Day 17 – Robin Stein Helps Your Character Escape

Robin Stein Writing Prompt

The Prompt

Here’s a prompt from Edna St. Vincent Millay’s poem Travel:

. . . there isn’t a train I wouldn’t take,
No matter where it’s going.

Create a character who cannot wait to leave their town. Why do they want to leave? What or whom will they leave behind? Will the decision to start anew prove to be a good one?

The Author

Robin Stein writes fiction and memoir in Newton, MA. Her inspiration comes from music, family and nature. For information on her children’s book, My Two Cities, and her workshops, please visit robinsteincreative.com.

Read A Book, Support An Indie

Reads & Company Logo

This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.

Leave a comment and let us know how you used the prompt, and how you’re celebrating!

Write On Wednesday – Poetic Inspiration

This week is the anniversary of the birth of Scotland’s national poet, Robert Burns.  While I’m cooking up some haggis and pouring a whisky in his immortal memory, I have a writing prompt for you that celebrates not just Robert Burns, but all poets.

poetry book and quill

The Prompt

Write a story inspired by a poem

Tips

Continue reading “Write On Wednesday – Poetic Inspiration”

Poetic Inspiration – A writing prompt from Elise Holland

 

Poetic Inspiration: Let a Favorite Poem Breathe Life into Your Short Story

Reading poetry is a great way to inject beauty and inspiration into our daily lives. Select a poem that resonates with you, and let it inspire you as you write your next short story!

In order to provide a specific prompt, I suggest Shakespeare’s Sonnet 25, which showcases a theme of the power of love. Beneath the poem, you will find suggestions for other poets (both classic and contemporary), as well as specific ideas for incorporating poetic tools such as theme, imagery and rhythm into your prose.

The Prompt

“Let those who are in favour with their stars
Of public honour and proud titles boast,
Whilst I, whom fortune of such triumph bars,
Unlookt for joy in that I honour most.
Great princes’ favourites their fair leaves spread
But as the marigold at the sun’s eye;
And in themselves their pride lies buried,
For at a frown they in their glorie die.
The painful warrior famoused for fight,
After a thousand victories once foil’d,
Is from the book of honour razed quite,
And all the rest forgot for which he toil’d:
Then happy I, that love and am beloved
Where I may not remove nor be removed.”
– William Shakespeare
Sonnet 25

Tips

There is a vast array in styles of poetry, and not every single poem will resonate with you. With a little persistence, you will find the unique voices and poignant words to inspire your prose and warm your soul.

 

  • Interested in classic poetry? Consider delving into this book, which serves as a lovely anthology, showcasing the work of thirteen classic poets.
  • Consider that various aspects of a poem can inspire your short fiction. Here, we will examine theme, imagery and rhythm.
  • When studying a poem, look closely at its theme.
    Did the poet wax melodic about love?
  • Did he or she speak ardently about a particular social issue or current event that resonates?
  • What aspect of this theme are you drawn to, and how might you incorporate it into your own work?
  • Evaluate the imagery in the poem you study.
    • In the above poem, Shakespeare says “Great princes’ favorites their fair leaves spread, But as the marigold at the sun’s eye; And in themselves their pride lies buried, For at a frown they in their glory die.” What he is referring to, is that happiness found in shallow pursuits (in this case, in the fickle favor of those in high places) is fragile, and is often found wanting.
    • Later in the above poem, Shakespeare says “Then happy I, that love and am beloved Where I may not remove nor be removed.” In this way, the poem states that it is in unwavering love (where I may not remove or be removed) that true happiness is sought and found.
    • What images speak to you? How might you incorporate versions of them into your next story?
  • When considering rhythm:
    • Consider sentence length variety. For instance, one very short, moving sentence can have significant impact after a longer, complex or compound sentence.
    • Are you drawn to rhyme? You might include a subtle use of rhyme in a paragraph you are trying to drive home, or make memorable.
  • Once you’ve written your story, think about submitting it to literary magazines and/or journals. We would love to review your work at 2 Elizabeths! (2Elizabeths.com)

About Elise Holland

Elise Holland is co-founder and editor of 2 Elizabeths, a short fiction and poetry publication. Her work has appeared in various publications, most recently in Darling. Through 2 Elizabeths, Elise strives to create value and visibility for writers, through writing contests, events, and more!

[Daily Prompt] May 9 – Moonlight

Moonlight On The Bay
Moonlight On The Bay by Dan Dickinson

Today’s prompt comes from a line in an Edna St. Vincent Millay sonnet (from The Harp Weavers)

“…a broken dart / of moonlight…splintered on the sea;”

Use the line or a similar image somewhere in your story.

(As always, this prompt is optional.)

An Interview With Robert Brewer, Host of WD’s Poem A Day Challenge

Remember: A little something is still more than a lot of nothing.

Robert Brewer, Poetic AsidesRobert Brewer is the Poetic Asides poetry blogger for Writer’s Digest, and is in the midst of hosting April’s Poem A Day Challenge.

He took a few minutes to talk to me about what this particular creative challenge has meant to him and the poets who took part.

What did you expect to get out of the PAD challenge?

Going into the first challenge, I really didn’t know what to expect. I remember telling my wife (before she was my wife) over the phone the night before the first challenge that I didn’t know if anyone would participate–or even who would participate. Luckily, hundreds of poets participated the very first day, and many of the poems were very good.

What did you actually get out of it?

First, I got 30 poems out of it. Second, I developed a relationship with several poets and found myself with a very active community on the Poetic Asides blog. The best part of these challenges is hearing from first-time poets and poets who have not written in months (or years) who found inspiration in the prompts and then went on to continue writing poems beyond the actual challenge. That’s one of the main things I try to accomplish is to enable poets to easily create their own prompts.

Did you get any surprising feedback from other participants?

I did. The quantity and quality of poems posted always surprises me (even now). Beyond that, I was surprised by how the Poetic Asides community developed as a whole and how some participants created their own Poetic Asides critique groups. One poet even created a database to help poets track their and other poets’ poems.

What should people do to prepare for a creativity challenge like this?

Just try to clear some time each day to write. Outside of that, try to keep an open mind each day, because you never know what the next prompt will be (unless you’re psychic). Also, have fun and don’t worry about revision; there’ll be time for that later.

What are your best tips for keeping going when the novelty wears off around the middle of the month?

I believe in breaking big tasks into smaller tasks. So, think of the month in terms of weeks or 4- to 5-day increments of time. Another trick, write shorter if you’re just struggling in the middle–or get silly. Remember: A little something is still more than a lot of nothing.

Thanks Robert!