Day 11 – Therese Walsh Tests Your Protagonist

THE PROMPT

Restricted and augmented lifestyles in the wake of the coronavirus pandemic may have us writer-types writing more than ever–a silver lining.

But have you stopped to consider how your protagonist(s) might respond to a similar situation?

In the midst of an emergency situation, whom would they seek to protect? How would they behave if confined?

If sharing close quarters with others, what might be said or done that otherwise might not be, and what might be the repercussions?

How might the situation bring out the best in them all–and the worst?

If the exercise brings up interesting ideas, can you create an emergency situation as a part of your story in order to bring your characters to that place organically?

THE AUTHOR

Therese Walsh is the author of The Last Will of Moira Leahy and the cofounder of Writer Unboxed. She lives in upstate New York with her husband and two children.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

THERESE WALSH, THE MOON SISTERS

BUY NOW

Leave a comment to let us know what you wrote about today, and how it went!

Day 10 – Julie Duffy Celebrates the Number 10

The Prompt

This is — stop me if you’ve heard me say this before — the 10th Anniversary of StoryADay May!

Today I challenge you to write a story that centers around the number 10.

It could be someone’s age, it could be a year, it could be the number of times something has happened (or has to happen).

Surprise me!

In other news, I hope to put together an anthology of stories later this year, celebrating StoryADay’s anniversary and it’s theme will be….10. So get your thinking caps on now!

The Author

Julie Duffy is the founder and host of StoryADay. Her mission is to save the world by saving writers. She helps creative people become more productive, more prolific and more fulfilled through the StoryADay challenges, her Superstars group, the StoryADay podcast, courses and workshops, as well as her guest articles in publications like Writer’s Digest and Writer Unboxed. She is the author of several creativity guides for writers and writes short stories and novels for fun.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Leave a comment to let us know what you wrote about today, and how it went!

DAY 9 – Marta Pelrine-Bacon Looks Around

THE PROMPT

Choose an object within reach of where you’re sitting. Three people desperately want this object. Write a scene or story in which the characters fight over said object. Ideally choose an object that people wouldn’t obviously fight over.

THE AUTHOR

Marta Pelrine-Bacon is a StoryADay Superstar, and a participant in the challenge since 2010. Marta is the author of several published short stories in publications such as The Austin Review and Cabinet des Fees. She is also an artist and a teacher.

Read A Book, Help An Indie

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co. 

MARTA PELRINE-BACON, THE BLUE JAR

BUY NOW

Leave a comment to let us know what you wrote about today, and how it went!

DAY 8 – Debbie Ridpath Ohi Breaks Crayons

THE PROMPT

Write a story inspired by today’s “You never know what will come out a broken crayon” visual prompt. 

THE AUTHOR

Debbie Ridpath Ohi is a children’s book author and illustrator. Launching from Simon & Schuster Books For Young Readers on Aug. 25, 2020 – GURPLE AND PREEN: A BROKEN CRAYON COSMIC ADVENTURE, a new picture book written by Linda Sue Park and illustrated by Debbie. More about Debbie’s broken crayon activities and upcoming book: https://www.debbieohi.com/broken-crayon

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

DEBBIE OHI, GURPLE AND PREEN: A BROKEN CRAYON COSMIC ADVENTURE

BUY NOW

Top 10 Podcast Interviews

Over the past ten years, StoryaDay has been fortunate to have some great guests on the podcast

Here’s an easy-access list:

You can share this image far and wide! Or download the PDF.

Here’s the list, with clickable links

Never miss an episode: Subscribe to the podcast here.

Top 10 Guest Writing Prompts

Over the past ten years, StoryaDay has been fortunate to be given original writing prompts from some pretty outstanding authors.

Here’s a list of the 10 that had the strongest response from StoryADay participants.

You can share this image far and wide! Or download the PDF.

Here’s the list, with clickable links

And there are many more guest writing prompts here.

