s famous heroine endures because she is witting and quick and funny; Slippery Jim in Harry Harrison’s Stainless Steel Rat is a rogue, but a charming rogue.
  • Think about characters you love from fiction. What is it that you like about them? Are they funny? Smart? Brave? Brooding? Tortured?
  • Think about characters you dislike. Why? Are they whiny? Angry? Glib? Uncaring?
  • What raises the feature you love about that character to the next level?
  • Think about people in your life that you love or abhor. What features and characteristics do they have that you envy/loathe?
  • How could you create a character that has a stand-out characteristic (one that you love) that shows the reader the best of humanity? That gives the reader something to aspire to?
  • What mannerisms will your character have? What expressions will they use? How will they talk?
  • What single adventure could this character have in a story that highlights their most heroic feature?

GO!

Post a comment at the blog to let us know you’ve written today, or join the community and post in the Victory Dance Group.

May 3 – 640 Words

Day 3 – Limits: 640 Words

This is the second of our recurring “limits” posts. As the month progresses you’ll come across all sorts of limits: time, word count, point of view, structure. If you get stuck, try rewriting an earlier story in a new way, using these ‘limits’ posts.

The Prompt

Write a story in 640 words

Tips

  • Why 640 words? It’s the length of a traditional newspaper opinion column. It’s long enough for a set up, some flavor and a parting shot, but not much more.
  • Limit your intro and ending to about 50 words each, leaving yourself 540 words to set up and deliver an interesting moment in time for a fascinating character.
  • Overwrite and then cut, if you must. Think about every word, every description. Does it need to be there. Do your descriptions also tell us about the character’s state of mind? Is every piece of dialogue weighted with things unspoken, double meanings, misunderstanding?
  • If you need to cut words, can you get away without dialogue tags? There’s no need to say “he said” if you’re following it with the stage direction “John slammed his mug onto the formica counter and turned away”. Can you start the story later in the scene? Can you hint at or imply something that you have explicitly told the reader, with a word or a glance?
  • If you have finished your story and not yet reached the word limit, what can you add without bloating the story? Is it clear where this story is taking place from the noises, smells and sights the characters notice? It the timeframe or period clear? Do your characters give away the subtext of what they’re saying with unconscious body language? Can you add a few sentences of a different length, to change the pace? Like this?

GO!

Psst! Did writing a short-short story take less time than writing a 2,000-word story? No? I didn’t think so!

Post a comment at the blog to let us know you’ve written today, or join the community and post in the Victory Dance Group.

May 2 – Other People’s Memories

Day 2 – Other People’s Memories

Every family is full of stories. Some are told (and retold). Some are secret. Some are a surprise that is only revealed years after you ‘should’ have known about them.

Your friends have stories they tell and retell.

Your colleague and strangers on the bus have stories.

Everyone is telling stories all the time.

Today we pilfer their experiences.

The Prompt

Write a story inspired by family folklore (or a story someone has told you that ‘happened’)

Tips

  • My grandparents have a remarkable and romantic courtship story. One day I might write that story. Or I might take their story and transport it to a futuristic setting where the characters may face similar obstacles. What stories exist in your family that could inspire a tale or two?
  • Be wary of  realistic retellings of stories that don’t belong to you, especially if the people are still alive. But feel free to use anyone’s story as inspiration, a jumping-off point. Change details, explore other possibilities. Treat your sources with gratitude and respect.
  • Start with a family story that is often told and ask ‘what if’? What if Grandad had been in a modern war, not Vietnam? What if Dad’s first interview had gone better? What if Uncle Sal had never got on the boat?

GO!

Post a comment at the blog to let us know you’ve written today, or join the community and post in the Victory Dance Group.

Guest Prompt: Gretchen Rubin

Gretchen Rubin says: Write a short piece inspired by one of William Blake’s Proverbs of Hell from The Marriage of Heaven and Hell. There are 72, but here are a few of my favorites…

Screen Shot 2015-04-28 at 7.32.04 PMGretchen Rubin is the New York Times bestselling author of The Happiness Project, Happier at Home and, most recently, Better Than Before (a book about happiness and habits that has huge implications for writers. You should check it out!)

When I asked her if she’d like to provide a writing prompt this self-confessed quotation collector, of course, went to one of her favorite authors for inspiration. Here’s what she sent.

Continue reading “Guest Prompt: Gretchen Rubin”