How To Be More Disciplined, As A Writer

In an early scene in the ‘fish out of water story’ TV show Ted Lasso, Ted—an American—is offered a cup of tea by his British host. He sips the tea and promptly spits it out…right into the face of his glamorous new boss.  

“It’s horrible,” he says, shaking his head.

Same, Ted. Same.

I have a cup of tea about once a year, just to make sure I’m not missing something. 

Nope. Still horrible.

What Does “Discipline” Taste Like, To A Writer?

When I ask writers about their biggest challenge ‘time’ is always number one, with ‘focus’ or ‘discipline’ or ‘consistency’ running a close second.

But what does ‘more focused’, ‘more disciplined’ or ‘more consistent’ look, smell, feel, and taste like?

As a Brit, ‘tea’, to me, has a narrow definition. “Tea”=black tea…and I do not like it.

But if we allow ‘tea’ the more expansive definition Americans often use, I can like ‘tea’. There are plenty of herbal infusions that give me actual pleasure.

Define The Terms

The ‘Productivity industry’ has a lot to answer for. 

It has pushed a grim vision of ‘discipline’ that says if you don’t show up every day, and suffer a bit, you’re failing. 

I bought into it.

I started the StoryADay May Challenge because I thought I needed to write every day to ‘be a writer’. I couldn’t make myself do it for more than about 12 days and I thought that accountability and the threat of public shame would fix that.

Confession time

Forgive me writers, for I have failed: I have never once created that unbroken streak of days when I started and finished a story for 31 days in a row. 

Not once in 16 years.

Does that mean I’m not disciplined enough to be a writer? 

I’ve certainly wasted enough time worrying about that, over the years. 

Maybe you have, too. 

They Laughed At Me (in the nicest possible way)

It took other people laughing at me (kindly) to make me notice that there is a certain discipline (stubbornness?) and consistency in:

  • Running an annual challenge for 16 years straight; 
  • Writing five novel drafts; 
  • Writing enough short stories—and sending them to enough markets—that some of them have been published;
  • Leading a writing community for 8 years; 
  • Producing almost 340 podcast episodes and writing almost 2,500 blog posts about this writing journey we’re all on.

I still can’t write fiction every day.

 AND I have learned so much.

 ‘Failing’ my own challenge year after year is a delightful reminder to me that ‘disciplined’, ‘consistent’, or ‘focused’ are never going to look, for me, like creating an unbroken streak of days where I write new words. (Your mileage may vary.)

I need days off. I need time to wander around and breathe in life, without the pressure of having to synthesize those experiences and breathe them out into new words, today

.For me, ‘consistency’ and ‘discipline’ will likely always be lumpy, seasonal, cyclical things. 

Sometimes it looks like generating new words. 

Sometimes it looks like learning new skills

Sometimes it looks like taking two steps backwards as I experiment 

Sometimes, yes, it looks like staring out of the window or going on a long walk.

And it all adds up.

Do This Now

If you keep telling yourself you’re ‘failing’ to be consistent or ‘disciplined’ in your writing, look back over your lifetime and notice the times when you were most productive. 

  • What was working for you, then? (And it’s more than ‘I had more time’. It’s also ‘I had something I was trying to achieve’ or ‘I had someone cheering me on’ or even ‘I was paying for a class so I showed up’)
  • Did you ever need to sit at your desk for 3-4 hours every weekday to produce quality writing? (If not, why would you think that’s what a ‘successful writing life’ looks like, now?)
  • Take a look at your upcoming week and ask ‘what’s the tiniest step I could take to show up for my writing this week?’. Then put that on a piece of paper and carry it around with you. Do it. Celebrate with a dance party in the privacy of your bedroom (I suggest listening to music you loved as a teenager). Then come back and do it again. 

Practice joy in your writing life enough, and you’ll start to crave it. 

Consistency and discipline become issues you never have to worry about, because you’re chasing something better.

LEAVE A COMMENT: What has helped you feel more successful/joyful in your writing lately? What is an essential part of your practice? What’s negotiable?

Writer's Jumpstart Call with Julie image

Why Bother Writing…

…in an age of AI?

Watch The Video Edition

I’m already starting to think about next year’s StoryADay May and, here in this age of AI, I was struck with the awful thought: why bother?

AI means you can generate 31 short story writing prompts in 90 seconds (5 minutes if you’re willing to wait for more polished prompts with a theme and multiple repetition. How do I know this? I asked it.)

It takes me roughly 3 months of (admittedly part-time) work to research guest authors, reach out to them, assemble their responses, curate and cue them up, create pretty images, summaries, and queue everything up.