[Write On Wednesday] Go To Town

I’ve reached the age where people have started to make TV shows about my childhood and teen years (and yes, I know I should be watching Stranger Things; I just haven’t got to it yet…)

It got me thinking about how we capture not just a place but a time as well.

Rob Roy Bar, Govan 1976, I couldn't find copyright info for this picture. If you own it, let me know!

The Prompt

Do an image search for the place you grew up in a year from your childhood. Write a story set in that town/street.

Tips

I didn’t search for the place I grew up but for the part of town my grandparents lived in. (Govan, 1976, when I was really too young to remember it, to ensure it would look as foreign to me as possible).

Part of me thought I might find the exact street I used to walk along with my Gran to get bread rolls for the obligatory after-church bacon rolls. We’d get them from the newsagent’s — the only shop open on a Sunday morning in Glasgow. I didn’t find that street, but I found one nearby, that felt familiar enough.

  • Really look at the picture. What do you remember? What didn’t survive in your memory?
  • Does it look idyllic or more run-down than it is in your memory?
  • What do you see in the picture that a stranger wouldn’t notice? What kinds of stories does it suggest?
  • In my picture I see the Tennant’s Lager sign outside the Rob Roy bar, and the fact that the doorway on the corner is marked ‘public bar’, but I know that what that really means is ‘men only’. (There’s a good chance my own grandfather is in there, now that I think about it, and what a thought that is. My lovely Granda, alive and well, and chewing on his pipe behind the yellow facade in this picture? There’s some emotion I can use in a story!)
  • Look at the shop-fronts, the road signs, the aged cars, whatever is in your picture that speaks of the era.
  • Maybe your picture has a fresh new housing development with saplings in the front yards and a single car in each driveway. What does that neighborhood look like now? What would today’s stranger never know about life on that street when you lived there?
  • Pick a moment and allow two characters to interact. It doesn’t have to be anything earth-shattering, because the third character in this story is going to be your setting. Do everything you can to capture the sounds, sights, smells and tastes of life in that moment.
  • Did everyone still smoke? Was the air quieter because nobody was running an air-conditioner? Did everyone barbecue on a Saturday afternoon? Were the buses more noxious? Was there more litter? Less? Why do the windows look different?
  • Allow your two characters to interact for a moment, perhaps foreshadow the changes coming to the neighborhood, perhaps grousing about a change that they’ve already seen.
  • Short stories revolve around a single moment. Go to town with that today—literally! Your town. Paint me a picture of a moment in the life of your childhood home.

If you share you story somewhere (and here’s why you might not want to) post a link here so we can come and read it.

Leave a comment to let us know what you wrote about today, and how it went!

StoryADay September 2018 Week 5

How did it go last week? How many stories did you write? How are you feeling heading into this week? Join the discussion below!

And don’t forget to come back when you’ve finished your last story to CELEBRATE YOUR SUCCESS!

Week 5 Prompts

So how did you get on? What did you learn during this challenge? Leave a comment here with your reflections, or share it on social media and leave a link.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want prompt by email throughout the year? Sign up below for the Write On Wednesday prompts.

StoryADay September 2018 Week 3

How did it go last week? How many stories did you write? How are you feeling heading into this week? Join the discussion below!

If you missed the start of StoryADay September or still need to set your rules, check out Week 1’s post. Don’t try to catch up and write stories for last week, just jump in now and keep moving forward!

Week 3 Prompts

That’s it for this week. I’ll be next week with another batch of prompts.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want email reminders throughout September? Sign up, below:

StoryADay September 2018 Week 2

How did it go last week? How many stories did you write? How are you feeling heading into Week 2? Join the discussion below!

If you missed the start of StoryADay September or still need to set your rules, check out last week’s post. Don’t try to catch up and write 7 stories for last week, just jump in now and keep moving forward!

Week 2 Prompts

That’s it for this week. I’ll be next week with another batch of prompts.

In the meantime, I’ll see you in the comments!

