In my world October 31 ushers in what feels like one big long holiday season: from Halloween, to Guy Fawkes in the UK, to Thanksgiving in the US, and then the headlong rush through Hannukah, Christmas, Diwali, Kwanzaa, New Year and Lunar New year…and blink! We’re almost at Valentine’s Day!
There’s no doubt these next few months are busy and freighted with expectations (have you thought about your end of year review? Your New Year’s Resolutions? If you’ll send holidays cards? Whose house you’ll go to for which family gathering? What topics are safe to talk about?!)
In simpler times*people used to gather round and tell stories at holiday gatherings.
(*times were never simpler. They were always full of complicated humans with complicated needs)
Holiday Story Traditions
In Dickens’ time ghost stories were in fashion.
Hans Christian Anderson went in for tragic tales of noble poverty.
Nowadays we have the Hallmark Christmas Movie and the Holiday Disaster Film as our new ‘fireside’ traditions.
But have you given any thought to writing a holiday story of your own?
I started doing this a few years ago, sending each year’s story out to friends as an alternative to the dreaded family newsletter. I only sent them to people who I thought would enjoy them, and only when I had a chance to write something I felt good about.
Writing a holiday-themed story is a great way to
Get in the mood ahead of time (it’s a good idea to start early)
Have something to talk about that’s not politics, religion, or money, when you get to the family gathering
Slowly build a collection of stories with a similar theme you could put together in an anthology
Have an excuse to get some writing time before the holiday rush starts (or during it).
Exorcise the demons of all that socialising, especially if you start writing next year’s story when you get home from a particularly ‘colorful’ event, this year.
Always have something on hand for the holiday-themed hungry calls for submission that will start appearing next July.
There are so many tropes and traditions to play with when it comes to Holiday stories, and I’ll be back soon with some ways for you to think about them.
But for now, I must dash and grab some brandy. I’m already late to soak the dried fruit for this year’s Christmas cake…
Have you written holiday stories? What holiday would you choose if you did? What would be your ‘must-have’ ingredients to make truly a holiday story? Leave a comment!
A new way to get to your writing faster and do better, more creative work
Life is busy and it’s hard to fit writing in.
And even when you do make time to write, it can be hard to adjust your brain’s settings from ‘life out there’ to ‘life in here’ quickly enough to make the most of your writing time.
I call this process ‘the commute’.
Finding the right way to commute from your daily life to your creative life, can make a huge difference to your productivity and happiness.
Abrupt Transitions – Good for Drama, Bad for Real Life
When my kids were babies and I was adjusting to being alone at home with them all the (very) long day, I really looked forward to their dad coming home.
Unfortunately for him, he had a very short commute. It didn’t give him time to transition out of being an orderly scientist in the lab and into being just another one of the clowns in the three-ring circus that was our toy-strewn living room.
The transition was jarring and, for a while, it didn’t go well…
…Until he learned to use his short commute consciously, to shift his mood and expectations. No more mental auto-pilot on the drive home.
Now, he deliberately prepped for his second job, and didn’t come in the door until he was ready to be pounced on (often literally, when it came to the kids) by three needy people who were ready for a break from each other.
Likewise, if you try to rush from ‘doing all the things in my daily life’ to ‘I must be creative immediately’, it’s a jarring transition and your brain will likely go on strike..
It needs a bit of a commute.
But What If Your Commute Takes Too Long?
My commute from my last office job took well over an hour, meaning that I had plenty of time to unwind from the stresses of the day, before spending quality time with my husband...for the short amount of time we could spend togetherbefore it was time to go to bed, get up early and do it all again.
The long commute cut too deeply into how I wanted to be spending my time. Eventually, I left that job.
Many of us use practices and rituals to help us commute mentally from our daily lives to our creative lives. Maybe you use Julia Cameron’s “Morning Pages” or j you journal, or use some other ritual –perhaps involving scented candles, meditation or soothing music.
And while I love the principal behind all these ideas, it becomes a problem if you’re using all your time and mental energy to warm up, and leaving nothing for the projects you really want to work on.
And what if, like many busy caregivers, employees, and you know, living people, you only have 20 minutes here and there in which to get some writing done?
You can’t spend the whole time commuting or you’ll never get to the good part.
My Recent Experiment
I love some stream-of-consciousness Morning Page writing to floss out my brain, but what would happen, I asked myself, if I didn’t have to write three pages?
It’s something that was so helpful as a concept when I first tried it out, that I hesitated to embrace the heresy that I might be able to warm up in less time. But I decided to try it and see what happened.
I started on a morning when I had a 25-minute block of time to work on my fiction.I didn’t want to spend the whole 25 minutes warming up, so I set a timer for 8 minutes (I love a deadline, don’t you?) and got to work.
I wrote quickly and continuously until my timer went off and discovered that, after all these years of leisurely morning page rambles, I could do a quick sprint—a High Intensity Interval Training session, you might say — and get the same benefits.
Because I wrote in a very conscious way, it didn’t matter that the interval was short. It was all about the intensity, and that was what got me in the right frame of mind for fiction.
Some things that worked particularly well for me:
Set a timer for no more than 1/3 of the time available.
