Last week I talked about reading and writing stories with divided storylines that come together at the end.
The example I gave, Shakedown by Elizabeth Gonzalez, had a fairly traditional narrative structure. While it wasn’t clear how the two storylines would interact, at first, it was an easy-to-read story.
Continue reading “[Reading Room] Your Mama’s Adventures In Parenting by Mary Robinette Kowal”
Steal the first line of your favorite book and write a totally different story
Go!
Mary Robinette Kowal is the author of The Glamourist Histories series of fantasy novels and the a three time Hugo Award winner. Her short fiction appears in Clarkesworld, Tor.com, and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.
We’re rounding out our month with a multiple-award winning, working writer’s advice to take a look at scenes (or stories) from another angle. It seems to be working for her, so let’s give it a try! Thanks for sharing, Mary!
Take the last scene [or story – Ed.] that you wrote. Now rewrite it from the point of view of a secondary character. You have to keep all the physical actions and dialog in the same order, but make it clear what is at stake for the new POV character. Why do they say the things they do? What are they trying to achieve?
Now go back to your original scene [or story – Ed.] and adjust it to incorporate the new things you’ve learned about your secondary character.
Often when a scene seems flat, it’s because we haven’t thought through the motivations of any of the people in the scene except the point of view character.
Go!
Work the words vermillion and musky somewhere in the next 250 words you write.
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