Does Your Writing Cut The Mustard?

The first restaurant I worked in was an American-style family restaurant – pretty exotic for the southwest coast of Scotland in the 80s, a place festooned with fish’n’chip shops, where ‘chicken tenders’ sounded like a new language.

One of my jobs was to set out bowls of condiments before the customers came in…and not just salt, pepper, vinegar, and the two sauces known to us (red and brown), but things like ‘hamburger relish (it was green! Who had ever heard of such a thing?!) and three types of mustard: one classic yellow, one fancy ‘Dijon’, and one totally alien grainy concoction that I fell in love with.

Tonight, I opened a jar of that grainy mustard and its tangy smell transported me back 38 years, to the service corridor between the kitchen and dining room of my first job, when mustard was an exotic new experience.

It reminded me of a truth in writing: we spend so much time in our own heads that we take for granted the way we think, the way we talk, and the way we write.

Sometimes, when we show our work to someone else they are thrilled by a throwaway phrase or a description that took no effort at all…because it’s normal to you.

Sometimes we need other writers to push us to try the mustard, when we’re accustomed to always reaching for the salt and vinegar. 

And yes, this is my fancy way of letting you know that Critique Week is coming up, and that if you would like to get some fresh eyes on your writing you should consider joining us.

But more than that, it’s my way of encouraging you not to take your own writing for granted. It might be the new flavor someone else is looking for!

Keep writing,

Julie

P. S. I’ll be opening up registration for this round of Critique week, soon. Get on the waitlist here.

7 Myths About Revising your Writing

If you want to improve your writing you know you have to revise your writing. But, in my work with writers I encounter a lot of resistance when it comes to revision.

Some of this resistance comes from myths around the best way to revise and edit your own writing.

I’m here to bust seven of those myths.

For more, listen to the companion podcast episode

1. Revision is all about seeing where you’ve failed

It’s not. 

As I talked about last week, seeing where you’re succeeding can be just as important, if not more than seeing what’s not working. You don’t want to cut out your best lines!.

It can be helpful to get other people to look at your work, both for a fresh pair of eyes on a project we may be too close to, and because we do tend to be a little hard on ourselves. 

Experienced writers tend to have a well-developed sense of what’s working in their writing as well as what’s not…but it’s not flawless and we all need a little feedback from time to time.

And when you DO find something that needs to be reworked (let’s not call it a ‘failure’) work on celebrating. 

  • Seeing what’s not working gives you an opportunity to fix it. 
  • Going back to older stories and noticing what’s not working, is a measure of how far your skills have advanced. 

So celebrate!

2. You must walk away from your work for two weeks, before you revise

Continue reading “7 Myths About Revising your Writing”

On Revision by Tony Conaway

This post came as a response to a question I posed about revision: how you approach it and how you feel about it. This answer was so good, I asked Tony if I could repost it here. Thanks Tony!

I have no trouble revising my work. I usually want it to be as good as possible.

I have no problem revising my fiction. My problem is deciding when to STOP tweaking it.

I revise to catch errors, of course.

I revise to catch overused works and sentence structure. (No semi-colons allowed, and few colons.)

I revise to even out the pacing. (One scene may resolve too quickly. Another may get more space than the scene deserves.)

Continue reading “On Revision by Tony Conaway”

Writing Flash Fiction Gems – Small, Precious, and Slower Than You’d Think

What Is Flash Fiction?

There are, of course, as many definitions of Flash Fiction as there are writers.

Flash Fiction image

Continue reading “Writing Flash Fiction Gems – Small, Precious, and Slower Than You’d Think”

Let’s Talk About Flash Fiction

In which I encourage you to write Flash Fiction and tell you about an upcoming online workshop.

Flash Fiction chat, April 10, 2017

Posted by Story A Day on Tuesday, April 11, 2017

The online workshop will happen on April 22, 2017 from 4 PM until late.

There are 10 tickets for full workshop participants (writing exercise, critique and discussion) and 40 reduced-price tickets for audience-only attendees.

Sign up now

[Writing Prompt] Tell A Friend

This month’s theme, here at StoryADay is “Accountability”.

(If you haven’t yet declared your goals for the month, leave a comment in this month’s SWAGr post and tell us what you’re going to do with your writing for the rest of this month)

Today’s writing prompt includes a  built-in accountability trigger.
Phone

 The Prompt

Contact a friend, right now, and tell them that you’re going to write a short story in the next 24 hours. Tell them you’ll send it to them,  or at least check in when you’re finished. Then, write 500-750 words about a character you think that friend will love (or love to hate)

Tips

  • Keeping the story super-short gives you a better chance of finishing it
  • Focusing on your friend (someone you know well) helps you winnow the choices. What will THEY enjoy? (Too much choice is paralyzing. Eliminate every possible character or situation that wouldn’t interest this particular friend. Then start writing)
  • Remember that a short story revolves around a single moment in which something changes for your character.
    • The moment can have happened just before the story starts (in which case you’re dealing with the aftermath and the character’s choices about how to deal with it)
    • The moment can happen at the end, when we know enough about your character to be able to predict how they’ll react (or at least enjoy wondering)
    • The moment can happen in the middle, in which case you get a chance to show us the before and the after.
  • With such a short story you don’t have much room for backstory. Write it as bare as you can. You can punch it up with details and dual meanings, as you re-read and re-write it.
  • OR write a longer piece, if that’s what works for you. Just be sure to GET TO THE END OF THE STORY. It doesn’t have to be perfect. It has to be finished. (“You can fix just about any problem in revision, but you can’t revise a blank page.“)