002 – Word Count Logging for Success

Last year I wrote 100,000 words of fiction (that’s on top of all the non-fiction writing, mothering, wife-ing and general living I got done).

In this episode I show you how to use word count logging to boost your writing output and to keep yourself accountable.

I also invite you to join us at the Serious Writers’ Accountability Group (SWAGr – we’re ‘serious’, not ‘sombre’!) at http://storyaday.org/category/swagr/ on the first of every month, to set your goals for the coming month and review how you got on last month.

Beyond Word Count – Other Ways To Log Your Writing Progress

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I’ve made a case for logging your word count to keep yourself accountable, to give yourself a pat on the back, to encourage consistency and good writing habits.

But it doesn’t have to be word count.

WHEN WORD COUNTS HELP

Setting a word count goal makes sense if you’re working on a novel and want it finished by X date.

It also makes sense if you want to become a faster writer.

WHAT IF THAT DOESN’T WORK FOR YOU?

It might not make sense to set a word count goal  if you’re still struggling to create a writing habit. Or if you’re writing flash fiction.

And what if you’re int he editing (or marketing) phase of a project, but still want to feel productive?

In these cases, you might want to to track the number of days on which you worked, to see how your writing practice is becoming part of your life.

HOW TO LOG YOUR DAYS

Set a goal for the number of days a week that you will Write Something (or Work on Project X).

  • Use the ‘butt in chair” column or the “hours spent editing” column in your StoryADay Writing Log.
  • Any day when you work, just type the number for the time spent, in that new column.
  • If you want to get fancy — set up conditional formatting to turn the cell green when it finds that text in the field).

If you like to keep your logs in a more tangible form:

At the end of the month, step back and gaze at the ‘heat map’ of your work progress. Hopefully there’ll be enough ’stickered’ days to make you smile. If not, make a commitment now to do better next month.

KEEPING YOUR GOALS REALISTIC

If you can make an unbroken chain of those days that’s great. But bewarE! Setting so high a bar can backfire. What happens the first time life gets in the way and you miss a day? You feel terrible. You get demotivated. You quit.

Rather, I’d suggest setting a goal to write on a certain number of days a week.

WHAT TO DO WITH THE INFORMATION

At the end of the month, look back at your log see how much you achieved and if any patterns emerge (are weekends good or bad for you? Do you write more when you’ve had more sleep? When the kids are in school?). You can see where you might make changes or improvements.

NO GUILT

Again, try to not use the log as a weapon to bludgeon yourself with guilt. Use it to analyze and study (and to face) what’s really going on.  Try to increase your goal a little from what you actually achieved this month (not some abstract and possible unrealistic ‘ideal’).

Whatever type of log you choose, use it to keep yourself accountable, spur positive changes, and reinforce good work habits.

Because all of these things get you closer to where you want to be: writing.

Are you logging your writing days or word count? What methods do you use, and how do you use it to help you progress? Share in the comments, below!

How I Used Word Count Tracking To Write 100,000 Words

How I used the StoryADay Word Count Logging tool to write 100,000 words last year, and why you should be logging your progress too!

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Do you log your word count?

I’ve been logging my word count (on and off) for the past couple of years. Last year, without really trying too hard, I managed to write 100,000 words of fiction. That was the end of one novel, several short stories (a couple published) and the first half of a second novel.

If I’m so productive, why bother logging my word count, you say?

Come closer and let me whisper into your ear…I’m productive because of the word count log.

Here are four ways  logging my progress helped me meet my goals: Continue reading “How I Used Word Count Tracking To Write 100,000 Words”

Anchoring Habits For A More Productive Writing Life

To create a regular writing habit (and stick to it), try scheduling it immediately after something you already do regularly…

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There is a very helpful technique for creating new habits, known as ‘anchoring'[1. I didn’t make this up. It’s being studied by Dr BJ Fogg, a human-behaviour scientist at Stanford University].

Anchor In Sand image
Photo by: Plbmak

The idea is this: you don’t think about brushing your teeth before you go to bed at night, or showering when you get up. It’s just something you do.

If you want to create a new habit (and stick to it), try doing it immediately after something you already do by rote.

So, if you want to remember to floss your teeth, say you’ll do it after your morning tooth scrub. If you want to brainstorm ideas for stories, say you’ll do it as soon as you’ve poured your first cup of coffee.

Choosing Your Anchor

Your anchor has to be something that works for you, specifically. Continue reading “Anchoring Habits For A More Productive Writing Life”

Brainstorming & Outlining for People Who Hate Outlines

We have to tell stories to unriddle the world - Alan Garner

This post is for people who are having trouble getting past the exciting beginning of their story and into (and through) the mushy middle. It works for novelists and short story writers.