Keep writing,

Julie (signed)

 

 

PS Want email reminders throughout September? Sign up, below:

Day 14 – M.I.C.E. and Where Stories Start & Stop

Today I want to give you an overview of something that I find useful when figuring out where to start and stop a story and how to keep it on track.

It’s called the MICE Quotient and I learned about it from Mary Robinette Kowal, though it was invented by Orson Scott Card.

The letters stand for:

M – Milieu
I – Intrigue/Idea
C – Character
E – Event

Each letter tells you what type of story you’re telling.

Milieu story

This is largely a story about place. Usually your character arrives in a new place at the start, and most of their struggle is about them neogitating that place, learning about it, trying to escape it. The story ends when they leave that place or they fit it.

EXAMPLES: The Hobbit, Lord of the Rings, Ever After.

Intrigue/Idea Story

A question is posed at the beginning of the story. The story ends when the mystery is solved or the question is satisfactorily answered.

EXAMPLES: Sherlock Holmes, Arrival/The Story Of Your Life

Character Story

A character starts off with an internal conflict and, by the end of the story they have changed it, or rejected the idea of change, or at least understood where the problem lies.

EXAMPLES: Die Hard (Seriously, John McClane has issues at the start of that movie!), The King’s Speech.

Event Story

External forces change the world at the start and drive the struggle in the middle of the story. At the end of the story the status quo has been restored or a new normal has been established.

EXAMPLES: The Hunger Games, The Parent Trap, disaster movies!

The Prompt

Pick a dominant thread for your story today, based on the MICE categories. Work towards the ending that fits the story type you chose.

I was introduced to this idea by Mary Robinette Kowal, who talks about it on the Writing Excuses podcast. She also made this excellent infographic, to help keep things straight.

Me? I give a workshop about this and how the first three Die Hard movies fit into different categories. Tell your favorite conference organizer to book me now!

Day 13 – Start With A Bang

Today we continue with the third of my ‘fairy story’ structures: Hansel Gretel.

The Prompt

Start with a life-changing moment and lead your characters through the story to show us who they become.

hansel and gretel story structure

 

Hansel and Gretel starts off with a bang: two kids, alone in woods, abandoned!

What are they doing to do?

After the big opening, all their struggles teach us about the kids’ characters. By the time Gretel finally kicks the witch into the oven, grabs her brother and they make their way out of the witch’s cabin, we know enough about these kids to know they’re going to be OK.

How can you replicate this for your characters?

 

This is a big week at StoryADay: we’re creating a lot of skills that will help you build stories throughout the rest of the month and beyond. Stay tuned!

And don’t forget to leave a comment to let us know you’ve written, how it’s going, and what you’re learning.

[Write On Wednesday] All Writing Is Rewriting

Write Me
Sticking with this month’s theme of Getting You Writing and Breaking Blocks, today’s prompt shares another technique for quieting your inner perfectionist: stealing a story from someone else.

Rewriting a classic story, reworking a story of your own, or just stealing the plot of a folk tale, means there’s one less thing to worry about: plot. Writing this way lets you concentrate on other aspects of your writing:

  • Playing with character
  • Concentrating on your voice
  • Messing with Point of View
  • Trying out unconventional/non-narrative forms of storytelling

The Prompt

Rewrite a story (yours or someone else’s)

Tips

  • Remember that if you’re rewriting a story for publication, you’ll need to be careful you’re not infringing anyone’s rights. Best to stick with classic folk tales, for this. Or, if you’re just writing for your own amusement, infringe away 😉
  • Think about rewriting a story from a secondary character’s point of view. Why do the events of the story matter to them? How do they interfere with this character’s life?
  • Remember that stories don’t need to be told in the right order. In a short story, you don’t even need the beginning, middle and end to all happen within the story. One of them can be implied.
  • In short fiction every word counts. Don’t worry about this too much on a first draft, by try to keep it in mind as you choose how you describe events and scenes. For example, instead of ‘he ate two cheeseburgers, hungrily’ try ‘he inhaled the first cheeseburger, put the second away with workmanlike efficiency’. Notice how ‘making every word count’ doesn’t mean writing fewer words. Don’t you feel you know more about how the scene looked, from the second example?
  • If you need a resource for folk tales to steal, try the University of Pittsburgh’s archive.

