I liked this a lot.
It managed to be about magic and death and unrequited love and #metoo and revenge and yet have a lightness and beauty that I often find missing in modern stories, and which is hard to pull off with those themes.
Continue reading “[Reading Room] How The Trick Is Done by A. C. Wise”
Mary Robinette Kowal is the author of The Glamourist Histories series of fantasy novels and the a three time Hugo Award winner. Her short fiction appears in Clarkesworld, Tor.com, and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.
We’re rounding out our month with a multiple-award winning, working writer’s advice to take a look at scenes (or stories) from another angle. It seems to be working for her, so let’s give it a try! Thanks for sharing, Mary!
Take the last scene [or story – Ed.] that you wrote. Now rewrite it from the point of view of a secondary character. You have to keep all the physical actions and dialog in the same order, but make it clear what is at stake for the new POV character. Why do they say the things they do? What are they trying to achieve?
Now go back to your original scene [or story – Ed.] and adjust it to incorporate the new things you’ve learned about your secondary character.
Often when a scene seems flat, it’s because we haven’t thought through the motivations of any of the people in the scene except the point of view character.