Beyond The Beginning

Starting a story can be hard. But once you get started, the excitement carries you through some initial world-building, character-developement and scene setting. Then what?

Then, you get stuck, going around in circles, with your characters doing stuff, but not really going anywhere (either literally or plot-wise).

This is the perfect time to outline the next part of your story and start thinking about where you want to go from here. If you hate the thought of  outlining, think of it as brainstorming. You do this in your head, if you’re a pantser (someone who writes by the seat of their pants), but sometimes it can be helpful to catch some of your ideas on paper.

Brainstorming (Not Outlining)

If you’re not a natural outliner, don’t go crazy with this. You know you’re going to write something that captures your interest and throw out the outline, or maybe a new character will do something unexpected and interesting. So don’t outline. Just brainstorm a few questions like:

  • What is my character’s main desire?
  • What is stopping her from getting to that desire?
  • What does a ‘victory’ look like, in story terms and for my character?
  • How can I make things worse for her?
  • How can I make things even worse for her?
  • Who does she need to ally with to help her reach her ‘victory’?
  • Who/what is the antagonist and what does it/they want?

Even if you’re not a fan of outlining, keeping these questions (and the answers you discover) in mind as you write, will help keep your enthusiasm high for your story.

Revisit these questions every few writing sessions, or after every couple of scenes. Map out what needs to happen next to advance your character’s journey. Let future ideas dance around the back of your brain.

Then add another scene to your story.

More Resources

I’m posting these with the caveat that you should use as few of these as possible and ONLY when you are absolutely, dead stuck. Do not think these will help you if you aren’t actually writing. You must be writing your story for these resources to make any meaningful contribution.

Worksheets

Jill Williamson has a fabulous resource page full of everything from Novel Brainstorming Worksheet and one for short stories, to scene planning worksheets (one and two POVs), to character archetypes, genres & subgenres, even a worksheet for thinking about your characters’ hobbies!

Larry Brooks has a one-page checklist to help you plot out your novel. I find this one a little overwhelming, but if you take it step by step (i.e. write  your way to a point when you’re stuck, then consult his list to see what you need to think about for the next quarter of your story) it might be more manageable. You can also find his Character Checklist here.

Books To Get You Unstuck

The Emotion Thesaurus: A Writer’s Guide To Character Expression by Angela Ackerman and Becca Puglisi is one of three books they’ve written (along with the Negative Trait Thesaurus and the Positive Trait Thesaurus) that can help you if your characters are feeling flat.

Book Architecture: How to Plot and Outline Without Using a Formula by Stuart Horwitz. Can’t recommend this enough. It takes a fresh look at how to keep your plot interesting, by examining through-lines of themes and imagery and character traits rather than focusing on the old ‘Plot point I”, “Plot point II” “Dark Night Of The Soul” structure, which I find really unhelpful. This book, on the other hand, make small explosions go off in my brain. If you’re resistant to the idea of outlining, this might be the book to help you keep your story on track, nevertheless.

Million Dollar Outlines (Million Dollar Writing Series) by Dave Farland. Unashamedly commercial in outlook, this book is stuffed with examples (mostly from the movie world) of what makes a compelling story, what readers are looking for (even down to age and gender breakdowns) and leaves you feeling totally convinced that anyone with a modicum of talent and the will to persist, can do this and maybe even make a living at it. Why not you? Hoo-ah! Also stuffed with practical advice on how to make YOUR story sing.

Write Your Novel From The Middle: A New Approach for Plotters, Pantsers and Everyone in Between by James Scott Bell. I found this very encouraging, particularly his insight into what the ‘midpoint’ of the novel really is, and the kind of moment you can write for your protagonist that crystallizes both the midpoint and what comes next.

Motivation for Creative People: How to Stay Creative While Gaining Money, Fame, and Reputation by Mark McGuinness. This book won’t tell you how to write a novel, but it will help you think about all the ways your poxy brain is holding you back, and how to make it work for you, instead. This is not your average ‘rah-rah, tell yourself you can do it’ book. McGuinness uses everyday examples and his background as a coach to show you how different types of motivation work on you. Grounded in academic studies, this is a chatty, accessible and inspiring look at how you can free yourself to create.

Other Resources

The Snowflake Method – From Randy Ingermanson, this is another wonderfully logical way to avoid the whole inverted-triangle, unhelpful story structure plotting that drives me crazy. It helps you focus on the key points of the story you want to tell (which you’ll discover while going through his exercises). It has the added bonus of creating your story summary and proto-marketing materials before you’ve even written it (which is the part most people say they hate even more than writing the thing in the first place).

This works even if you’ve started your novel. I was stuck at the half way point of a novel I’d been tinkering with for years, when I came across this method. Spent a few hours following Randy’s advice and pounded out the second half of the novel in a couple of weeks!