089 – StoryADay September Week 4 prompts

In This Week’s Podcast

Writing Prompts [1:44] https://storyaday.org/stadasep17-04/

What To Do If It’s Getting Harder To Write [4:08]

Book Review: Windy Lynn Harris’s Writing and Selling Short Stories and Personal Essays [6:08]

How’s Your SWAGr? [12:18]

Come and leave a comment or question at the blog: https://storyaday.org/stadasep17-04/

And listen next week for more information about an upcoming critique opportunity.

Another new episode of Write Every Day, Not “Some Day”

Five Last Prompts for StoryADay September 2017 – Week 4

Subscribe Now:iTunes | Android | RSS
Past Episodes
Use these prompts any way you wish. Change genders, change tenses, quote them, or not. Or, ignore them altogether and use your own story sparks.

The Prompts

Continue reading “Five Last Prompts for StoryADay September 2017 – Week 4”

088 – StoryADay Sep17 Writing Prompts and: Don’t Quit!

This week I give you five story starter prompts and an excitable sermon on not quitting. Enjoy!

The Prompts [0:52]

Progress Report [1:46]

Don’t Quit (with bonus Cassini shout out) [3:36]

Checklist and Feedback info [12:38]

You can find the prompts online here: https://storyaday.org/stadasep17-03/

You can find the checklist for StoryADay Sep17 here: http://bitly.com/2fkPe5M

You can take the survey (with last week’s checklist clutched in your hot little hand) here: goo.gl/forms/O8fHSMfWAlDbrtBw2

And you can always make your public commitment to your writing at the first of the month at https://storyaday.org

Another new episode of Write Every Day, Not “Some Day”

Five More Prompts for StoryADay September 2017 – Week 3

Use these prompts any way you wish. Change genders, change tenses, quote them, or not. Or, ignore them altogether and use your own story sparks.

The Prompts

Continue reading “Five More Prompts for StoryADay September 2017 – Week 3”

087 – September Prompts for Week 2

It’s Week 2 of StoryADay September 2017 and I’m back with five prompts for you.

IN THIS EPISODE

The Prompts [1:16]

Connecting With Other Writers [6:46]

The Checklist and a Survey [12:44]

Warm Wishes for your Writing [15:33]

 

LINKS

The Survey: goo.gl/forms/O8fHSMfWAlDbrtBw2

 Print a new checklist

Comment at the blog

 

 

Another new episode of Write Every Day, Not “Some Day”

Five More Prompts For StoryADay September 2017 – Week 2

Use these prompts any way you wish. Change genders, change tenses, quote them, or not. Or, ignore them altogether and use your own story sparks.

The Prompts

Continue reading “Five More Prompts For StoryADay September 2017 – Week 2”

Five Prompts For StADaSep17 – Week 1

Use these prompts any way you want. You don’t have to quote them verbatim. They don’t have to end up in the finished story. Or you could decide to start/end your story with these quotes exactly as they are. Continue reading “Five Prompts For StADaSep17 – Week 1”

Stay Excited About Your Writing This Year

To stick to our good intentions and create good writing practices, we have to stay excited about our writing. Meeting a word count goal or an hours-in-chair goal isn’t always enough of an incentive to break through our resistance to sitting down and creating something out of nothing, every day.

So, in this article, I’m offering you some alternative ways to get yourself jazzed about your writing practice.

'I'm Excited'
Photo: Stuart Dootson

Of course, being me, I’m going to recommend you incorporate short stories into your writing practice, but you can use these ideas even when you’re working on a scene in a longer work.

I’m going to show you how you can stay excited about your writing practice by:

  • Understanding the purpose of your story and how it affects the final form,
  • Experimenting with new formats and new ideas,
  • Focusing on your audience (but not too much)

I’m also going to give you one foolproof way to make sure you finish your stories, every time.