Write as fast as possible (by hand works really well for me because it slows me down, but your mileage may vary. I wrote as fast as I could so I wasn’t staring into space, but slowly enough that I got to choose my words.
Write about one thing that I noticed or loved, or enjoyed over the past 24 hours (In this case I was reading the book “The Living Mountain“* by Nan Shepherd before bed last night, and wrote about some of what I’d loved about it.)
Try to write with as much sensory detail or emotion as I can
Keep a separate sheet of paper available with “To Do” written at the top of it. As I write, things pop into my head, demanding my attention (“You should make that appointment/fill in your ballot/go to the post office/answer that email! And you should panic about it too!!” screams my brain at regular intervals as I try to write about Nan’s ability to capture the exact colors of autumn on the mountain….) I write them on my ‘to do’ list to worry about later and get back to my commute. (After all, if I was driving to work, it these things would have to wait, right?)
Stop as soon as the timer goes off.
Take a breath and notice the change in emotions, breathing, feelings about possibility…
EXPERT ADD-ON: Don’t Forget the Evening Commute
Something that has really helped me shorten my ‘morning commute’ has been taking some time at the end of the day — or the end of the writing session—to do a similar process:
Do a little journaling to capture what needs to come out of your brain from today.
Capture the same ‘to do’ list brain-calming measures. This is not the same as putting things into whatever task management system you may have. It’s just a list to capture random thoughts while you are writing. What you do with it after your writing time is up to you!
This means that, when you sit down the next day, a lot of the ‘But What About That Appointment You Need To Make” things your brain uses to try to distract you is already on a ‘to do’ list for today and can simply be waved away. This makes your commute even more efficient!
If you’re struggling to get your head in the game when you sit down to write, you may want to look about how you’re spending your ‘commute’ from one reality to the next.
I could give you a million and one tactics for fitting writing into your life…and none of them will matter a jot until you do this one simple (not easy) thing…
And finally a remainder that know you can support this podcast, if you would like to, which some people have asked me about and to do that, you go to glow.fm/storyaday, and you can make a one-time or recurring donation to keep the show going. And I really appreciate your support. That’s it from me this week. Happy writing. And I’ll see you again soon.
It’s that time again: time to make your commitments to your writing for the coming month. Join us!
Welcome to the Serious Writers’ Accountability Group!
Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.
(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)
Beyond Prizes and Awards: The True Value of Sharing Your Stories
Welcome to The StoryADay Podcast, where we explore the power of storytelling and the importance of writing every day.
In this episode encourage you to think about the significance of our narratives and the impact they have on the world around us. Drawing inspiration from a talk by former New Zealand prime minister Jacinda Ardern, I reflect on imposter syndrome, internal motivation, and the responsibility writers have to capture the essence of human experience. Join me as we explore the value of our stories, regardless of accolades or recognition, and the role they play in helping others make sense of the world.
It’s time to embrace our unique perspectives and share our narratives with the world. So grab your pen and paper, and let’s get started on this storytelling journey together. Stay tuned!
🎧 Listen now!
TIMESTAMPS
[00:01:33] No one is asking for your story
[00:02:17] We are wonderful weirdos
[00:04:42] Who We Are Not Competing Withx
[00:07:45] How We Spend Our Lives
[00:08:49] What Stops You From Writing? (And Is It Worth It?)
[00:10:20] How Good Is Good Enough?
[00:12:53] Get the Short Story Framework or take the 3-Day Challenge
And finally a remainder that know you can support this podcast, if you would like to, which some people have asked me about and to do that, you go to glow.fm/storyaday, and you can make a one-time or recurring donation to keep the show going. And I really appreciate your support. That’s it from me this week. Happy writing. And I’ll see you again soon.
The first restaurant I worked in was an American-style family restaurant – pretty exotic for the southwest coast of Scotland in the 80s, a place festooned with fish’n’chip shops, where ‘chicken tenders’ sounded like a new language.
One of my jobs was to set out bowls of condiments before the customers came in…and not just salt, pepper, vinegar, and the two sauces known to us (red and brown), but things like ‘hamburger relish (it was green! Who had ever heard of such a thing?!) and three types of mustard: one classic yellow, one fancy ‘Dijon’, and one totally alien grainy concoction that I fell in love with.
Tonight, I opened a jar of that grainy mustard and its tangy smell transported me back 38 years, to the service corridor between the kitchen and dining room of my first job, when mustard was an exotic new experience.
It reminded me of a truth in writing: we spend so much time in our own heads that we take for granted the way we think, the way we talk, and the way we write.
Sometimes, when we show our work to someone else they are thrilled by a throwaway phrase or a description that took no effort at all…because it’s normal to you.
Sometimes we need other writers to push us to try the mustard, when we’re accustomed to always reaching for the salt and vinegar.
And yes, this is my fancy way of letting you know that Critique Week is coming up, and that if you would like to get some fresh eyes on your writing you should consider joining us.
But more than that, it’s my way of encouraging you not to take your own writing for granted. It might be the new flavor someone else is looking for!
Keep writing,
Julie
P. S. I’ll be opening up registration for this round of Critique week, soon. Get on the waitlist here.
Find out more about the StoryADay
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