But the point is that you get a human-created journey through a month of story writing. You get a peek inside the head of other writers. And you get to have the experience, along with other writers in the community.

It’s not for everyone. But I’ll keep doing it for you.

And also for me.

Because the work is not just about the prompts. It’s never just about the output, the end product.

Writing Changes Us

The struggle, the striving, the research, the craft, the failure, the resilience, the patience, the growth…It’s personal development at its finest.

How To Bother, in an age of AI

I’ve been preaching this for a decade and a half (and now I have the experience of leading a group for 8 years to back up my hypothesis). 

The most important foundation you can give your writing is to:

  1. Define success

If you don’t know what success means for you, how are you ever going to know if you’ve attained it.

Not someone else’s vision of success.

Yours.

And that means asking some questions about why you’re doing this.

  • Are you doing it to be published?
  • Are you trying to support yourself from your fiction writing?
  • Are you building a daily practice for self-development?
  • Are you trying to improve a particular craft skill?
  • Are you keeping a promise you made to yourself as a child?
  • Are you setting an example for a younger person in your life who needs to see what ‘self-respect’ looks like?

This is Step One. 

Without it, you will never be—or feel—successful, no matter what external measures of success you hit.

If you skip this step-–or if you think this remains static forever—it’s almost impossible to be productive, motivated, or fulfilled by writing. If you’re simply on a treadmill, turning out words, you’ll be consumed by the idea that it’s never enough—that you’re not enough.

Do This Now

If you haven’t taken the time to examine your definition of success lately—and perhaps to notice how it has changed since you were 14, 25, 35, 45—put down your pen, push away the keyboard, and spend the next week just noodling on these questions:

  • What does success look like for you, in the next few years?
  • In order to get there, what milestones would you have to hit, if any?
  • What would you have to do regularly, to feel successful when you look back at your month?
  • What does that look like, for today?

If you do this exercise right, you’ll notice that it becomes easier to show up for your writing and enjoy yourself.

Without taking this step, your internal ‘motivation process’ can look like this:

“Today I have to work on finishing the novel so that I can get it out into the world and quit my job and prove to [that friend/family member] that I haven’t been wasting my time all these years.” [Sighs. Drags self to coalface….]

Not only is that demotivating since your inner critic is bound to kick in and try to keep you safe by pointing out how hard it is to do what you’ve outlined. It’s also doomed to fail, as a path to success today, because it’s impossible to figure out what first step to take today. 

And so it’s impossible to know when you’ve finished your work for the day. Without a clear definition of what success looks like to you, you’re likely to do nothing, or to keep working until you’re so exhausted you have to stop. Neither of which makes you feel successful, or advance you towards external success. 

So you pick up your phone and doomscroll and go to bed promising to do twice as much tomorrow, still without a clear idea of what that looks like.

No More Doomscrolling

If you have done the work to figure out what ‘success’ looks like for you—for now—your internal motivational conversation goes more like one of this:

“I know I want to finish this novel, because I want to prove to myself that I can write something I’m proud of. I need to finish the scene where the protagonist confronts the bad guy, but I’m having trouble doing it. Maybe I need to back up and do some character exercises (from that course/book I bought and never finished) to figure out the characters’ real motivations. OK, that won’t add to the manuscript’s word count today, but I’ll learn more about the characters, which might free me up to write the actual scene tomorrow. So today’s task is: find that character exercise I remember liking in that course I took, and go through it slowly. When I’ve done that I’ll summarise my thoughts, for next time, then my reward will be to take a walk outside.”

(Notice the reward. That’s a key part of building a satisfying practice and feeling successful in it.)

Picture The Day

Imagine yourself at the end of a day when you’ve ground through 2,000 words or four scenes, because “that’s what successful writers do”, and then collapsed on the couch with a whisky, ‘to recover’. 

No imagine yourself at the end of a day when you took a small concrete step that aligns with your goals and your current energy, and that you can put a checkmark next to as ‘accomplished today’. You bound out of your chair with energy left over to hang with the kids or the spouse, knowing that you’ll be back in a day or two to tackle the next task.

Doesn’t that feel like a successful writing life, regardless of external rewards or judgment?

So should you bother writing, in an age of AI, even if the external rewards you once hoped for aren’t guaranteed?

I, for one, say “yes”.