And then I’m going to invite you to make a very specific commitment to your writing this year—if it seems right for you—one with built-in accountability and support.

Take A Break

Continue reading “Stay Excited About Your Writing This Year”

Week Four: Your Storytelling Strengths

People will forget what you said, people will forget what you did, but people will never forget how you made them feelBy this point in the challenge, you’ll have discovered some of your strengths and weaknesses.

This week we’re going to explore those areas further.

Look back, and think about which stories flowed the best for you, and in which your voice was strongest.

This week we’ll:

  • Work on the tone of your stories
  • Write in your favorite genre
  • Write in an unfamiliar point of view
  • Think about emotion, and the business of making readers feel.

The Prompts

Day 22 – Finding Your Voice

Day 23 – Watch Your Tone

Day 24 – Exploring Genre

Day 25 – All Change

Day 26 – So Emotional (Baby)

Day 27 – Write At Your Natural Length

Day 28 – Pace Yourself

Keep writing (and commenting) throughout this week, and get ready for The Last Hurrah in the final couple of days of the month.

[Writing Prompt] Tell A Friend

This month’s theme, here at StoryADay is “Accountability”.

(If you haven’t yet declared your goals for the month, leave a comment in this month’s SWAGr post and tell us what you’re going to do with your writing for the rest of this month)

Today’s writing prompt includes a  built-in accountability trigger.
Phone

 The Prompt

Contact a friend, right now, and tell them that you’re going to write a short story in the next 24 hours. Tell them you’ll send it to them,  or at least check in when you’re finished. Then, write 500-750 words about a character you think that friend will love (or love to hate)

Tips

  • Keeping the story super-short gives you a better chance of finishing it
  • Focusing on your friend (someone you know well) helps you winnow the choices. What will THEY enjoy? (Too much choice is paralyzing. Eliminate every possible character or situation that wouldn’t interest this particular friend. Then start writing)
  • Remember that a short story revolves around a single moment in which something changes for your character.
    • The moment can have happened just before the story starts (in which case you’re dealing with the aftermath and the character’s choices about how to deal with it)
    • The moment can happen at the end, when we know enough about your character to be able to predict how they’ll react (or at least enjoy wondering)
    • The moment can happen in the middle, in which case you get a chance to show us the before and the after.
  • With such a short story you don’t have much room for backstory. Write it as bare as you can. You can punch it up with details and dual meanings, as you re-read and re-write it.
  • OR write a longer piece, if that’s what works for you. Just be sure to GET TO THE END OF THE STORY. It doesn’t have to be perfect. It has to be finished. (“You can fix just about any problem in revision, but you can’t revise a blank page.“)

 

[Writing Prompt] Inspired By…

This week, make sure you’re reading some writing you really love; writing that inspires you. It’ll help with all your writing, and especially with this writing prompt.

The Prompt

Write a story inspired by, or in-the-style-of a piece of writing you love

Tips

  • Don’t try to impress me. Pick something you really, really love (something that gets you excited) whether or not you think anyone else would respect it. If you love it, pick it (in the immortal words of this century’s new bard: “And love is love is love is love is love is love is love“)
  • Analyze the heck out of a piece of writing you love, and recreate it with new characters and a new setting. Or just pick a character/author you love and write a loving fanfic tribute.
  • Don’t worry about making it good. Just try to recapture, for your potential reader, the emotions you felt when reading the piece that inspired you.
  • It doesn’t have to be a short story. Write anything. Perform something. Just get creative. Focus on the excitement of creating something.

Go!

Go At Your Own Pace

Day 28

Pacing

As you look back at your stories this week did you notice anything in particular about pacing — How quickly the action flowed from one incident to the next?

The prompt

Write a story paying attention to the pacing

Tips

  • In a fast, plot driven story your pacing will be fast, too. Things happen quickly. We’re off. We run. Things happen. The language reflects that. There’s not a lot of standing around looking at things once the action gets underway. That’s not to say that you can’t have slow passages and descriptive moments. However, they generally come before the quick action happens.

  • In a literary or inward-focused story, the pacing is more languorous, with your characters pausing lots of delicious description, a whole lot of internal dialogue and long sentences with lots of complex clauses.

  • Within every story the pacing should vary. If you attempt to write a whole story at one pace, you will either leave your readers breathless, or bored.

  • Remember to make the language match the emotion of the moment: choppy and brisk when things are exciting, long and complex sentences when things are relaxed.

Leave a comment telling us what piece you were aiming for today, overall. Did you notice anything about your writing as you looked over your pieces this week?

Write At Your Natural Length

Continuing the theme of reaching to your strengths, this week.

By necessity, in a challenge like this, you will likely have been writing very short stories. (I do know some people who managed to stretch to a few thousand words on some of the days, but for the most part if you’re finishing stories during this challenge it’s probably flash fiction.) For me, that’s fine. If you naturally trend long, today’s your day.

The prompt

Write to your natural length

Tips

  • I’m a natural sprinter (like Gimli the dwarf). Some people are ultra marathoners, like Brandon Sanderson. What’s your natural length?
  • Today I give you permission to write a partial story, a scene, and extracts from a longer tale. It doesn’t have to feel complete, like a short story should, but it should still have something of a story arc. Use today to practice that.
  • For example, if you have novel-in-progress, use today to write a scene from that novel. Because you’re continuing the longer work you don’t have to explain the setting and the characters, just jump in.
  • If you don’t have a novel or longer project that you’re working on take a few minutes to daydream. If you were writing a novel what would it be about? Spend a few minutes imagining the setting the characters and then pick a dramatic moment in the story. Write that scene, as if you’ve already written everything that comes before this point in your “novel”.
  • Even if you are writing a novel, you can write a dramatic scene from a hypothetical-other-novel, if that sounds like fun to you)
  • After having spent the best part of the month writing short stories you may find that your scenes start to come out with a stronger narrative shape than they used to.

Leave a comment telling us how your writing went today. What did you write that? I don’t forget, if you’re enjoying this prompts, share them.

Focus On Genre

Since we talked since we touched on the genre yesterday when talking about the tone of your story, today we’re going to take a deeper look at genre and the expectations readers have, based on that genre

The Prompt

Write a story focusing on genre expectations

Tips

  • Pick a genre that you know well. (It’s all very well to say that you’ll write a noir mystery, because the noir style is so easy to copy. But if you don’t really know noir you’re just making life harder for yourself.) If you spend most of your day reading Regency romance, then by all means write a Regency romance today. (I’m looking at you, fellas.)
  • Grab a book in your chosen genre and take a look at the first page. How does the author let the reader know — immediately — that they are reading a particular genre?  Look at the choice of words. Look at the names of the characters. Look at the length of the sentences. Each genre has specific norms and you need to be using these norms if you want to please a lot of readers. (If you’re making experimental art, you may be able to skip these things. But, even if you are writing for your own pleasure, you’ll be dissatisfied if you feel like you’re missing the mark. Looking at reader expectations in your genre is one way to narrow your focus and hit that mark.)
  • Make a list of the features you notice on the front page of the book you chose.
  • Now that you have a list of norms (and a cheatsheet) for your genre, grab a Story Spark and start writing in the style of the genre you’ve chosen. Don’t be afraid to go over the top and write almost a parody. It can be a useful lesson in what makes this genre tick.

Leave a comment telling us what genre you are writing in today. Was this exercise hard or easy for you? Did you know what genre to pick? And remember, if you’re enjoying these prompts, please share them!