Need help tracking your successes? Get the Planning & Tracking Bundle

LINKS

LINKS

StoryADay Challenge archive: https://storyaday.org/writing-prompt-archive/

SWAGr monthly accountability posts: https://storyaday.org/category/swagr

‘Define Success’ article: https://storyaday.org/how-to-become-a-highly-successful-writer/

The Dream of being a Writer, article: https://storyaday.org/the-dream/

Permission to Write article (and certificate): https://storyaday.org/write-more-permission-to-write/

The I, WRITER Framework for a Successful Productive Writing Life, article: https://storyaday.org/i-writer-framework/

Planning & Tracking Worksheets Bundle: https://storyaday.kit.com/products/story-a-day-planning-tracking-worksheets

StoryADay Superstars group: https://storyaday.org/superstars

Book a 1:1 Writing Strategy Session with Julie: https://members.storyaday.org/creative-coaching

Too Many Voices

For when you want to Do All The Things…

Are you sick of people telling you what you should be doing? (I know I am!)

There are so many things a writer ‘could’ be doing (social media, courses, mentorships, retreats, conferences, residencies…)

And only one thing a writer must do: write.

It’s easy to be distracted by the former, to the detriment of the latter.

So Much Noise

After the New Year lull, we’re hading into a season where it seems everyone is inviting you to attend a writers’ conference, a course, a retreat, a summit…and you’re going to have to tune most of it out—along with the FOMO—if you want to do any writing.

In my experience, the best way to stay focused and keep making progress is to limit your options: find one group where you belong, one teacher or annual conference that works for you, and then tune out the rest…for now.

Signal vs Noise

How do you identify the places that work for you?

There’s some trial and error, but here are some questions you can use while you’re evaluating different options:

  • Does showing up for these events make me more productive or just aspire to be more productive?
  • Do I come away from these events exhausted or exhilarated?
  • Does belonging to this group fill me with a restless energy to create, or do I feel like showing up at the event/class/conference ticks the creativity box and I can do nothing until the next scheduled event?
  • Am I inspired to write more, by the people around me?
  • Do I often learn something new that I can put into practice in my own writing right now, or is the teaching at the wrong level/stage for me?

If the answers to these questions are ‘yes’, stick with those groups, conferences or teachers until you start to answer ‘no’ more often than not.

The Most Valuable Question

That last question (“Do I learn something that I can put into practice in my writing right now”) is the really important one.

You might like the people or the teacher, but find that being with them doesn’t make you more productive. This can happen if:

  • They’re operating at a different level of ambition than yours
  • They’re working at a different skill level from yours (either far behind where you are or so far ahead that it’s not inspiring, it’s discouraging.)

It’s Not A Race

There’s so much to learn…but only so much you need to know right now.

Find the spaces that solve the challenges you are facing today.

Make progress on the challenges that face you today. Pause to celebrate and really FEEL that progress.

The rest can wait.

The Superstars Advantage
The fastest way to get better at writing stories is to write more stories — and reflect on them with other writers. That’s what the StoryADay Superstars group was built for.
You could do it alone, but why make it harder than it needs to be?
Find out more

How To Feel Good

…instead of feeling guilty about ‘not-writing’.

A couple of things happened this week that I wanted to share with you, my dear writer friends.

Saying ‘No’ For The Right Reasons

Firstly, we’re gearing up for Critique Week here at StoryADay, which means some writers were saying ‘yes!’ to the opportunity to share their work and get feedback. 

And some writers said ‘no’.

They said ‘no’ for all kinds of reasons from: ‘Life is too busy’, to ‘I haven’t written anything for a while’, to ‘I can’t face it’. 

But some writers in the StoryADay community let me know they were saying ‘no’ for the best of reasons: because they were busy working on projects that don’t need feedback yet. 

(Hooray! More stories!)

There are so many opportunities out there to take classes, join groups, and generally get distracted by busy-work, that I’m celebrating those writers who said ‘not just now. I’m busy, writing!’

Piecing Together A Writing Life

In my eternal quest to help writers Actually Do The Thing (™), I scheduled a few extra ‘write with me’ sessions on Zoom for folks taking part in my Polish & Submit Sprint, leading up to Critique Week.

What happened next? 

All those little 25-minute ‘sprints’ added up to 543 words here, 200 words there, a climax written, and stories that had been languishing on a hard drive, actually being finished.

Me? I chipped away at a scene that has bothering me for an embarrassingly long time…and had a breakthrough that allowed me to finish and submit a piece I’m pleased with.

I, and every one of those other writers felt AWESOME, because we showed up for our writing, and made incremental, sometimes startling, progress.

Lesson learned: show up often, focus on finishing things, have the courage to lean on your community…and writing—and sometimes writing breakthroughs–will happen.

What will you do, this week, to give yourself the gift of time to focus on your writing?

Reconnect With Wonder

How cultivating wonder can keep your creative energy flowing, and why it’s so important to nurture it…

This time last year I was able to travel to Scotland for a very happy reason — to party with my my parents on their 60th wedding anniversary.

The journey didn’t exactly go smoothly, but travel always offers the opportunity to see things in a new light: for example our inexplicably cancelled connecting flight from London to Glasgow turned into an impromptu  train journey up the west coast of the UK, past Industrial-Revolution-era factory towns1, old canals, rolling hills, fantasy-inspiring forests, and seas of purple heather. 

I couldn’t stop looking out the window.

The locals? They were watching The Matrix on their phones2.

It’s hard to maintain a sense of wonder in your everyday environment. But not impossible…

And that very sense of “wow” is what fuels our writing.

Why Wonder Matters for Writers

When we’re focused on creating the finished product — a story for a market, a novel in a particular genre — it’s easy to become anchored by expectations. That, in turn, kills our curiosity, our willingness to take risks, our sense of having fun.

And it defers all the opportunities to feel accomplished until “The Project Is Over”.

What a drag.

Cultivating a sense of Wonder brings back the fun.

 It awakens your curiosity.

It keeps possibility alive.

PLUS behavioral scientists assure us that celebrating those little sparks of joy is what help you stay motivated for the long haul.

Practice Off the Page

Athletes don’t just show up for the game — they drill, train, and practice behind the scenes.

Writers need “practice time” too. 

Think of some things you can do this week, away from the page, to exercise your Wonder muscles:

This “non-product-related” time feeds your creative brain.

Ways to Find Wonder

(Without Buying a Plane Train Ticket)

  • Change your route home from work. Notice what’s different.
  • Switch your grocery store. See how the new one is arranged.
  • Wind down the car windows and pay attention: the smells, the temperature, the sounds.
  • Order something new at your coffee shop, then describe it in writing.
  • Talk to a stranger. Find out what lights them up.
  • Visit an odd museum you’ve been ignoring (National Mustard Museum, anyone?).
  • Pull a random nonfiction book from the library shelves and leaf through it.
  • Look closely at weeds in a patch of earth — the shapes, the colors, the insects, the cracks they grow through.

This Month’s StoryADay Theme: Triumph

At StoryADay, Triumph means celebrating every tiny win. Spotting wonder counts. So does jotting down a phrase, or noticing a Story Spark like: the exact way you could represent the rhythm of rain on the roof.

Small celebrations keep you energized, curious, and writing.


Your assignment this week

 Go somewhere new (or look at somewhere familiar in a new way) and find one small thing worth noticing. Write a few sentences about it — just for you.

Ready to turn those sparks of wonder into finished stories?

StoryaDay 3-Day Challenge

Take the 3-Day Challenge and write three short stories this weekend!

Take the 3-Day Challenge — a short-story writing course you can finish this weekend. Go from “idea” to “The End” in three days, and give yourself the gift of an achievement you can celebrate.


Join the discussion:
Where did you find wonder this week? What tiny moment felt worth celebrating?

  1. Welcome, fellow fans of the board game Brass… ↩︎
  2. Woah! ↩︎

Creativity: Bringing People Together

People are easily led. Let’s lead them to joy, through sharing things they can love.

Last night I got to be part of the audience, doing something like this

Jacob Collier is an extraordinary musician who does not do what he is told, or what others before him have done1.

A few years ago he started experimenting with asking his audience to sing a note, then conducting them in a multi-part harmony, just by pointing at them. It’s quite something2.

Bringing People Together

When so much about our public life is awful, and terrifying, and despair-inducing, it can be tempting to think that taking time out for moments of joy is somehow trivial or disrespectful.

It’s not. It’s essential.

Bringing people from all walks of life together to experience something—collectively, as at a concert or asynchronously, as with reading a good story—is important work.

It’s important that you write your stories.

It’s important that you make them good enough to share. 

Because sometimes, when people come together and share a moment of joy—singing in unexpected harmony or sharing their love of a sarcastic security cyborg—it reminds them of how alike we all are.

Bad actors try to assemble their followers into a scared, exclusionary huddle.

It only takes one courageous person’s vision to bring people together for good.

Art matters. 

Stories matter.

Your voice matters.

Keep writing,

Julie

P. S. It can be hard to gather the motivation to do the work in the face of, well, everything. Here’s a brand-new workbook to help you reconnect to your practice or your project. Download it now, as a thank you for following along on this writing journey with me!

  1. Which doesn’t mean he’s a contrarian. His commitment to doing what he does, how he likes it, has led him to friendship with Quincy Jones, and a deal with Martin guitars where they produced a 5-string guitar for him, because he thought ‘why does a guitar have to have six strings?” ↩︎
  2. I’ve been in choirs where we could not sing acapella and stay in tune. Last night, he led thousands of people through a long improvised harmonic thing and then brought back in an actual orchestra…and we were still on pitch! ↩︎