Write A FanFic Story

More ways for you to steal ideas, as we continue Rescue Week here at StoryADay

The Prompt

Write a Fan Fiction Story

  • While you can’t legally use somebody else’s world and characters to write a story and publish it, nothing is stopping you from writing stories for your own pleasure inspired by someone else’s universes.
  • There is no limits to what you can do here. Pick a story or character you feel doesn’t get enough air time in your favorite show.
  • Change the ending to the series that you love.
  • Write the untold story of what came before we first meet character.
  • Tell whatever story is going to give you the most pleasure.
  • There are lots of places online where people share fanfic (sometimes with the creators’ blessings, sometimes not so much), so you could go and read something and get some idea. However, this is a rabbit hole I’m not sure you want to go down during the StoryADay challenge. Not to mention the fact that some of it gets quite saucy!
  • Use all of the tricks you’ve learned about storytelling to play with characters you already love you. Spend some time with them using your talents and your skills along with the knowledge you have amassed by watching/reading about them.
  • Think about how you can provide shortcuts and clues that let readers who don’t necessarily know the character catch up. Don’t waste time on backstory unless that’s the story you’re telling. Don’t forget to add in emotion and conflict.
  • It can be easy to get carried away writing about your favorite characters. Don’t forget to builds to a climax resolve the crisis to finish the story.

Leave a comment letting us know what you wrote about today and how it’s going. And don’t forget, if you like these prompts, share them!

Twitter-Length Fiction

Remember: even when you write a story this tiny, you are training your creative brain…

Today’s story will not be as quick as you think it is, but it’s still a great way to rescue your writing streak.

The prompt

Write a Twitter story

  • Twitter fiction must fit into only 140 characters.
  • You do not have to have a Twitter account, nor do you have to post this on Twitter. You’re simply writing a story that could, hypothetically, fit in a Twitter post.
  • 140 characters is not much, but you can use a compelling situation to give us an idea of the characters who might be involved. Many super-short stories involve a little twist, or a surprising change of perspective in the last few words.
  • To avoid a predictable twist, make your opening lines as ambiguous as possible. Provide clarity in the last clause.
  • Don’t be afraid to use hackneyed or clichéd plots for this exercise. Do try to make sure that you add something truly original to it. Think of things you really care about. Things only you could write about, in only your voice.
  • Make sure you allow some time to edit and find the story. It’s not as quick exercises might think it is.
  • Think of this like writing haiku if it helps.
  • You can use this prompt any day you need to rescue your writings.
  • Remember: even when you write a story this tiny, you are training your creative brain. You have still found ideas, created a character, introduced complications, crafted a story arc and written to the end. Doing that every day for a month, is a powerful affirmation of your creativity; support of the priority you give your writing; and a tough exercise in wordsmithing. Pat yourself not the back for writing a story today.

Leave a comment to let us know how you got on with this tiny, terrible challenge. Did you write super-short? Did you ignore my suggestion and write an epic? How’s it going? Let us know!

Your Villain As A Mirror

Today were going to do something similar to —- but different from —- yesterday’s prompt.

Today is the turn of the antagonist or the villain.

The Prompt

Write a story in which the antagonist or villain shows the reader what your protagonist could easily become if they gave in to their flaw

  • A villain and an antagonist are not necessarily the same things. A villain seeks to harm your main protagonist, whereas an antagonist might merely get in their way. Do you remember the TV series Rhoda? Rhoda’s mother was not a villain, but she certainly got the main character’s way.

  • This exercise probably works best with someone who’s at least a little villainous. Choose a protagonist you we can mostly admire (it could be the person from yesterday’s story). Think about who would be a good opposing force for this character.

  • Some of the best villainous pairings in literature are ones where the villain and the protagonists can be seen as being somewhat alike. Think of the BBC’s Sherlock climactic scene in “The Reichenbach Fall”. Morality and Sherlock are on the roof of St. Bart’s Hospital. Moriarty leans in and says, “You’re just like me Sherlock, except you’re on the side of the angels”. What character trait can you give your protagonist that, when pushed too far, would transform them into a villain?

  • Create a protagonist and a villain on either side of this coin and put them in a simple story where they oppose each other.

**Leave a comment letting us know what character traits you gave your villain.]